Relevant bibliographies by topics / Makovsky

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Makovsky'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Makovsky"

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MAKOVSKY, A. L. "SPEECH BY A.L. MAKOVSKY." Civil Law Review 20, no. 1 (February 29, 2020): 15–26. http://dx.doi.org/10.24031/1992-2043-2020-20-1-15-26.

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Renton, James. "Michael Makovsky,Churchill's Promised Land: Zionism and Statecraft." Diplomacy & Statecraft 19, no. 2 (June 13, 2008): 367–69. http://dx.doi.org/10.1080/09592290802137564.

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SUKHANOV, E. A. "A.L. MAKOVSKY AND THE REVIVAL OF RUSSIAN PRIVATE LAW." Civil Law Review 20, no. 6 (February 20, 2021): 8–17. http://dx.doi.org/10.24031/1992-2043-2020-20-6-8-17.

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The article highlights the role of prof. A.L. Makovsky in the creation of the new Civil Code of the Russian Federation of 1994–2006, as well as in the organization of the practice of its application and the development of the Concept for the Development of Civil Legislation of the Russian Federation in 2009. Special attention is paid to the activities of A.L. Makovsky on the preparation of the Fourth Part of the Civil Code of the Russian Federation and the concept of intellectual rights enshrined by it, opposing the traditional archaic concept of “intellectual property”. The importance of the need to increase the attention of civil law to the issue of protecting the rights and interests of citizens and other weakest participants in civil legal relations in their opposition to the interests of large companies striving to take a privileged position in property turnover is shown. From this point of view, the author substantiates the need for a significant adjustment in the understanding of the balance of private and public interests, which is the basis of civil law regulation.
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SELIVATCHOV, Michael. "FOLK ART OF THE CARPATHIANS THROUGH THE EYES OF SERGE MAKOVSKY (1877—1962)." Ethnology Notebooks 155, no. 5 (October 22, 2020): 1189–201. http://dx.doi.org/10.15407/nz2020.05.1189.

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Savina, Anfisa D. "Cherubina de Gabriak: French Sources of the Mystification." Studia Litterarum 6, no. 2 (2021): 164–83. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-164-183.

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The article shows what role M. Voloshin’s interest in the work of Auguste Villiers de l’Isle-Adam played in the creation of Cherubina de Gabriak. This famous mystification was planned by M. Voloshin and E. Dmitrieva in the summer of 1909 when the poet was translating Villiers’ philosophical drama Axel and writing an essay about the play and its author. Shared motifs and images that were discovered in Cherubina’s poems, Villiers’ drama and Voloshin’s essays, allow to treat the heroine of Axel (Sara de Maupers) as a literary prototype of the fictional poetess and to assert that Cherubina- Dmitrieva’s poetry was influenced by Villiers’ works and Voloshin’s interpretation of the former’s life. Also, it is important that Voloshin’s attention on Villiers’ novel Future Eve could serve as an impulse to creation of the ideal illusory poetess: an article about this work figured in Voloshin’s first projects for Apollon magazine, S. Makovsky wrote about the heroine of this novel in his memoirs of Cherubina.
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Savina, Anfisa D. "Cherubina de Gabriak: French Sources of the Mystification." Studia Litterarum 6, no. 2 (2021): 164–83. http://dx.doi.org/10.22455/2500-4247-2021-6-2-164-183.

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The article shows what role M. Voloshin’s interest in the work of Auguste Villiers de l’Isle-Adam played in the creation of Cherubina de Gabriak. This famous mystification was planned by M. Voloshin and E. Dmitrieva in the summer of 1909 when the poet was translating Villiers’ philosophical drama Axel and writing an essay about the play and its author. Shared motifs and images that were discovered in Cherubina’s poems, Villiers’ drama and Voloshin’s essays, allow to treat the heroine of Axel (Sara de Maupers) as a literary prototype of the fictional poetess and to assert that Cherubina- Dmitrieva’s poetry was influenced by Villiers’ works and Voloshin’s interpretation of the former’s life. Also, it is important that Voloshin’s attention on Villiers’ novel Future Eve could serve as an impulse to creation of the ideal illusory poetess: an article about this work figured in Voloshin’s first projects for Apollon magazine, S. Makovsky wrote about the heroine of this novel in his memoirs of Cherubina.
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7

Taylor, Lou. "Wendy Salmond, Wifried Zeisler and Russell E. Martin, Constantin Makovsky: The Tsar's Painter in America and Paris." Costume 51, no. 2 (September 2017): 260–61. http://dx.doi.org/10.3366/cost.2017.0034.

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Eisenberg, Laura Z. "Arriving at Oslo: Making Peace with the PLO: The Rabin Government's Road to the Oslo Accord. . David Makovsky." Journal of Palestine Studies 25, no. 4 (July 1996): 108–9. http://dx.doi.org/10.1525/jps.1996.25.4.00p0016j.

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9

Rubinstein, W. D. "MICHAEL MAKOVSKY. Churchill's Promised Land: Zionism and Statecraft. New Haven, Conn.: Yale University Press. 2007. Pp. xv, 342. $35.00." American Historical Review 113, no. 1 (February 1, 2008): 251–52. http://dx.doi.org/10.1086/ahr.113.1.251.

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Cesarani, David. "Michael Makovsky. Churchill's Promised Land: Zionism and Statecraft. New Haven, CT: Yale University Press, 2007. Pp. xv+342. $35.00 (cloth)." Journal of British Studies 49, no. 2 (April 2010): 477–79. http://dx.doi.org/10.1086/650008.

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Dissertations / Theses on the topic "Makovsky"

1

Crist, Tessa J. "Vladimir Makovsky| The politics of nineteenth-century Russian realism." Thesis, Northern Illinois University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1590999.

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This thesis examines the political work produced by a little-known Russian Realist, Vladimir Makovsky (1846-1920), while he was a member of the nineteenth-century art collective Peredvizhniki. Increasingly recognized for subtle yet insistent opposition to the tsarist regime and the depiction of class distinctions, the work of the Peredvizhniki was for decades ignored by modernist art history as the result of an influential article, "Avant-Garde and Kitsch," written by American art critic Clement Greenberg in 1939. In this article, Greenberg suggests the work of Ilya Repin, the most renowned member of the Peredvizhniki, should be regarded not as art, but as "kitsch"--the industrialized mass culture of an urban working class. Even now, scholars who study the Peredvizhniki concern themselves with the social history of the group as a whole, rather than with the merits of specific artworks. Taking a different approach to analyzing the significance of the Peredvizhniki and of Makovsky specifically this thesis harnesses the powerful methodologies devised in the 1970s by art historians T.J. Clark and Michael Fried, two scholars who are largely responsible for reopening the dialogue on the meaning and significance of Realism in the history of modern art.

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Dugger, Richard Charles. "A Case Study of Interpersonal Influences in a Band Music Setting: Bohumil Makovsky (1878-1950) and His Association with Selected Individuals Involved in Instrumental Music in the State of Oklahoma." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc279058/.

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The purpose of this study was to investigate the interpersonal influences which Bohumil Makovsky, Director of Bands and Chairman of the Music Department at Oklahoma A&M College from 1915 to 1943, had on his students and peers, as confirmed through the perceptions of selected individuals, and to determine what personal characteristics and means he drew upon to induce changes in his students and peers.
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Šindlerová, Markéta. "Analýza zneužívání přírodního opia a makoviny - dotazníková studie." Master's thesis, 2009. http://www.nusl.cz/ntk/nusl-279572.

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My thesis concerns the problems with the natural opium abuse in the population of problematic users within the area of Ostrava. The results were gained with questionnaires filled out by clients of Contact Center (CC) Renarkon in Ostrava and by clients who exploit the fieldwork programmes of CC Renarkon in area of Ostrava and Nový Jičín. It was collected forty-eight results of clients. On the basis of these results, I found out that the opium was used by people at the age of 19-38 years, more than half of them were men (85,4 per cent), the rest was women (14,6 per cent ). Almost a half of respondents (45,8 per cent) lived with parents. One third of clients have reached basic education, 35,4 per cent clients have technical education without the school-leaving exam. Almost 35,0 per cent of clients were unemployed. More than half of all the clients (54,2 per cent) were examined for hepatitis with negative results. The half of all clients (54,2 per cent) were tested for HIV with negative results in all the cases. The number of the clients who had been treated for addiction before was 12,5 per cent, now it was only one client. The first illegal drug taken by 91,7 per cent of all the clients was THC and they took it when their average age was approximately 13,8 years. That drug was regarded by 43,8 per...
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Břízová, Daniela. "Role sochařství v oficiálním umění totalitních režimů: srovnání NDR a ČSR 1948 - 1968." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-389833.

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The dissertation is dedicated to the under-researched subject of the official sculpture in the DDR and ČSR in the time-frame 1948-1968. By evaluating the material on a broad background of the art historical, historical, cultural and ideological determinants, the dissertation endeavour to provide an accurate insight into the internal processes of the cultural machinery of the Socialist states with regard to sculpture and sculptors. The comparative character of the dissertation contributes to the understanding of the critical questions of art historical research of the period - such as the (in)authenticity of the local varieties of Socialist Realism and relatedness to the SSSR Socrealism, dates of the Socrealism existence, engagement of modernist sculptors, principles of the state/artist relationship or the second life of the Socrealist sculpture.
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Books on the topic "Makovsky"

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Nesterova, Yelena. Konstantin Egorovich Makovskiĭ: Konstantin Makovsky / Yelena Nesterova. Sankt-Peterburg: Zolotoĭ vek, 2003.

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2

Bolʹshakova, Nadezhda. Khudozhniki Makovskie. Sankt-Peterburg: Palace editions, 2008.

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3

Vasseur, Nadine. Yaarit Makovski: Oeuvres sur papier. [Paris]: I. Flammer, 2006.

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4

Makovskiĭ, Vladimir. Vladimir Makovskiĭ: [alʹbom. Moskva: Izobrazitelʹnoe iskusstvo, 1986.

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Konstantin Egorovich Makovskiĭ (1839-1915): Alʹbom. Sankt Peterburg: Khudozhnik Rossii, Zolotoĭ vek, 2003.

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6

Fedorova, Irina. Makovskie: Iz sobraniĭ muzeev Vologdy, Ivanovo, Kostromy, Pereslavli︠a︡, Rybinska, I︠A︡roslavli︠a︡. I︠A︡roslavlʹ: I︠A︡roslavskiĭ pechatnyĭ dvor, 2011.

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7

Vzi͡atie gory Makovka: Neizvestnai͡a pobeda russkikh voĭsk vesnoĭ 1915 goda. Moskva: Regnum, 2010.

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8

Hillwood Estate, Museum and Gardens (Washington, D.C.), ed. Konstantin Makovsky: The Tsar's painter in America and Paris. 2015.

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Slovenski tolstojovci: Dusan Makovicky - Albert Skarvan. Martin, 1986.

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Book chapters on the topic "Makovsky"

1

Nesterova, Elena. "2. The Brothers Konstantin and Vladimir Makovskii: One Family, Two Fales." In From Realism to the Silver Age, 27–43. Cornell University Press, 2014. http://dx.doi.org/10.1515/9781501757044-007.

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Journal articles
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