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Relevant bibliographies by topics / Malay Calligraphy

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Academic literature on the topic 'Malay Calligraphy'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Malay Calligraphy"

1

Karim, Abdul Razak Abdul, and Reniwati Reniwati. "Illumination and Calligraphy in Malay Letters." JURNAL ARBITRER 4, no. 2 (2017): 76. http://dx.doi.org/10.25077/ar.4.2.76-85.2017.

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Malay manuscripts contain all kinds of knowledge. The manuscripts not only tell stories, they also depict various knowledge within the minds of past generations. In this paper discuss elements of illumination and the use of calligraphy in Malay letters on past Malay letters. The research is limited on Malay letters in social letters in the period 1521-1899. Malay society in the olden days practiced very fine arts as shown in the Malay letters through illumination and through the use of various types and designs of calligraphy. They used the world of nature to express their feelings. This paper

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2

Muhammad, Siti Aisyah, and Normaisarah Mohd Rosdi. "Ingenuity Incision in Traditional Malay Wood Carving Calligraphy Motif." BIO Web of Conferences 73 (2023): 05018. http://dx.doi.org/10.1051/bioconf/20237305018.

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Malay woodcarvings are an ornament that symbolizes the identity and creativity of the Malay community at the house or palace. The difference will be in the design complexity and the number of ornaments used to decorate the palaces. Motif is considered one of the primary elements behind the creation of woodcarving and is included visually in various arts and crafts categories. Thus, the purpose of this study was to present an analytical study to investigate the visual forms of calligraphy motifs on the ornamentation wood carving at Istana Tengku Long, Terengganu. The study utilized the qualitat

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3

Karim, Abdul Razak. "The Use Of Seal In Early Malay Official Letters : A Personal Identity And Ethnic Culture." JURNAL ARBITRER 5, no. 1 (2018): 1. http://dx.doi.org/10.25077/ar.5.1.1-7.2018.

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This brief article discuss on how the seals that were used on the official Malay letters incorporated and displayed the identity of the senders, whether they are individual dignitaries or governments. The early Malay seals are among the symbol and identity of the sender. In the traditional Malay society the seal was not something that anyone can own and use indiscriminately. The seals were used as personal symbols by the individual rulers and dignitaries and subsequently became something that was passed on as part of their inheritance. For an individual sultan or dignitary, the seal represente

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4

Abu Bakar, Azreena, Kamarul Afizi Kosman, and Nor Zalina Harun. "Pemilihan Jenis-Jenis Motif Ukiran Pada Rumah Warisan Selepas Kedatangan Islam ke Tanah Melayu." Jurnal Kejuruteraan si5, no. 1 (2022): 135–41. http://dx.doi.org/10.17576/jkukm-2022-si5(1)-14.

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Malay heritage carvings were heavily influenced by Hindu-Buddhist culture before the dissemination of Islam. This is evidenced by the paintings of mythical animals and floral motifs found on archaeological objects in Lembah Bujang. The arrival of Islam in Malaya in the 14th century finally brought great changes in the world of carving, including in Terengganu and Kelantan. This study aimed to identify the initial motifs used after the dissemination of Islam in Malaya. The states of Kelantan and Terengganu were chosen because most of the old houses and skilled woodcarvers were born there and ar

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5

Mohd Zaine, Muhammad Zulkarnaen, and Arbai’yah Ab. Aziz. "Wood Carving Motifs in Masjid Lama Tanjung Beringin, Seri Menanti, Negeri Sembilan." International Journal of Art and Design 8, no. 2 (2024): 106–19. http://dx.doi.org/10.24191/ijad.v8i2.2819.

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The sustainability of Malay wood carving motifs in the present era is at stake. The lack of effort to identify and document the motifs led to the weak preservation of this national heritage. This indirectly poses a threat to the Malay identity that has existed since a long time ago. Thus, this research aims to provide additional documentation on Malay wood carving motifs through the observation in Masjid Lama Tanjung Beringin, Seri Menanti, Negeri Sembilan. This mosque was chosen because there is minimal research on wood carving motifs in the southwest coast states of Malaysia. The study's obj

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6

Khairull, Mohd. "LEVEL OF PERCEIVED BEHAVIOURAL CONTROL AND ITS IMPACT ON JAWI ACCEPTANCE AMONG INDIANS COMMUNITY IN MALAYSIA." Qawwam : The Leader's Writing 3, no. 2 (2022): 94–98. http://dx.doi.org/10.32939/qawwam.v2i2.113.

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The issue of introducing the teaching of Jawi script or khat calligraphy in schools has become a serious issue, as it is facing intense opposition by the non-Malay-Muslims. The issue of introducing a six-page lesson on khat calligraphy in the Year 4 Bahasa Malaysia textbook for vernacular schools also has bring about some hot reactions by political leaders, educationists, and community groups. This is due to the misconception towards the word Jawi itself as most who are against it thought that it is an Islamic teaching when it is actually just a form of Arabic writing system. Therefore, this s

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7

Haji Harun, Makmur, Mohd Kasturi Nor Abd Aziz, Edzham Armin Abd Rahim, A. Shuhairimi, and Yasmin Ahmad. "Jawi Writing in Malay Archipelago Manuscript: A General Overview." MATEC Web of Conferences 150 (2018): 05054. http://dx.doi.org/10.1051/matecconf/201815005054.

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Jawi writing is the main form of writing in various manuscripts recovered around the Archipelago, especially during the early arrival of Islam. These manuscripts are found to record history, art, culture, language, social, as well as ancient knowledge. The usage of Jawi writings had covered a number of calligraphy which are high in value with deep philosophical meaning, are full with creative notion as well as countless of patterns that went along with the call to Islam around the Archipelago in a relatively short period of time. The development of Jawi writing had been immortalized in various

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8

Wiku Atmojo, Bambang Sakti, Saefuddin Saefuddin, and Agus Yulianto. "Pemakaian Bahasa pada Inskripsi Makam Raja-Raja di Kalimantan Bagian Timur." PANALUNGTIK 5, no. 2 (2022): 83–103. http://dx.doi.org/10.55981/panalungtik.2022.83.

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The tombs of the kings in the eastern part of Kalimantan are spread over six districts in three provinces. The figures buried were the king, son of the king, queen, prime minister and other members of the royal family. This study aims to determine the letters and language used to write inscriptions on these tombs. The data collection method used is an exploratory survey, documented using photographs, drawings and maps or plans. The results showed that most of the graves were inscribed, some using Arabic letters, some using Bugis letters and some using Latin letters. The languages spoken incl

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9

Alifia Zahra Shafira, Fatimatuzzahra Nasution, Yenny Haidar Naburju, Rizqa Karima, and Isfira Ainy. "Analisis Semiotika Roland Barthes pada Arsitektur Masjid Agung Sultan Thaf Sinar Basarsyah di Lubuk Pakam." Jurnal Kajian dan Penelitian Umum 2, no. 6 (2024): 87–97. https://doi.org/10.47861/jkpu-nalanda.v2i6.1403.

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This research examines the meaning of architecture and ornaments in the Sultan Thaf Sinar Basarsyah Grand Mosque in Lubuk Pakam, Deli Serdang using Roland Barthes' semiotic approach. Using a qualitative research method, this study analyzes the denotation, connotation, and mythical meanings of various architectural elements of the mosque such as building form, interior space, color, and ornaments such as windows, mihrab, doors, calligraphy, and drum. The results show that the design of this mosque combines elements of local culture from three tribes (Karo, Simalungun, and Malay) with typical Mi

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Fadhil, Muhammad Naufal, Aji Sofiana Putri, Nisa Putri Rachmadani, and Zuhrahmi DE. "KONSEP SUSUNAN RUANG DAN RAGAM VITRIN PADA PAMERAN TEMPORER NASKAH FILOLOGIKA." DESKOVI : Art and Design Journal 7, no. 1 (2024): 14–25. http://dx.doi.org/10.51804/deskovi.v7i1.14846.

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Museum Aceh pada Bulan Agustus hingga September 2023 mengadakan sebuah pameran temporer yang bertajuk “Rahasia Peradaban dalam Aksara”. Pameran ini mengangkat koleksi filologika (naskah kuno) sebagai objek pamer. Naskah-naskah tersebut terdiri dari ayat suci Al-Qur’an, kitab ajaran Islam, sejarah dan mantra-mantra masa lalu yang sebagian besar ditulis dalam kaligrafi Arab berbahasa Melayu. Dengan menggunakan pendekatan deskriptif kualitatif, penelitian ini mengkaji susunan ruang dalam perspektif arsitektur dan desain interior, pada pameran koleksi filologikan yang memuat konten sakral. Selain

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Books on the topic "Malay Calligraphy"

1

Kerr, Robert M. Writings and Writing: Investigations in Islamic Text and Script. Archetype, 2013.

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