Academic literature on the topic 'Malayam poetry'

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Journal articles on the topic "Malayam poetry"

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ABDULLAH, HALEEMA. "The Role Of The Internal Poetic Rhythem Highlighting The Poetic Meaning Of The (Malaye Jazeeri) Poetry (Mn D dl Kovana Hazam) As Model." Journal of The University of Duhok 22, no. 1 (2019): 64–89. http://dx.doi.org/10.26682/hjuod.2019.22.1.4.

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Sarman, Sarman Sarman. "PANTUN MELAYU BANGKA: KAJIAN BENTUK, FUNGSI, DAN MAKNA." Kelasa 15, no. 2 (2021): 291–301. http://dx.doi.org/10.26499/kelasa.v15i2.137.

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Abstract People of Bangka, one of Indonesia’s region, keeps using pantun in their various traditional and national activities. However, it is a deep concern that such oral traditions is about to extinct. Therefore, a study on pantun is important. This study aimed to examine the form, function, and meaning of the Malayan-Bangka pantun. This research used descriptive qualitative method and documentation techniques. Primary data source were speech and printed information. Secondary data sources were theory of stucture and meaning of poetry by I.A. Richard, theory of function by William R. Bascom,
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Jama, Karolus Budiman, and Sebastianus Menggo. "Language and cultural values exploration of traditional songs in Malakan Ethnic, Eastern Indonesia." LITE: Jurnal Bahasa, Sastra, dan Budaya 20, no. 2 (2024): 105–18. http://dx.doi.org/10.33633/lite.v20i2.10859.

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The present research undertakes a cultural analysis of ethnic verses and songs from Malakan to uncover their underlying philosophical thought. Understanding these works' fundamental principles and concepts is essential to convey their valuable knowledge, which ultimately shapes and reinforces values in future generations. Cultural-linguistic theory by Sharifin (2021) was utilized to find out if Malakan ethnic song verses include cultural features. This descriptive-qualitative study method used observation, in-depth interviews, documentation, and Focus Group Discussions with 40 participants fro
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Rahmat, Hadijah. "In Search for Canon of Singapore Malay Poetry: Reflection on Nature, Race, Religion and Love." Malay Literature 26, no. 1 (2013): 1–17. http://dx.doi.org/10.37052/ml.26(1)no1.

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This paper discusses selected poems by three generations of Malay writers in Singapore from the first generation poets who received their vernicular education during British colonial period, before Malayan Independence in 1957; to second generation writers who received Malay education when Singapore was part of Malaysia, 1957-1965 who established their poems in 1970s; and the third generation writers who received bilingual education who began to make impacts when Singapore become a Republic in 1980s. These iconic poems embody the easthetic as well as the cultural and political values of Malay
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Pirzada, Tehmina. "The Many Malalas: Self-Narrativization and the Construction of Mythology through Poetry." Children's Literature Association Quarterly 47, no. 4 (2022): 370–84. http://dx.doi.org/10.1353/chq.2022.0046.

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Suyitno and Dipa Nugraha. "Asmaradana in an Indonesian Modern Poetry and a Malayan Pop Song: mimetic representations of rooted culture or production of new interpretations?" Journal of Language and Literature 5, no. 2 (2014): 17–26. http://dx.doi.org/10.7813/jll.2014/5-2/3.

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Suyitno, Suyitno. "New Asmaradana in Indonesian Contemporary Poetry and Malayan Pop Song: Product of Rooted Culture or New Interpretations?" 3L The Southeast Asian Journal of English Language Studies 23, no. 1 (2017): 86–97. http://dx.doi.org/10.17576/3l-2017-2301-07.

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Okorokova-Alkaeva, Z. Yu. "HINDUISM MOTIVES IN THE "MALABAR POEM" BY V. RABINOVICH." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 26, no. 98 (2024): 72–81. https://doi.org/10.37313/2413-9645-2024-26-98-72-81.

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The article analyzes the semantic and stylistic features of V. Rabinovich's "Malabar Poem", first published in the book of poems "In every Tree there is a violin" (1978), taking into account critical reviews. Russian Russian writers' interest in India, which dates back to medieval literature and has been preserved to this day, and the overlap of Russian folklore with the motifs of ancient Indian culture, are noted. The connection of Rabinovich's poetics with the traditions of Soviet poetry, the work of the Oberiutes and poets of the Silver Age, and the history of world culture is indicated. Th
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Mrázek, Jan. "Primeval Forest, Homeland, Catastrophe." Anthropos 116, no. 1 (2021): 29–54. http://dx.doi.org/10.5771/0257-9774-2021-1-29.

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The SVD ethnologist/ethnographer mostly known as Paul Schebesta (1887-1967) was often introduced in Czechoslovakia as “our Czech” Pavel Šebesta. Querying origins, selves and homelands, his own and in his writings (ethnography/travelogues/fiction on “dwarfs” in the “primeval forest”), this essay traces the multiplicity/borderlands/nomadism of Schebesta/Šebesta, also in his relation to the “Other,” a concept/distinction/border that is thus destabilized or blurred. Interweaving apparently separate questions about his life and scholarship, the essay finds continuities and mirroring across distance
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Sew, Jyh Wee. "Muhammad Haji Salleh, Pantun: The poetry of passion, Kuala Lumpur, University of Malaya Press, 2018, 108 p. + x, ill.. ISBN: 9789831009765." Archipel, no. 96 (November 15, 2018): 187–88. http://dx.doi.org/10.4000/archipel.899.

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Dissertations / Theses on the topic "Malayam poetry"

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Kasim, Zalina Mohd. "Cognitive constraint theory and beyond : a cognitive poetic approach to similes in a corpus of Malay poetry." Thesis, Lancaster University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.507300.

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Elsaesser, Carl. "Invisible artifacts: public impasses, filmic intimacies." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6100.

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This essay mirrors the structure found in my thesis film—a series of small vignettes—but does not emulate one for the other and vice versa. The essay is an experiment that seeks to allow rather than define and imagines a world already in place rather than built by the accumulation of reading and writing this text; the vignettes serve as a witness to this world rather than symbols building up a system of signs. I’m interested in expanding the conversation around political personhood towards a receptive stance; a politics of receptivity. This doesn’t serve as a counter to any narratives around a
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Barlee, Diane Monique. "The publishing of a poet: an empirical examination of the social characteristics of Canadian poets as revealed in small press literary magazines." Thesis, 2011. http://hdl.handle.net/1828/3523.

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This thesis is an exploratory examination of the social characteristics of 139 poets featured in a selection of five small press Canadian literary journals. The investigation charts and analyzes the demographics of 64 poets who were published in 1967, and 75 poets who were published in four small press literary magazines in 2010. The 2010 magazines were purposely sampled as representatives of specific geographical areas in Canada (i.e., the West Coast, the Prairies, Central Canada, and the East Coast). The results indicate that in 1967 female poets were less likely to be published; howe
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Books on the topic "Malayam poetry"

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Moisés, Ladrón de Guevara, ed. Malabar IV. Universidad Autónoma Metropolitana, Unidad Iztapalapa, Departamento de Filosofía, 1988.

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1961-, Sudhīṣ Vi Ār, ed. Malayāḷattint̲e pr̲aṇaya kavitakaḷ. Maḷber̲i, 1993.

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1914-, Raghavan Puthuppally, ed. Svātantr̲ya samaragānaṅṅal: Kavitāsamāhāraṃ. Pr̲abhātaṃ Pr̲int̲iṅg ānt̲ Pabḷiṣiṅg Kampani, 1985.

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E, Mēnōn Pi. Innalatte kavikaḷ. Sāhityapr̲avarttaka Sahakaraṇasaṅghaṃ, 1987.

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1982-, Liu Shuzhen, and Phoon Yuen Ming 1973-, eds. Nanyang ren min gong he guo bei wang lu. Lian jing shi ye gu fen you xian gong si, 2013.

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1933-, Thumboo Edwin, and ASEAN Committee on Culture and Information., eds. The Poetry of Singapore. ASEAN Committee on Culture and Information, 1985.

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Nārāyaṇan, Tōnnaykkal. Kāvyasamīkṣaṇaṃ: Pr̲abandhaṅṅaḷ. Auroville Publishers, 1991.

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Madhavan, Kutty V. K. Ōrttucollān: Malayalattint̲e prīyappeṭṭa kāvyaśakalaṅṅaḷ. Ḍi. Si. Buks, 2006.

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Saccidānandan. Nālāmiṭaṃ: Bḷōg kavitakaḷ. Ḍi. Si. Buks, 2010.

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Liji and Snehalatha, eds. Malayāḷattint̲e pr̲iyakavitakaḷ. Niśāgandhi Pabḷikkēṣans, 2000.

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Book chapters on the topic "Malayam poetry"

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Mohd Daud, Kathrina. "“South of Hong Kong, Almost as Big as Singapore”: Transnational Identity and International Visibility in Contemporary Anglophone Bruneian Novels." In Asia in Transition. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-96-3608-2_13.

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Abstract Despite a high level of literacy, widespread proficiency in English and a rich oral tradition, it was only in 2009 that the first Bruneian novel in English was published. Although the Malay language novel has a longer history dating back to 1951, the Bruneian literary ecology as a whole to date can be described as still nascent, with low levels of awareness, production, publication and dissemination of local literature across the country. It is not surprising then that the majority of media and literature consumed by Bruneians still originates from outside the country, with popular so
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PALAZZESCHI, ALDO. "La fontana malata." In Contemporary Italian Poetry, translated by Carlo L. Golino. University of California Press, 2024. http://dx.doi.org/10.2307/jj.13167931.13.

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Arunima, G. "Language and the Making of the Colonial Modern: Periodicals from Late Nineteenth-Century Kerala, India." In The Edinburgh Companion to British Colonial Periodicals. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399500630.003.0018.

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The earliest periodicals in Kerala appeared in the nineteenth century as an element of the proselytising efforts of the Protestant missionaries. By the late nineteenth century, newer genres of Malayalam periodicals were more secular in nature, becoming the site for energetic debates on a variety of subjects. This chapter considers the debate on Malayalam language that raged in the pages of two significant periodicals – Bhashaposhini (Language Advancement) and Vidyavinodini (Knowledge as Pleasure). Central to this debate was the growth and sustenance of modern Malayalam, along with a preoccupat
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Raveendran, PP. "Modernity and Literary Historiography." In Under the Bhasha Gaze. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871558.003.0014.

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Abstract This chapter explores the possibilities of developing an alternative and critical literary historiography that would stay clear of modernity’s colonial cultural baggage, which trammels available models of non-western literary historiography. Using M. Leelavathy’s genre-based history of Malayalam poetry titled Malayala Kavita Sahitya Charitram as a point of reference, the chapter tries to rethink literary history’s Euro-centric methodology of reading bhasha literary texts as mirror images of colonial literary texts. Literary history’s practice of using the western template for interpre
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Victoroff, Tatiana V. "Poetry of Translation: Ivan Bunin in Dialogue with Leconte de Lisle and the Poets of the Parnassian School." In Ivan Bunin’s Early Works (1883–1902): Poetics, Textual Criticism, Commentary. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. https://doi.org/10.22455/978-5-9208-0761-8-204-287.

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The article studies Ivan Bunin’s translations of the Parnassian poets, mainly Charles Leconte de Lisle. The author analyzes seven poems by Leconte de Lisle translated by Bunin, including a draft autograph of “Eternal Fragrance”, published for the first time, free paraphrase (“Malay Song”) and a quote of his poem in the story “Without a Tribe”. Finally, an attempt is made to attribute the poem “Nightmare”, published likely by Bunin in 1895 as a translation “from French”, without specifying the author of the original. The restoration of French sources and Russian translations used by Bunin makes
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Goldstein, David. "Solomon Ibn Gabirol." In Hebrew Poems from Spain. Liverpool University Press, 2007. http://dx.doi.org/10.3828/liverpool/9781904113669.003.0006.

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This chapter addresses the poetry of Solomon Ibn Gabirol. Solomon was born in Malaga in 1021 or 1022, and lived the greater part of his life in Saragossa. From his early years, he was crippled by disease, and his illness is a constant theme of his poetry. He was compelled to live by his writing, and found a sympathetic patron in Yekutiel ben Isaac ibn Hasan, who was executed in 1039. Perhaps as a result of his indisposition, and his consequent sense of inferiority, he was not an easy companion, and he left Saragossa, to die, perhaps in Valencia, between 1053 and 1058. He devoted much of his li
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Pavlovets, Mikhail G. "Russian Uncensored Poetry and German Concretism: Between Creative Reception and Reflection." In Russia – Germany: Literary Encounters (after 1945). A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0683-3-438-467.

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Representatives of the Soviet underground who chose to be autonomous from the censored literary and artistic environment in the USSR, regarded their position as a “double separation” from the pre-revolutionary and revolutionary culture of the Soviet Russia of the 1920s on the one hand and from the world culture on the other hand. According to many of them, their mission was not only to comprehend but also to overcome the separation, to reconnect with the past culture of their country and to get synchronized with the modern artistic and literary processes. An important role in the process of sy
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Goldstein, David. "Samuel Ha-Nagid." In Hebrew Poems from Spain. Liverpool University Press, 2007. http://dx.doi.org/10.3828/liverpool/9781904113669.003.0005.

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This chapter assesses the poetry of Samuel ha-Nagid. Samuel ha-Levi hen Joseph ibn Nagrela was born in Cordoba in 993. After the invasion of the North African Berbers in 1013, he was forced to leave Cordoba, which was sacked, and he settled in Malaga, which was, at this time, part of the Berber province of Granada. The story goes that, while in Malaga, his skill as an Arabic calligraphist came to the attention of the vizier Abu al-Kasim ibn al-Arif, and he was appointed the latter’s private secretary. Before the vizier died, he recommended Samuel to Habbus, king of Granada, who made him vizier
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Braginsky, Vladimir. "Poetry of the Classical Period." In The Heritage of Traditional Malay Literature. BRILL, 2005. http://dx.doi.org/10.1163/9789004489875_013.

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Raveendran, PP. "Region and Nation in Bhasha Poetry." In Under the Bhasha Gaze. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871558.003.0012.

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Abstract The chapter provides an analysis of the conflicted relationship between the nation and the region as it appears in selected bhasha poems from the languages of the Northeast as well as from Bengali, Odia, Telugu, and Malayalam. As literature originating from the geographical area lying outside the boundaries of the Hindi heartland, the conflict in the relationship could certainly be seen as related to the political tension existing between diverse bhasha communities on the question of the idea of India. In one sense, it is modernity’s schism that surfaces as the rift between the local
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Conference papers on the topic "Malayam poetry"

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S., Ermawati, Andayani Andayani, and Nugraheni Eko Wardani. "Treasures of Tunjuk Ajar in Malay Poetry." In Proceedings of the 3rd International Conference of Humanities and Social Science, ICHSS 2023, December 27, 2023, Surakarta, Central Java, Indonesia. EAI, 2024. https://doi.org/10.4108/eai.27-12-2023.2349695.

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"The Socio- Political Hegemony of Neologism in Malayalam Poetry." In Jan. 4-5, 2017 Kuala Lumpur (Malaysia). Dignified Researchers Publication, 2017. http://dx.doi.org/10.15242/dirpub.dirh0117022.

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Fuad, Khairul, and Irmayani Irmayani. "Malay Poetry as Media of Zodiac Explaination and Its Relation in Manuscript ’Abi@ Ma‘syari al-Falakiyyi al-Kabi@r." In 9th Asbam International Conference (Archeology, History, & Culture In The Nature of Malay) (ASBAM 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220408.071.

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Aziz, Nur, and Anwar Efendi. "Attitude of Adolescent Religiosity in Sepertiga Malam Poetry Anthology by MA and SMK Students in Sleman Regency." In 1st International Conference on Language, Literature, and Arts Education (ICLLAE 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200804.069.

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Yuda, Ramadhan Kusuma, Sarwiji Suwandi, and Nugraheni Eko Wardani. "The Value of Religiosity in Malay Poetry in West Kalimantan Province and Its Use as Teaching Material for Literary Appreciation." In Proceedings of the 2nd International Conference of Humanities and Social Science, ICHSS 2022, 17 December 2022, Surakarta, Central Java, Indonesia. EAI, 2023. http://dx.doi.org/10.4108/eai.17-12-2022.2333016.

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