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Journal articles on the topic 'Makeup artists'
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1
Kim, Hae-Yoon, and Sun-Hyoung Kim. "The Influence of Service Factors on Customer Satisfaction in Makeup Salons." Journal of the Korean Society of Cosmetology 27, no. 4 (August 31, 2021): 840–50. http://dx.doi.org/10.52660/jksc.2021.27.4.840.
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This study attempted to investigate the influence of makeup service factors on customer satisfaction empirically to provide basic data that would help makeup salons enhance customer satisfaction and set a proper direction for services. The results found the following: Among makeup service factors, ‘quality of cosmetics,’ ‘makeup artists’ skills,’ and ‘makeup artists’ reputation and kindness’ revealed a positive correlation with customer satisfaction with statistical significance. Also, ‘makeup artists’ reputation and kindness’ and ‘makeup artists’ skills’ positively affected customer satisfaction with statistical significance. The results confirm that ‘makeup artists’ reputation and kindness’ and ‘makeup artists’ skills’ have the greatest influence on customer satisfaction. The study results found that customer satisfaction with makeup services could be enhanced by increases in ‘reasonable service charge,’ ‘makeup artists’ skills,’ and ‘makeup artists’ reputation and kindness,’ thereby increasing revisit rates and making a significant contribution making makeup salons more competitive.
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Batres, Carlota, Aurélie Porcheron, Sandra Courrèges, and Richard Russell. "Professional Versus Self-Applied Makeup: Do Makeup Artists Add Value?" Perception 50, no. 8 (July 2, 2021): 709–19. http://dx.doi.org/10.1177/03010066211029218.
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While a number of studies have investigated the effects of makeup on how people are perceived, the vast majority have used professionally applied makeup. Here, we tested the hypothesis that professional makeup is more effective than self-applied makeup. We photographed the same target women under controlled conditions wearing no makeup, makeup they applied themselves, and makeup applied by professional makeup artists. Participants rated the faces as appearing more attractive, more feminine, and as having higher status when wearing professional makeup than self-applied makeup. Secondarily, we found that participants perceived the professional makeup as appearing heavier and less natural looking than the self-applied makeup. This work shows that professional makeup is more effective than self-applied makeup and begins to elucidate the nature of makeup artistry. We discuss these findings with respect to personal decoration and physical attractiveness, as well as the notion of artists as experts.
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Khairani, Cut, Rahmad, Fitri Ernalis, Iqa Nauli, and Anjasmara. "Social Interaction of Transvestites in Bireuen Regency." Britain International of Humanities and Social Sciences (BIoHS) Journal 3, no. 1 (March 1, 2021): 217–23. http://dx.doi.org/10.33258/biohs.v3i1.394.
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The purpose of the study was to understand the social phenomenon of negative stigma and social exclusion of the existence of transvestite makeup artists through social interaction with the community in Bireuen Regency. This research uses grounded theory with data processing procedure using open coding techniques, coding a stunt and selective coding against data collected through observation, and in-depth interviews. The sample of respondents reached 20 people determined through snowball sampling techniques. The results showed that 53% of makeup artists in Bireuen Regency are transvestites who have experienced a gender identity crisis triggered by imitation actions. This form of social interaction then gets a community response in the form of dissociation, conflict with religious and socio-cultural values that develop in society. Social interaction of cultural accommodation efforts and social structures by transvestite makeup artists was not able to fuse the barriers of negative stigma attached to transgender people in Bireuen Regency.
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Salamova, Zemfira. "Spatial distancing and social closeness: The work of creative professionals during the pandemic." Clothing Cultures 7, no. 2 (September 1, 2020): 215–29. http://dx.doi.org/10.1386/cc_00037_1.
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As a complete recovery from the COVID-19 pandemic crisis does not seem possible in the near future, the survival of many creative professions is under threat in Russia and other countries. Strict anti-pandemic measures were introduced in Moscow at the end of March 2020 and lasted for a little more than two months. One of the main requirements was to work from home and go outside as rarely as possible. Most Russian creative professionals such as photographers, makeup artists, actors, musicians, stand-up comedians and television hosts found themselves in very unfamiliar conditions since their work presumes physical contact with other people. However, even artists who usually work alone like jewellers or designers met with came across practical and psychological difficulties as well and had to adapt to the new order. This research focuses on two examples of creative work during the COVID-19 pandemic: Russian jewellery designer Katia Rabey’s project ‘Quarantine Rings’ and the participation of Russian makeup artist Yulia Rada in virtual commercial photo-shoots. I am interested in how the artists perceived the changes introduced as a result of the pandemic and how these changes emphasized the digital side of contemporary creative labour. Despite the differences in the challenges that the two artists met, both of them stressed the importance of social closeness.
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Desiana, Fauziah Ismi, and Reiza D. Dienaputra. "AKULTURASI BUDAYA SUNDA DAN JEPANG MELALUI PENGGUNAAN IGARI LOOK DALAM TATA RIAS SUNDA SIGER." Patanjala : Jurnal Penelitian Sejarah dan Budaya 11, no. 1 (March 30, 2019): 149. http://dx.doi.org/10.30959/patanjala.v11i1.399.
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Akulturasi budaya Jepang dan Sunda dalam bingkai tata rias Sunda Siger membuktikan bahwa tata rias tradisional dapat dikemas modern dalam balutan teknik Igari Look. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif. Pengumpulan data didapatkan dari wawancara dengan make-up artist yang menggunakan teknik make-up Igari Look dalam tata rias Sunda Siger dan aktif mengunggah hasil tata riasnya dalam sebuah portofolio di Instagram. Akulturasi kebudayaan Sunda dan Jepang dalam tata rias Sunda Siger merupakan bukti bahwa masyarakat Sunda terbuka dengan situasi multikultural. Keberadaan Igari Look dalam bingkai tata rias Sunda Siger pada hakikatnya bukan bertujuan untuk memarjinalkan makna filosofis dan historis dalam setiap unsur tata rias Sunda Siger, namun proses inovasi dari make-up artist ini perlu dimaknai sebagai sumbangsih untuk menghidupkan kembali tata rias tradisional agar lebih diminati oleh kaum muda. Acculturation of Japanese and Sundanese culture in frame Sunda Siger cosmetology proves that traditional cosmetology can be filled with modern dressing in the Igari Look technique. This study uses qualitative methods using descriptive. Data collection was obtained from interviews with make-up artists who used the Igari Look make-up technique in the Sunda Siger makeup and actively uploaded the makeup results in a portfolio on Instagram. Acculturation of Sundanese and Japanese culture in Sundanese Siger makeup is proof that Sundanese society is open with multiculturalism. The existence of Igari Look in the Sunda Siger makeup frame in essence is not an agreement to marginalize philosophical and historical meanings in any Sundanese Siger makeup, the innovation process of this make-up artist needs to be interpreted as cleft of young people.
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Suharnanik, Suharnanik. "Women and Make-Up: The Dilemma of Bourdieu's Subjectivism-Objectivism on Social Media." Journal of Society and Media 4, no. 1 (April 20, 2020): 16. http://dx.doi.org/10.26740/jsm.v4n1.p16-30.
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This research refers to the trend of women's makeup in the 2020 era, which is dominated by natural makeup. Influencers and makeup artists have a role in popularizing it. The author is interested in examining the makeup behavior in women with Bourdieu's theory. What behaviors make a woman look natural, prioritize skin health, minimal makeup. What culture is behind it. The findings of this study are all women like makeup, habitus leads to natural makeup. Habitus emphasized freedom in analyzing a practice as an agent and social structure. Women have a habitus in using makeup determined by a dual mechanism not just the dominance of social media factors, but also played by self-freedom as women as influencers in the social media itself. The arena is an environment where strength is at stake in the struggle over capital resources. Social media is an arena, a different social space, more enabling women to compete more dynamically in gaining position and legitimacy. Women use practices in makeup as a strategy in winning a competition. The makeup practice is an accumulation of women's capital and habitus, where every woman is different in her practice. The method used in this research includes in-depth interviews with women who use makeup, as well as literacy studies of the concepts of capital, habitus, and the realm. The results showed that women undergoing their practice experienced "ambiguity" or dilemmas when using make-up strategies in their social arena.
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Widyasari, Ayuningtyas Putri, Faiza Hawa, and Sukma Nur Ardini. "A SEMANTIC ANALYSIS OF BEAUTY TERMS IN MAKE UP BOOKS." ETERNAL (English Teaching Journal) 13, no. 1 (March 19, 2022): 68–88. http://dx.doi.org/10.26877/eternal.v13i1.11042.
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The study aimed to reveal beauty terms used in makeup books, and to find out the kinds of beauty terms found in the makeup books and their meanings. This study used qualitative method based on Miles and Huberman’s theory. The writers used semantics approach based on theory of kind of meaning by Wijana and Rohmadi (2008). In this study, the writers found 69 beauty terms in two makeup books written by international top makeup artists and influencers. Those terms were then clustered into makeup tool, makeup application technique, make up terms, and makeup mistake. The 69 terms belong to primer and secondary meaning. As primer meaning. lexical meaning gained 8 terms, denotative meaning gained 15 terms, and literal meaning gained 6 terms. On the other side, the rest is grammatical meaning, connotative meaning, and figurative meaning. Each of them gained 10 terms, 13 terms, and 17 terms. This study informed that most of the terms in the context of beauty have experienced change in semantics. Denotative meaning was the top among those meanings. In relation to the findings of the beauty terms found in this study, this confirms that beauty enthusiasts, as part of our community, have established their own vocabulary
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Zafar, Amirah, Mehwish Niaz, Saad Kamal Akhtar, Umar Sadiq, and Shakeela Rasheed. "Prevelance of Cervical Pain in Make-up Artist and Hair Dressers of Lahore." Pakistan Journal of Medical and Health Sciences 16, no. 1 (January 30, 2022): 882–84. http://dx.doi.org/10.53350/pjmhs22161882.
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Background: The overall incidence of cervical pain in makeup artists is well known. In our study we attempted to work on the prevalence of cervical pain among make-up artist and hair dressers due to prolong consecutive working hours and awkward body posture. Purpose: The sole purpose of this research was to find the prevalence of cervical pain among make-up artist and hair dressers while performing their make-up and hair cutting for consecutive long working hours. Method.It was a cross-sectional study design. 150 participants were taken and it includes makeup artists, hair dressers.Non-probability Convenient Sampling technique was used and the main target population age lies between 25-40 years.The inclusion criteria were25-40 years age,both genders are included, more than 8-9 consecutive working hours in salon, static posture for long period of time and use of Dominant hand. The Exclusion criteria wastraumatic injury to cervical, Fracture, Tumors,Cervical spondylosis, Recent surgery,Cervical rib, working hours less than inclusion criteria. Results: Out of 150 workers 37.33% of workers were suffering from mild cervical pain, 22% of workers had moderate pain and 0.67% of workers were suffering from very severe pain. In 40% of individuals sleep was occasionally disturbed and 38.6% of workers reported of experiencing numbness in arms. Conclusion: This study demonstrates that make-up artist and hairdressers have cervical pain and numbness in arms due to prolong working hours which ultimately affect their ergonomics and posture of neck and body. These consecutive long working hours and use of dominant hand cause strain in cervical muscles which alsolimit the neck movements. Keywords: Cervical pain, Incidence, Ergonomics, Mechanics, Salon workers, Prevalence.
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Mills, Presley. "Alien Beauty: Posthuman Re-Imaginings." Fashion Studies 2, no. 1 (2019): 1–23. http://dx.doi.org/10.38055/fs020105.
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In the fall of 2018 WGSN (World Global Style Network) ran a report on the emerging “alien beauty” trend, which they defined as “an otherworldly aesthetic inspired by extraterrestrial life forms … signifying a new rebellious attitude towards quintessential beauty norms” (Bailey). Instagram is one of the largest platforms to represent the trend of alien beauty, presented by a thriving community of makeup artists pushing the boundaries of conventional beauty practices. These artists are developing otherworldly and exaggerated makeup looks created through the combination of makeup, fashion, technology, and social media. The following research attempts to outline elements of beauty that are engaged with through alien beauty, and through creative practice presents them on conventionally beautiful bodies to demonstrate new, challenging version of beauty. Alien beauty selfies shared via Instagram can be re-contextualized to challenge existing examples of art, nature, and beauty. Through practice-based methodology and theories of posthumanism, this piece explores the changing ideals of beauty manifested with the support of technology and social media as well as how the term “alien beauty” manifests as a current trend. Considering the re-imagined paintings created to explore alien beauty, they reveal how beauty has been traditionally constructed through a colonial, heteronormative, hegemonic gaze and how “alien” is therefore a form of escapism and rebellion.
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Bystritskaya, O. O., M. A. Chashchina, and S. V. Murashova. "Management Strategy for Non-classical Intellectual Property Objects." Economics. Law. Innovaion, no. 1 (February 2022): 61–69. http://dx.doi.org/10.17586/2713-1874-2022-1-61-69.
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The authors present the results of the analysis of Russian and foreign legislative provisions in the field of managing non-classical intellectual property objects, as well as judicial practice in order to determine the current legal status of such intellectual property objects as works of makeup artists and tattoo artists and further develop a strategy for managing non-classical objects. The authors formulated modern solutions for the management and protection of non-classical objects in connection with the constantly appearing similar objects and insufficient legislative regulation in this area.
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Mulyana, Ahmad, and Parlin Harbert. "Feminine Behavior Management in Personal Selling Activities for Professional Male Makeup Artists." International Journal of English Literature and Social Sciences 4, no. 5 (2019): 1456–64. http://dx.doi.org/10.22161/ijels.45.33.
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Шаркіна, А. "ПРАКТИКИ ГРИМУ В FASHION-ІННОВАЦІЯХ: СПЕЦИФІКА, ФУНКЦІЇ." Art and Design, no. 3 (November 13, 2020): 132–44. http://dx.doi.org/10.30857/2617-0272.2020.3.11.
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The aim of the article is to identify the specifics and functional features of the artistic make-up in the design expressive means system at the level of joint techniques with make-up in theater and cinema. Methodology. The historical, analytical and comparative methods have been used in the study. The image-associative and stylistic analysis methods have been applied to the selected historical and modern examples of make-up practices. Summary. The specifics of theatrical make-up, make-up for cinema and fashion images have been examined on the examples of female images, common and distinctive features have been defined. The main functions of make-up have been exuded and realized by the author of the research in modern fashion images; the peculiarties of ratio of make-up with other components of the artistic image have been determined. The scientific novelty is in the actualization of the make-up problem in fashion-innovations within the scientific development, in determination of its specifics, which consists in the theater and cinema make-up artists’ basic techniques application and at the same time modern make-up, decorative, posthumous means usage. Practical significance. The relationship between traditional and innovative makeup practices in the fashion industry at the level f theoretical and methodological research and practical implementation of the makeup basic functions in the modern feale images creation have been revealed in the study. The results of the study focus on further research of the makeup types; the research results can be used in the practical activities of a make-up artist and in the teaching practice.
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Earlene, Maria Margaretha. "Lahir dan Berkembangnya Trend Instagram Brow di Industri Kecantikan." Business Economic, Communication, and Social Sciences (BECOSS) Journal 2, no. 1 (January 28, 2020): 63–74. http://dx.doi.org/10.21512/becossjournal.v2i1.6076.
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An eyebrow makeup trend called Instagram Brow (InstaBrow) with 253,388 #instabrows uploads and 35,572 #instabrow uploads on Instagram. This study analyzes the background and definition of instabrow. The Netnography method used for this qualitative research because of its relation to the internet and ethnography (Kozinets, 2010). The data collection is done through the Sprinklr application, as well as observations on Instagram uploads, and the involvement of researchers as beauty influencers on Instagram. Discourse Analysis is used to compare the data with interview articles on popular news media websites about annual eyebrow trends. Instabrow is influenced by the method of eyebrow formation with the Golden Ratio principle from Anastasia Soare. Anastasia Beverly Hills (ABH), her makeup brand, though it doesn’t promote #instabrows, ABH is often mentioned along with the hashtag. Beauty businesses that promote the term “Instabrow” are Microblading services, provide semi-permanent eyebrows the consumer desire. The goal is for consumers who want beautiful eyebrows without having the need to waste time or energy every day. Celebrities such as Kylie Jenner with her distinctive eyebrow makeup helped with the popularity of Instabrow. Jenner now benefits from the trend by launching a variety of her eyebrow makeup products. Many professional makeup artists predicted the end of the instabrow trend since 2014, while even now the trend has not yet ended. Variations began to emerge, but the instabrow trend remains, even reached its peak in September 2018. The main reason makeup enthusiasts love it is how it is attractive in photos. The results of this study are expected to provide an overview of the beauty industry regarding the phenomenon of instabrow trends on Instagram.
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Haifa Ebn Hadj Salah, Haifa Ebn Hadj Salah. "The satirical map is a medium for criticism of the contemporary Arab Maghreb reality among Moroccan artists: الخريطة الساخرة وسيط تشكيلي لنقد الواقع العربي المغاربي المعاصر لدى الفنانين المغاربة." مجلة العلوم الإنسانية و الإجتماعية 6, no. 4 (April 29, 2022): 61–74. http://dx.doi.org/10.26389/ajsrp.f101221.
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During the recent timeframe, what has become the Arab Maghreb plastic artist’s goal during the recent period is foregrounding, through cartographic works that mimic the reality of the Maghreb Arab world, the plethora of the latter’s matters. This is to be done either via critical artwork that may reach a level of sarcasm in certain stances, or via criticizing reality in which the Arab world witnesses ideological and socio-cultural conflicts. That image is nothing more than a multi-faceted area of research that defines the Maghreb identity and represents the intellectual, cultural and social features of the corresponding society. Ergo, various artists tried to transmit the Maghreb reality through different images in such a manner that they entered the realm of social critique and satire. Yet, the intensity of criticism varies from an artist to another, for it is gauged according to his/her cultural and social backgrounds; adding to that his/her national sense of belonging. Indeed, the plastic artist has ventured in the game of geographic leveling of countries, and even of the map as a whole. Thus, they rendered the general makeup of the image a mimesis of his/her design which was both critical and awareness-oriented. Satirical maps, then, saw the light and waxed a plastic medium that transmits and critiques the modern Maghreb world.
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Monia, Yuke, and Hayatunnufus Hayatunnufus. "STUDI TENTANG UPACARA ADAT PERKAWINAN DI KECEMATAN KINALI PASAMAN BARAT." Jurnal Tata Rias dan Kecantikan 3, no. 2 (January 26, 2022): 75. http://dx.doi.org/10.24036/.v3i2.65.
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The researcher's background in making this thesis is due to changes in the series of traditional wedding ceremonies and bridal make-up in West Kinali Pasaman District, as well as the existence of several series of traditional ceremonies and make-up processes that were left behind as in a series of ceremonies before marriage, namely mancari chickens (proposing). usually done by a mamak to find a mate for his nephew but in Kinali sub-district this process is rarely done. Meanwhile, a series of marriage ceremonies, namely the marriage contract, was previously carried out at night, namely at the night of cooking rice, but over time the marriage contract was carried out during the day. In the form of bridal make-up in Kinali Subdistrict, before the bride was make-up she first performed the bahieh ritual, but nowadays bahieh ritual is very rarely done because makeup artists are more following the trend of makeup. Many wedding ceremonies in Kinali Pasaman Barat Subdistrict have been changed over the years but still follow the prevailing customs. Previously, bridal make-up in Kinali Pasaman Barat Subdistrict, before the bride and groom were dressed, they first performed the bahieh ritual, but over time, makeup artists followed the current trend of makeup. The form of bridal clothing and accessories in West Kinali Pasaman Subdistrict, the bridal clothing consists of batabue, tokah, kodek / skirt, suntiang gadang bridal accessories, kaluang and galang, groom's clothing consists of skirt, vest, sarawa, sasampiang, bridal accessories saluak, kaluang, galang and keris. Wedding clothing, along with the times, has been modified a lot as well as various clothing colors, which used to be identical to the red color of the wedding dress. The meaning of wedding dress in Kinali Pasaman Barat Subdistrict, suntiang, implies that a heavy burden will be borne by a wife when living a married life. Saluak is a male head covering which has a meaning as a symbol of the leader in the gadang house after having a family. As well as leading the children and their nephews according to the customary saying of minang anak dipangku kamanakan in urang kampuang dipatenggangkan. The skirt symbolizes the wearer's greatness and big spirit.
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Kim, Soong-Hyun. "Incubation of Customized Prosthesis Artists through Improvements in Job Competency among Special Makeup Artists: Focusing on the Development of Digital Operation-based Courses." Korean Society of Beauty and Art 22, no. 3 (September 20, 2021): 337–58. http://dx.doi.org/10.18693/jksba.2021.22.3.337.
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Wahyuingsing, Anik, Supriono, Hardika, and Umi Hidayati. "Transfer of Kowledge Local Wisdom ‘Blitar Kartika Rukmi’: Promote Entrepreneurship." Journal of Education and Vocational Research 9, no. 1 (November 30, 2018): 17–22. http://dx.doi.org/10.22610/jevr.v9i1.2558.
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‘Blitar Kartika Rukmi’ is one of Indonesian bridal traditional make-up. To master this kind of makeup, participants need to complete their study from LKP Imam Mandiri which is one of the non-formal vocational institutions. Blitar Kartika rukmi is a kind of make-up taken from Blitar society local wisdom. This research aimed to find the relationship between the Blitar Kartika Rukmi bridal make-up and the successfulness of the participant as Kartika Rukmi bridal make-up artists. The research method used phenomenology study since the participant graduate from this training had succeed in doing the entrepreneurship. The finding of the research showed the participant who took part in the training, very understood about the philosophy value of Blitar Kartika Rukmi bridal make-up and applied it in doing the entrepreneurship. The make-up artists had gain successful as an entrepreneur and in other field of business.
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Novacich, Samuel Elliott. "“Masking” Makeup: Cosmetics and Constructions of Race in Rio de Janeiro." Cultural Anthropology 36, no. 4 (November 18, 2021): 681–707. http://dx.doi.org/10.14506/ca36.4.10.
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This article examines applications of bright, eye-catching makeup on the periphery of Rio de Janeiro, Brazil. Tracking the aesthetic decisions of makeup artists and their clients, I analyze how colorful manipulations of the bodily surface relate to local constructions of race. But the bodily surface does not simply reflect established and conventional understandings of race, nor are the aesthetics described herein merely symbolic of assumptions of difference. Instead, the aesthetic practices portrayed in this article may also be regarded as experimental, “nondiscursive” moments—operating on a complementary semiotic register—in the production of yet-to-be actualized ideas about race and being. This research shows how makeup practices often disrupt the aesthetic and conceptual links that tie insides to outsides, essences and souls to physical appearance, and in so doing chip away at the foundations on which race in Brazil has historically been built. Through sixteen months of ethnographic fieldwork (2019–2020) in Rio’s northern suburbs, I observed as disparate aesthetic practices—namely, beautification and transformation—merged with eclectic understandings of the body and notions of being. Through these alternating lenses, makeup enthusiasts often interpreted material signs of the body as pointing to categorical constructions of race, on the one hand, and to beauty, sex, and desire, on the other.These semiotic oscillations and their interpretations often stood in conflict with established racial discourses, and yet rather than being exceptional, I argue that such exploratory, sensuous aesthetics are in fact mundane. Taking as a starting point the understanding that racial discourse in Brazil, as elsewhere, is internally ambiguous and rife with epistemic conflict, this article describes nondiscursive aesthetic practices as strands of material disorder—latent with possibility but often incongruous with what we think we know about race—working to forge novel understandings of race, beauty, and the body.
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Padrón, Karla M. "To Decolonise is to Beautify: A Perspective from Two Transgender Latina Makeup Artists in the US." Feminist Review 128, no. 1 (July 2021): 156–62. http://dx.doi.org/10.1177/01417789211013432.
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Dewi, Ida Ayu Gede Prayitna. "Simbol Tri Murti dalam Payas Agung Pengantin Bali." Sanjiwani: Jurnal Filsafat 9, no. 1 (July 7, 2020): 43. http://dx.doi.org/10.25078/sjf.v9i1.1611.
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<em>Balinese fashion and dress is one part of Balinese culture with elements of art that have existed in antiquity. The kings of Bali of his day have introduced a distinctive dress culture in their respective regions of power. Some types of Balinese have similarities and differences in forms such as Payas Agung Karangasem, Buleleng, Tabanan, and Badung. Payas Agung The Bali Bridal used to be a dress for the King and queen, but over time now Payas Agung Bridal Bali is used for the wedding of Balinese people in general. The emergence of new make-up artists has made a positive impact in the development of Makeup in Bali, but a study that can be used as a guideline for the tradition of makeup and the value of philosophy is not lost and well preserved. This research is a qualitative type with the theory of symbols, aesthetic theory and religious theory. The research techniques are conducted by observation and interviews, document studies. The results obtained are Cempaka flowers and kenanga is a symbol of Tri Murti in Payas Agung Bridal Bali is placed on the head decoration, where this section is the most purified as the embodiment of offerings to Ida Sang Hyang widhi Wasa. The value contained and the influence of this symbol on the bride is as a form of beauty and Taksu.</em>
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Yoo, Hyun Kyung, and Young A. Lee. "The Effects of Emotional Labor on Job Satisfaction in Makeup Artists: Focusing on the mediating effects of job stress." Korean Society of Beauty and Art 19, no. 2 (June 20, 2018): 125–36. http://dx.doi.org/10.18693/jksba.2018.19.2.125.
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Yoo, Hyun Kyung, and Young A. Lee. "The Effects of Emotional Labor on Job Satisfaction in Makeup Artists: Focusing on the mediating effects of job stress." Korean Society of Beauty and Art 19, no. 2 (June 20, 2018): 127–38. http://dx.doi.org/10.18693/jksba.2018.19.2.127.
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Pranowo, NFN, and Winci Frdaus. "Penggunaan Bahasa Nonverbal dalam Upacara Adat Pernikahan Gaya Yogyakarta: Kajian Simbolik Etnopragmatik." Ranah: Jurnal Kajian Bahasa 9, no. 1 (June 25, 2020): 35. http://dx.doi.org/10.26499/rnh.v9i1.2321.
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This research is an interpretive reflective research with ethnopragmatic symbolic study theory. The source of the research data was taken from the documents of two makeup artists from Yogyakata, namely the makeup dresser Lisandra and the makeup dresser Hj. Rochayati. The research data are in the form of Javanese traditional wedding document of Yogyakarta style. The data collection technique is in the form of observation of photo documentation to obtain data in the form of a marriage ceremony sequence that uses verbal and nonverbal language from preparation to the end. The data analysis technique is interpretive reflective. The concrete steps of data analysis are (a) identifying documents, (b) classifying the sequences of marriages, and (c) interpreting each stage of the ceremony. The objectives of the research are (1) to describe the form of nonverbal language in traditional marriage ceremonies, and (2) to describe the non-verbal symbolic meaning of non-verbal language in marriage ceremonies. The findings of the research are that (a) the form of Yogyakarta-style traditional wedding events there are 15 stages, ranging from paningsetan to reception, and (b) ethnopragmatic symbolic meaning in general in the form of prayer requests so that what is desired can be realized.AbstrakPenelitian ini merupakan penelitian reflektif interpretatif dengan teori kajian simbolik etnopragmatik. Sumber data penelitian diambil dari dokumen dua orang juru rias dari Yogyakata, yaitu rias pengantin Lisandra dan rias penantin Hj. Rochayati (nama disamarkan). Data penelitian berupa dokumen foto perkawinan adat Jawa gaya Yogyakarta. Teknik pengumpulan data berupa observasi dokumentasi foto untuk mendapatkan data berupa urutan upacara perkawinan yang menggunakan bahasa verbal dan bahasa nonverbal dari persiapan sampai dengan akhir. Teknik analisis data dilakukan secara reflektif interpretatif. Langkah konkret analisis data adalah (a) mengidentifikasi dokumen, (b) mengklasifikasi urut-urutan acara perkawinan, dan (c) menginterpretasi tiap tahapan upacara. Tujuan penelitiannya adalah (1) mendeskripsikan wujud bahasa nonverbal dalam upacara adat perkawinan, dan (2) mendeskripsikan makna simbolik etnopragmatik bahasa nonverbal dalam upacara adat perkawinan. Temuan hasil penelitian adalah bahwa (a) wujud acara adat perkawinan gaya Yogyakarta terdapat 15 tahapan, mulai dari paningsetan sampai dengan resepsi, dan (b) makna simbolik etnopragmatik pada umumnya berupa doa permohonan agar apa yang diinginkan dapat terwujud.
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Muhajir, Muhammad, and Annisa Ayunda Permata Sari. "Implementasi Metode Improved K-Means dengan Algoritma Dbscan untuk Pengelompokan Film." Unisda Journal of Mathematics and Computer Science (UJMC) 6, no. 01 (June 30, 2020): 1–8. http://dx.doi.org/10.52166/ujmc.v6i01.1923.
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The Indonesian film industry continues to experience an increase seen from the number of films that appear in theaters today with a box office increase of 28 percent each year in the past four years. Internet Movie Database (IMDb) is a website that provides information about films around the world, including the people involved in it from actors, directors, writers to makeup artists and soundtracks. In this case the researcher wants to conduct research on the characteristics of the film and the factors that make a film to be included in the IMDb Top 250. The data used in this study uses scraped data from the website. The method used is a non-hierarchical clustering method, namely kmeans and Dbscan. Where the Dbscan algorithm is used to determine the optimum number of clusters then proceed by grouping data based on centroids with k-means algorithm. From the analysis it was found that the factors that could influence a film included in the IMDB Top 250 were duration, number of votes, and films directed by Rajkumar Hirani and the optimal number of clusters using Dbscan algorithm obtained six clusters. With the improved k-means algorithm, the accuracy value for the cluster results is 87.2%.
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Iglesias Garcia, Ricardo. "“Our Posthuman Future” in Utopias of Contemporary Art." Chelovek 32, no. 4 (2021): 149. http://dx.doi.org/10.31857/s023620070016693-9.
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The evolution of the concept of body and progress, specifically from Modernity and with the implementation of technologies, allows us to delve into new utopian / dystopian visions about the human subject and his corporality. Technological art, which originated in the second half of the twentieth century, is actively working towards dismantling the classic utopian paradigms that have accompanied culture for more than five centuries. The new art took over the function of managing the utopias that the artistic avant-garde created in an industrial society in the first half of the last century and replaced them with the utopias of a digital society. The understanding of the body as a space of utopian creativity, the idea-force of the automaton body persists even today implicitly in many of these figurations. Physical practices such as bodybuilding, plastic surgery, implants, makeup, and tattoos allow the body to act as a "utopian object". Along with this, there are attempts to present the body not as a living object of nature, but as a machine, as a bodily automaton. It is also remarkable to propose the body as a machine and not as a natural or animal object, an issue that will not fail to bring consequences when exercising activities with and on the body. New technologies offer the possibility of overcoming the limits imposed by our biological inheritance in a kind of explicit desire neither to accept our past, nor our natural-organic origin. In this sense, an important series of thinkers, scientists and artists consider the body as something completely obsolete, like an empty shell that must be shed to technologically give way to the next level in human evolution: the Techno Sapiens or the Cyborg. They advocate that the anthropology’s object of study passes from the “human being” to the “cyborg”, considering this one as a more suitable representative of our present, and above all, of our future. The figure of the cyborg has become the center of a new utopian transhumanist paradigm (K. Hayles, N. Bostrom, R. Hanson, H. Moravec), analogously in the sphere of art appear figures who want to represent this technoevolution, artists like Stelarс, Marcel.lí Antúnez among others.
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Nesen, Iryna. "The Role of Costume in the Formation of the Character Image in the Theater of the Corypheses (1882 – 1914)." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 154–58. http://dx.doi.org/10.32461/2226-3209.2.2021.239997.
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The purpose of the article is establishment of relations between scenic outfit and characters personalities in performances of the Theater of the Corypheses (1882 - 1914). In the methods set we are founding on historic basics and inter-disciplinary approaches. In bounds of historic-comparison and, partially, mythological methods liaisons between costumes typology of adjacent periods are tracked. Formal method helps to analyze costume as metaphors of meaning, and iconological approach allows determining semantic time symbols. Scientific novelty of the research is based on the system analysis of printed editions and archived materials and determines scenic costume as concrete image, which becomes inseparable from character’s personality. Conclusions summarized in the article give possibility to state that the Theater of the Corypheses during its activity behaved to scenic outfit as to a complex set which was appearing as a result of collection and studies of different sources and actual material. Near sources of formation of theatrical costume traditions where famous directors which in the same time had significant acting and writing experience and acquired encyclopedic knowledge. Into the set of theatrical costume in addition to clothes, shoes, hats and accessories, makeup, features of the actor's posture, a picture of his movements are included. Thus, the stage activity of the Theater of the Corypheses is a set of costumes, which became iconic and were imitated by various drama theaters that operated in Ukraine in subsequent historical periods. An important professional component in the process of creating theatrical costumes was added by artists-connoisseurs of the Ukrainian past, who in the early XX joined the preparation of performances on historical themes, began to create sketches for all stage costumes.
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Proskuriakova, O. "Make-up as a space of semiotic communication." Culture of Ukraine, no. 78 (December 23, 2022): 38–44. http://dx.doi.org/10.31516/2410-5325.078.04.
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The purpose of the article is to study the peculiarities of semiotic communication in make-up art.
The methodology. New methodological principles of make-up training, which are based on the intersection of cultural and art history approaches, will be proposed. Particular attention is paid to the semiotic study of make-up.
The results. Having studied the construction and functioning of make-up as a symbolic system, it has been proven that make-up art has a complex structure of semiotic communication. It can be traced in its symbolic units (color, line, etc.) and their interaction, as well as in the multi-layered structure of reference and recipient, which is most vividly reflected in theatrical make-up.
Thus, the space of semiotic communication of playing can be considered in two main vectors: 1) communication between signs and symbolic structures in the space of the make-up scheme; 2) communications between signs composing the semiotic space of makeup from the external environment.
Therefore, to solve the problems of semiotic communication of make-up art, sufficient attention should be paid both to the detailed processing of make-up schemes and the question of authorship in the context of dialogue, the multiplicity of interpretations, contexts and meanings.
The scientific novelty. Along with studies of the semiotics of the theatre, a separate direction of research is proposed — the semiotics of make-up. This will provide new opportunities for researchers and experts in the context of the semiotic understanding of culture and make-up art in general.
The practical significance. The results of the research can be used in the scientific, creative and pedagogical activities of specialized educational institutions, as well as by directors-producers of performances, theatrical programs, actors and make-up artists involved in these productions to solve theoretical and practical tasks.
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Ariani, Nova Nelsya, Muhammad Giatman, and Yuliana Yuliana. "Strategi pemanfaatan media sosial dalam pemasaran usaha jasa make up artist." JRTI (Jurnal Riset Tindakan Indonesia) 7, no. 3 (July 23, 2022): 363. http://dx.doi.org/10.29210/30031968000.
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Pemasaran melalui media sosial saat ini sangat memberikan peluang besar bagi pelaku usaha, dalam rangka memasarkan produk atau jasa yang mereka miliki dengan lebih cepat dan konsumen dapat melihat produk dan jasa secara langsung melalui media sosial. Rumusan masalah penelitian mencakup penambahan strategi pemasaran pelaku usaha jasa makeup dengan menggunakan media sosial. Jenis penelitian ini merupakan penelitian kepustakaan sehingga metode penelitian menggunakan studi pustaka. Tujuan penelitian ini adalah untuk (1) Mengetahui startegi pemasaran untuk meningkatkan minat konsumen pada pelaku usaha jasa makeup. (2) Mengetahui pemanfaatan media sosial sebagai media pemasaran berdasarkan kajian pustaka yang ada. Berdasarkan hasil kajian pustaka atau literatur yang ada, diperoleh temuan peneliti bahwa Pelaku usaha jasa <em>make up</em> yang dahulu hanya menerapkan pemasaran menggunakan media iklan berupa brosur, dengan adanya pesaing yang semakin banyak pelaku usaha jasa <em>makeup</em> harus menerapkan strategi pemasaran yang modern dengan menggunakan media sosial sebagai sarana pemasaran online untuk mempengaruhi daya tarik konsumen untuk memakai jasa makeup yaitu dengan menggunakan instagram dan aplikasi penyedia jasa <em>makeup</em>. Melalui artikel ini diharapkan pelaku usaha jasa <em>makeup</em> bisa memanfaatkan media sosial seperti instagram dan aplikasi penyedia jasa <em>makeup</em> sebagai strategi pemasaran untuk menunjang minat terhadap jasa yang di sediakan.
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Dewandana, Sudrajat, and Katarina Indah Sulastuti. "PERKEMBANGAN REOG CING PO LING PAGUYUBAN PONCO MANUNGGAL JATI DI DESA JATIREJO, KECAMATAN KALIGESING, KABUPATEN PURWOREJO." Greget: Jurnal Pengetahuan dan Penciptaan Tari 19, no. 2 (December 28, 2020): 152–75. http://dx.doi.org/10.33153/grt.v19i2.3454.
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The article entitled Development of Reog Cing Po Ling Paguyuban Ponco Manunggal Jati in Jatirejo Village, Kaligesing District, Purworejo Regency is trying to uncover two problems, namely: (1) how the form of the show Reog Cing Po Ling Paguyuban Ponco Manunggal Jati in Jatirejo Village, Kaligesing District, Purworejo Regency today.; and (2) how is the development of Reog Cing Po Ling Ponco Manunggal Jati Group in Jatirejo Village, Kaligesing District, Purworejo Regency from 2016-2019. The first problem was examined based on the form theory which explained that the form of the performance consists of interconnected elements including dance moves, floor patterns, dance music, makeup and clothing, property, time and place of performance. Meanwhile, to examine the second problem used development theory that the development is a process of re-processing based on elements of tradition and expansion of the introduction area in the form of a new look without reducing or eliminating the values of existing traditions so that it can be enjoyed by the wider community. This research is qualitative. The techniques or steps in this study include the stage of data collection, the stage of data analysis, and the stage of preparing the report. The results of this study showed that Reog Cing Po Ling Ponco Manunggal Jati was carried out communally with elements of the show arranged neatly. The development of Reog Cing Po Ling Paguyuban Ponco Manunggal Jati lies in the elements of the show and the expansion of the stage area. The development occurred due to the influence of factors both from inside and outside the reog Cing Po Ling art group. Internal factors that influence the development of Reog Cing Po Ling include creativity of art actors, management of organizational systems, and spirit of togetherness among art actors. While external factors such as local government, artists from outside, and the development of technology Keywords: Reog Cing Po Ling Paguyuban Ponco Manunggal Jati, Form, Development.
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Yantimas, Yuli, and Diah Ayu Candranigrum. "Analisis Brand Activation Hellobeauty dalam Membangun Loyalitas Konsumen." Prologia 3, no. 1 (December 9, 2019): 305. http://dx.doi.org/10.24912/pr.v3i1.6255.
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HelloBeauty merupakan perusahaan start-up yang berkembang dalam usaha bisnis jasa kecantikan nomor satu di Indonesia. HelloBeauty yang berbasis online. Dalam mengembangkan bisnisnya HelloBeauty melakukan promosi secara online maupun offline. HelloBeauty menggandeng sejumlah beauty artist sekitar kurang lebih 10.000. Dennish Tjandra yang memulai bisnisnya terinspirasi dari istrinya yang kesulitan dalam mencari makeup artist. Hal itu yang membuat Dennish mencoba untuk membuat sebuah program yang memudahkan perempuan di Indonesia untuk mencari beauty artist yang sesuai dengan lokasi, harga, dan kecocokan makeupnya. Penelitian ini menggunakan metode penelitian kualitatif yang menggunakan teknik wawancara. Beberapa event offline maupun online yang diselenggarakan adalah event makeup dengan Giovanni, Bubah Alfian, dan Gathering Makeup Artist. Untuk event offlinenya dilakukan dengan melakukan berbagai giveaway. Beberapa cara promosi yang dilakukan HelloBeauty adalah dengan melakukan brand activation. Dua strategi yang dipilih adalah social media activation dan marketing event activation. Kegiatan promosi melalui media sosial dijalankan oleh HelloBeauty dari awal mula berdiri. Event yang sudah diselenggarakan sebanyak 40 event mulai dari tahun 2017 sampai pertengahan 2019. Dennish meyakini bahwa dengan adanya event offline ini, akan sangat membantu HelloBeauty dalam berkomunikasi secara langsung dengan beauty artist maupun konsumen HelloBeauty. Hasil dari penelitian ini adalah loyalitas yang terbangun dari konsumen HelloBeauty.
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Jazuli, Muhammad, and Samsul Alam. "FROM RITUAL TO ENTERTAINMENT: THE CHANGING ROLE OF BARONGAN PERFORMANCE ARTS." Humanities & Social Sciences Reviews 8, no. 4 (August 19, 2020): 496–506. http://dx.doi.org/10.18510/hssr.2020.8448.
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Purpose of the study: The aim of the study is to 1) describe the Barongan Performance Arts presented in the form of parades and dance-drama on aspects of motion, accompaniment, makeup, fashion, and venue; 2) describe the role of Barongan Performance Arts in Blora society, namely the role of ritual and the role of entertainment that has lasted a long time; and 3) describe the changing role of Barongan Performance Arts from ritual to entertainment in Blora society.
Methodology: This research is based on qualitative analysis—the data collected by observation, interview, and documentation. Data validity is using credibility, transferability, dependability, and confirmability. The data of the form of Barongan Performance Arts were analyzed used the ethnocoreology approach, and the data of the changing role of the Barongan Performance Arts were analyzed used the social action method.
Main Findings: Barongan Performance Arts are displayed in two forms, namely the form of a procession or parade and dance-drama. Barongan Performance Arts from ritual to entertainment because, the development of social and cultural life of the Blora people, this is influenced by economic and globalization factors. The growth and development of Barongan Performance Arts as an entertainment center is inseparable from the participation of artists and managers in introducing Barongan Performance Arts.
Applications of this study: The results of this study are expected to be beneficial for the development of Barongan Performance Arts so that it still exists that is loved by the community, as a reference for local governments in the effort to develop and preserve Barongan Performance Arts, to be an appreciation for and development of Barongan Performance Arts teaching materials and to be an additional aesthetic experience that sourced from Barongan Performance Arts.
Novelty/Originality of this study: The conflict between ritual and entertainment interests in Barongan Performance Arts is definite. Reflection of the conflict can be seen from the existence of competing with each other, influencing each other in its presentation and strategies attracting the attention of a broad audience. While the comparison seems they can live and develop side by side.
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Batres, Carlota, and Hannah Robinson. "Makeup increases attractiveness in male faces." PLOS ONE 17, no. 11 (November 3, 2022): e0275662. http://dx.doi.org/10.1371/journal.pone.0275662.
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Makeup is commonly attributed with increasing attractiveness in female faces, but this effect has not been investigated in male faces. We therefore sought to examine whether the positive effect of makeup on attractiveness can be extended to male faces. Twenty men were photographed facing forward, under constant camera and lighting conditions, with neutral expressions, and closed mouths. Each man was photographed twice: once without any cosmetics applied and another time with subtle cosmetics applied by a professional makeup artist. Two hundred participants then rated those 40 images on attractiveness. The male faces were rated as higher in attractiveness when presented wearing makeup, compared to when presented not wearing makeup. This was true for both male and female raters, and whether analyzing the data using a by-participant or a by-face analysis. These results provide the first empirical evidence that makeup increases attractiveness in male faces. Following work on female faces, future research should examine the effect of makeup on several other traits in male faces. The market for male cosmetics products is growing and evolving and this study serves as an initial step in understanding the effect of makeup on the perceptions of male faces.
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Mohamed, A. "Empowering Cancer Survivors to Become Mentors, and Leaders Through Various Workshops and Programs." Journal of Global Oncology 4, Supplement 2 (October 1, 2018): 174s. http://dx.doi.org/10.1200/jgo.18.15800.
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Background and context: Friends of Cancer Patients UAE conducts various moral support programs for cancer patients, one of which is the “Color My World” program, which focuses on provide moral support to predominantly men and women, who have undergone, or are currently undergoing treatment of cancer. Aim: The aim is to empower cancer survivors to become leaders and mentors to other ladies/men currently undergoing treatment, and to establish a survivor led support program, as a result of these various programs and workshops. Strategy/Tactics: We believe that to for such a program to be a success, you need to understand your target group, their interests, as well as their backgrounds. A needs assessment needs to be conducted prior to the selection of workshops, whether through direct interviews with the patients, or internally by examining the different support programs available in the country, and what is available/not available. Program/Policy process: There are numerous workshops that take place throughout the year, and they are divided as follows: - There are workshops that focus on healthy living, and the importance of a healthy diet, which involves numerous cooking workshops, and educational sessions. - There are workshops that focus on skin care and make-up, where the ladies are taught how to take care of themselves by certified stylists and makeup artists. - Those who are interested in crochet and handicrafts, have the chance to take part in group workshops, or in focused 1 to 1 sessions. Outcomes: There are a number of positive outcomes that came about from our attempts to empower cancer survivors, the ones we believe are worth of being highlighted are: - A group of survivors are now leading, and running a cancer support program, that visits hospitals within the UAE, to visit those currently undergoing treatment, to provide support, and assist those still undergoing treatment in any way possible. - Many of the ladies, who attended previous workshops, will now start to lead similar workshops during hospital visits to children and women with cancer. What was learned: Cancer survivors must be the driving force in providing support to other cancer patients, and the existing model of the support groups can be linked with the educational workshops, to not only provide moral support, but also social support to the cancer patient.
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Khotimah, Nurul, and Nurrani Kusumawati. "DETERMINANTS OF CONSUMER PURCHASE DECISION IN MAKEUP ARTIST SERVICES." Advanced International Journal of Business, Entrepreneurship and SMEs 3, no. 10 (December 1, 2021): 24–38. http://dx.doi.org/10.35631/aijbes.310003.
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Nowadays, not all women can make themselves up properly and perfectly to attend an important event, so they need Makeup Artist (MUA) services. Supported by technological advances where consumers are starting to leave the traditional way of finding MUA from salons near their homes whose quality is unknown, so MUA services platforms exist. The number of MUAs spread across Indonesia has reached 500,000. The large business opportunity as MUA in Indonesia means that MUAs must be able to maintain their business in the face of competition because consumers have many considerations in choosing and buying services. On the other hand, MUA still has difficulty getting consumers and the MUA services still does not know about the consumer purchase decision. The purpose of this study is to determine consumer purchasing decisions for MUA services, factors that influence the purchasing decision for the MUA services, and marketing communications that are suitable for the consumer purchase decision. The data analyzed with a mix method, qualitatively and quantitatively. Qualitative methods are used in-depth interviews with coding and quantitative methods by distributing questionnaires online using SmartPLS 3.0. The results of qualitative analysis from the informant’s explanation divided into eight subjects, there are reasons for using MUA service, need fulfillment, specific time, source of information, consideration when choose MUA services, MUA services comparison, customer satisfaction, and considerations when choose MUA services platform. The research of quantitative analysis reveals that perceived risk, sales promotion and direct marketing have a negative significant relationship on purchase decision, whereas tie strength and involvement have a positive significant relationship on WOM influence. Meanwhile, WOM influence and advertising have a positive significant relationship on purchase decision for MUA services. The findings of this study give recommendations to MUA services to focus on advertising, provide review features, and create attractive portfolios.
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GETMAN, Oksana. "Metamorphosis in the color solution of a makeup artist." Humanities science current issues 1, no. 37 (2021): 41–45. http://dx.doi.org/10.24919/2308-4863/37-1-7.
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이재천. "A Study on Alleviation of Competition Anxiety of Dancers through the Makeup Therapy -With Professional Makeup Artist's Makeup on Ballet Dancers." Journal of Korean Dance 29, no. 2 (August 2011): 203–24. http://dx.doi.org/10.15726/jkd.2011.29.2.010.
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Cho, Mi Ja. "Analysis of the Makeup Terminology Used in Written Examinations of National Technical Qualifications for Makeup Artist." Asian Journal of Beauty and Cosmetology 15, no. 4 (November 22, 2017): 479–88. http://dx.doi.org/10.20402/ajbc.2017.0161.
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OLUWASEUN, ADENIYI OJERINDE, IROJU OLARONKE, ADELOWO ADEPOJU SOLOMON, and FOLAKEMI ASANLU MARIAM. "MOBILE BASED APPOINTMENT AND SCHEDULING MANAGEMENT SYSTEM FOR MAKEUP ARTIST." i-manager's Journal on Mobile Applications and Technologies 5, no. 2 (2018): 11. http://dx.doi.org/10.26634/jmt.5.2.15628.
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Albarran, Paola Andrea. "Makeup Trends on Television Newcasts in the U.S. during the 20th Century." VISUAL REVIEW. International Visual Culture Review 7, no. 2 (October 5, 2020): 85–94. http://dx.doi.org/10.37467/gka-revvisual.v7.2694.
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This study is an exploration of the shift from standard definition (SDTV) to high-definition (HDTV) on television newscasts in the United States. This paper examines how this major historic shift affected the thinking, behavior, and trends of female newscasters when using makeup to see what themes arose. Despite the ubiquity of female newscasters, academic research into the influence of HD broadcasting and makeup appearance is limited. Due to this lack of information, the present study provides a cultural approach to examining historical information about this switch. News West 9 broadcasted in Midland-Odessa and interviews to a female newscaster, a news director, and a makeup artist who experienced this shift are utilized to address the historical issues facing high-definition broadcasting during this time.
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Albarran, Paola Andrea. "Makeup Trends on Television Newscasts in the U.S. during the 20th century: Exploring High-Definition Television, Journalists, and Appearance." International Visual Culture Review 2 (April 17, 2020): 27–36. http://dx.doi.org/10.37467/gka-visualrev.v2.2084.
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This study is an exploration of the shift from standard definition (SDTV) to high-definition (HDTV) on television newscasts in the United States. This paper examines how this major historic shift affected the thinking, behavior, and trends of female newscasters when using makeup to see what themes arose. Despite the ubiquity of female newscasters, academic research into the influence of HD broadcasting and makeup appearance is limited. Due to this lack of information, the present study provides a cultural approach to examining historical information about this switch. News West 9 broadcasted in Midland-Odessa and interviews to a female newscaster, a news director, and a makeup artist who experienced this shift are utilized to address the historical issues facing high-definition broadcasting during this time.
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Aesthetika, Nur Maghfirah, and Nur Tita Kusdiyanti. "Persepsi Review Produk Make Up Melalui Beauty di Vlogger Youtube." Kanal: Jurnal Ilmu Komunikasi 8, no. 2 (March 1, 2020): 83–87. http://dx.doi.org/10.21070/kanal.v8i2.181.
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Youtube is a very popular media by the people in Indonesia, especially the makeup artist. According to data from Wearesocial, Youtube has occupied the first position with a percentage of approximately 88%, and then followed by a second position and so on by Facebook, Whatsapp, and Instagram. Yotube itself is about entertainment, Video clips, or Vlog (Video Blog) where the vlogs can contain about private vacation videos, promote goods or products, or daily activities in this research using video blogs From Tasya Farasya entitled "Focallure One Brand Makeup Tutorial!!". The purpose of this research is to find out how the perception of Make up artist (MUA) is a product review through beauty vlogger on Youtube. This research uses qualitative descriptive research method with in-depth interview techniques and participants in this study as many as 5 people in the Make up artist (MUA). The results of this research show that the informant budgeted that the video blog of Tasya Farasya which contained about the product review is beneficial and very helpful in product selection.
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Stoyanova, Minka. "Reading Makers." Digital Culture & Society 3, no. 1 (July 26, 2017): 73–94. http://dx.doi.org/10.14361/dcs-2017-0105.
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Abstract Since its inception, digital and interactive art has been forced to negotiate the tension between the inherently spectacular nature of the technologies it uses and the desire of creators to embed relevant critical stances within the work. With the recent rise of “maker” or DIY culture, this negotiation has become even more pronounced as the production of technologies becomes more accessible and (allegedly) more democratized. In addition, our relationship with technology is becoming increasingly intimate. Whereas machines once could have been read as tools, through which we would enact our individualized wills, they now implicate themselves into our mental processes, our bodies and (one could argue) our very being. Within this cyborgian construction we risk mindless acceptance and integration of the particular logical models technology and its producers bring to the merger. A tension arises between our need to understand or recognize the logic which drives our lives and the technology, which often seeks to obfuscate that logic. This paper, through the application of philosophy of technology to a specific maker subculture - as it has been adopted by a movement in fine art (art and technology) - situates making as a form of artistic practice at the intersection of these ideas. As a mode by which technologically inclined artists can navigate the spectacular and the critical in their work, making allows these artists to enact criticality through revealing underlying technical (and social) logic in the systems (and objects) with which they engage. Thus, this paper will trace the philosophical foundations of this critical approach and finally analyse a series of works that reveal strategies through which “making” as a mode of “revealing” has been refined by artists as a critical approach to embedded technological systems.
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Damayanti, Damayanti, Suprihatin Ali, and Mediya Destaia. "ANALISIS STRATEGI E-PROMOTION JASA MAKE-UP ARTIST MELALUI INSTGRAM (Studi Pada Chels Makeup artist di Bandar Lampung)." JOURNAL OF APPLIED BUSINESS ADMINISTRATION 2, no. 2 (September 30, 2018): 267–77. http://dx.doi.org/10.30871/jaba.v2i2.933.
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This study aims to analyze the e-promotion strategy carried out by chels.makeupartist through instragam. . The research method that used is qualitative research with content analysis approach model and the main data source in this study is Instagram. The findings in this study are the promotional strategies conducted by chels.makeupartist are social media strategies, especially Instagram. In this social media strategy it contains advertising, publicity and sales promotions for either the services or goods offered. The promotion is done by displaying the portfolio of services that have been done on the Instagram account they have.
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Ali Ibrahim, Malisa Binti, and Sitti Rahmah. "HUBUNGAN MATAKULIAH TATA RIAS DAN BUSANA DENGAN JASA MUA PADA LULUSANDAN MAHASISWA PRODI PENDIDIKAN TARI UNIVERSITAS NEGERI MEDAN." Gesture : Jurnal Seni Tari 8, no. 1 (January 8, 2019): 20. http://dx.doi.org/10.24114/senitari.v8i1.13190.
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ABSTRACT This study aims to understand the positive relationship between cosmetology and fashion courses with entrepreneurial Make Up Artist services for graduates and students of Medan State University Dance Education. The theoretical foundation in this paper is used as a guideline in writing a thesis consisting of cosmetology theory (Harymawan, 1993: 134), namely makeup is the art of using cosmetic materials to provide makeup or changes to the players on stage or stage with the appropriate atmosphere and naturally, the fashion code of Endang Caturwati (1996: 36), what is meant by clothing is everything that a person wears, consisting of clothing and accessories (accessories) and identical to the word costume, and entrepreneurial theory Thomas W. Zimmerer in Suryana (2011: 19) states entrepreneurship is the process of applying creativity and innovation in solving problems and finding opportunities to improve life or business. This research was conducted in November to January 2017. The data obtained were analyzed using quantitative data analysis using the Product Moment Correlation formula. The location of the study was conducted in the Dance Education Study Program at the Language and Arts Faculty of Sendratasik, Medan State University, Jl. Williem Iskandar Pasar V Medan Estate. Based on the results of the research conducted, it can be seen that cosmetology and fashion subjects make an effective contribution of 80.7% towards entrepreneurship for Make Up Artist services, it can be seen that the cosmetology courses really pay attention to the shape of the face with the desired makeup as well as the fashion where the subject provides knowledge about the differences in traditional clothing and creative clothing, so graduates and students are motivated to apply and hone the ability to become a make up artist service. Keywords: Makeup and Clothing, Make Up Artist Entrepreneurship Services. ABSTRAK Penelitian ini bertujuan mengetaui hubungan positif antara matakuliah tata rias dan busana dengan kewirausahaan jasa Make Up Artist pada lulusan dan mahasiswa Pendidikan Tari Universitas Negeri Medan. Landasan teoritis dalam skripsi ini dijadikan pedoman dalam penulisan skripsi yang terdiri dari teori tata rias (Harymawan,1993:134) yaitu Tata rias adalah seni menggunakan bahan-bahan kosmetika untuk memberikan dandanan atau perubahan pada para pemain di atas panggung atau pentas dengan suasana yang sesuai dan wajar, tata busana Endang Caturwati (1996:36), yang dimaksud dengan busana adalah segala yang dikenakan seseorang, yang terdiri dari pakaian dan perlengkapannya (accessories) dan identik dengan kata kostum, dan teori kewirausahaan Thomas W. Zimmerer dalam Suryana (2011:19) menyatakan kewirausahaan adalah proses penerapan kreativitas dan inovasi dalam memecahkan persoalan dan menemukan peluang untuk memperbaiki kehidupan atau usaha. Penelitian ini dilaksanakan pada bulan Nopember sampai dengan Januari 2017. Data yang diperoleh dianalisis menggunakan analisis data kuantitatif dengan menggunakan rumus Korelasi Product Moment Lokasi penelitian dilakukan di Prodi Pendidikan Tari Jurusan Sendratasik Fakultas Bahasa dan Seni Universitas Negeri Medan, Jl. Williem Iskandar Pasar V Medan Estate. Berdasarkan hasil penelitian yang dilakukan dapat diketahui bahwa matakuliah tata rias dan busana memberi sumbangan efektif sebesar 80,7% terhadap kewirausahaab jasa Make Up Artist, hal ini dapat dilihat bahwa matakuliah tata rias benar-benar memperhatikan bentuk wajah dengan dengan rias yang diinginkan begitu juga dengan tata busana yang mana matakuliah tersebut memberikan pengetahuan tentang perbedaan busana adat dan busana kreasi, sehingga lulusan dan mahasiswa termotivasi untuk mengaplikasikan dan mengasah kemampuan untuk menjadi seorang make up artist. Kata kunci : Tata Rias dan Busana, Kewirausahaan Jasa Make Up Artist.
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Putri, Indah V., and Elmeida Effendy. "Expressed Emotion in a Woman with Bipolar Disorder: A Case Report from Deli Serdang." Open Access Macedonian Journal of Medical Sciences 7, no. 16 (August 28, 2019): 2671–74. http://dx.doi.org/10.3889/oamjms.2019.400.
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BACKGROUND: Aretaeus of Cappadocia first described the bipolar disorder in 30 Masehi. Falret separated this disorder and called it folie circulaire in 1854. A bipolar patient had a change in mood from depression to mania and vice versa while having normal (euthymic) mood period in between. She experienced mood fluctuations that were typical of bipolar disorder. This case report was aimed to understand the personal experience of a bipolar patient confronting her mood changes and expressing their emotions.
CASE REPORT: We presented a case of a 25year-old bipolar woman, makeup artist, unmarried, from Batak tribe. She came alone to seek treatment from a psychiatrist for her mood changes that she could not comprehend.
CONCLUSION: We provided psychoeducation to help her recognise her bipolar disorder and direct her emotional expression to more positive things, in her case, makeup and writing.
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Isaka, Maki. "Kissing The Mask: Beauty, Understatement and Femininity in Japanese Noh Theater with Some Thoughts on Muses (especially Helga Testorf), Transgender Women, Kabuki Goddesses, Porn Queens, Poets, Housewives, Makeup Artists, Geishas, Valkyries and Venus Figurines. By William T. Vollmann. New York: HarperCollins, 2010; 528 pp.; illustrations. $17.99 paper, e-book available." TDR/The Drama Review 57, no. 3 (September 2013): 172–74. http://dx.doi.org/10.1162/dram_r_00290.
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Sargeant, Amy. "Crossing Borders: Artist Film-Makers in the New Decade." Journal of British Cinema and Television 9, no. 3 (July 2012): 502–20. http://dx.doi.org/10.3366/jbctv.2012.0102.
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Wong, Forest. "Cover Art." Columbia Journal of Asia 1, no. 2 (December 9, 2022): i. http://dx.doi.org/10.52214/cja.v1i2.10312.
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Artist Statement: I read through the abstracts and the creative pieces and what stood out to me were ideas of revolution, identity, progress, and change. I came up with the design by drawing purely from the aesthetic aspects of different theater traditions in Asia. For example, I looked at makeup styles from Kathakali and Kabuki, pattern designs from Wayang Kulit, and costuming from JingJu. This decision was made as a way to create something that people could identify as having Asian elements but not specific to any one country. The decision to include the fire is to communicate this idea of change/revolution and how that intersects with identity.
Forest Wong, the artist, can be found on Instagram @forestwongart or at https://forest_wong.artstation.com/.
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Volkogonov, Y. I. "Artists from Primorsky Krai at the New York’s exhibition facilities." Iskusstvo Evrazii [The Art of Eurasia], no. 3(18) (September 30, 2020): 105–20. http://dx.doi.org/10.46748/arteuras.2020.03.009.
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The article describes the conditions and prerequisites for the creation of the Center for Contemporary Russian Culture and the Museum of Contemporary Russian Art in Vladivostok. The chronology of personal and group exhibitions at the sites of New York and Jersey City (USA), with the participation of artists from the Primorsky Krai, is indicated. The article describes the activities of Alexander Glezer and Alexander Gorodny in organizing exhibitions in Russia and abroad. The author gives an overview of the personal exhibitions of Alexander Pyrkov, Ilyas Zinatulin, Lilia Zinatulin, Fernan Zinatulin, Evgeny Makeev, Vladimir Ganin, Valery Shapranov, Anatoly Zaugolnov. Fragments of statements by art criticism and assessments of the works of Primorye artists by the American press are given. В статье изложены условия и предпосылки создания в г. Владивостоке Центра современной русской культуры и Музея современного русского искусства. Указана хронология персональных и групповых выставок на площадках Нью-Йорка и Джерси-Сити (США) с участием художников Приморского края. Описана деятельность Александра Глезера и Александра Городнего по организации выставок в России и за рубежом. Дан обзор персональных выставок Александра Пыркова, Ильяса, Лилии и Фернана Зинатулиных, Евгения Макеева, Владимира Ганина, Валерия Шапранова, Анатолия Заугольнова. Приведены фрагменты высказываний арт-критики и оценок творчества приморских художников американской прессой.
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Denmead, Tyler. "The makers of new words: A principally ethnographic account of community artists’ language." International Journal of Education Through Art 8, no. 3 (October 25, 2012): 239–52. http://dx.doi.org/10.1386/eta.8.3.239_1.
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