Relevant bibliographies by topics / Malawi Broadcasting Corporation. Library

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Malawi Broadcasting Corporation. Library'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Malawi Broadcasting Corporation. Library"

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Kavanagh, Jacqueline. "The BBC Written Archives." Records Management Journal 14, no. 2 (August 1, 2004): 78–84. http://dx.doi.org/10.1108/09565690410546127.

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Presents an history of the Written Archives at the British Broadcasting Corporation (BBC), stating that the Written Archives constitute the working papers of the Corporation from 1922 to the 1980s. Looks at present developments and how this will be managed into the twenty‐first century.
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Kankuzi, Sydney Friendly. "The Role of Malawi Broadcasting Corporation Staffers in Mediating Malawi's Ideological Nation-Building Project: The Case ofSpeak Out." African Journalism Studies 38, no. 2 (April 3, 2017): 141–58. http://dx.doi.org/10.1080/23743670.2017.1332658.

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Mpherwane, Maijang, Kurt April, and Claire Barnardo. "The South African Broadcasting Corporation (SABC): powerless but accountable leadership for former GCEO." Emerald Emerging Markets Case Studies 9, no. 2 (November 4, 2019): 1–20. http://dx.doi.org/10.1108/eemcs-06-2019-0161.

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Learning outcomes The learning outcomes are as follows: identify the key challenges of leading a large organisation that is self-serving as compared to one that has people of integrity in its employ; understand how resilient leaders need to be to remain focussed on the task at hand while faced with resistance and controversy at every turn; demonstrate how to cultivate a culture of trust and integrity in an organisation bereft of both, and rebuild an organisation’s reputation; navigate the dynamics of having an unruly subordinate [chief operating officer (COO)] who in reality is more powerful; and develop key skills in practicing self-care in an environment where one is constantly undermined and devalued. Case overview/synopsis This case looks at the leadership of former GCEO Lulama Mokhobo at the South African Broadcasting Corporation SABC from 2012 to 2014 and her lived experience within the theme of empowered powerlessness. With an unsupportive board, destructive COO, and minister of communications at government level, Lulama is disempowered in her position and battles to make changes. Colleagues attest to the unusually complex dynamics that she had to navigate on a daily basis. The case details how this eroded Lulama’s self-confidence as well as her ability to lead the organisation and pushed her to resign. The SABC managed to undo the strides she made during her tenure and now finds itself in financial quagmire due to poor and questionable decisions made after her resignation as the GCEO of the organisation. Complexity academic level The target audience for this case comprises students enrolled in tertiary business education programmes who have already had some sort of work experience and hands-on exposure to real-world business. MBA and EMBA students, as well as executive education programmes. Including disciplines such as leadership, organisational behaviour and people management and strategy. Supplementary materials Teaching Notes are available for educators only. Please contact your library to gain login details or email support@emeraldinsight.com to request teaching notes. Subject code CSS 11: Strategy.
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Sumner, Carolyne. "Writing for CBC Wartime Radio Drama: John Weinzweig, Socialism, and the Twelve-Tone Dilemma." Articles 36, no. 2 (October 1, 2018): 77–88. http://dx.doi.org/10.7202/1051600ar.

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Radio drama was a quintessential source of entertainment for Canadian audiences during the Second World War, and the Canadian Broadcasting Corporation (CBC) used the art form to distribute propaganda and garner support for the Canadian war effort. Similarly, CBC radio drama became an essential artistic outlet for artists and composers to articulate their political beliefs to a national audience. This article frames Canadian composer John Weinzweig’s works for the CBC radio drama series New Homes for Old (1941) within the socio-political climate of the 1930s and 1940s and suggests that radio drama provided Weinzweig with a national soapbox for his radical socialist ideals during a time of political upheaval. My research draws on archival materials from Library and Archives Canada, the CBC Music Library Archives, and Concordia’s Centre for Broadcasting and Journalism Studies to build upon the biographical work of Elaine Keillor and Brian Cherney. I establish Weinzweig’s socialist ties and argue that his political leanings prompted him to simplify his serial language in favour of a simplified modernist aesthetic, which appealed to Canada’s conservative wartime audiences. This study of Weinzweig’s radio works reveals how the composer desired to make serial compositions accessible and palatable, and shows how he incorporated vernacular idioms such as folk songs and national anthems as foils to the elitist European serial aesthetic. In doing so, I show how Weinzweig uses a powerful and pervasive medium to promote his unique compositional style and also to reflect the cultural, political, and aesthetic ideals of leftist socialism.
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Ægidius, Andreas Lenander. "How streamification challenges the Royal Danish Library’s collection of cultural heritage." MedieKultur: Journal of media and communication research 37, no. 70 (June 16, 2021): 091–109. http://dx.doi.org/10.7146/mediekultur.v37i70.122398.

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Danish legal deposit legislation mandates that the Royal Danish Library must collect contemporary culture for the benefi t of the public and researchers, now and in the future. In this article, I analyse how the move toward access models and the subsequent streamifi cation of media content challenges the collection of cultural heritage. I draw on empirical data from two central activities. The main empirical data stems from archival research and interviews with the library’s internal and external stakeholders. Th e second source of empirical data is the in-house testing performed by web curators when they analysed the collection of streaming-only content via an API from the Danish Broadcasting Corporation (DR). The analysis is followed by a discussion of the eff ects of streaming software and services on collection methods such as stream-ripping, screen capture (image or video), and research collaborations with the producers and distributors of born-digital content.
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Bachman, David. "Red Capitalism. Produced by the Canadian Broadcasting Corporation, 1994. Distributed by Filmakers Library, 124 East 40th Street, New York, N.Y. 10016, 212-808-4980. 60 minutes. Video. $350.00; rental $75." Journal of Asian Studies 54, no. 3 (August 1995): 916–17. http://dx.doi.org/10.2307/2059517.

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Schein, Louisa. "Love Songs of the Miao in China (English Version). Produced by NHK (Japan Broadcasting Corporation), Tokyo, 1992. Filmakers Library, 124 East 40th Street, New York, N.Y. 10016, 212-808-4980. VHS format; 45 minutes. $350.00; rental $65.00." Journal of Asian Studies 53, no. 3 (August 1994): 1030–31. http://dx.doi.org/10.2307/2059828.

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Stevenson, Thomas B. "The Yemen Option (Yemen) 2004. 40 minutes, in English. Director: Mark Corcoran; Producer: Greg Wilesmith for the Australian Broadcasting Corporation; Distributor: Filmakers Library, 124 East 40th Street, New York, NY 10016 (212-808-4980; fax: 212-808-4983; info@filmakers.com; http://www.filmakers.com/)." Middle East Studies Association Bulletin 39, no. 1 (June 2005): 150–51. http://dx.doi.org/10.1017/s0026318400048008.

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Dufour, Darna L., and Paul Shankman. "Amazonia: Road to the end of the forest. Produced by Canadian Broadcasting Corporation, 94 minutes. Released on videocassette by Filmakers Library, 1990. $495 (rental $100). Halting the fires. Produced by Channel 4, England, 53 minutes. Released on video cassette by Filmakers Library, 1990. $445 (rental $75). Contact. Produced by Geoffrey O'Connor, 28 minutes. Released on videocassette by Filmakers Library, 1990. $295 (rental $295 (55)." American Journal of Physical Anthropology 88, no. 1 (May 1992): 113–15. http://dx.doi.org/10.1002/ajpa.1330880112.

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Ngoasheng, Cyril, Mpho Ngoepe, and Ngoako Solomon Marutha. "Sounds like a broken record: preservation and access of audio-visual records at the South African broadcasting corporation radio." Global Knowledge, Memory and Communication ahead-of-print, ahead-of-print (June 21, 2021). http://dx.doi.org/10.1108/gkmc-11-2020-0185.

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Purpose Audio-visual records produced by public broadcasters play a role in preserving the history, culture and language of a country. The records are used by broadcasters to repeat and support programmes on air. The formats that carry these records such as tapes and compact discs are fragile and have a short life span. This is compounded by evolving technologies and results in obsolete playback equipment, which can result in records not being accessible. This study aims to explore the preservation and access of audio-visual records at the South African Broadcasting Corporation (SABC) radio in Limpopo regional offices. Design/methodology/approach Qualitative data were collected through interviews from purposively selected participants in three radio stations of the SABC in the Limpopo province which are Munghana Lonene FM, Phalaphala FM and Thobela FM. The interview data were augmented through participant observation. Findings The findings revealed that the SABC radio archive was preserving audio-visual records in obsolete formats such as long plays and cassettes, which also lacked playback equipment. These formats were not properly arranged and were kept in a storage area that was not monitored for decaying and security. It was further established that the radio stations were using IONA technology for retrieval of and access to records while the news division within the radio stations were relying on Electronic News Production System. As audio-visual materials were not catalogued, it proved difficult for users to access these records. Practical implications This study adds value to the existing theoretical and conceptual issues that form the ongoing discourse on the preservation of and access to audio-visual records which are often neglected in the developing countries. The study also laid the groundwork for further investigation of the audio-visual records at broadcasting corporations. This is prompted by the findings which established that valuable information has been lost and continues to be lost due to poor management of audio-visual records. Therefore, a further study on migration of content from analogue to digital for the purpose of continuous preservation is recommended. Originality/value The study triangulated data collection tools including interviews and participant observation. The context was on the national broadcaster and the focus was on the preservation of and access to audio-visual records for the radio.
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Dissertations / Theses on the topic "Malawi Broadcasting Corporation. Library"

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Chikunkhuzeni, Francis Chim'ndomo. "Towards an understanding of the role of commercialisation in programming at the Malawi Broadcasting Corporation from 1995 to 1998 : a case study." Thesis, Rhodes University, 2000. http://hdl.handle.net/10962/d1002875.

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Competition in many market-driven media systems in advanced industrial countries can sometimes compromise traditional public service broadcast values such as programming for diversity, citizenship, minority interests and national identity. This study investigates the presence and effects of commercial-logic in a state-owned broadcaster in a developing country: the Malawi Broadcasting Corporation. Using indepth interviews and analysis of records on finance and programme schedules, the study finds overwhelming indicators of the presence of commercial logic, not driven by competition, but a commitment to provide a public service under deteriorating financial conditions. Distinguishing between the impacts of advertising and sponsorship markets on media output, the study finds contradictory effects of commercialisation. Some effects confirm some of the adverse effects of commercialisation such as heavy sponsorinfluence on programme content, self-censorship among programme producers who avoid injuring sponsors and producers paying more attention to sponsored programmes at the expense ofthe quality of some non-sponsored public service programmes. However, effects are not always contrary to public service broadcasting but may Indeed reinforce such broadcasting. Commercialisation in some instances has led to the sustenance of a range of non-sponsored public service programmes including programmes to promote culture and civic rights. In general, this study highlights the need to focus on what is realistically possible within the dynamics of the Malawi Society as a precondition for a proactive and elaborate strategy for commercialisation ofthe country's public broadcaster.
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Books on the topic "Malawi Broadcasting Corporation. Library"

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Library, Malawi Broadcasting Corporation. Shelf guides. [Blantyre, Malawi]: Malawi Broadcasting Corporation Library, 1990.

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Human rights and African airwaves: Mediating equality on the Chichewa radio. Bloomington: Indiana University Press, 2011.

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Fitzgerald, Penelope. Offshore, Human Voices, The Beginning of Spring (Everyman's Library (Cloth)). Everyman's Library, 2003.

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Book chapters on the topic "Malawi Broadcasting Corporation. Library"

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Kainja, Jimmy. "Media education, democratisation and media capture at Malawi Broadcasting Corporation." In Education, Communication and Democracy in Africa, 137–52. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003125440-12.

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Madichie, Nnamdi O., and Abdullah Promise Opute. "Consumer Protection in Sub-Saharan Africa." In Advances in Marketing, Customer Relationship Management, and E-Services, 311–33. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0282-1.ch014.

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This chapter explores two key areas of the text – notably “children as consumers: A focus on developing countries” and “consumerism and consumer protection in developing nations.” By integrating these two streams the chapter highlights the implications of the marketing activities undertaken by tobacco companies (i.e. Big Tobacco) in Sub-Saharan Africa (SSA) for consumer protection in these countries and especially in the case of vulnerable groups such as children. By highlighting the marketing practices of global tobacco giants exploiting the weak regulatory environment in SSA, notably Malawi, Mauritius, and Nigeria. The choice of countries is based on a BBC (British Broadcasting Corporation) documentary, which highlighted the marketing practices of Big Tobacco in these countries. In terms of structure, the chapter focuses primarily on the promotion element of the traditional marketing-mix as well as the public policy implications emerging from these.
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Journal articles
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