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Journal articles on the topic 'Malaysia Artist'

Author: Grafiati

Published: 25 July 2024

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1

Iwan Shahrom Shah, Muhamad Yusri Shah, Muhamad Khairi Shamsudin, Rahman Amin, and Mohd Farif Ab Jalil. "Influence of Intermedia in Development of Malaysian Art Scene." Environment-Behaviour Proceedings Journal 7, SI9 (2022): 63–68. http://dx.doi.org/10.21834/ebpj.v7isi9.3940.

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Media art has evolved over time. Artists are developing intermedia in their art. It begins in 1950s NYC. The idea of Intermedia has since extended globally. Malaysia's media development is influenced by western Intermedia. Malaysian artists are intermedia experts. This research aims to determine why Malaysian artists use Intermedia and to classify its disciplines. This research was place in studio or online, depending on current conditions. Pandemic, artist demand. This research used library, catalogue, and web sources for data. The data will be analyzed to classify the artists' Intermedia use

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Zakaria, Salehuddin, Rafeah Legino, and Mohammad Kamal Abdul Aziz. "The Concept of National Identity in the Artwork of Female Artists in Malaysia." Environment-Behaviour Proceedings Journal 7, SI8 (2022): 81–85. http://dx.doi.org/10.21834/ebpj.v7isi8.3918.

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This study examines the national identity elements of the Fatimah Chik and Khatijah Sanusi artworks, which begins with the examination of relevant material, including examples of national identity-related works and visual data on the results of Malaysian female artists obtained through digital photographs and records. Identifying and recognising national identity in Malaysian female artists' works is categorised by the artwork's profile. The artwork's focus and criteria will be mapped with the inquiry of the National Cultural Congress's study (NCC). Women's attitudes in art production reflect

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WAHED, WAN JULIANA EMEIH Juliana. "The MOTIVATIONAL IMPACT OF VISUAL ARTS EDUCATION THROUGH THE 'ARTISTS IN SCHOOLS' (AIS) COLLABORATION PROGRAM AMONG SECONDARY SCHOOL STUDENTS IN MALAYSIA." Asia Proceedings of Social Sciences 4, no. 1 (2019): 94–97. http://dx.doi.org/10.31580/apss.v4i1.606.

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The aim of the paper is to highlight some of the findings on the study on the impact of the 'Artist in Schools' (AiS) collaboration on the motivation of students of selected secondary schools in Malaysia in visual art education. AiS is aimed at establishing a collaboration between the students of nine schools and nine Malaysian artists in order to share their experiences, skills, and knowledge consecutively. The research design of multi-case studies or multisite studies was selected and Kellerâ€™s ARCS Motivational Theory has been used for assessment purposes and as the main conceptual framewo

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Mohd Aripin, Nur Adibah Nadiah, Ishak Ramli, Noor A’yunni Mohamad, Mohd Fawazie Arshad, and Noor Enfendi Desa. "A Literature Discussion and Research Gap Identification on Role, Art Activity and Economy: A Relationship Between Artist, Gallery, and Buyer from The Islamic Perspective." Idealogy Journal 8, no. 1 (2023): 134–43. http://dx.doi.org/10.24191/idealogy.v8i1.413.

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Visual art is dynamically developed in Malaysia. The opening of many art galleries shows that people are more receptive to the visual arts as a part of their community. These collisions create the art sector as a career field. This phenomenon encouraged artists to exhibit their artworks in the gallery and economically increased the numbers of art collectors as buyers to support the art scene and build a new bridge of connection between artist, gallery, and buyer. There is interest growing yet little research in this area has been discovered. This research is to identify the relationship betwee

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Izwanna, Nazzatul, Rafeah Legino, Jebakumari, and Noorziah Mohd Salleh. "An Element of Culture on Printmaking Artworks." Environment-Behaviour Proceedings Journal 5, SI1 (2020): 107–10. http://dx.doi.org/10.21834/ebpj.v5isi1.2306.

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This paper examines the elements of culture in printmaking artworks. The objective of this study will analyse artworks that will show the stimuli of culture in artworks. Therefore, as to enhance this study, selected artworks were identified, analysed and determine their formulation of artworks. The process of categorization was based on the culture elements through the observation of the artwork. The outcome of this study showed that the artworks significantly illustrates how an artist appreciates the cultural aspects through the printmaking artworks. Most artworks raised the aesthetic appreci

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Abu Kassim, K. A. "Seatbelt Reminder & Anti-Seatbelt Reminder Device: “Antara Dua Darjat”." Journal of the Society of Automotive Engineers Malaysia 4, no. 1 (2021): 2–4. http://dx.doi.org/10.56381/jsaem.v4i1.44.

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   “Antara Dua Darjat” is a classic Malay movie written, directed, and acted by Malaysia’s legendary artist Tan Sri P. Ramlee. Loosely translated into English as “Between Two Classes”, this 1960 film chronicles the social class differences between two families; hence leading to endless misery. The author does not intend to elaborate on the two ‘social classes’ as depicted in the film, and would rather discuss ‘the two classes’ in the vehicle safety scenario in Malaysia; so that the latter can be deliberated and resolved in the best manner.  

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Mat Isa, Mohd Jamil. "Tracing And Tracking Malaysian Printmaking Exhibitions: 1960-2020." Idealogy Journal 8, no. 1 (2023): 28–40. http://dx.doi.org/10.24191/idealogy.v8i1.382.

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Historical records prove that printmaking was a medium of communication in various civilizations in Egypt, Japan, and Europe before it was elevated as one of the disciplines of painting. Penang was a popular location for this creative industry sector in the early stages. This study looks chronologically as much as possible at the organization of printmaking exhibitions in Malaysia from the 1960s until 2000. The activities organized by private art galleries play a significant role in the career of artists. The objective of this study is to chronologically document the organization of printmakin

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Abdullah, Ahmad Hakim, and Nasirin Abdillah. "The Malay Socio-Cultural Elements in Selected Malaysian Paintings of the Hashim Hassan." Environment-Behaviour Proceedings Journal 6, no. 18 (2021): 37–45. http://dx.doi.org/10.21834/ebpj.v6i18.3061.

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This study focuses on the works of Hashim Hassan paintings. The artist is known for showcasing the essence of the Malay socio-cultural and philosophy that is in-depth within the community. This research method emphasises qualitative methods such as in-depth interviews, observations, voice recordings and data transcripts. The findings depict the philosophical and Malay socio-cultural meaning of Wau Bulan Terbang Malam (2007); the painting resonates with the classic Malay song by Tan Sri. P. Ramlee. The painting is also an inspiration for the Malay banknotes and coins, the graphic design logo of

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MUSTAPHA, AZWADY, and NUR IZZATY MOHD ROSLAN. "PERSPEKTIF PERSONALITI DAN PSIKOLOGI TERHADAP DENIM JEANS LELAKI DALAM MUZIK DAN FESYEN DI ERA REVOLUSI PERINDUSTRIAN KE-4." International Journal of Creative Future and Heritage (TENIAT) 9, no. 1 (2021): 30–51. http://dx.doi.org/10.47252/teniat.v9i1.397.

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Abstrak Sifat psikologi menerangkan cara di mana setiap orang berbeza antara satu sama lain. Ini merupakan konsep Maslow dan keperluan psikologi. Sehubungan itu, ramai artis Malaysia menggemari seluar jeans semasa membuat tayangan pentas, penggambaran drama atau filem dan kehidupan seharian. Sebagai contoh, artis dan muzik yang dipersembahkan memainkan peranan besar ke arah fesyen. 40 responden lelaki dipilih secara rawak berumur antara 23 hingga 30 tahun berhampiran Kuala Lumpur. Objektifnya adalah bagi memahami gaya pemotongan yang sesuai dengan dapat membezakan pelbagai gaya yang sedia ada

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Mokhtar, Mumtaz, Samiati Andriana WMD, and Rosliza Abd Rahim. "Art throughout the Industrial Revolution and Art Framework for the Industrial Revolution 4.0." Environment-Behaviour Proceedings Journal 7, SI7 (2022): 149–54. http://dx.doi.org/10.21834/ebpj.v7isi7.3776.

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This review paper presents the scenario of the revolution in Malaysia. The industrial revolution has changed from Industrial Revolution 1.0 to Industrial Revolution 2.0, Industrial Revolution 3.0 and now its culmination of the Industrial Revolution 4.0. Several documents were reviewed to identify the dynamic framework of art within Industrial Revolution 4.0. With the art framework related is detailed with a component of the artist as co-creator, hybrid types of production and the attribute of a super bright society. Creative humans should refer to several key points to be more prepared, equipp

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NASIR, Suraya Binti Md. "Understanding Manga as a “Style” through Essay Manga’s Multimodal Literacies：And Its Relations to the Discourse on “local art style” in Malaysian Comics." Border Crossings: The Journal of Japanese-Language Literature Studies 13, no. 1 (2021): 61–74. http://dx.doi.org/10.22628/bcjjl.2021.13.1.61.

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The trans-cultural consumption of Japanese Manga in Malaysia has prompted a significant amount of manga-influenced local works. As an outcome, traces of Japanese Manga can be found through its iconic art styles, storytelling and Japanese culture in these works. While fans show the positive response for these manga-influenced local works, the artists’ community shows the opposite response, in particular, related to the representation of the “typical Japanese manga-style”, resulting in the idea that these artists are turning away from the “local art style” which has been pioneered by the predece

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Hannah Kong Nyuk Fun, Hannah Kong Nyuk Fun, Imelda Ann Achin, and Addley Bromeo Bianus. "THE INTERPRETATION OF SIGNS ON PROJECTION ART OF VEIL OF AN ARTIST AND A FICTIONAL DIALOGUE." Jurnal Gendang Alam (GA) 12, no. 1 (2022): 131–46. http://dx.doi.org/10.51200/ga.v12i1.3833.

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The form of communication of new media art serves as a vital link between the world of art and the society. The scenario for the advancements of new media art in our country is inadequate in respect of the intellectualism aspects of studies and the knowledge of projection art. As part of this study, projection art in Malaysia will be analysed to see how artists employ technology and visual art semiotics to convey their ideas to audiences effectively. This paper discusses the projection artworks produced by Hasnul Jamal Saidon titled Veil of an Artist and A Fictional Dialogue. The semiotics app

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Razali, Rosmidahanim, Ruzamira Abdul Razak, Mohd Nafis Saad, Nizar Nazrin, and Ishak Ramli. "Understanding the Meaning and Symbols of Animals in Visual Artwork: A Case Study of Five Selected Works in the SI + SA 2020 Exhibition." Idealogy Journal 6, no. 2 (2021): 78–90. http://dx.doi.org/10.24191/idealogy.v6i2.301.

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Visual artwork is a platform to convey the meaning of the theme chosen in producing the work. However, it is difficult to understand the meaning through the symbols highlighted by the artist. Based on that situation the objective of this study is to collect information on visual artworks that apply animal symbols in the SI + SA 2020 exhibition. Five artists have been identified using animal symbols in the production of their artwork. This study is based on qualitative research approach using four types of data; namely the study of literature that explains the meaning and symbol of animals from

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Wahed, Wan Juria Emeih, Abdul Halim bin Husain, Wan Juliana Emeih Wahed, and Patricia Pawa Pitil. "The Influence of Artist in Schools (AiS) Program and the ARCS Motivational Model on Students’ Creativity and Motivation in Visual Art." International Journal of Emerging Technologies in Learning (iJET) 14, no. 20 (2019): 149. http://dx.doi.org/10.3991/ijet.v14i20.11464.

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The word ‘education’ comes from the Greek word ‘educare’ which means carrying out the potentials stored in the children's psyche to be guided in order for them to grow. It involves the dissemination of information or knowledge to, and acceptance by, a student which results in the receiver’s behavioral changes. The “Artist in Schools” (AiS) program was initiated by the researchers and became the platform for the collaboration between schools and artists aimed at increasing the students’ motivation in arts education. It encompasses the sharing of knowledge and experiences between the two groups.

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Azman, Mohammad Firdaus. "The Role of Art Elements in the Translation of Photographic Works." Idealogy Journal 3, no. 2 (2018): 241–44. http://dx.doi.org/10.24191/idealogy.v3i2.70.

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The presence of photography around the 1890s when Malaya (now Malaysia) which was still under British rule was not an obstacle for the field of photography to grow to this day. Photography is a medium that can be used to produce creative works that have their own artistic elements (Sabki Md. Noh, M. Shariful Hafizal, 2017). The production of the work is produced according to technical procedures that require repeated experimentation to get the best results. Emphasizing the element or line element in the production of a work is none other than to show the relevance of the art element in photogr

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Ismail@Kamal, Julina, and Md Salleh Yaapar. "The Hermeneutic of the Malay Comic: Unveiling the Symbolism of Love in Selendang Siti Rugayah." Wacana Seni Journal of Arts Discourse 19 (December 31, 2020): 1–12. http://dx.doi.org/10.21315/ws2020.19.1.

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A comic is a form of sequential art that incorporates the integrated textual and visual aspects to reveal the desired meaning. It involves storytelling techniques with narrative elements as found in conventional literary works. Nowadays, comic art is flourishing in Malaysia with the advent of abundant comics from various old and new local authors. The uniqueness of Rejabhad, who was widely known as the King of Malaysian Cartoon, allows the researcher to analyse his comic works in the aspects of textual and visual designs. Prior studies have only discussed the outer layer of Malay comics. In fa

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Zamani, Mohd Fairuz. "Music of Razak Abdul Aziz: Preparing Chosen Solo and Collaborative Piano Works for Two Academic Recitals." Wacana Seni Journal of Arts Discourse 20 (December 27, 2021): 79–85. http://dx.doi.org/10.21315/ws2021.20.7.

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For the first time in history, full-scale performances on musical compositions by a Malaysian composer, Razak Abdul Aziz, were presented through two academic recitals—27 July 2019 and 6 February 2020—at Orchestra Hall, Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA). These recitals consisted of solo and collaborative piano works, performed by me and a team of music collaborators that were specifically selected for this purpose. Razak Abdul Aziz, who is still actively composing, spent most of his career life as an academic, first serving for Institut Teknologi MARA (ITM), then Universiti Sa

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Md Nor, Maiyamin, and Shangeetha R. K. "Code-Switching in Malaysian Stand-Up Comedy Performances: A Case Study of Comedian Harith Iskander." Kajian Malaysia 41, no. 1 (2023): 109–32. http://dx.doi.org/10.21315/km2023.41.1.6.

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Usage of code-switching in the scene of stand-up comedy is one of many creative strategies for comedians to deliver jokes and connect with a multilingual audience. However, not many employ this strategy, especially in Malaysia. Malaysian standup comedians rarely use code-switching in the delivery of their jokes as many use the local variety of English in achieving humour. Code-switching enables comedians to reach out to their audience and ensures their jokes are delivered more effectively and appreciated by the audience. Centring upon the use of codeswitching from English to Malay in two stand

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Subramaniam, Maithreyi, Jacqueline Sim Fei Chin, Tan Tay Guan, and Tan Yar Shi. "Batik Paintings, A Beautiful Cultural Heritage." Journal of Social Science and Humanities 6, no. 1 (2023): 1–9. http://dx.doi.org/10.26666/rmp.jssh.2023.1.1.

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In early 2020, Malaysia’s creative industry was weakened by the country’s constant lockdown due to pandemic Covid-19. Lim Anuar, a deaf artist, illustrator, and designer, was struggling financially and missed his family in Vietnam as many galleries and art workshops were closed during this pandemic. In this research, the authors discussed the impact of Covid-19 towards creative industries globally, issues with Malaysian creative industry and batik during Covid-19, batik paintings during modern Malaysian art in between 60s-70s, Kwan Chin’s style of Modern Malaysian batik paintings, exploration

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Syed Ahmed Jalaluddin, Syed Zamzur Akasah, Mohd Suhaimi Tohid, Mohd Khairi Shamsudin, and Mohd Fazli Othman. "#CeritaKita: The splendour of Malaysia through mural painting on petronas gas station." Environment-Behaviour Proceedings Journal 7, SI8 (2022): 105–9. http://dx.doi.org/10.21834/ebpj.v7isi8.3921.

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Murals are works of public art that express ideas on a building's surface. The connections between how it's made, where it is, and what it represents have been demonstrated to be powerful visual communication tools for stimulating energy, activity, surroundings, social messages and patriotism spirit. Nowadays, companies like Petronas Dagangan Berhad support local artists to express their sense of local identity. By that, artists showcase their talents in a specific place, forming different styles and delivering the most imaginative affinities to the community. This activity gives hope to Malay

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Huang, Jiao, Sameer Kumar, and Chuan Hu. "Does Culture Matter? A Comparative Study on the Motivations for Online Identity Reconstruction Between China and Malaysia." SAGE Open 10, no. 2 (2020): 215824402092931. http://dx.doi.org/10.1177/2158244020929311.

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On social network platforms, people may reconstruct an identity due to various reasons, such as vanity, disinhibition, bridging social capital, and privacy concerns. This study aims to identify cultural differences in the motivations for online identity reconstruction between China and Malaysia. Data were collected from China and Malaysia using an online survey. A total of 815 respondents (418 Chinese and 397 Malaysians) participated in this study. Differences were found not only between Chinese and Malaysian participants but also among participants from different ethnic groups (e.g., the Mala

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Anak Michael, Valerie, Khairul Aidil Azlin Abd Rahman, Shureen Faris Abdul Shukor, and Noor Azizi Mohd Ali. "An Analysis of Artistic Diversity in Hybrid Art Practice among Malaysian Artists." Environment-Behaviour Proceedings Journal 5, SI1 (2020): 99–105. http://dx.doi.org/10.21834/ebpj.v5isi1.2307.

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This research objective is to analyze the artistic diversity in hybrid art practice among selected Malaysian artists. The paper examines the process of making hybrid artworks where focusing on media diversity and experiment activity. The researchers had used cluster sampling and twenty artists involved to answer the questionnaires. The researchers used bar graph and Principal Component Analysis to analyze the artistic diversity in Hybrid Art. The finding of media diversity shows that Malaysian artists are focusing on mixed media, strength and equipment. Besides, the artists are focusing on sub

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Chow, Sow Yeng, and Sarena Abdullah. "The Shaping of Malaysian Abstract Expressionist Art within the Context of Malaysian Modern Art (1950s-1970s)." Melayu: Jurnal Antarabangsa Dunia Melayu 17, no. 1 (2024): 57–84. http://dx.doi.org/10.37052/jm.17(1)no3.

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Abstract Expressionism is an art form that began in the West and later gained influence in the East. In the years after World War II, Abstract Expressionism became the catalyst in the transition of modern art in Asia. In Malaysia, with the advocacy of Abstract Expressionism and the spirit of Expressionism, abstract art became mainstream in the art scene since the 1950s. Abstract Expressionism from two different worlds—America and/or Europe and Malaysia—is different, especially in terms of the artists’ respective approach and creativity. This article discusses how the evolution of abstraction w

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Zainal Abidin, Mursyidah, Nik Syahida Sabri, Wan Samiati Andriana Wan Mohd Daud, and Wiwik Sri Wulandari. "Waste Materials as a Sustainable Medium in Contemporary Art: An analysis of Malaysian artists' creative practices." Environment-Behaviour Proceedings Journal 9, no. 28 (2024): 91–97. http://dx.doi.org/10.21834/e-bpj.v9i28.5919.

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This study analyses the integration of environmental factors into creative representation, focusing on Malaysian artists proficient in 2D and 3D artworks that utilize waste and recyclables. It emphasizes the value of waste-derived materials in artistic expression, highlighting artists competent at converting varied waste forms into fascinating artworks. Using Feldman's theory, the researchers selected artworks to understand their content and context. Acknowledging the potential for art to contribute to change, the research advises employing waste as a creative, sustainable strategy to address

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Abdul Rahim, Rosliza, Mumtaz Mokhtar, and Ishak Ramli. "A Review Of Alternative Ways Malaysian Artists Approach Self-portraits Painting." Idealogy Journal 8, no. 1 (2023): 152–58. http://dx.doi.org/10.24191/idealogy.v8i1.415.

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Painting for presentation Self-portraits have been revolutionised on several occasions. To achieve different effects in their portrait painting, the artist experimented and manipulated various media. Portraits are commonly defined in art as a likeness of a person, particularly a face till shoulders, but there are other ways to define a portrait and a painting. There is a lack of comprehension and interpretation of the topic. As a result, the purpose of this research is to trace the history of the self-portrait. From the 1940s to the 2000s, reviews were written in the form of a year-by-year chr

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Wahida, Adam, and Muhammad Hendra Himawan. "Batik in Malaysia and Indonesia: A collaboration for reconciling issues of cultural heritage." International Journal of Education Through Art 18, no. 1 (2022): 89–103. http://dx.doi.org/10.1386/eta_00084_1.

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Conflict claims for the cultural heritage of batik between Indonesia and Malaysia have created tensions between the people of these two countries. The Indonesian and Malaysian governments have never involved academics and arts education institutions in resolving such conflict claims, yet, these communities can play a significant role in post-conflict reconciliation efforts. This article describes a conflict reconciliation method initiated by academics, artists and art educators through a collaborative art project between art higher education institutions in Malaysia and Indonesia. Ways in whic

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Norhana Nawai and Noreha Hashim. "GOOD GOVERNANCE AND CHALLENGES OF MANAGING MALAYSIA’S DEPENDENCY ON FOREIGN LABOR." global journal al thaqafah 11, no. 1 (2021): 123–33. http://dx.doi.org/10.7187/gjat072021-11.

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Good governance concept plays an important role in the modern government system through creating sustainable public policies. Good governance is a concept that has been used globally, including in Malaysia. Ironically, Malaysia has the highest number of foreign laborers in Southeast Asian countries reaching approximately six million. The dependency is shockingly becoming a major concern for the government in formulating policy. In formulating policy, it is important to consider various stakeholders such as employers and Malaysian people. Therefore, the government is trying hard to find an equi

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Basarud-din, Siti Khalilah, Ram Al Jaffri Saad, and Abdulrasheed Abdullah Aminullah. "Malaysian Halal Certification: A Study of Compliance Behavior of Muslim Entrepreneurs." global journal al thaqafah 12, no. 2 (2022): 46–65. http://dx.doi.org/10.7187/gjat122022-4.

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The halal industry in Malaysia plays a very significant role in its economic growth. It contributed about 8.1% to Malaysia’s GDP in 2020. Notwithstanding that, the applications of and compliance with halal certification among Muslim entrepreneurs remains significantly low. Ironically, Muslim entrepreneurs stand to suffer losses of up to 60% due to the absence of the halal logo on their products resulting from their low halal compliance behavior. This study proposes to identify factors affecting the compliance behavior among Muslim entrepreneurs in relation to the Malaysian halal certification.

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Abdul Rahim, Rosliza, Mumtaz Mokhtar, Verly Veto Vermol, and Rafeah Legino. "Iconography Underpinning Malaysian Portrait Painting." Environment-Behaviour Proceedings Journal 6, SI5 (2021): 119–24. http://dx.doi.org/10.21834/ebpj.v6isi5.2936.

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Malaysian portrait paintings were introduced in the 1930s where local artists started using the subject in their art-making. In art, portraits are generally known as the likeness of a person, especially a face and shoulders, but in fact, there are more ways to define portrait and painting. There is a lack of understanding and interpretation on the subject. Consequently, this study aims to trace the chronology of the development of Malaysian portrait paintings. The stylistic and contextual issues, including its formalistic format, media, themes and styles, and artists, are also examined in this

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Anak Michael, Valerie, Khairul Aidil Azlin Abd Rahman, Shureen Faris Abdul Shukor, and Noor Azizi Mohd Ali. "Artistic Knowledge and Practices of Hybrid Art based on the Analysis of Malaysian Artists’ Artworks." Environment-Behaviour Proceedings Journal 5, SI1 (2020): 111–17. http://dx.doi.org/10.21834/ebpj.v5isi1.2305.

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The objective of this paper is to identify the artistic knowledge and practices of hybrid art among Malaysian artist’s artworks. The purpose is to analyze the artistic knowledge through Malaysian artist’s artworks. Ten selected artworks from the multidisciplinary artists had been choose. The researchers applied observation method to select the artworks that have the element of hybrid art and Kawakita Jiro method for the purpose of clustering the attributes for the artistic knowledge and practices of hybrid art. The finding shows that the advancement of technology, and freedom in exploring the

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Zanuar, Seri Nurul Syuhada, and Khairunnisa Diyana Md Noor. "Social Media's Effectiveness for Malaysia's Independent Artists." Environment-Behaviour Proceedings Journal 7, SI9 (2022): 9–14. http://dx.doi.org/10.21834/ebpj.v7isi9.3928.

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Social media has played a crucial role for artists to market and promote their artwork. They have increasingly used Instagram, Facebook, YouTube, and Twitter. This study focuses on three elements which are to investigate which platform of social media that been used the most for the artists to market their products and service, to study impacts of the social media on their marketing strategies, and to find out how the artistes manage their social media and identifying on how the artistes maintain their fan interest towards their works. Keywords: social media, technology, internet, social netwo

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Siswantoro, Dodik, Mohammad Soleh Nurzaman, Sri Nurhayati, Agus Munandar, Abdul Ghafar Ismail, and Nafsiah Mohamad. "Factors Determining Zakat Rebate Preferences in Malaysia: Zakat as Tax Deduction." Academic Journal of Interdisciplinary Studies 11, no. 2 (2022): 115. http://dx.doi.org/10.36941/ajis-2022-0039.

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This research aims to analyze factors that could affect preferences for zakat rebates (i.e., zakat as a tax deduction) in Malaysia. In 1967, Malaysia’s Income Tax Act legalized zakat and made it tax-deductible. An applied quantitative method (SmartPLS) was used to construct a formative model on Muslims in Malaysia. Participants in the research were economics faculty members from universities in Malaysia. The results show that satisfaction affects preferences for zakat rebates and may prove that Muslims pay zakat because they are satisfied with their zakat institution. Other findings show that

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Changsong, Wang, and Lucyann Kerry. "Filmic Depiction of Malay Subjectivity in the Late Yasmin Ahmad’s Films." SAGE Open 12, no. 2 (2022): 215824402210964. http://dx.doi.org/10.1177/21582440221096444.

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Besides P. Ramlee, Yasmin Ahmad’s name is synonymous with Malaysian cinema. The award-winning Malaysian filmmaker’s death impacted not only the Malaysian film industry but also those who admired her work. The late legendary filmmaker was a liberal Islamic Malaysian who explored Islam and humanity through interracial love stories. These filmic stories resonated with the ordinary Malaysians as they were compelling and courageous, often challenging the norms and conventions of other Malaysian films by daringly dramatizing and visualizing societal taboos and hypocrisies on the cinematic screen. Th

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Drakeley, Steven. "Drowning or Waving? Citizenship, Multiculturalism and Islam in Malaysia." Al-Jami'ah: Journal of Islamic Studies 46, no. 2 (2008): 325–51. http://dx.doi.org/10.14421/ajis.2008.462.325-351.

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This article examines some intriguing shifts in Islamic thinking on questions around citizenship and multiculturalism that have emerged in the Malaysian context in recent years. It does so in the light of the March 2008 election results and other recent political developments, notably the rise of Anwar Ibrahim’s PKR, and considers the implications for Malaysia. Of particular focus is the novel Islam Hadhari concept articulated by UMNO leader Prime Minister Badawi and the relatively doctrinaire Islamic state ideas of Islamist PAS. The article argues that these shifts in Islamic thinking are lar

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Omran Zailuddin, Firdaus Naif, Muhammad Abdullah, Hawari Berahim, and Azharudin Mappon. "Interpretation of 9 Selected Visual Works of Contemporary Young Talent from the Context of the National Cultural Policy Core." Idealogy Journal 3, no. 2 (2018): 43–60. http://dx.doi.org/10.24191/idealogy.v3i2.64.

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Contemporary Young Talent (CYT) is a visual arts competition organized by the National Visual Arts Gallery (NVAG) which is the most prestigious in Malaysia. Its 40 years of organization have successfully produced many renowned artists who are now pioneers in the Malaysian and regional visual arts arena. In line with the strength of CYT as a reflection of the future of Malaysian visual arts and the role of art as a cultural vehicle, the objective of the study is to analyze and further dismantle the latest visual art works of Malaysian artists from the perspective of national culture through the

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Dahari, Rafidah, Nor Azizan Idris, and Zarina Othman. "Influencing External Factors for Small Arms Light Weapon Smuggling at Malaysia-Thailand Border." Asian Social Science 15, no. 3 (2019): 14. http://dx.doi.org/10.5539/ass.v15n3p14.

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End of the Cold War had contributed to the plentitude of firearms within the Southeast Asia region which led to the increase of small arms and light weapon (SALW) smuggling activity. For decades till today, most countries in this region continue to face internal armed conflicts. Malaysia strategic location, situated at the world’s busiest sea lane trades had resulted in rampant cross border crime of SALW smuggling activities. Malaysia’s strict firearms law disallows the possession of SALW without a license. In spite of such strict SALW legislations, these smugglings continues. What are the fac

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Jafri, Aufa Nabila, and Wan Samiati Andriana Wan MD. "THE DEPICTION OF ISLAMIC ELEMENTS IN THE ARTWORKS OF YOUNG CONTEMPORARY AWARD." International Journal of Education, Psychology and Counseling 8, no. 52 (2023): 461–68. http://dx.doi.org/10.35631/ijepc.852036.

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The National Art Gallery (NAG) introduced the Young Contemporary Award (YCA), also known as Bakat Muda Sezaman (BMS), in the early 1970s with the goal of improving the creative thinking of the art scene. The platform has resulted in a significant percentage of notorious local artists producing remarkable artworks. Nevertheless, with the fast advancement of the modern era in Malaysia, the intention of presenting national culture and traditions especially the Islamic values through visual art among the Muslim artists appears to dissipate. The new generation of Muslim artists' preference for west

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Yasa, Gede Pasek Putra Adnyana, I. Nyoman Darma Putra, I. B. Gde Pujaastawa, and I. Nyoman Larry Julianto. "UPIN IPIN ANIMATION: THE MEDIA OF MALAYSIA'S IDENTITY POLITICS." E-Journal of Cultural Studies 16, no. 3 (2023): 37. http://dx.doi.org/10.24843/cs.2023.v16.i03.p04.

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"Upin Ipin" animation is a popular children's film series in Indonesia, including Denpasar from 2010-2023. The Upin Ipin animation shows the background of a Malaysian village with its own culture, and the characters who play a role in it can represent the Malay-Malaysian identity and the various tribes that exist in Malaysia. The research used qualitative methods, and data were analyzed using discourse analysis theory and ideology theory. The results show that the issue of Malay-Malaysian identity plays a role in the production of Upin Ipin animation. The identity is visualized through the cha

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Suaedy, Ahmad. "Islam and Minorities: Managing Identity in Malaysia." Al-Jami'ah: Journal of Islamic Studies 48, no. 1 (2010): 1–44. http://dx.doi.org/10.14421/ajis.2010.481.1-44.

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The Malaysian general election in March 2008 raised an interesting and new phenomenon. For the first time since independence in 1957, the ruling alliance known as the National Front (Barisan Nasional, BN) failed to secure two thirds of seats in parliament and lost control of five of Malaysia’s 13 states. This was due to the challenge presented by the new opposition alliance known as the Alternative Front (Barisan Alternatif, BA) or the People’s Alliance (Pakatan Rakyat, PK) which won more than 36% of seats in parliament and gained control of the five states. In the 2004 election, BN secured th

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Mei, Ooi Jen, Kwek Choon Ling, and Tan Hoi Piew. "The Antecedents of Green Purchase Intention among Malaysian Consumers." Asian Social Science 8, no. 13 (2012): 248. http://dx.doi.org/10.5539/ass.v8n13p248.

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The objectives of this research are to identify the factors influence the green purchase intention and to determine the relationships between the factors (determinants) and green purchase intention among Malaysian consumers. A descriptive research was conducted to address the research objectives. The survey research was undertaken among the Malaysians who are members of one of the Activist Groups in which is a Non-government Organization (NGO) in Malaysia. The adopted sampling method was simple random sampling. There were 230 usable questionnaires which were analyzed with the Statistical Packa

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Abdullah, Sarena, and Carmen Nge Siew Mun. "Spaces of Experimentation and Collaboration in Early 1990s Malaysian Art." Southeast of Now: Directions in Contemporary and Modern Art in Asia 6, no. 2 (2022): 47–75. http://dx.doi.org/10.56159/sen.2022.a871491.

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Abstract: At the zenith of the Mahathir era, amidst the economic boom and rapid development of the early 1990s, Malaysian art exhibitions were charting a novel path in the arena of installation and performance art. This paper will closely examine three seminal installation art exhibitions, namely Sook Ching (1990), 2 Installations (1991), and Warbox Lalang Killing Tools (1994), where some of the artists involved chose to perform and/or collaborate with dancers and theatre makers, culminating in some of the earliest experiments with performance art in Malaysia. What sets them apart from other i

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Benedict, Jessieca Joseph, Mohd Fazli Othman, Syed Zamzur Akasah Syed Ahmed Jalaluddin, and Rafeah Legino. "The Spirituality of Papar Landscape." Environment-Behaviour Proceedings Journal 7, SI9 (2022): 75–79. http://dx.doi.org/10.21834/ebpj.v7isi9.3941.

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Art's function has allowed artists to express themselves for centuries. Art was once created solely for religious reasons, especially with the rise of the Catholic Church. The Industrial Revolution and the church's declining influence in the 19th century opened people's eyes to emotion and imagination, which Romanticists later portrayed artistically. This led to nature mysticism and landscape paintings. Similarly, St. Ignatius' Ignatian Spirituality corresponds to the divine yearning in nature. Spirituality and art can go hand in hand, say Jesuit priest-artists. Mystical landscapes reveal huma

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Ahmed Alarussi, Ali Saleh. "Effectiveness, Efficiency and Executive Directors’ Compensation Among Listed Companies in Malaysia." SAGE Open 11, no. 4 (2021): 215824402110541. http://dx.doi.org/10.1177/21582440211054129.

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This paper examines whether or not there is any relationship between executive directors’ compensation and the effectiveness and efficiency ratios of non-financial companies in Malaysia. Two variables are used in this study as independent variables (IVs), that is, company effectiveness ratio (return on equity) and company efficiency ratio (asset turnover); and six control variables, that is, firm visibility, liquidity, profitability, working capital, firm net-worth, and leverage. The executive directors’ compensation is the dependent variable (DV). Data are collected from 360 observations (120

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Supartono, Alexander, and Alexandra Moschovi. "Contesting colonial (hi)stories: (Post)colonial imaginings of Southeast Asia." Journal of Southeast Asian Studies 51, no. 3 (2020): 343–71. http://dx.doi.org/10.1017/s0022463420000508.

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This article seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analysis is pursued though a discussion of creative work produced during an international, multidisciplinary artist workshop in Yogyakarta, Indonesia, that used digital material from colonial photographic archives in the Netherlands to critically investigate the ways national, transnational and personal (hi)stories in the former colonies in Southeast Asia have been informed and shaped by their colonial past. The analysis focuse

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Nor Aina Mardhiah Nazim and Syarifah Md Yusof. "Halal Legislation Enforcement of Food Premises in Malaysia." global journal al thaqafah SI, no. 1 (2023): 151–64. http://dx.doi.org/10.7187/gjatsi072023-12.

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Halal Certification provides an opportunity for food premise operators to prove that the food provided complies with the laws set in Malaysia. Although there are laws and regulations related to halal implementation, the misuse of halal logos such as halal logos forgery, misuse of Islamic images, and using expired certificates still arises within the industry. This study's goal is to shed light on Malaysia's legal guidelines for halal food premises and halal enforcement. This study applies a qualitative approach while the data is collected through content analysis. The content analysis has been

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Lemiere, Sophie. "Genesis and Development of A “Nonpartisan” Political Actor: The Formation of the Jama’ah Islah Malaysia (JIM) and its Roots in Western Europe." Al-Jami'ah: Journal of Islamic Studies 47, no. 1 (2009): 49–90. http://dx.doi.org/10.14421/ajis.2009.471.49-90.

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This paper looks at the genesis and development of the Jama’ah Islah Malaysia (JIM), a modernist-reformist Islamist organisation that today has played a vital and visible role in the political landscape of Malaysian politics. Little is known about the early genesis of JIM, and how it began in the 1970s and 1980s as a student-based cadre organisation, created by Malaysian Muslim students studying abroad in Europe and North America. JIM’s roots therefore lie in the Islamic Representative Council (IRC) that was a semi-underground student-cadre movement that was created outside Malaysia, and which

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Rosli, Siti Nabilah, Nur Izzati Jamalludin, Afiqah Aisyah Saiful Bahar, and Sharifah Faizah Syed Mohammad. "Twirling Textiles in Transit: The performance of Keretapi Sarong." Environment-Behaviour Proceedings Journal 7, SI9 (2022): 593–97. http://dx.doi.org/10.21834/ebpj.v7isi9.4310.

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Public performances revolving around public transportation continue to be a common sight in transit areas such as London's Tube and the New York subway. Malaysia is even taking a step further by allowing various performing art events to take place at stations and in transit. This exploration is carried out to investigate the possibilities of utilising public transportation services to benefit performing artists in Kuala Lumpur. This research argues that this symbiotic co-existence between transit areas and serving arts practitioners, with the case study of the Kertapi Sarong activity, would fo

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Supriyono, Trihanawati, and Mohd Puad Bebit. "Process Creative: From four style of paintings in Sabah." Environment-Behaviour Proceedings Journal 5, SI3 (2020): 117–22. http://dx.doi.org/10.21834/ebpj.v5isi3.2541.

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The creative process usually refers to the creation of something new and unique. This paper discussed the process creation of the four genres in painting that is applied by visual artists in Sabah. Researchers used the theoretical framework approach from the updated model of process creation in the visual art-making domain to explain the operation of producing intellectual property in visual art mainstream. This research involved interview process for 20 artists from Northern Borneo, Sabah. The outcome of this research explained the differentiation between four approaches of painting genre in

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Albaity, Mohamed, and Diana Syafiza Said. "Impact of Open-Market Share Repurchases on Long-Term Stock Returns." SAGE Open 6, no. 4 (2016): 215824401667019. http://dx.doi.org/10.1177/2158244016670199.

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After the Asian financial crisis in 1997, firms listed on Bursa Malaysia were allowed to repurchase their shares on the open market. The number of companies engaged in share buyback is increasing and has become a tool to stabilize price by signaling undervaluation of the share. However, studies on share buyback in Malaysia are limited to the price performance surrounding the buyback events. This study aims to fill this gap by examining long-run price performance after the actual share buyback event over a sampling period of 2 years from 2009 to 2010 for Malaysian firms listed on FTSE Bursa Mal

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Joanne Chian, Haniruzila Hanifah, and Ali Vafaei-Zadeh. "Development of Entrepreneurial Competencies and Business Performance in SMEs: Between Government Support and Empowerment of Malaysian Women Entrepreneurs." global journal al thaqafah SI (February 28, 2022): 23–34. http://dx.doi.org/10.7187/gjatsi022022-3.

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The important aspect of business performance among women-owned SMEs in Malaysia is scarce and still underperformed. Hence, Malaysian SMEs needs to empower the entrepreneurial competencies among women-owned entrepreneurs and the support of Malaysian government. In this study, the questionnaire survey has been selected as the data collection method for this research. A total of 116 responses from the women-owned entrepreneur in Malaysia were obtained and analysis was carried out using Smart PLS software to generate findings. The results reveal that strategic competencies, opportunity competencie

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