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Relevant bibliographies by topics / Malaysia Artist

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Journal articles

Academic literature on the topic 'Malaysia Artist'

Author: Grafiati

Published: 25 July 2024

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Journal articles on the topic "Malaysia Artist"

1

Iwan Shahrom Shah, Muhamad Yusri Shah, Muhamad Khairi Shamsudin, Rahman Amin, and Mohd Farif Ab Jalil. "Influence of Intermedia in Development of Malaysian Art Scene." Environment-Behaviour Proceedings Journal 7, SI9 (2022): 63–68. http://dx.doi.org/10.21834/ebpj.v7isi9.3940.

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Media art has evolved over time. Artists are developing intermedia in their art. It begins in 1950s NYC. The idea of Intermedia has since extended globally. Malaysia's media development is influenced by western Intermedia. Malaysian artists are intermedia experts. This research aims to determine why Malaysian artists use Intermedia and to classify its disciplines. This research was place in studio or online, depending on current conditions. Pandemic, artist demand. This research used library, catalogue, and web sources for data. The data will be analyzed to classify the artists' Intermedia use

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2

Zakaria, Salehuddin, Rafeah Legino, and Mohammad Kamal Abdul Aziz. "The Concept of National Identity in the Artwork of Female Artists in Malaysia." Environment-Behaviour Proceedings Journal 7, SI8 (2022): 81–85. http://dx.doi.org/10.21834/ebpj.v7isi8.3918.

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This study examines the national identity elements of the Fatimah Chik and Khatijah Sanusi artworks, which begins with the examination of relevant material, including examples of national identity-related works and visual data on the results of Malaysian female artists obtained through digital photographs and records. Identifying and recognising national identity in Malaysian female artists' works is categorised by the artwork's profile. The artwork's focus and criteria will be mapped with the inquiry of the National Cultural Congress's study (NCC). Women's attitudes in art production reflect

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3

WAHED, WAN JULIANA EMEIH Juliana. "The MOTIVATIONAL IMPACT OF VISUAL ARTS EDUCATION THROUGH THE 'ARTISTS IN SCHOOLS' (AIS) COLLABORATION PROGRAM AMONG SECONDARY SCHOOL STUDENTS IN MALAYSIA." Asia Proceedings of Social Sciences 4, no. 1 (2019): 94–97. http://dx.doi.org/10.31580/apss.v4i1.606.

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The aim of the paper is to highlight some of the findings on the study on the impact of the 'Artist in Schools' (AiS) collaboration on the motivation of students of selected secondary schools in Malaysia in visual art education. AiS is aimed at establishing a collaboration between the students of nine schools and nine Malaysian artists in order to share their experiences, skills, and knowledge consecutively. The research design of multi-case studies or multisite studies was selected and Kellerâ€™s ARCS Motivational Theory has been used for assessment purposes and as the main conceptual framewo

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4

Mohd Aripin, Nur Adibah Nadiah, Ishak Ramli, Noor A’yunni Mohamad, Mohd Fawazie Arshad, and Noor Enfendi Desa. "A Literature Discussion and Research Gap Identification on Role, Art Activity and Economy: A Relationship Between Artist, Gallery, and Buyer from The Islamic Perspective." Idealogy Journal 8, no. 1 (2023): 134–43. http://dx.doi.org/10.24191/idealogy.v8i1.413.

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Visual art is dynamically developed in Malaysia. The opening of many art galleries shows that people are more receptive to the visual arts as a part of their community. These collisions create the art sector as a career field. This phenomenon encouraged artists to exhibit their artworks in the gallery and economically increased the numbers of art collectors as buyers to support the art scene and build a new bridge of connection between artist, gallery, and buyer. There is interest growing yet little research in this area has been discovered. This research is to identify the relationship betwee

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5

Izwanna, Nazzatul, Rafeah Legino, Jebakumari, and Noorziah Mohd Salleh. "An Element of Culture on Printmaking Artworks." Environment-Behaviour Proceedings Journal 5, SI1 (2020): 107–10. http://dx.doi.org/10.21834/ebpj.v5isi1.2306.

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This paper examines the elements of culture in printmaking artworks. The objective of this study will analyse artworks that will show the stimuli of culture in artworks. Therefore, as to enhance this study, selected artworks were identified, analysed and determine their formulation of artworks. The process of categorization was based on the culture elements through the observation of the artwork. The outcome of this study showed that the artworks significantly illustrates how an artist appreciates the cultural aspects through the printmaking artworks. Most artworks raised the aesthetic appreci

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6

Abu Kassim, K. A. "Seatbelt Reminder & Anti-Seatbelt Reminder Device: “Antara Dua Darjat”." Journal of the Society of Automotive Engineers Malaysia 4, no. 1 (2021): 2–4. http://dx.doi.org/10.56381/jsaem.v4i1.44.

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   “Antara Dua Darjat” is a classic Malay movie written, directed, and acted by Malaysia’s legendary artist Tan Sri P. Ramlee. Loosely translated into English as “Between Two Classes”, this 1960 film chronicles the social class differences between two families; hence leading to endless misery. The author does not intend to elaborate on the two ‘social classes’ as depicted in the film, and would rather discuss ‘the two classes’ in the vehicle safety scenario in Malaysia; so that the latter can be deliberated and resolved in the best manner.  

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7

Mat Isa, Mohd Jamil. "Tracing And Tracking Malaysian Printmaking Exhibitions: 1960-2020." Idealogy Journal 8, no. 1 (2023): 28–40. http://dx.doi.org/10.24191/idealogy.v8i1.382.

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Historical records prove that printmaking was a medium of communication in various civilizations in Egypt, Japan, and Europe before it was elevated as one of the disciplines of painting. Penang was a popular location for this creative industry sector in the early stages. This study looks chronologically as much as possible at the organization of printmaking exhibitions in Malaysia from the 1960s until 2000. The activities organized by private art galleries play a significant role in the career of artists. The objective of this study is to chronologically document the organization of printmakin

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8

Abdullah, Ahmad Hakim, and Nasirin Abdillah. "The Malay Socio-Cultural Elements in Selected Malaysian Paintings of the Hashim Hassan." Environment-Behaviour Proceedings Journal 6, no. 18 (2021): 37–45. http://dx.doi.org/10.21834/ebpj.v6i18.3061.

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This study focuses on the works of Hashim Hassan paintings. The artist is known for showcasing the essence of the Malay socio-cultural and philosophy that is in-depth within the community. This research method emphasises qualitative methods such as in-depth interviews, observations, voice recordings and data transcripts. The findings depict the philosophical and Malay socio-cultural meaning of Wau Bulan Terbang Malam (2007); the painting resonates with the classic Malay song by Tan Sri. P. Ramlee. The painting is also an inspiration for the Malay banknotes and coins, the graphic design logo of

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9

MUSTAPHA, AZWADY, and NUR IZZATY MOHD ROSLAN. "PERSPEKTIF PERSONALITI DAN PSIKOLOGI TERHADAP DENIM JEANS LELAKI DALAM MUZIK DAN FESYEN DI ERA REVOLUSI PERINDUSTRIAN KE-4." International Journal of Creative Future and Heritage (TENIAT) 9, no. 1 (2021): 30–51. http://dx.doi.org/10.47252/teniat.v9i1.397.

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Abstrak Sifat psikologi menerangkan cara di mana setiap orang berbeza antara satu sama lain. Ini merupakan konsep Maslow dan keperluan psikologi. Sehubungan itu, ramai artis Malaysia menggemari seluar jeans semasa membuat tayangan pentas, penggambaran drama atau filem dan kehidupan seharian. Sebagai contoh, artis dan muzik yang dipersembahkan memainkan peranan besar ke arah fesyen. 40 responden lelaki dipilih secara rawak berumur antara 23 hingga 30 tahun berhampiran Kuala Lumpur. Objektifnya adalah bagi memahami gaya pemotongan yang sesuai dengan dapat membezakan pelbagai gaya yang sedia ada

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10

Mokhtar, Mumtaz, Samiati Andriana WMD, and Rosliza Abd Rahim. "Art throughout the Industrial Revolution and Art Framework for the Industrial Revolution 4.0." Environment-Behaviour Proceedings Journal 7, SI7 (2022): 149–54. http://dx.doi.org/10.21834/ebpj.v7isi7.3776.

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This review paper presents the scenario of the revolution in Malaysia. The industrial revolution has changed from Industrial Revolution 1.0 to Industrial Revolution 2.0, Industrial Revolution 3.0 and now its culmination of the Industrial Revolution 4.0. Several documents were reviewed to identify the dynamic framework of art within Industrial Revolution 4.0. With the art framework related is detailed with a component of the artist as co-creator, hybrid types of production and the attribute of a super bright society. Creative humans should refer to several key points to be more prepared, equipp

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