Journal articles: 'Makovsky'

1

MAKOVSKY, A. L. "SPEECH BY A.L. MAKOVSKY." Civil Law Review 20, no. 1 (February 29, 2020): 15–26. http://dx.doi.org/10.24031/1992-2043-2020-20-1-15-26.

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Renton, James. "Michael Makovsky,Churchill's Promised Land: Zionism and Statecraft." Diplomacy & Statecraft 19, no. 2 (June 13, 2008): 367–69. http://dx.doi.org/10.1080/09592290802137564.

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SUKHANOV, E. A. "A.L. MAKOVSKY AND THE REVIVAL OF RUSSIAN PRIVATE LAW." Civil Law Review 20, no. 6 (February 20, 2021): 8–17. http://dx.doi.org/10.24031/1992-2043-2020-20-6-8-17.

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The article highlights the role of prof. A.L. Makovsky in the creation of the new Civil Code of the Russian Federation of 1994–2006, as well as in the organization of the practice of its application and the development of the Concept for the Development of Civil Legislation of the Russian Federation in 2009. Special attention is paid to the activities of A.L. Makovsky on the preparation of the Fourth Part of the Civil Code of the Russian Federation and the concept of intellectual rights enshrined by it, opposing the traditional archaic concept of “intellectual property”. The importance of the need to increase the attention of civil law to the issue of protecting the rights and interests of citizens and other weakest participants in civil legal relations in their opposition to the interests of large companies striving to take a privileged position in property turnover is shown. From this point of view, the author substantiates the need for a significant adjustment in the understanding of the balance of private and public interests, which is the basis of civil law regulation.

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SELIVATCHOV, Michael. "FOLK ART OF THE CARPATHIANS THROUGH THE EYES OF SERGE MAKOVSKY (1877—1962)." Ethnology Notebooks 155, no. 5 (October 22, 2020): 1189–201. http://dx.doi.org/10.15407/nz2020.05.1189.

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Savina, Anfisa D. "Cherubina de Gabriak: French Sources of the Mystification." Studia Litterarum 6, no. 2 (2021): 164–83. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-164-183.

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The article shows what role M. Voloshin’s interest in the work of Auguste Villiers de l’Isle-Adam played in the creation of Cherubina de Gabriak. This famous mystification was planned by M. Voloshin and E. Dmitrieva in the summer of 1909 when the poet was translating Villiers’ philosophical drama Axel and writing an essay about the play and its author. Shared motifs and images that were discovered in Cherubina’s poems, Villiers’ drama and Voloshin’s essays, allow to treat the heroine of Axel (Sara de Maupers) as a literary prototype of the fictional poetess and to assert that Cherubina- Dmitrieva’s poetry was influenced by Villiers’ works and Voloshin’s interpretation of the former’s life. Also, it is important that Voloshin’s attention on Villiers’ novel Future Eve could serve as an impulse to creation of the ideal illusory poetess: an article about this work figured in Voloshin’s first projects for Apollon magazine, S. Makovsky wrote about the heroine of this novel in his memoirs of Cherubina.

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Savina, Anfisa D. "Cherubina de Gabriak: French Sources of the Mystification." Studia Litterarum 6, no. 2 (2021): 164–83. http://dx.doi.org/10.22455/2500-4247-2021-6-2-164-183.

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The article shows what role M. Voloshin’s interest in the work of Auguste Villiers de l’Isle-Adam played in the creation of Cherubina de Gabriak. This famous mystification was planned by M. Voloshin and E. Dmitrieva in the summer of 1909 when the poet was translating Villiers’ philosophical drama Axel and writing an essay about the play and its author. Shared motifs and images that were discovered in Cherubina’s poems, Villiers’ drama and Voloshin’s essays, allow to treat the heroine of Axel (Sara de Maupers) as a literary prototype of the fictional poetess and to assert that Cherubina- Dmitrieva’s poetry was influenced by Villiers’ works and Voloshin’s interpretation of the former’s life. Also, it is important that Voloshin’s attention on Villiers’ novel Future Eve could serve as an impulse to creation of the ideal illusory poetess: an article about this work figured in Voloshin’s first projects for Apollon magazine, S. Makovsky wrote about the heroine of this novel in his memoirs of Cherubina.

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Taylor, Lou. "Wendy Salmond, Wifried Zeisler and Russell E. Martin, Constantin Makovsky: The Tsar's Painter in America and Paris." Costume 51, no. 2 (September 2017): 260–61. http://dx.doi.org/10.3366/cost.2017.0034.

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Eisenberg, Laura Z. "Arriving at Oslo: Making Peace with the PLO: The Rabin Government's Road to the Oslo Accord. . David Makovsky." Journal of Palestine Studies 25, no. 4 (July 1996): 108–9. http://dx.doi.org/10.1525/jps.1996.25.4.00p0016j.

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Rubinstein, W. D. "MICHAEL MAKOVSKY. Churchill's Promised Land: Zionism and Statecraft. New Haven, Conn.: Yale University Press. 2007. Pp. xv, 342. $35.00." American Historical Review 113, no. 1 (February 1, 2008): 251–52. http://dx.doi.org/10.1086/ahr.113.1.251.

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Cesarani, David. "Michael Makovsky. Churchill's Promised Land: Zionism and Statecraft. New Haven, CT: Yale University Press, 2007. Pp. xv+342. $35.00 (cloth)." Journal of British Studies 49, no. 2 (April 2010): 477–79. http://dx.doi.org/10.1086/650008.

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Ozkececi-Taner, Binnur. "Myths, Illusions, and Peace: Finding New Direction for America in the Middle East, Dennis Ross and David Makovsky (3rd Edition)." British Journal of Middle Eastern Studies 39, no. 3 (December 2012): 417–19. http://dx.doi.org/10.1080/13530194.2012.726493.

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Дружинин, Алексей Александрович. "Gospel Stories in the Works of V. V. Vereshchagin." Вестник церковного искусства и археологии, no. 1(2) (June 15, 2020): 70–78. http://dx.doi.org/10.31802/2658-5111-2020-1-2-70-78.

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В наследии русских реалистов второй половины XIX в. существует большая группа произведений на евангельский сюжет, решенных по законам станковой картины, в принципах исторического жанра и предназначавшихся для светских выставок. Уникальность этого явления заключается в том, что художники, в отличие от предыдущего времени, создавали их не только по заказу, но и из внутренней потребности, по личной инициативе. Это произведения Г. Ге, В. Г. Перова, И. Н. Крамского, В. И. Сурикова, И. Е. Репина, В. Д. Поленова, В. Е. Маковского, Г. Г. Мясоедова, К. А. Савицкого и, конечно же, В. В. Верещагина. In the heritage of Russian realists of the second half of the XIX century there is a large group of works on an evangelical plot, solved according to the laws of easel painting, in the principles of historical genre and intended for secular exhibitions. The uniqueness of this phenomenon lies in the fact that artists, in contrast to the previous time, created them not only by order, but also from inner need, on personal initiative. This is the work of N. G. Ge, V. G. Perova, N. Kramskoy, V. I. Surikov, I. E. Repin, V. D. Polenova, V. E. Makovsky, G. G. Myasoedova, K. A. Savitsky and, of course, V. V. Vereshchagin.

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Dowty, Alan. "David Makovsky, Making Peace with the PLO: The Rabin Government's Road to the Oslo Accord (Boulder, Colo.: Westview Press, 1996). Pp. 250." International Journal of Middle East Studies 29, no. 3 (August 1997): 473–74. http://dx.doi.org/10.1017/s0020743800065077.

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14

Brobst, Peter John. "Churchill's Promised Land: Zionism and Statecraft. By Michael Makovsky. New Haven, CT: Yale University Press, 2007. Pp. xvi+342. $35.00 (cloth); $20.00 (paper)." Journal of Modern History 82, no. 2 (June 2010): 462–64. http://dx.doi.org/10.1086/651581.

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Ganyushina, Margarita. "Historical and Symbolic Aspects of Linguistic Representation of the World." Journal of Language and Education 2, no. 1 (March 1, 2016): 65–71. http://dx.doi.org/10.17323/2411-7390-2016-2-1-65-71.

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The article is an attempt to offer a theoretical understanding of the notion of a “Linguistic world-image” (LWI) within symbolic contexts as represented in the current literature, define the symbol’s features, its influence on LWI in historic perspective, and investigate its functioning within idioms or metaphors. We have undertaken the review of previous LWI investigations and, as the methodological basis of our research, we have used ethno-semantic and linguistic-philosophical approaches to language; specifically, the method of multiple etymology, introduced by V. N. Toporov and developed by M.M. Makovsky, which permitted us to identify the correlation of LWI with linguistic signs as a carrier of symbolic meaning. It should be noted that studying symbolic language properties and linguistic signs within the linguistic world-image, which were not taken into account before, is conductive to a more profound comprehension of the correlation between language, culture, and mutual understanding index in the intercultural communication process.The LWI concept is considered as a subjective-objective dynamic multilevel construct, which presents its primary features through a lexical-semantic language system within a world and national culture formed as a result of the reflection of sensorial perception, facts, understanding and estimation of the objective phenomena in national linguistic consciousness, in the experience of correlation of language concepts, images and symbols throughout the cultural historical development of the language. Therefore, two approaches to studying LWI are evident - cognitive and cultural-philosophical - which are not so much conflicting as mutually reinforcing.

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Teslya, Andrei. "“The Only Pictures in Memory of the Great War”: The Heroic Spirit, Orientalism, and the Problems of Representational Depictions of the Russo-Turkish War of 1877–1878." Sotsiologicheskoe Obozrenie / Russian Sociological Review 17, no. 3 (2018): 240–55. http://dx.doi.org/10.17323/1728-192x-2018-3-240-255.

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The Russo-Turkish War of 1877–1878 spawned a request from both the government and the public for an appropriate pictorial representation to be evaluated in the categories of ‘high art’, a request which revealed the inability of the predominant aesthetics to be satisfied. The paintings on the subjects of the preceding Balkan Crisis of 1875–1876 easily appealed to the existing reserve of descriptive means in primarily appealing to Orientalist motives by using the international Oriental-artistic language. In this case, painters such as K. Makovsky or V. Polenov did not need to resort to some inversions in the “Turkestan Series” by V. Vereshchagin: the developed artistic language allowed the conveying of the desired content without loss. On the contrary, attempts to present pictorial representations of the Russo-Turkish War found that the old military art was no longer perceived as genuine “art”. Thus, in not being regarded as a proper fixation of “memorable events”, the prevailing new aesthetics was unable to convey the pathos and heroics desired by the authorities. At the same time, it was found that a strong aesthetic effect in military plots was achieved through “seriality”, the interpretation of similar plots as isolated and independent. However, this did not produce a significant effect, that is to say, painting as such was not self-sufficient since it required the assistance of the text, the sequence of images, etc. The problem was reduced significantly with the new aesthetics of the 20th century, and in the last decades of the 19th century, in connection with mentioned above difficulties of painting, historical plots acquired new value, providing new opportunities for the representation of heroic themes while simultaneously giving greater aesthetic freedom.

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Lobasheva, Irina F. "Kazan art school and its heritage in the collection of the State museum of fine arts of the Republic of Tatarstan." Historical Ethnology 5, no. 3 (November 27, 2020): 362–72. http://dx.doi.org/10.22378/he.2020-5-3.362-372.

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Kazan Art School is a famous Russian educational institution that became an art educational center in the Volga-Kama Region and the Trans-Urals. In 2020, the school represented by N.I. Feshin Kazan Art College celebrates its 125th anniversary. It was opened under the direct tutelage of the Imperial Academy of Arts (1895) on the initiative of the Academy graduates, natives of the Kazan Region N.N. Belkovich, G.A. Medvedev, H.N. Skornyakov, I.A. Denisov, and Yu.I. Thyssen with the assistance of the city authorities. The historical walls of the school are marked by the teaching and pedagogical contribution of such legendary personalities as N.I. Feshin, P.P. Benkov and B.I. Urmanche, A.M. Rodchenko, P.A. Radimov, P.M. Dulsky, D.D. Burliuk, V.K. Timofeyev and other famous masters of the Russian art. The collection of the State Museum of Fine Arts of the Republic of Tatarstan contains the main artistic heritage of the school of the pre-revolutionary period and the first years of Soviet history (1895–1920s), which is considered in the given article. Conventionally, this legacy consists of three main parts. The main part includes works by the founders, teachers and students of the Kazan Art School. It is a fairly extensive collection of several hundred paintings and graphic works, as well as a small number of sculptural exhibits. The collection gives an opportunity to get acquainted with typical examples of the creative manner of the main representatives of the school. All of them are characterized by a special individuality of the visual language, but a diverse visual range is united by a common culture of vision. The collection is also particularly valuable due to the fact that it presents rare famous examples of the work of such artists as Yu.I. Thyssen, L.F. Ovsyannikov, F.P. Gavrilov, N.I. Mikhailov and others. An art museum operated at the Kazan school, which was created with the active involvement of the Academy of Arts.The museum operates at the school in a transformed form up to the present day. The collection of the Fine Arts Museum of the republic contains the bulk of the works of this collection, which gives an idea of the scale of the Academy of Arts activities to support the school with donated works. There are about 80 of them in total. The names of many are well known in the history of Russian art: I.E. Repin, I.I. Shishkin, A.P. Bogolyubov, K.E. Makovsky, V.V. Mate, A.F. Gausch, F.S. Zhuravlev, A.A. Kiselev, R.F. Franz and others. The museum collection also contains works by the most famous student of the Kazan Art School – Nikolai Ivanovich Feshin (1881–1955), who later was an equally famous school teacher (since 1909). The largest collection of Feshin's works in Russia, including painting, graphics, sculpture, decorative and applied art of the master (over 180 works) is kept in Kazan.

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Feldbrugge, Ferdinand, and William B. Simons. "In Memoriam Aleksandr L. Makovskii." Review of Central and East European Law 46, no. 1 (February 24, 2021): 147–52. http://dx.doi.org/10.1163/15730352-bja10046.

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NABOZHENKO, MAXIM, INANÇ ÖZGEN, and YULIYA IVANUSHENKO. "A new species of the genus Entomogonus Solier, 1848 (Coleoptera: Tenebrionidae) from Eastern Anatolia." Zootaxa 4441, no. 3 (June 28, 2018): 549. http://dx.doi.org/10.11646/zootaxa.4441.3.9.

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A new species Entomogonus (Delonurops) doguanatolicus Nabozhenko, sp. n. (Coleoptera: Tenebrionidae) is described from Diyarbakır (Turkey). It differs from all members of the subgenus Delonurops Reitter, 1922 in the flattened lateral sides of pronotum. The newly described species is similar to E. clavimanus Reitter, 1903, E. makovskyi Nabozhenko et Tichý, 2011 and E. bialookii Nabozhenko et Tichý, 2011 from which it also differs by a more robust body, structure of pro- and mesotibiae, pro- and mesotarsi and elytral apex. A key to species (based on males) of the subgenus Delonurops of Eastern Anatolia is given.

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Lipkin, Christine, Paul C. Sereno, and John R. Horner. "The furcula in Suchomimus tenerensis and Tyrannosaurus rex (Dinosauria: Theropoda: Tetanurae)." Journal of Paleontology 81, no. 6 (November 2007): 1523–27. http://dx.doi.org/10.1666/06-024.1.

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Ossified clavicles, either as paired elements or as a median furcula, have been recorded in all major clades of dinosaurs, including ornithischians, sauropodomorphs, and theropods (Bryant and Russell, 1993). Nearly all but the most basal theropods, Eoraptor lunensis and Herrerasaurus ischigualastensis, have an ossified furcula including coelophysids (Downs, 2000; Tykoski et al., 2002; Carrano et al., 2005), allosauroids (Chure and Madsen, 1996), tyrannosaurids (Makovicky and Currie, 1998; Larson and Donnan, 2002; Brochu, 2003; Lipkin and Sereno, 2004; Larson and Rigby, 2005), therizinosaurids (Xu et al., 1999a; Zhang et al., 2001), oviraptorids (Barsbold, 1983; Clark et al., 1999, 2001; Hwang et al., 2002; Osmólska et al., 2004), troodontids (Xu and Norell, 2004), and dromaeosaurids (Norell et al., 1997; Norell and Makovicky, 1999; Xu et al., 1999b; Burnham et al., 2000; Hwang et al., 2002). No ossification of any element beyond the coracoid has been found in the pectoral girdle of the well-preserved primitive theropods, Eoraptor lunensis and Herrerasaurus ischigualastensis.

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21

MARKALOVA, N. G. "PROBLEMS RELATED TO THE CONTRACT OF CARRIAGE OF GOODS BY SEA." Civil Law Review 20, no. 6 (February 20, 2021): 18–29. http://dx.doi.org/10.24031/1992-2043-2020-20-6-18-29.

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This article is dedicated to the memory of Doctor of Law, professor Makovskiy A.L. under whose guidance the author prepared her thesis for Ph.D in Law. The author recollects years of work in the Division of international private, Soviet and foreign maritime law of the institute “Soyuzmorniiproekt”, which was governed by A.L. Makovskiy and outlines the achievements of Alexander Lvovich in the area of maritime law. The article addresses issues regarding the notion of a contract of carriage of cargo by sea, which up to the present moment give rise to discussions in legal community. Distinctive features of two types of contracts of carriage of cargo by sea are pointed out: charter contract made as a general rule in case of tramping and contract of carriage of cargo by sea in line traffic under a bill of lading. The author distinguishes legal relations in case of carriage of cargo by sea from legal relations in case of freight of a sea vessel demonstrating their different legal nature. Attention is paid to the fact that the contract of carriage of cargo by sea corresponds to Chapter 40 of the Civil Code of the Russian Federation “Carriage” and the contract of freight of a vessel for a certain time (time-charter) and a contract of freight of a vessel without a crew (bareboat charter) correspond to Chapter 34 of the Civil Code of the Russian Federation “Lease”. Based on judicial and arbitration practice the article shows the difficulties of perception of Article 787 of the Civil Code of the Russian Federation “The Contract of Freight” and points out the need for changing its contents.

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22

Alt, Yvette C. "Book Review: David Makovsky, Making Peace with the PLO: The Rabin Government's Road to the Oslo Accord (Boulder, CO: Westview Press, 1996, 239 pp., no price given). Joel Peters, Pathways to Peace: The Multilateral Arab-Israeli Peace Talks (London: Royal Institute for International Affairs, 1996, 110 pp., no price given)." Millennium: Journal of International Studies 26, no. 3 (December 1997): 880–83. http://dx.doi.org/10.1177/03058298970260030708.

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23

Moelo, Y., T. Balic-Zunic, and R. F. Martin. "SULFOSALTS AND MUCH MORE... A TRIBUTE TO EMIL MAKOVICKY." Canadian Mineralogist 50, no. 2 (April 1, 2012): 177–80. http://dx.doi.org/10.3749/canmin.50.2.177.

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Makovskyi, Igor. "Criterional analysis of the profile of information security at the enterprise." Economy and Entrepreneurship, no. 44 (June 22, 2020): 95–108. http://dx.doi.org/10.33111/ee.2020.44.makovskyii.

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25

Wilson, Andrew M. "An Analysis of Makovsky's Border Proposal in Light of Palestinian Needs." Digest of Middle East Studies 23, no. 2 (September 2014): 215–34. http://dx.doi.org/10.1111/dome.12051.

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Kostov, Ruslan. "Book Review: Makovicky, Emil – Symmetry, Through the Eyes of Old Masters, Berlin." Symmetry: Culture and Science 29, no. 2 (2018): 302–6. http://dx.doi.org/10.26830/symmetry_2018_2_302.

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Oztas, Harun. "ESTABLISHMENT AND CURRENT STATE OF SCHOOL PSYCHOLOGICAL SERVICES IN AZERBAIJAN AND TURKEY." World Science 3, no. 6(58) (June 30, 2020): 50–55. http://dx.doi.org/10.31435/rsglobal_ws/30062020/7122.

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The development of psychology in Azerbaijan is closely linked with the opening of the first higher education institutions in the country since the 1920s. In 1919, Baku State University, the first higher education institution in the republic, and in 1921, the first Pedagogical Institute were established. Departments of pedagogy and psychology and the first psychology laboratories were established in these universities. The first psychology laboratory in the country was organized in 1926 under the leadership of prominent psychologist F. Ibrahimbeyov at Baku State University, where psychological devices such as chronoscope, tachistoscope, visual adaptometer, audiometer, ergograph, etc. were installed.The development of psychology as a science in our republic began in the 20s and 30s of the last century, and at that time there were no national psychologists. Therefore, Russian scientists, Azerbaijani philosophers, pedagogues and neurologists taught psychology in the newly opened universities. Among them, the services of A.O. Makovelsky, A.K. Zakuzade, F.A. Ibrahimbeyov, H.B. Shakhtakhtinski, S.N. Hajiyev, V.I. Mustafayev and others should be especially noted.

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Makovicky, E., and T. Balić-Žunić. "New Measure of Distortion for Coordination Polyhedra." Acta Crystallographica Section B Structural Science 54, no. 6 (December 1, 1998): 766–73. http://dx.doi.org/10.1107/s0108768198003905.

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A new global measure of distortion for coordination polyhedra is proposed, based on a comparison of the ratios Vs (circumscribed sphere)/Vp (polyhedron) calculated, respectively, for the real and ideal polyhedra of the same number of coordinated atoms which have the same circumscribed sphere. This formula can be simplified to υ (%) = 100[Vi (ideal) − Vr (real)]/Vi , where Vi and Vr are the volumes of the above-defined polyhedra. The global distortion can be combined with other polyhedral characteristics, e.g. with the eccentricity of the central atom in the polyhedron or with the degree of sphericity of the coordination sphere [Balić Zõunić & Makovicky (1996). Acta Cryst. B52, 78–81].Vs /Vp ratios are given for a number of ideal polyhedra, including several types of trigonal coordination prisms, with the aim of facilitating the distortion calculations. The application examples included in the paper are: complex sulfides based on PbS and SnS archetypes, coordination polyhedra of large cations in feldspars, a phase transformation in a monoclinic amphibole and the subdivision of structures isopointal to ilmenite.

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Gianechini, Federico A., Peter J. Makovicky, and Sebastián Apesteguía. "The cranial osteology of Buitreraptor gonzalezorum Makovicky, ApesteguÍa, and AgnolÍn, 2005 (Theropoda, Dromaeosauridae), from the Late Cretaceous of Patagonia, Argentina." Journal of Vertebrate Paleontology 37, no. 1 (January 2, 2017): e1255639. http://dx.doi.org/10.1080/02724634.2017.1255639.

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Марышева, Наталия, Nataliya Maryshyeva, Татьяна Лазарева, Tatyana Lazaryeva, Наталия Власова, and Nataliya Vlasova. "СIVILISTIC SCHOOL OF THOUGHT IN INTERNATIONAL PRIVATE LAW." Journal of Foreign Legislation and Comparative Law 1, no. 5 (December 2, 2015): 0. http://dx.doi.org/10.12737/16123.

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The article is devoted to the analysis of the civil law concept of private international law, which comes down to the fact that private international law regulates private law relations: civil, family and labour, if they comprise a foreign element (foreign citizenship, foreign affiliation of a subject of law, etc). The authors provide arguments that private international law is an independent branch of law and legal studies; civil law concept of private international law is based on two methods of regulation of private law relations with a foreign element: conflict of laws (national and standardized through uniform rules contained in international conventions) and a substantive (standardized) element. The authors reveal the role in the development of the science of private international law played by professor L. A. Luntz, Laureate of the USSR State prize, who worked in the Institute of Legislation and Comparative Law (ILCL) in 1939—1979. Special attention is paid to the contribution of L. A. Luntz and his successors — the ILCL researchers V. P. Zvekov, A. L. Makovskiy, N. I. Marysheva, O. N. Sadikov — to the formation and development of the Soviet and Russian legislation in the field of private international law, including drafting of the Bill on Private International Law and International Civil Procedure (1990), drafting and adoption of the respective sections within the Fundamental Principles of Civil Legislation of the USSR (1961, 1991), the Fundamental Principles of Marriage and Family Legislation of the USSR (1968), the RSFSR Civil Code (1964), the Marriage and Family Code of the RSFSR (1969), the present Civil Code of the Russian Federation (Part III, 2001), the Family Code of the Russian Federation (1995), the Maritime Code of the Russian Federation (1999), the Civil Procedure Code of the Russian Federation (2002).

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Kudaibergenova, Diana T. "Economies of Favour after Socialism, Edited by David Henig & Nicolette Makovicky Oxford: Oxford University Press, 2017, 256 pp., £55.00, ISBN 9780199687411." Journal of Development Studies 54, no. 11 (May 9, 2018): 2136–37. http://dx.doi.org/10.1080/00220388.2018.1467789.

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Russo, Concetta. "Henig, David and Nicolette Makovicky (eds.) 2014. Economies of favour after Socialism. Oxford: Oxford University Press. 239 pp. Pb.: €72.0. ISBN: 9780199687411." Social Anthropology 27, no. 1 (February 2019): 121–22. http://dx.doi.org/10.1111/1469-8676.12610.

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Thalal, Abdelmalek, Youssef Aboufadil, and My Ahmed Elidrissi. "Construction of quasiperiodic patterns in the Moroccan ornamental art." Acta Crystallographica Section A Foundations and Advances 70, a1 (August 5, 2014): C1430. http://dx.doi.org/10.1107/s2053273314085696.

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The similarity between the structure of Islamic decorative patterns and quasicrystal, aroused the interest of several crystallographers. They analyzed these patterns, by different approaches, various kinds of ornamental quasiperiodic patterns encountered in the Morocco and Alhambra (Andalusia) as well as in the eastern of Islamic world. In this work, we are interesting in the quasiperiodic patterns found in several Moroccan historical buildings constructed in the 14th century. We first describe the Zellige panels (fine mosaics) decorating the Madrasas (schools) Attarine and Bou Inania in Fez in term of Penrose tiling, to confirm that both panels have quasiperiodic structure (Makovicky et al, 1998). The panel Madrasas Attarine appears as a finite part of this quasiperiodic pattern (Figure 1-c). As already mentioned by several authors, we can notice the similarity of the decagonal pattern with the diffraction pattern of the quasicrystal Al Mn (Schechtman et al, 1984) (Figure 1-a and c). The multigrid method developed by De Bruijn (1981) and reformulated by Gratias (2002) to obtain a quasiperiodic paving, is used to construct known quasiperiodic patterns from periodic patterns extracted from the Madrasas Bou Inania and Ben Youssef (Marrakech). At last, we propose a method of construction of heptagonal, enneagonal, tetradecagonal and octadecagonal quasiperiodic patterns, not encountered in the Moroccan ornamental art. They are built from tiling (skeleton) generated by the multigrid method and decorated by motifs obtained by the craftsmen method.

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Cook, Nigel J. "Bismuth and bismuth–antimony sulphosalts from Neogene vein mineralisation, Baia Borşa area, Maramureş, Romania." Mineralogical Magazine 61, no. 406 (June 1997): 387–409. http://dx.doi.org/10.1180/minmag.1997.061.406.06.

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AbstractSeveral complex Cu-Pb-Bi, Cu-Pb-Bi-Sb and Ag-Pb-Bi sulphosalt minerals have been identified in samples from hydrothermal vein mineralisation associated with the Toroiaga sub-volcanic body in the Baia Borşa area of Maramureş County, northwest Romania. This is the first chemically-documented report of Bi-sulphosalts in the Neogene metallogenic province around Baia Mare. The investigated samples contain abundant amounts of matildite solid solution within galena, the Cu-Pb/Bi sulphosalts aikinite, friedrichite, krupkaite, hammarite, lindströmite and gladite as well as nuffieldite and berryite. Within the Ag-Pb/Bi group, the majority of analysed grains can be regarded as members of the lillianite homologous series. Three distinct lillianite homologues were identified, which correspond to (i) phases along the lillianite-gustavite solid solution join (Pb3Bi2S6-AgPbBi3S6), (ii) phases within solid solution field of heyrovskyite, and (iii) compositions which best correspond to ‘schirmerite’, sensu Makovicky and Karup-Møller (1977b), but may represent disordered gustavite, vikingite or eskimoite. Some of the analysed lillianite homologues contain excess Cu, which may occupy interstitial sites. Furthermore, a large proportion of the lillianite homologues display significant substitution of Sb for Bi within the limits predicted by experimental investigations. Cosalite, also showing a range of compositions including Sb-rich varieties is recognised. Izoklakeite, Cu2Pb22(Sb,Bi)22S57, is an abundant phase throughout the analysed samples, its composition is in good agreement with previously published analyses, except for excess Cu and Fe beyond the limits previously reported. The description of several minerals from this new occurrence and compositional data on them, including the Sb-bearing varieties, provides valuable additional information on compositional limits in natural samples.

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Matyunina, Daria Stanislavovna, and Mariya Viktorovna Nozdracheva. "“Crossed-out psychologism” of female salon portrait of the Art Nouveau: portraits of Elena Olive by the artist Konstantin Somov and Marina Makovskaya by Alexander Golovin." Культура и искусство, no. 4 (April 2021): 30–42. http://dx.doi.org/10.7256/2454-0625.2021.4.35467.

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In view of female portrait of the turn of the XIX – XX centuries, which stylistically belongs to “salon” painting of the Russian Art Nouveau, the authors analyzes the two works by the artists of “The World of Art” association – the portrait of Elena Olive by Konstantin Somov (1914) and the portrait of Marina Makovskaya by Alexander Golovin (1912). Both portraits are attributed to the series of female portraits created by Konstantin Somov and Alexander Golovin in the early 1910s. The general circle of  the artists’ clients, similar formats of works, compositional and stylistic techniques allow drawing parallels between the selected portraits and finding certain conceptual similarity. The determination of stylistic, formal and conceptual patterns of both works against the background of the series of similar portraits created by the artists indicates that the generally accepted criterion of “psychologism” of the images in assessing these works is inapplicable. The female portrait of the Art Nouveau appease to be representative, creating “stylish” images of the contemporaries, meeting the tastes of the clients and the moods of Belle Epoque, but virtually not oriented towards personal characteristics and psychologism of the image in traditional sense. However, in the considered portraits, the researchers reveal generalizations and characteristics that describe the psychology of the depicted models in a different way, as well as form a three-dimensional female image of the turn of centuries: the phenomenon of “hidden psychologism”, the prospects for studying which are outlined in this work.

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Curtin, Emily. "Nicolette Makovicky, ed. Neoliberalism, Personhood, and Postsocialism: Enterprising Selves in Changing Economies. Surrey, UK: Ashgate, 2014. xi +209 pp. ISBN 978-1-4094-6787-8, $165 (cloth)." Enterprise & Society 21, no. 2 (February 4, 2020): 547–49. http://dx.doi.org/10.1017/eso.2019.42.

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Durovič, Slabomil. "Crystallography of modular materials.By Giovanni Ferraris, Emil Makovicky and Stefano Merlino. Pp. x + 370. Oxford: Oxford University Press, 2004. Price Hardback GBP 75.00. ISBN 0-19-852664-4." Acta Crystallographica Section A Foundations of Crystallography 61, no. 5 (August 19, 2005): 531–32. http://dx.doi.org/10.1107/s0108767305004307.

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McColm, Gregory. "Symmetry Through the Eyes of the Old Masters. By Emil Makovicky. De Gruyter, 2016. Hardback, Pp. 240. Price EUR 99.95, USD 140.00, GBP 74.99. ISBN 978-3-11-041705-0." Acta Crystallographica Section A Foundations and Advances 73, no. 2 (February 27, 2017): 202–6. http://dx.doi.org/10.1107/s2053273317001747.

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Allmann, Rudolf. "Crystallography of Modular Materials. Vol. 15, IUCr Monographs on Crystallography. By G. Ferraris, E. Makovicky and S. Merlino. Oxford University Press, 2008. Price (paperback) GBP 39.95. ISBN 978-0-19-954569-8." Acta Crystallographica Section B Structural Science 64, no. 5 (September 16, 2008): 644. http://dx.doi.org/10.1107/s0108768108025986.

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Walsh, Colin A., and Kate H. Moore. "Botulinum toxin in “refractory” detrusor overactivity. Re: Makovey I, et al. Botulinum toxin outcomes for idiopathic overactive bladder stratified by indication: Lack of anticholinergic efficacy versus intolerability. Neurourol Urodyn 2011;30:1538-1540." Neurourology and Urodynamics 31, no. 5 (April 6, 2012): 708. http://dx.doi.org/10.1002/nau.21237.

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Bayliss, P. "Crystallography of Modular Materials.: By Giovanni Ferraris, Emil Makovicky and Stefano Merlino (2004). Oxford University Press, 70 Wynford Drive, Don Mills Ontario M3C 1J9, Canada. 370 pages. $225.00 (hard-cover). ISBN 0-19-852664-4." Canadian Mineralogist 43, no. 2 (April 1, 2005): 837. http://dx.doi.org/10.2113/gscanmin.43.2.837.

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Cameron, T. Stanley. "Crystallography of Modular Materials. IUCr Monographs on Crystallography, 15 By Giovanni Ferraris (University of Turin), Emil Makovicky (University of Copenhagen), and Stefano Merlino (University of Pisa). Oxford University Press: Oxford. 2004. x + 370 pp. $144.50. ISBN 0-19-852664-4." Journal of the American Chemical Society 127, no. 5 (February 2005): 1589–90. http://dx.doi.org/10.1021/ja040958k.

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Стоюхина, Н. Ю., and А. А. Костригин. "THE FIRST WORLD WAR IN THE FATES OF RUSSIAN PSYCHOLOGISTS: THE TRAGEDY AND DUTY." Институт психологии Российской академии наук. Социальная и экономическая психология, no. 1(21) (April 12, 2021): 192–218. http://dx.doi.org/10.38098/ipran.sep.2021.21.1.008.

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Статья посвящена недостаточно изученному вопросу в истории российской психологии - деятельности отечественных психологов в годы Первой мировой войны. Авторы обобщили найденные на данный момент сведения о нахождении и роли разных психологов как в военных событиях, так и в научной и общественной жизни того времени. Представляются три группы персоналий в зависимости от того, в каком положении по отношению к военным действиям они оказались: участие в действующей армии; пребывание в Германии во время войны в качестве пленного гражданского лица; жизнь и научная деятельность в тылу. Среди психологов, которые служили в армии во время Первой мировой войны, рассматриваются биографические данные и воспоминания П.Н. Шефтеля, Г.Я. Трошина, В.Ф, Чижа, А.Б. Залкинда, И.А. Арямова, Л.Н. Войтоловского, А.А. Смирнова, Б.М. Теплова, М.Я. Басова, Л.А. Бызова, М.В. Шика. К группе психологов, которые оказались в Германии во время войны, относятся А.О. Маковельский, А.Ф. Лосев, И.Н. Шпильрейн, Н.Е. Румянцев. Описываются результаты научных событий, состоявшихся в России в годы Первой мировой войны, - Третий и Четвертый Всероссийские съезды по экспериментальной педагогике, исследовательские работы в Психологическом институте им. Л.Г. Щукиной, коллективные публикации. Отмечается, что обращение к деятельности психологов во время Первой мировой войны является важным с позиций не только истории психологии, но и исторической психологии: кроме изучения жизненного пути персоналий и анализа результатов научных исследований этого периода представляет интерес и описание образа и роли ученого в военное время, особенностей научной активности в военных условиях. Авторы статьи призывают профессиональное сообщество дополнить список персоналий, которые принимали участие в Первой мировой войне и на которых война оказала значимое влияние, и другими именами. The article is devoted to an insufficiently studied issue in the history of Russian psychology - the activities of Russian psychologists during the First World War. The authors summarized the information found to date about the location and role of various psychologists both in military events and in the scientific and social life of that time. Three groups of personalities are presented, depending on the position in which they found themselves in relation to military operations: participation in the active army; stay in Germany during the war as a captured civilian; life and scientific activities in the rear. Among psychologists who served in the army during the First World War, the authors describe the biographical data and memories of P.N. Sheftel, G. Ya. Troshin, V.F. Chizh, A.B. Zalkind, I.A. Aryamov, L.N. Voitolovsky, A.A. Smirnov, B.M. Teplov, M.Ya. Basov, L.A. Byzov, M.V. Shik. The group of psychologists who remained in Germany includes A.O. Makovelsky, A.F. Losev, I.N. Spielrein, N.E. Rumyantsev. The article describes the results of scientific events in Russia that took place during the First World War - the Third and Fourth All-Russian congresses on experimental pedagogy, research work at the Psychological institute named after L.G. Shchukina, collective publications. It is noted that the appeal to the activities of psychologists during the First World War is important from the standpoint of both history of psychology and historical psychology: in addition to studying the life path of personalities and analyzing the results of scientific research of this period, it is also of interest to describe the image and role of a scientist in wartime, features of scientific activity in war conditions. The authors of the article urge the professional community to add other names to the list of personalities who took part in the First World War and on whom the war had a significant impact.

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Horbovyy, Oleksandr. "THE CONTRIBUTION OF A.P. ALEKSANDROV IN THE STUDY OF DNIPRO RAPIDS." Journal of Ukrainian History, no. 39 (2019): 60–66. http://dx.doi.org/10.17721/2522-4611.2019.39.8.

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The article investigates the contribution of Anatoliy Petrovych Aleksandrov (1903-1994) to the study of the Dnipro rapids. Biographical and comparative methods were used during writing this article. The rapids of river Dnipro occupy a prominent place in the history and culture of Ukraine. And because of this, they are constantly attract attention to themselves, even after their flooding.Researchers of the Dnipro try to fully reproduce the picture of a river as much as possible. But it seems that the experience of A.P. Aleksandrov have not been studied yet. A.P. Aleksandrov lived a bright and extraordinary life. He became an outstanding physicist and renowned scientist in the field of atomic energy. His achievements were highly praised by his contemporaries, who elected a scientist as president of the Academy of Sciences of the USSR (1975-1986). In the study of his biographies, the main focus is on the scientific and technical aspects of it.Besides that, a fun and exciting scientist's hobby is beyond the detailed research – boat trips along the Dnipro river. Especially often he rested this way during living in Kiev (1903-1930 years). In the 1920's A.P. Aleksandrov had very busy life: he taught physics and chemistry at the labor school №79 (1923-1930), studied at the Faculty of Physics and Mathematics of the Kyiv People's University (1924-1930), conducted scientific research at the Kyiv X-ray Institute, falsified in the electro-technical bureau at a physical-chemical school club, etc. Still, he somehow managed to combine good with pleasure and had a chance to rest on the bank of Dnipro river on his lovely boat every summer. At first – near Kiev, and later – on the Dnipro rapids themselves. According to Aleksandrovs memories and documents from the archive of the Institute of Manuscripts of the National Library of Ukraine named after V.I. Vernads'kyy, we managed to establish that the scientist visited the rapids of Dnipro every summer during four years before it was flooded. At first, probably in 1926, he went to rapids with only one friend. They wanted to see them and, if possible, go down through them. In 1927-1929 as a photographer, he participated in the expedition of A.S. Synyavs'kyy, who was to explore the rapids before flooding. In 1927 the expedition shot a film about the rapids and the Dnipro hydroelectric power station. The expedition was held in the summer of 1930, but without Anatoliy Petrovych. In August 1930 he participated in the First All-Union Congress of Physicists in Odessa and later he moved to Leningrad. During the first trip to the rapids, A.P. Aleksandrov and his friend almost drowned at the Kodats'kyy rapids. Fortunately, friends quickly learned how to swim between granite rocks. At the same time, they not only went down the flow with a boat, but also rose against it. In historical studies, the ability to swim bottom-up dipper rapids up until recently was considered a very controversial issue. Ya.R. Dashkevych writes that in the annotation to the map of Lithuania Makovs'kyy-Radzyvil (1613) it is said that Dmytro Vyshnevets'kyy (about 1517 - 1563/1564) managed to reach the Cherkasy through the rapids (that is, from the bottom up). French engineer Hiyom Levaser de Boplan in his memories of the second half of the seventeenth century also wrote about his personal trip through the rapids of the Dnipro against the flow. O.S. Afanas'yev-Chuzhbyns'kyy in 1861 and Ya.P. Novyts'kyy in 1905, after personal visits to the rapids and communication with local pilots and fishermen, came to the conclusion that it was not possible to overcome the rapids against the flow. A.Kh. Lerberh in 1819 and Ya.R. Dashkevych in 2007 assumed that it was still possible. In 2000, the last pilot of the Dnipro rapids H.M. Omel'chenko (1911-2002) wrote very confidently that he and his father repeatedly swam across the rapids of the Dnipro from below upwards. Memoirs of A.P. Aleksandrov, published in 2002, greatly facilitate the above discussion. Unlike all his predecessors, he describes in detail the technique of swimming through the rapids from the bottom up and its rationale. The point is that the flow does not always flow down the rapids. By stones, it flows up with approximately the same force as it was before it was down. So to swim from the bottom up to the rapids, you need to swim through one of the stones (there flows flow from below upwards), gaining there some sort of a speed boost and cross the strip of ordinary flow to the next stone (up to 2 meters), and so on. So, the memoirs of A.P. Aleksandrova allows a significant advance in the many-year historical debate about the possibility of swimming on the rapids of the Dnipro against the flow. However, they do not prove that all evidence of such a voyage is true. In the long run, the author plans to test the methodology of the scientist in practice and expand the base of historical sources on swimming the rapids. He will also try to find photos and movies that were created in 1927-1929 with the participation of A.P. Aleksandrova.

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"Konstantin Makovsky: the tsar's painter in America and Paris." Choice Reviews Online 53, no. 10 (May 24, 2016): 53–4242. http://dx.doi.org/10.5860/choice.195791.

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"C1. David Makovsky, ““Olmert's Unilateral Option: An Early Assessment,”” Washington, May 2006 (excerpts)." Journal of Palestine Studies 35, no. 4 (January 1, 2006): 175–76. http://dx.doi.org/10.1525/jps.2006.35.4.175.

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Filippova, Olga. "THE THEME OF RUSSIAN ANTIQUITY AND NATIONAL HERITAGE IN THE CREATIVE WORK OF K.E. MAKOVSKY (1839-1915)." Young Scientist 9, no. 73 (September 2019). http://dx.doi.org/10.32839/2304-5809/2019-9-73-65.

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Киселева, Анна Рудольфовна. "About Department of scientific examination of the Grabar Art conservation Center." Искусство Евразии, no. 4(11) (December 27, 2018). http://dx.doi.org/10.25712/astu.2518-7767.2018.04.011.

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Статья посвящена организации, истории и современной деятельности отдела научной экспертизы Всероссийского художественного научно-реставрационного центра имени академика И.Э. Грабаря. Главное направление работы отдела – это исследование произведений изобразительного искусства, определение их подлинности и принадлежности к художественным школам и отдельным мастерам. С 1965 г. проведена экспертиза около 35 тысяч произведений. В статье приведены примеры экспертизы работ А.П. Боголюбова, И.И. Левитана, А.М. Васнецова, С.К. Зарянко, И.А. Владимирова, В.Е. Маковского, В.И. Шухаева, представленных на выставке «Век ради вечного» (Москва, 2018), посвященной 100-летию ВХНРЦ. The article is about the organization, history and modern activities of the Department of scientific artworks examination of The Grabar Art conservation Center. The main direction of the department’s work is the study of works of art, the determination of their authenticity and belonging to art schools and individual masters. Since 1965, the department carried out an examination of about 35 thousand works. The article provides examples of the examination of the works by A.P. Bogolyubov, I.I. Levitan, A.M. Vasnetsov, S.K. Zaryanko, I.A. Vladimirov, V.E. Makovsky, V.I. Shukhaev, presented at the exhibition «A Century for the Eternal» (Moscow, 2018) dedicated to the 100th anniversary of The Grabar Art conservation Center.

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"D2. David Makovsky, President Obama's Draft Letter to Prime Minister Netanyahu Offering Inducements in Exchange for Renewing the West Bank Settlement Freeze, Washington D.C., 29 September 2010 (excerpts)." Journal of Palestine Studies 40, no. 2 (January 1, 2011): 206–8. http://dx.doi.org/10.1525/jps.2011.xl.2.206.

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"Jan Makovský, ed. Leibniz et leibnizianismes." Philosophia Mathematica 28, no. 2 (April 26, 2020): 288. http://dx.doi.org/10.1093/philmat/nkaa012.

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Journal articles on the topic 'Makovsky'

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