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Journal articles on the topic 'Makeup artists'

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1

Kim, Hae-Yoon, and Sun-Hyoung Kim. "The Influence of Service Factors on Customer Satisfaction in Makeup Salons." Journal of the Korean Society of Cosmetology 27, no. 4 (2021): 840–50. http://dx.doi.org/10.52660/jksc.2021.27.4.840.

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This study attempted to investigate the influence of makeup service factors on customer satisfaction empirically to provide basic data that would help makeup salons enhance customer satisfaction and set a proper direction for services. The results found the following: Among makeup service factors, ‘quality of cosmetics,’ ‘makeup artists’ skills,’ and ‘makeup artists’ reputation and kindness’ revealed a positive correlation with customer satisfaction with statistical significance. Also, ‘makeup artists’ reputation and kindness’ and ‘makeup artists’ skills’ positively affected customer satisfact
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Batres, Carlota, Aurélie Porcheron, Sandra Courrèges, and Richard Russell. "Professional Versus Self-Applied Makeup: Do Makeup Artists Add Value?" Perception 50, no. 8 (2021): 709–19. http://dx.doi.org/10.1177/03010066211029218.

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While a number of studies have investigated the effects of makeup on how people are perceived, the vast majority have used professionally applied makeup. Here, we tested the hypothesis that professional makeup is more effective than self-applied makeup. We photographed the same target women under controlled conditions wearing no makeup, makeup they applied themselves, and makeup applied by professional makeup artists. Participants rated the faces as appearing more attractive, more feminine, and as having higher status when wearing professional makeup than self-applied makeup. Secondarily, we f
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Khairani, Cut, Rahmad, Fitri Ernalis, Iqa Nauli, and Anjasmara. "Social Interaction of Transvestites in Bireuen Regency." Britain International of Humanities and Social Sciences (BIoHS) Journal 3, no. 1 (2021): 217–23. http://dx.doi.org/10.33258/biohs.v3i1.394.

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The purpose of the study was to understand the social phenomenon of negative stigma and social exclusion of the existence of transvestite makeup artists through social interaction with the community in Bireuen Regency. This research uses grounded theory with data processing procedure using open coding techniques, coding a stunt and selective coding against data collected through observation, and in-depth interviews. The sample of respondents reached 20 people determined through snowball sampling techniques. The results showed that 53% of makeup artists in Bireuen Regency are transvestites who
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Salamova, Zemfira. "Spatial distancing and social closeness: The work of creative professionals during the pandemic." Clothing Cultures 7, no. 2 (2020): 215–29. http://dx.doi.org/10.1386/cc_00037_1.

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As a complete recovery from the COVID-19 pandemic crisis does not seem possible in the near future, the survival of many creative professions is under threat in Russia and other countries. Strict anti-pandemic measures were introduced in Moscow at the end of March 2020 and lasted for a little more than two months. One of the main requirements was to work from home and go outside as rarely as possible. Most Russian creative professionals such as photographers, makeup artists, actors, musicians, stand-up comedians and television hosts found themselves in very unfamiliar conditions since their wo
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Desiana, Fauziah Ismi, and Reiza D. Dienaputra. "AKULTURASI BUDAYA SUNDA DAN JEPANG MELALUI PENGGUNAAN IGARI LOOK DALAM TATA RIAS SUNDA SIGER." Patanjala : Jurnal Penelitian Sejarah dan Budaya 11, no. 1 (2019): 149. http://dx.doi.org/10.30959/patanjala.v11i1.399.

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Akulturasi budaya Jepang dan Sunda dalam bingkai tata rias Sunda Siger membuktikan bahwa tata rias tradisional dapat dikemas modern dalam balutan teknik Igari Look. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif. Pengumpulan data didapatkan dari wawancara dengan make-up artist yang menggunakan teknik make-up Igari Look dalam tata rias Sunda Siger dan aktif mengunggah hasil tata riasnya dalam sebuah portofolio di Instagram. Akulturasi kebudayaan Sunda dan Jepang dalam tata rias Sunda Siger merupakan bukti bahwa masyarakat Sunda terbuka dengan situasi multikultural. Ke
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Suharnanik, Suharnanik. "Women and Make-Up: The Dilemma of Bourdieu's Subjectivism-Objectivism on Social Media." Journal of Society and Media 4, no. 1 (2020): 16. http://dx.doi.org/10.26740/jsm.v4n1.p16-30.

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This research refers to the trend of women's makeup in the 2020 era, which is dominated by natural makeup. Influencers and makeup artists have a role in popularizing it. The author is interested in examining the makeup behavior in women with Bourdieu's theory. What behaviors make a woman look natural, prioritize skin health, minimal makeup. What culture is behind it. The findings of this study are all women like makeup, habitus leads to natural makeup. Habitus emphasized freedom in analyzing a practice as an agent and social structure. Women have a habitus in using makeup determined by a dual
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Widyasari, Ayuningtyas Putri, Faiza Hawa, and Sukma Nur Ardini. "A SEMANTIC ANALYSIS OF BEAUTY TERMS IN MAKE UP BOOKS." ETERNAL (English Teaching Journal) 13, no. 1 (2022): 68–88. http://dx.doi.org/10.26877/eternal.v13i1.11042.

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The study aimed to reveal beauty terms used in makeup books, and to find out the kinds of beauty terms found in the makeup books and their meanings. This study used qualitative method based on Miles and Huberman’s theory. The writers used semantics approach based on theory of kind of meaning by Wijana and Rohmadi (2008). In this study, the writers found 69 beauty terms in two makeup books written by international top makeup artists and influencers. Those terms were then clustered into makeup tool, makeup application technique, make up terms, and makeup mistake. The 69 terms belong to primer an
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Zafar, Amirah, Mehwish Niaz, Saad Kamal Akhtar, Umar Sadiq, and Shakeela Rasheed. "Prevelance of Cervical Pain in Make-up Artist and Hair Dressers of Lahore." Pakistan Journal of Medical and Health Sciences 16, no. 1 (2022): 882–84. http://dx.doi.org/10.53350/pjmhs22161882.

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Background: The overall incidence of cervical pain in makeup artists is well known. In our study we attempted to work on the prevalence of cervical pain among make-up artist and hair dressers due to prolong consecutive working hours and awkward body posture. Purpose: The sole purpose of this research was to find the prevalence of cervical pain among make-up artist and hair dressers while performing their make-up and hair cutting for consecutive long working hours. Method.It was a cross-sectional study design. 150 participants were taken and it includes makeup artists, hair dressers.Non-probabi
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Mills, Presley. "Alien Beauty: Posthuman Re-Imaginings." Fashion Studies 2, no. 1 (2019): 1–23. http://dx.doi.org/10.38055/fs020105.

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In the fall of 2018 WGSN (World Global Style Network) ran a report on the emerging “alien beauty” trend, which they defined as “an otherworldly aesthetic inspired by extraterrestrial life forms … signifying a new rebellious attitude towards quintessential beauty norms” (Bailey). Instagram is one of the largest platforms to represent the trend of alien beauty, presented by a thriving community of makeup artists pushing the boundaries of conventional beauty practices. These artists are developing otherworldly and exaggerated makeup looks created through the combination of makeup, fashion, techno
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Bystritskaya, O. O., M. A. Chashchina, and S. V. Murashova. "Management Strategy for Non-classical Intellectual Property Objects." Economics. Law. Innovaion, no. 1 (February 2022): 61–69. http://dx.doi.org/10.17586/2713-1874-2022-1-61-69.

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The authors present the results of the analysis of Russian and foreign legislative provisions in the field of managing non-classical intellectual property objects, as well as judicial practice in order to determine the current legal status of such intellectual property objects as works of makeup artists and tattoo artists and further develop a strategy for managing non-classical objects. The authors formulated modern solutions for the management and protection of non-classical objects in connection with the constantly appearing similar objects and insufficient legislative regulation in this ar
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Mulyana, Ahmad, and Parlin Harbert. "Feminine Behavior Management in Personal Selling Activities for Professional Male Makeup Artists." International Journal of English Literature and Social Sciences 4, no. 5 (2019): 1456–64. http://dx.doi.org/10.22161/ijels.45.33.

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Шаркіна, А. "ПРАКТИКИ ГРИМУ В FASHION-ІННОВАЦІЯХ: СПЕЦИФІКА, ФУНКЦІЇ". Art and Design, № 3 (13 листопада 2020): 132–44. http://dx.doi.org/10.30857/2617-0272.2020.3.11.

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The aim of the article is to identify the specifics and functional features of the artistic make-up in the design expressive means system at the level of joint techniques with make-up in theater and cinema. Methodology. The historical, analytical and comparative methods have been used in the study. The image-associative and stylistic analysis methods have been applied to the selected historical and modern examples of make-up practices. Summary. The specifics of theatrical make-up, make-up for cinema and fashion images have been examined on the examples of female images, common and distinctive
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Earlene, Maria Margaretha. "Lahir dan Berkembangnya Trend Instagram Brow di Industri Kecantikan." Business Economic, Communication, and Social Sciences (BECOSS) Journal 2, no. 1 (2020): 63–74. http://dx.doi.org/10.21512/becossjournal.v2i1.6076.

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An eyebrow makeup trend called Instagram Brow (InstaBrow) with 253,388 #instabrows uploads and 35,572 #instabrow uploads on Instagram. This study analyzes the background and definition of instabrow. The Netnography method used for this qualitative research because of its relation to the internet and ethnography (Kozinets, 2010). The data collection is done through the Sprinklr application, as well as observations on Instagram uploads, and the involvement of researchers as beauty influencers on Instagram. Discourse Analysis is used to compare the data with interview articles on popular news med
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Haifa Ebn Hadj Salah, Haifa Ebn Hadj Salah. "The satirical map is a medium for criticism of the contemporary Arab Maghreb reality among Moroccan artists: الخريطة الساخرة وسيط تشكيلي لنقد الواقع العربي المغاربي المعاصر لدى الفنانين المغاربة". مجلة العلوم الإنسانية و الإجتماعية 6, № 4 (2022): 61–74. http://dx.doi.org/10.26389/ajsrp.f101221.

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During the recent timeframe, what has become the Arab Maghreb plastic artist’s goal during the recent period is foregrounding, through cartographic works that mimic the reality of the Maghreb Arab world, the plethora of the latter’s matters. This is to be done either via critical artwork that may reach a level of sarcasm in certain stances, or via criticizing reality in which the Arab world witnesses ideological and socio-cultural conflicts. That image is nothing more than a multi-faceted area of research that defines the Maghreb identity and represents the intellectual, cultural and social fe
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Monia, Yuke, and Hayatunnufus Hayatunnufus. "STUDI TENTANG UPACARA ADAT PERKAWINAN DI KECEMATAN KINALI PASAMAN BARAT." Jurnal Tata Rias dan Kecantikan 3, no. 2 (2022): 75. http://dx.doi.org/10.24036/.v3i2.65.

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The researcher's background in making this thesis is due to changes in the series of traditional wedding ceremonies and bridal make-up in West Kinali Pasaman District, as well as the existence of several series of traditional ceremonies and make-up processes that were left behind as in a series of ceremonies before marriage, namely mancari chickens (proposing). usually done by a mamak to find a mate for his nephew but in Kinali sub-district this process is rarely done. Meanwhile, a series of marriage ceremonies, namely the marriage contract, was previously carried out at night, namely at the n
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Kim, Soong-Hyun. "Incubation of Customized Prosthesis Artists through Improvements in Job Competency among Special Makeup Artists: Focusing on the Development of Digital Operation-based Courses." Korean Society of Beauty and Art 22, no. 3 (2021): 337–58. http://dx.doi.org/10.18693/jksba.2021.22.3.337.

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Wahyuingsing, Anik, Supriono, Hardika, and Umi Hidayati. "Transfer of Kowledge Local Wisdom ‘Blitar Kartika Rukmi’: Promote Entrepreneurship." Journal of Education and Vocational Research 9, no. 1 (2018): 17–22. http://dx.doi.org/10.22610/jevr.v9i1.2558.

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‘Blitar Kartika Rukmi’ is one of Indonesian bridal traditional make-up. To master this kind of makeup, participants need to complete their study from LKP Imam Mandiri which is one of the non-formal vocational institutions. Blitar Kartika rukmi is a kind of make-up taken from Blitar society local wisdom. This research aimed to find the relationship between the Blitar Kartika Rukmi bridal make-up and the successfulness of the participant as Kartika Rukmi bridal make-up artists. The research method used phenomenology study since the participant graduate from this training had succeed in doing
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Novacich, Samuel Elliott. "“Masking” Makeup: Cosmetics and Constructions of Race in Rio de Janeiro." Cultural Anthropology 36, no. 4 (2021): 681–707. http://dx.doi.org/10.14506/ca36.4.10.

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This article examines applications of bright, eye-catching makeup on the periphery of Rio de Janeiro, Brazil. Tracking the aesthetic decisions of makeup artists and their clients, I analyze how colorful manipulations of the bodily surface relate to local constructions of race. But the bodily surface does not simply reflect established and conventional understandings of race, nor are the aesthetics described herein merely symbolic of assumptions of difference. Instead, the aesthetic practices portrayed in this article may also be regarded as experimental, “nondiscursive” moments—operating on a
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Padrón, Karla M. "To Decolonise is to Beautify: A Perspective from Two Transgender Latina Makeup Artists in the US." Feminist Review 128, no. 1 (2021): 156–62. http://dx.doi.org/10.1177/01417789211013432.

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Dewi, Ida Ayu Gede Prayitna. "Simbol Tri Murti dalam Payas Agung Pengantin Bali." Sanjiwani: Jurnal Filsafat 9, no. 1 (2020): 43. http://dx.doi.org/10.25078/sjf.v9i1.1611.

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<em>Balinese fashion and dress is one part of Balinese culture with elements of art that have existed in antiquity. The kings of Bali of his day have introduced a distinctive dress culture in their respective regions of power. Some types of Balinese have similarities and differences in forms such as Payas Agung Karangasem, Buleleng, Tabanan, and Badung. Payas Agung The Bali Bridal used to be a dress for the King and queen, but over time now Payas Agung Bridal Bali is used for the wedding of Balinese people in general. The emergence of new make-up artists has made a positive impact in the
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Yoo, Hyun Kyung, and Young A. Lee. "The Effects of Emotional Labor on Job Satisfaction in Makeup Artists: Focusing on the mediating effects of job stress." Korean Society of Beauty and Art 19, no. 2 (2018): 125–36. http://dx.doi.org/10.18693/jksba.2018.19.2.125.

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Yoo, Hyun Kyung, and Young A. Lee. "The Effects of Emotional Labor on Job Satisfaction in Makeup Artists: Focusing on the mediating effects of job stress." Korean Society of Beauty and Art 19, no. 2 (2018): 127–38. http://dx.doi.org/10.18693/jksba.2018.19.2.127.

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Pranowo, NFN, and Winci Frdaus. "Penggunaan Bahasa Nonverbal dalam Upacara Adat Pernikahan Gaya Yogyakarta: Kajian Simbolik Etnopragmatik." Ranah: Jurnal Kajian Bahasa 9, no. 1 (2020): 35. http://dx.doi.org/10.26499/rnh.v9i1.2321.

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This research is an interpretive reflective research with ethnopragmatic symbolic study theory. The source of the research data was taken from the documents of two makeup artists from Yogyakata, namely the makeup dresser Lisandra and the makeup dresser Hj. Rochayati. The research data are in the form of Javanese traditional wedding document of Yogyakarta style. The data collection technique is in the form of observation of photo documentation to obtain data in the form of a marriage ceremony sequence that uses verbal and nonverbal language from preparation to the end. The data analysis techniq
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Muhajir, Muhammad, and Annisa Ayunda Permata Sari. "Implementasi Metode Improved K-Means dengan Algoritma Dbscan untuk Pengelompokan Film." Unisda Journal of Mathematics and Computer Science (UJMC) 6, no. 01 (2020): 1–8. http://dx.doi.org/10.52166/ujmc.v6i01.1923.

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The Indonesian film industry continues to experience an increase seen from the number of films that appear in theaters today with a box office increase of 28 percent each year in the past four years. Internet Movie Database (IMDb) is a website that provides information about films around the world, including the people involved in it from actors, directors, writers to makeup artists and soundtracks. In this case the researcher wants to conduct research on the characteristics of the film and the factors that make a film to be included in the IMDb Top 250. The data used in this study uses scrape
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Iglesias Garcia, Ricardo. "“Our Posthuman Future” in Utopias of Contemporary Art." Chelovek 32, no. 4 (2021): 149. http://dx.doi.org/10.31857/s023620070016693-9.

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The evolution of the concept of body and progress, specifically from Modernity and with the implementation of technologies, allows us to delve into new utopian / dystopian visions about the human subject and his corporality. Technological art, which originated in the second half of the twentieth century, is actively working towards dismantling the classic utopian paradigms that have accompanied culture for more than five centuries. The new art took over the function of managing the utopias that the artistic avant-garde created in an industrial society in the first half of the last century and
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Nesen, Iryna. "The Role of Costume in the Formation of the Character Image in the Theater of the Corypheses (1882 – 1914)." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 154–58. http://dx.doi.org/10.32461/2226-3209.2.2021.239997.

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The purpose of the article is establishment of relations between scenic outfit and characters personalities in performances of the Theater of the Corypheses (1882 - 1914). In the methods set we are founding on historic basics and inter-disciplinary approaches. In bounds of historic-comparison and, partially, mythological methods liaisons between costumes typology of adjacent periods are tracked. Formal method helps to analyze costume as metaphors of meaning, and iconological approach allows determining semantic time symbols. Scientific novelty of the research is based on the system analysis of
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Proskuriakova, O. "Make-up as a space of semiotic communication." Culture of Ukraine, no. 78 (December 23, 2022): 38–44. http://dx.doi.org/10.31516/2410-5325.078.04.

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The purpose of the article is to study the peculiarities of semiotic communication in make-up art.
 The methodology. New methodological principles of make-up training, which are based on the intersection of cultural and art history approaches, will be proposed. Particular attention is paid to the semiotic study of make-up.
 The results. Having studied the construction and functioning of make-up as a symbolic system, it has been proven that make-up art has a complex structure of semiotic communication. It can be traced in its symbolic units (color, line, etc.) and their interaction, a
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Ariani, Nova Nelsya, Muhammad Giatman, and Yuliana Yuliana. "Strategi pemanfaatan media sosial dalam pemasaran usaha jasa make up artist." JRTI (Jurnal Riset Tindakan Indonesia) 7, no. 3 (2022): 363. http://dx.doi.org/10.29210/30031968000.

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Pemasaran melalui media sosial saat ini sangat memberikan peluang besar bagi pelaku usaha, dalam rangka memasarkan produk atau jasa yang mereka miliki dengan lebih cepat dan konsumen dapat melihat produk dan jasa secara langsung melalui media sosial. Rumusan masalah penelitian mencakup penambahan strategi pemasaran pelaku usaha jasa makeup dengan menggunakan media sosial. Jenis penelitian ini merupakan penelitian kepustakaan sehingga metode penelitian menggunakan studi pustaka. Tujuan penelitian ini adalah untuk (1) Mengetahui startegi pemasaran untuk meningkatkan minat konsumen pada pelaku us
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Dewandana, Sudrajat, and Katarina Indah Sulastuti. "PERKEMBANGAN REOG CING PO LING PAGUYUBAN PONCO MANUNGGAL JATI DI DESA JATIREJO, KECAMATAN KALIGESING, KABUPATEN PURWOREJO." Greget: Jurnal Pengetahuan dan Penciptaan Tari 19, no. 2 (2020): 152–75. http://dx.doi.org/10.33153/grt.v19i2.3454.

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The article entitled Development of Reog Cing Po Ling Paguyuban Ponco Manunggal Jati in Jatirejo Village, Kaligesing District, Purworejo Regency is trying to uncover two problems, namely: (1) how the form of the show Reog Cing Po Ling Paguyuban Ponco Manunggal Jati in Jatirejo Village, Kaligesing District, Purworejo Regency today.; and (2) how is the development of Reog Cing Po Ling Ponco Manunggal Jati Group in Jatirejo Village, Kaligesing District, Purworejo Regency from 2016-2019. The first problem was examined based on the form theory which explained that the form of the performance consis
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Yantimas, Yuli, and Diah Ayu Candranigrum. "Analisis Brand Activation Hellobeauty dalam Membangun Loyalitas Konsumen." Prologia 3, no. 1 (2019): 305. http://dx.doi.org/10.24912/pr.v3i1.6255.

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HelloBeauty merupakan perusahaan start-up yang berkembang dalam usaha bisnis jasa kecantikan nomor satu di Indonesia. HelloBeauty yang berbasis online. Dalam mengembangkan bisnisnya HelloBeauty melakukan promosi secara online maupun offline. HelloBeauty menggandeng sejumlah beauty artist sekitar kurang lebih 10.000. Dennish Tjandra yang memulai bisnisnya terinspirasi dari istrinya yang kesulitan dalam mencari makeup artist. Hal itu yang membuat Dennish mencoba untuk membuat sebuah program yang memudahkan perempuan di Indonesia untuk mencari beauty artist yang sesuai dengan lokasi, harga, dan k
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Jazuli, Muhammad, and Samsul Alam. "FROM RITUAL TO ENTERTAINMENT: THE CHANGING ROLE OF BARONGAN PERFORMANCE ARTS." Humanities & Social Sciences Reviews 8, no. 4 (2020): 496–506. http://dx.doi.org/10.18510/hssr.2020.8448.

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Purpose of the study: The aim of the study is to 1) describe the Barongan Performance Arts presented in the form of parades and dance-drama on aspects of motion, accompaniment, makeup, fashion, and venue; 2) describe the role of Barongan Performance Arts in Blora society, namely the role of ritual and the role of entertainment that has lasted a long time; and 3) describe the changing role of Barongan Performance Arts from ritual to entertainment in Blora society.
 Methodology: This research is based on qualitative analysis—the data collected by observation, interview, and documentation. D
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Batres, Carlota, and Hannah Robinson. "Makeup increases attractiveness in male faces." PLOS ONE 17, no. 11 (2022): e0275662. http://dx.doi.org/10.1371/journal.pone.0275662.

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Makeup is commonly attributed with increasing attractiveness in female faces, but this effect has not been investigated in male faces. We therefore sought to examine whether the positive effect of makeup on attractiveness can be extended to male faces. Twenty men were photographed facing forward, under constant camera and lighting conditions, with neutral expressions, and closed mouths. Each man was photographed twice: once without any cosmetics applied and another time with subtle cosmetics applied by a professional makeup artist. Two hundred participants then rated those 40 images on attract
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Mohamed, A. "Empowering Cancer Survivors to Become Mentors, and Leaders Through Various Workshops and Programs." Journal of Global Oncology 4, Supplement 2 (2018): 174s. http://dx.doi.org/10.1200/jgo.18.15800.

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Background and context: Friends of Cancer Patients UAE conducts various moral support programs for cancer patients, one of which is the “Color My World” program, which focuses on provide moral support to predominantly men and women, who have undergone, or are currently undergoing treatment of cancer. Aim: The aim is to empower cancer survivors to become leaders and mentors to other ladies/men currently undergoing treatment, and to establish a survivor led support program, as a result of these various programs and workshops. Strategy/Tactics: We believe that to for such a program to be a succes
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Khotimah, Nurul, and Nurrani Kusumawati. "DETERMINANTS OF CONSUMER PURCHASE DECISION IN MAKEUP ARTIST SERVICES." Advanced International Journal of Business, Entrepreneurship and SMEs 3, no. 10 (2021): 24–38. http://dx.doi.org/10.35631/aijbes.310003.

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Nowadays, not all women can make themselves up properly and perfectly to attend an important event, so they need Makeup Artist (MUA) services. Supported by technological advances where consumers are starting to leave the traditional way of finding MUA from salons near their homes whose quality is unknown, so MUA services platforms exist. The number of MUAs spread across Indonesia has reached 500,000. The large business opportunity as MUA in Indonesia means that MUAs must be able to maintain their business in the face of competition because consumers have many considerations in choosing and buy
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GETMAN, Oksana. "Metamorphosis in the color solution of a makeup artist." Humanities science current issues 1, no. 37 (2021): 41–45. http://dx.doi.org/10.24919/2308-4863/37-1-7.

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이재천. "A Study on Alleviation of Competition Anxiety of Dancers through the Makeup Therapy -With Professional Makeup Artist's Makeup on Ballet Dancers." Journal of Korean Dance 29, no. 2 (2011): 203–24. http://dx.doi.org/10.15726/jkd.2011.29.2.010.

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Cho, Mi Ja. "Analysis of the Makeup Terminology Used in Written Examinations of National Technical Qualifications for Makeup Artist." Asian Journal of Beauty and Cosmetology 15, no. 4 (2017): 479–88. http://dx.doi.org/10.20402/ajbc.2017.0161.

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OLUWASEUN, ADENIYI OJERINDE, IROJU OLARONKE, ADELOWO ADEPOJU SOLOMON, and FOLAKEMI ASANLU MARIAM. "MOBILE BASED APPOINTMENT AND SCHEDULING MANAGEMENT SYSTEM FOR MAKEUP ARTIST." i-manager's Journal on Mobile Applications and Technologies 5, no. 2 (2018): 11. http://dx.doi.org/10.26634/jmt.5.2.15628.

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Albarran, Paola Andrea. "Makeup Trends on Television Newcasts in the U.S. during the 20th Century." VISUAL REVIEW. International Visual Culture Review 7, no. 2 (2020): 85–94. http://dx.doi.org/10.37467/gka-revvisual.v7.2694.

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This study is an exploration of the shift from standard definition (SDTV) to high-definition (HDTV) on television newscasts in the United States. This paper examines how this major historic shift affected the thinking, behavior, and trends of female newscasters when using makeup to see what themes arose. Despite the ubiquity of female newscasters, academic research into the influence of HD broadcasting and makeup appearance is limited. Due to this lack of information, the present study provides a cultural approach to examining historical information about this switch. News West 9 broadcasted i
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Albarran, Paola Andrea. "Makeup Trends on Television Newscasts in the U.S. during the 20th century: Exploring High-Definition Television, Journalists, and Appearance." International Visual Culture Review 2 (April 17, 2020): 27–36. http://dx.doi.org/10.37467/gka-visualrev.v2.2084.

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This study is an exploration of the shift from standard definition (SDTV) to high-definition (HDTV) on television newscasts in the United States. This paper examines how this major historic shift affected the thinking, behavior, and trends of female newscasters when using makeup to see what themes arose. Despite the ubiquity of female newscasters, academic research into the influence of HD broadcasting and makeup appearance is limited. Due to this lack of information, the present study provides a cultural approach to examining historical information about this switch. News West 9 broadcasted i
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Aesthetika, Nur Maghfirah, and Nur Tita Kusdiyanti. "Persepsi Review Produk Make Up Melalui Beauty di Vlogger Youtube." Kanal: Jurnal Ilmu Komunikasi 8, no. 2 (2020): 83–87. http://dx.doi.org/10.21070/kanal.v8i2.181.

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Youtube is a very popular media by the people in Indonesia, especially the makeup artist. According to data from Wearesocial, Youtube has occupied the first position with a percentage of approximately 88%, and then followed by a second position and so on by Facebook, Whatsapp, and Instagram. Yotube itself is about entertainment, Video clips, or Vlog (Video Blog) where the vlogs can contain about private vacation videos, promote goods or products, or daily activities in this research using video blogs From Tasya Farasya entitled "Focallure One Brand Makeup Tutorial!!". The purpose of this resea
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Stoyanova, Minka. "Reading Makers." Digital Culture & Society 3, no. 1 (2017): 73–94. http://dx.doi.org/10.14361/dcs-2017-0105.

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Abstract Since its inception, digital and interactive art has been forced to negotiate the tension between the inherently spectacular nature of the technologies it uses and the desire of creators to embed relevant critical stances within the work. With the recent rise of “maker” or DIY culture, this negotiation has become even more pronounced as the production of technologies becomes more accessible and (allegedly) more democratized. In addition, our relationship with technology is becoming increasingly intimate. Whereas machines once could have been read as tools, through which we would enact
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Damayanti, Damayanti, Suprihatin Ali, and Mediya Destaia. "ANALISIS STRATEGI E-PROMOTION JASA MAKE-UP ARTIST MELALUI INSTGRAM (Studi Pada Chels Makeup artist di Bandar Lampung)." JOURNAL OF APPLIED BUSINESS ADMINISTRATION 2, no. 2 (2018): 267–77. http://dx.doi.org/10.30871/jaba.v2i2.933.

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This study aims to analyze the e-promotion strategy carried out by chels.makeupartist through instragam. . The research method that used is qualitative research with content analysis approach model and the main data source in this study is Instagram. The findings in this study are the promotional strategies conducted by chels.makeupartist are social media strategies, especially Instagram. In this social media strategy it contains advertising, publicity and sales promotions for either the services or goods offered. The promotion is done by displaying the portfolio of services that have been don
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Ali Ibrahim, Malisa Binti, and Sitti Rahmah. "HUBUNGAN MATAKULIAH TATA RIAS DAN BUSANA DENGAN JASA MUA PADA LULUSANDAN MAHASISWA PRODI PENDIDIKAN TARI UNIVERSITAS NEGERI MEDAN." Gesture : Jurnal Seni Tari 8, no. 1 (2019): 20. http://dx.doi.org/10.24114/senitari.v8i1.13190.

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ABSTRACT This study aims to understand the positive relationship between cosmetology and fashion courses with entrepreneurial Make Up Artist services for graduates and students of Medan State University Dance Education. The theoretical foundation in this paper is used as a guideline in writing a thesis consisting of cosmetology theory (Harymawan, 1993: 134), namely makeup is the art of using cosmetic materials to provide makeup or changes to the players on stage or stage with the appropriate atmosphere and naturally, the fashion code of Endang Caturwati (1996: 36), what is meant by clothing is
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Putri, Indah V., and Elmeida Effendy. "Expressed Emotion in a Woman with Bipolar Disorder: A Case Report from Deli Serdang." Open Access Macedonian Journal of Medical Sciences 7, no. 16 (2019): 2671–74. http://dx.doi.org/10.3889/oamjms.2019.400.

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BACKGROUND: Aretaeus of Cappadocia first described the bipolar disorder in 30 Masehi. Falret separated this disorder and called it folie circulaire in 1854. A bipolar patient had a change in mood from depression to mania and vice versa while having normal (euthymic) mood period in between. She experienced mood fluctuations that were typical of bipolar disorder. This case report was aimed to understand the personal experience of a bipolar patient confronting her mood changes and expressing their emotions.
 CASE REPORT: We presented a case of a 25year-old bipolar woman, makeup artist, unmar
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Isaka, Maki. "Kissing The Mask: Beauty, Understatement and Femininity in Japanese Noh Theater with Some Thoughts on Muses (especially Helga Testorf), Transgender Women, Kabuki Goddesses, Porn Queens, Poets, Housewives, Makeup Artists, Geishas, Valkyries and Venus Figurines. By William T. Vollmann. New York: HarperCollins, 2010; 528 pp.; illustrations. $17.99 paper, e-book available." TDR/The Drama Review 57, no. 3 (2013): 172–74. http://dx.doi.org/10.1162/dram_r_00290.

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Sargeant, Amy. "Crossing Borders: Artist Film-Makers in the New Decade." Journal of British Cinema and Television 9, no. 3 (2012): 502–20. http://dx.doi.org/10.3366/jbctv.2012.0102.

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Wong, Forest. "Cover Art." Columbia Journal of Asia 1, no. 2 (2022): i. http://dx.doi.org/10.52214/cja.v1i2.10312.

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 Artist Statement: I read through the abstracts and the creative pieces and what stood out to me were ideas of revolution, identity, progress, and change. I came up with the design by drawing purely from the aesthetic aspects of different theater traditions in Asia. For example, I looked at makeup styles from Kathakali and Kabuki, pattern designs from Wayang Kulit, and costuming from JingJu. This decision was made as a way to create something that people could identify as having Asian elements but not specific to any one country. The decision to include the fire is to communicate this id
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Volkogonov, Y. I. "Artists from Primorsky Krai at the New York’s exhibition facilities." Iskusstvo Evrazii [The Art of Eurasia], no. 3(18) (September 30, 2020): 105–20. http://dx.doi.org/10.46748/arteuras.2020.03.009.

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The article describes the conditions and prerequisites for the creation of the Center for Contemporary Russian Culture and the Museum of Contemporary Russian Art in Vladivostok. The chronology of personal and group exhibitions at the sites of New York and Jersey City (USA), with the participation of artists from the Primorsky Krai, is indicated. The article describes the activities of Alexander Glezer and Alexander Gorodny in organizing exhibitions in Russia and abroad. The author gives an overview of the personal exhibitions of Alexander Pyrkov, Ilyas Zinatulin, Lilia Zinatulin, Fernan Zinatu
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Denmead, Tyler. "The makers of new words: A principally ethnographic account of community artists’ language." International Journal of Education Through Art 8, no. 3 (2012): 239–52. http://dx.doi.org/10.1386/eta.8.3.239_1.

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