Relevant bibliographies by topics / Malayalam literature

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Malayalam literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Malayalam literature"

1

Ramakrishnan, E. V. "Translating Difference: Reflections on the Interface between Novelistic Discourse and World Literature." Journal of Foreign Languages and Cultures 8, no. 1 (June 28, 2024): 016–30. http://dx.doi.org/10.53397/hunnu.jflc.202401002.

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The present essay examines two moments from the evolution of the modern Malayalam novel, in relation to the reception of two classics in world literature, namely Victor Hugo’s Les Misérables translated into Malayalam between 1925 and 1927 and García Márquez’s One Hundred Years of Solitude translated in 1984. The translation of Hugo’s novel energized the scene of Malayalam fiction by infusing new modes of representation and widening the intellectual horizons of writers in general, and novelists in particular. The echoes of Les Misérables could be heard in Malayalam fiction well into the 1950s. The struggles against colonial and feudal authorities in Kerala, provided a fertile context for the imaginative interpretation of Hugo’s humanist vision. The paper illustrates this point through close readings of critical essays, autobiographical narratives and debates on the nature of translation. The fascination of Malayali readers with García Márquez has resulted in the translation of his entire corpus into Malayalam. Magic realism as pioneered by García Márquez liberated the Malayalam novelistic narrative from social realist and modernist dogmas. The colonial disruption of oral narratives, the consequent cultural amnesia and the struggle to reclaim one’s forgotten past are themes that struck a chord in Malayalam writers of fiction. Through a detailed discussion of the novel, Moustache by S. Hareesh, the interface between novelistic discourse and world literature is mapped in the latter part of the essay.
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S, Kamaraj. "Types and Forms of Folk Songs Tradition in Malayalam Literature." International Research Journal of Tamil 4, no. 1 (December 9, 2021): 32–43. http://dx.doi.org/10.34256/irjt2215.

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The folk songs have been well flourished in Malayalam Literature. The Malayalam folk songs entirely different from the Tamil folk songs. But it is fact that the structure of Malayalam Pattu has been adopted from the Tamil Literature and we could understand that the Tamil structure has been following even today. Folk songs have a special place in Malayalam Literature. Folk songs in Malayalam are categorized into community songs, Worship songs, Professional songs and celebration songs etc. This study has been analysis the Types and forms of folk songs which related to worshiped.
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A, Precilla. "Development of Pattu Literature in Malayalam." International Research Journal of Tamil 4, S-8 (August 20, 2022): 414–20. http://dx.doi.org/10.34256/irjt22s857.

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After the ruling of three kings Chera, Chola and Pandiya of the Chera dynasty, the people, small land kings, land lords and many other Political changes are happening. Due to various political interventions Kerala has been identified by various cultural, literature changes. When we search the literature works of ancient times in Kerala, it is noticeable that, they are flourished through the Sangham literature. When we explore the literary development of Kerala from north to south in every time period, various literature and literacy walks has been located. Among that, the effect of Tamil language had been seen directly or indirectly. When we try to investigate the history of Malayalam literature, the growth of poetic approach of literature has been identified into three major segments. They are: 1) Pattu (2) Manipravalam (3) Folk songs. The “Pattu” literature is the account of Tamil poem which are found in respective regional linquistics. Later on, in the 8th century A.D., “Manipravalam songs” that are assorted as a distinct language from the influence of absolutely different forms from both of them, “Folk songs” took place called Vadakkan Pattu and Thekkan Pattu. We can find Proto-Dravidian features in Sangam literature. After that this aspect focuses in folk literature now. The heroic poetry of Tamil folk literature is available in both Tamil Malayalam languages. They are detected in a way that reveal the specialties of the Malayalam and Tamil languages. Thus, the purpose of this article is to analyze the history of Pattu literature categorization in the Malayalam literature.
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Shaji, Aswani, and Sindhu L. "Morphological Analyzer for Malayalam: A Literature Survey." International Journal of Computer Applications 107, no. 14 (December 18, 2014): 24–27. http://dx.doi.org/10.5120/18821-0231.

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Antherjanam, Sindu. "A Comparative Study of Malayalam Literature and Paintings: Trajectories of Evolution." Artha - Journal of Social Sciences 17, no. 2 (April 1, 2018): 39–58. http://dx.doi.org/10.12724/ajss.45.3.

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Art and literature are part as well as a reflection of life. Literature and arts help to observe and interpret the world. They can also change the world. Visual arts stand in the forefront of knowledge dissemination. However the significance accorded to literature has never been given to painting. The paper traces how literature has always preceded and given more priority against painting and other visual arts form in the region of Kerala. This also goes with the fact that in discussing the history of arts, rural arts and artists are never discussed sufficiently. This is despite the fact that there is always a closer relationship between alphabets, scripts and paintings of various forms. The paper traces this close relationship to the earlier times when the scripts and written forms essentially evolved from hand drawings and stone carvings in the context of the south Indian language Malayalam. That the scripts and alphabets essentially evolved from those early pictographs should be a useful background to understand the relationship. The paper also marks the historical transitions in the Malayalam alphabets and scripts under various influences.Keywords: Evolution of Malayalam Script, Vamozhi
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Sebastian, Mary Priya, and G. Santhosh Kumar. "Verb Phrases Alignment Technique for English-Malayalam Parallel Corpus in Statistical Machine Translation Special issue on MTIL 2017." Journal of Intelligent Systems 28, no. 3 (July 26, 2019): 479–92. http://dx.doi.org/10.1515/jisys-2018-0066.

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Abstract Machine translation (MT) from English to foreign languages is a fast developing area of research, and various techniques of translation are discussed in the literature. However, translation from English to Malayalam, a Dravidian language, is still in the rising stage, and works in this field have not flourished to a great extent, so far. The main reason of this shortcoming is the non-availability of linguistic resources and translation tools in the Malayalam language. A parallel corpus with alignment is one of such resources that are essential for a machine translator system. This paper focuses on a technique that enables automatic setting up of a verb-aligned parallel corpus by exploring the internal structure of the English and Malayalam language, which in turn facilitates the task of machine translation from English to Malayalam.
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G, Savitha. "Family Relations in the Moral Values Expressed by Dravidian Literature." International Research Journal of Tamil 4, S-5 (August 25, 2022): 211–15. http://dx.doi.org/10.34256/irjt22s533.

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Dr. Robert Caldwell learned Tamil when he came to Tamil Nadu to do religious work. In the Dravidian language family, Tamil is known as the classical language. He studied linguistically that Tamilam was the Tramilam and the Tramilam was Dravidian and found that Tamil was the oldest and the first of the Dravidian languages. Knowing that Kannada, Telugu, and Malayalam are like Tamil with grammar and literary dialogues, he wrote a book of a comparative grammar book. In 1856, Caldwell was the first to introduce the term "comparison grammar book of Dravidian languages" or "south Indian family languages" to the world of linguistics. This article explores the trend of moral literature and the literary records of family relations as a literary form in Tamil, Kannada, Telugu, and Malayalam, all the four Dravidian languages.
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Galewicz, Cezary. "Editorship and History Making: On Historicizing Modern Editions of Tiruniḻalmāla." Cracow Indological Studies 23, no. 1 (September 30, 2021): 1–33. http://dx.doi.org/10.12797/cis.23.2021.01.01.

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In the following essay I am going to comment briefly on the intersection between literary and performative genres that originated in early modern Kerala and to some extent continue till date. More specifically, on their relationship with the rich tradition of representing the past through producing works that follow recognizable patterns of composition and conventions of presentation. This more general consideration shall appear here as a backdrop to a study on contemporary editions of an early Malayalam work named Tiruniḻalmāla. The editions follow the relatively recent discovery of the work in question and its subsequent reinstatement in the history of Malayalam literature. I shall argue that the specific ways this reinstatement was presented by the editors, including a particular place they claimed for this work within the formation processes of Malayalam literature, constitute competing acts of general history writing concerned with the ongoing debate on how should the cultural identity and regional history of Kerala be best represented.
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K.J, Gouthaman. "A Diachronic Hypothesis about Imperfective unnu in Malayalam." Indian Journal of Language and Linguistics 3, no. 4 (October 8, 2022): 1–8. http://dx.doi.org/10.54392/ijll2241.

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Across languages, the imperfective is associated with three distinct readings－“event in progress”, “habitual or generic” and “continuous” with stative predicates. In Malayalam, the suffix unnu had been identified as the imperfective suffix in linguistic literature. However, it has been noted in subsequent studies that the “generic or habitual” reading with unnu is distinctly different from a typical generic reading and that such ‘typical generic’ readings are obtained by the modal um in Malayalam. This has also led to the claim that unnu is not an imperfective marker, but an iterative pluractional bundled with progressive aspect. This paper attempts to deal with this puzzle differently, arguing that unnu is a progressive marker in the process of becoming an imperfective in Malayalam. A description of the properties of unnu-sentences, contrasting them with sentences that use the progressive marker uka and sentences that use the modal/generic marker um, is attempted. The paper also explores the role of uND(ə), the existential copula, in obtaining habitual and episodic readings with unnu. This alternative account for unnu is shown to be supported by opinions of traditional grammarians in history as well as theories of grammaticalization in diachronic semantics. It is also hypothesized that this process is blocked or halted in Malayalam by a suffix devoted to generic constructions and previously unexplored in the literature.
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Nair, B. J. Bipin, Yadhukrishnan S., Akarsh A.M., Nakul S. Anand T, and Pravin Sasikumar. "A Modified Wellner’s based Binarization on Ancient Malayalam Documents." Webology 18, SI05 (October 30, 2021): 513–26. http://dx.doi.org/10.14704/web/v18si05/web18243.

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Preservation of precious knowledge present in Malayalam literature is a tedious task because of the presence of a huge amount of degradations in historical documents. One way to save these documents is to enhance the Malayalam manuscripts and storing them electronically. Here we are using historical Malayalam documents like poems, agreement copies and palm leaves as experimental dataset. In our proposed work is a novel binarization model which is based on modified Wellner’s algorithm. The degraded input image is converted into an integral image and then a modified version of Wellner’s algorithm is applied to it. This would enable us to enhance the document and further proceed with remaining phases of OCR. In binarization mainly we are focusing on the challenges from degraded documents like Non-uniform Background Illumination, Stains, bleed through etc. In our work we are developing a model which effectively binarizes the degraded Malayalam documents, especially the challenges like oil stain, smudge, and uneven illuminations. Finally, we will be able to validate and check the accuracy of the proposed model effectively. The proposed algorithm yielded an accuracy of 92%.
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Dissertations / Theses on the topic "Malayalam literature"

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Nair, Govindan K. "The influence of Maxim Gorky on Malayalam novels between 1930 and 1960." Thesis, 1985. http://hdl.handle.net/2009/3792.

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Books on the topic "Malayalam literature"

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Ayyappapanicker, K. A perspective of Malayalam literature. Madras: Annu Chithra Publications, 1990.

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India. Ministry of Information and Broadcasting. Publications Division, ed. Indian classics: Malayalam. New Delhi: Publications Division, Ministry of Information and Broadcasting, Government of India, 1999.

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Em, Tarakan Ke. A brief survey of Malayalam literature: History of literature. [Kothamangalam]: K.M. Tharakan, 1990.

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editor, Mini Krishnan, ed. The Oxford India anthology of modern Malayalam literature. New Delhi: Oxford University Press, 2017.

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Vayalēri, Kumāran. Dalitant̲e nōvuṃ ninavuṃ nāṭanpāṭṭukaḷil: Paṭhanaṃ. [Kozhikode]: Pāppiyōṇ, 2003.

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Ebr̲ahāṃ, Tōmas, and Kerala Literary Society, eds. Sargasāgaraṃ. [Dallas, Tx., U.S.A: Kerala Literary Society], 2002.

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1954-, Panaykkal Pōḷ Ḍi, ed. Malayāḷaṃ Yūr̲ōppil. Germany: Paul D. Panakkal, 1993.

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George, K. M., and En Sāṃ. Samakālamalayāla sāhityaṃ. Kottayam: Kaṛant̲ Buks, 2014.

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Ceṅṅārappaḷḷi, Nārāyaṇanpōt̲t̲i. Malayāḷasāhityasarvvasvaṃ: Vijñānakōśaṃ. Tr̥śūr: Kēraḷa Sāhitya Akkādami, 1987.

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Śaṅkarakkur̲uppȧ, Ji. Vakkaṃ Abduḷkhādar̲inȧ Jiyuṭe kattukaḷ. Tiruvantapuraṃ: Kēraḷa Bhāṣā Inst̲it̲t̲ūṭṭ, 2007.

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Book chapters on the topic "Malayalam literature"

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Shafeeq Karinkurayil, Mohamed. "Representing the Arabian Gulf in Malayalam Migration Narratives." In The Routledge Companion to Migration Literature, 466–77. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003270409-42.

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Perczel, István. "GARSHUNI MALAYALAM: A WITNESS TO AN EARLY STAGE OF INDIAN CHRISTIAN LITERATURE." In Hugoye: Journal of Syriac Studies (volume 17), edited by George Kiraz, 263–324. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463236878-014.

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Saxena, Ranjana. "Translation as a Cultural Event, a Journey, a Mediation, a Carnival of Creativity." In Translating Russian Literature in the Global Context, 413–24. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.24.

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Reflection on the issue of reception of Russian literature amongst the reading public in India reminds us that India has always been a multiconfessional, multi-ethnic and multilingual country. From Kashmir in the North to Kerala in the South, India can be characterised by a rich tradition of highly developed multiple literary cultures. Translational activity has been an essential corollary of this diversity. This essay attempts to investigate the translation and reception of Russian literature in post-colonial India. It discusses the engagement of the Indian intelligentsia with Russian literature through translation, which developed in post-independent India, riding on the high tide of nationalist fervour promoting ideas of an egalitarian society. Translations of Russian writers like Lev Tolstoy, Ivan Turgenev, Fedor Dostoevsky, Anton Chekhov and Maksim Gorky and others enjoyed great popularity in post-colonial India. I examine Marathi-, Malayalam-, and Hindi-language texts. These works are considered by-products of translational activity, which is also a journey, a mediation and a carnival of cultural mutualities.
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Velhan, Jacob. "The Love of St. Thomas Christians for Syriac and its After Effects in Malayalam Literature." In The Harp (Volume 2), edited by V. C. Samuel, Geevarghese Panicker, and Rev Jacob Thekeparampil, 103–8. Piscataway, NJ, USA: Gorgias Press, 2011. http://dx.doi.org/10.31826/9781463232931-020.

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Karinkurayil, Mohamed Shafeeq. "Indian Gulf Writing." In The Oxford Handbook of Modern Indian Literatures, C38P1—C38N18. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197647912.013.38.

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Abstract This chapter surveys Indian Gulf writing, focusing on novels and memoirs in Malayalam and English. The themes discussed are precarity, privation, and humiliation; gender and sexuality; political criticism; and racism. With reference to the Malayalam literary sphere in particular, the chapter demonstrates that migrant literature needs to be studied by taking into account its positionality within the regional field of literary production. Indian Gulf Writing is an area of study with far-reaching implications in fields such as migration literature, petrofiction, and diaspora literature, even as it also offers anthropological insight into the conditions of migrants living in the Persian Gulf.
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"Malamangala Kavi’s Malayalam Naishadha in Our Language." In Sensitive Reading: The Pleasures of South Asian Literature in Translation, 52–62. University of California Press, 2022. http://dx.doi.org/10.1525/luminos.114.d.

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Raveendran, PP. "Rajelakshmy." In Under the Bhasha Gaze, 261—C18.N3. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871558.003.0019.

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Abstract This chapter about the Malayalam fiction writer Rajelakshmy, whose creative life lasted only for about 10 years spread over the decades of the 1950s–1960s, seeks to unravel her position as a sober representative of the tradition of women’s writing that was slowly emerging in Malayalam literature in that decade. Rajelakshmy’s writings, which consist of twelve short stories, two completed novels, and the fragment of a third novel, are important both for their value as literary artifacts and for the way each of them lays bare the working of women’s minds and women’s subjectivity at a time when the public sphere in Kerala was far from contemplating any serious restructuring of society’s gender relations.
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Raveendran, PP. "The Literary Process and the Social Imaginary." In Under the Bhasha Gaze, 57—C4.N6. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871558.003.0005.

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Abstract This chapter critically examines the evolution of twentieth-century Malayalam poetry as providing a prototype for the history of modern Indian literature. The chapter indicates that the successive stages of nationalist-progressive writing, modernist writing, and postmodernist writing, which are stereotypically represented as following one after the other in literary history are to be viewed in fact as expressions of contests and contradictions within the social imaginary surrounding the Indian bhasha imagination. Further, critical terms imported from overseas literary cultures will often fail to reflect the ‘true’ spirit of bhasha cultures, which demonstrate vast heterogeneities in terms of trends, forms, and structures of response. There is an imaginative surplus in serious bhasha writing which standard literary histories fail to recapture. The chapter illustrates this argument with the help of examples from the literary historical statements made by Malayalam critics and historians of literature, such as P. Sankaran Nambiar, Joseph Mundasseri, M. Leelavathy, K.P. Appan, Ayyappa Paniker, and O.N.V. Kurup.
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T, Anupama. "ARTICULATORY ANALYSIS OF THE /a/ VOWEL PRODUCED BY MALAYALIS IN INDIAN ENGLISH: AN ORTHOGRAPHIC COMPARATIVE STUDY BETWEEN MALAYALAM & ENGLISH." In Research Trends in Language, Literature & Linguistics Volume 3 Book 3, 85–92. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bilt3p6ch1.

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This research paper shows the psychological lengthening of the /a/ sound to /a:/ among Malayalam speakers. The paper looks into the articulation of the proper nouns written in English orthography, in Indian English. Using the theoretical framework of the Exemplar model, assuming that we have access to phonetically and contextually rich memories of our previous language experiences when it comes to speech production and perception. This research paper scrutinizes the lengthening of the vowel, /a/, in which position, whether only in proper noun, what could be the argument for the same.
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Kumaramkandath, Rajeev. "Sexual Realism? (Hetero)Sexual Excess and the Birth of Obscenity in Malayalam Literature." In (Hi)Stories of Desire, 58–78. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108637770.005.

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