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Journal articles on the topic 'Malaysian Fashion Designers'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Rosihan, Mursyida, and Asliza Aris. "The Influence of Cultural Values Towards Creativity Enhancement: The Case of Malaysian Fashion Designers." International Journal of Art and Design 6, no. 1 (2022): 93–107. http://dx.doi.org/10.24191/ijad.v6i1.1354.

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Malaysian fashion designers face difficulties and challenges in competing in the fashion industry due to the emerging international brands that exist in the market. Cultural values have influenced fashion designers in the process of design concept and use of textiles over time. This paper attempts to analyse the influence of cultural values on Malaysian fashion designer creativity and the elements that provide for creativity enhancement. The scope of this study was based on fashion designers located around the Klang Valley area. A qualitative approach is adopted using semi structured questions

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2

Saaidin, Husna, Suriati Saidan, Wan Nadhra Ixora Wan Kamarulbaharin, and Shaheela Abu Bakar. "The Perception of Malaysian Youth Towards Indonesia Modest Fashion." Idealogy Journal 7, no. 1 (2022): 8–14. http://dx.doi.org/10.24191/idealogy.v7i1.329.

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The Malaysian modest fashion industry is a lucrative product category that is worth to look out for since 61.3% of its population are Muslims. Thus, it is imperative that the preferences of the Muslims youth in fashion design are determined. This could invariably give fashion designers the direction forward in creativity and productivity. The preferences of modest fashion in this study were determined by comparing modest clothing of well-known designers from Indonesia and Malaysia. The characteristics of modest fashion designs done by selected fashion designers from both countries were observe

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Kamarulzaman, Zulina, and Nazlina Shaari. "Establishing Fashion Design Entrepreneurs’ Management Competency in the Malaysian Fashion Landscape." International Journal of Art and Design 8, no. 1 (2024): 160–71. http://dx.doi.org/10.24191/ijad.v8i1.1534.

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The achievements of Malaysian fashion designers have been fraught with success and failure. The intense competition in the fashion industry is one of the main obstacles for fashion designers who decide to venture into fashion entrepreneurship.This study seeks to understand what additional skills are necessary and how to face the challenges they encounter. The respondents in this study were fashion design entrepreneurs who participated in group discussions, and fashion experts who were interviewed. Throughout the entirety of the process of data collecting, a collection of standardised questionn

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Saidan, Suriati, Wan Nadhra Ixora Wan Kamarulbaharin, Husna Saaidin, Norzaleha Zainun, and Mohd Hafnidzam Adzmi. "COMPARISON OF MALAYSIAN DESIGNERS' CLOTHES FOR THE EID FESTIVAL IN 2023." Journal of Tourism, Hospitality and Environment Management 9, no. 35 (2024): 61–71. http://dx.doi.org/10.35631/jthem.935005.

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Fashion design nowadays is a fashion trend that is the best alternative for Muslim women who want to cover their aura with an attractive style. With various options, Islamic clothing is not considered conservative or outdated. Therefore, fashion design should be more contemporary, following the Islamic characteristics of a Muslim, and suitable for use by all nations. In this paper, the researcher will look at the fashion used in the design production of the trends Eid Festival for 2022-2023. Fashion trends are an essential element in determining the concept of clothing design. As a trend of th

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Rusli, Rose Dahlina, Norwani Mohd Nawawi, and Verly Veto Vermol. "Visualizing Kelingkan Embroidery through the of Malays Styles and Motives." Environment-Behaviour Proceedings Journal 7, SI7 (2022): 351–60. http://dx.doi.org/10.21834/ebpj.v7isi7.3802.

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It was reported that in 2002, at least five kelingkan embroiderers were still practicing their craft in the East Malaysian state of Sarawak, and lesser of them were still active in West Malaysia. This situation may cause stagnation in the development of this type of embroidery making, particularly in Malaysia. It may even lead to this art form becoming obsolete in the future. In fact, in the present day, the demand for kelingkan in the market is high. Malaysian fashion designers have also become responsive to the beauty of traditional embroidery to elevate them to the same sphere as exclusive

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Hasbullah, Nornajihah Nadia, Zuraidah Sulaiman, Adaviah Mas’od, and Hanis Syuhada Ahmad Sugiran. "Drivers of Sustainable Apparel Purchase Intention: An Empirical Study of Malaysian Millennial Consumers." Sustainability 14, no. 4 (2022): 1945. http://dx.doi.org/10.3390/su14041945.

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The fashion industry has expanded at the expense of the environment. Consumption and environmental pollution both serve as a wake-up call to the global endeavour to adopt more socially and environmentally responsible behaviours. It implies, in particular, a paradigm shift in consumer behaviour away from conventional to green products. Understanding the factors that influence consumer purchasing decisions is critical in developing the demand for and commitment to sustainable apparel consumption. In support of the United Nation’s efforts to promote sustainable consumption in Malaysia, a study wa

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Mahusni, Muhammad Nadzrul Adam, and Maszura Abdul Ghafar. "ADAPTATION OF MALAYSIAN RETAIL DESIGN TOWARDS OMNI– CHANNEL AND CONTEXTUAL RETAIL CONCEPT." Malaysian Journal of Sustainable Environment 4, no. 1 (2018): 95. http://dx.doi.org/10.24191/myse.v4i1.5609.

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A new concept of Omni–Channel interactive retail design in Malaysia c o u l d revolutionize the Generation Y’s ( G e n Y) shopping experience. Studies found that the G e n Y’s c u l t u re and behaviour is t h e key to t h e i r changes in their shopping nature. The study is t o identify h o w t h e amalgamation of the Omni–Channel shopping concept with fashion r e t a i l design could provide the ultimate shopping experience for Gen Y. T h i s desktop study recommends an interactive retail’s cum Omni– channel space programming in creating an interactive retail design typology. It would benefi

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8

Guo, Hui, Asliza Aris, and Rose Dahlina Rusli. "HERITAGE AND INNOVATION: REDEFINING KUALA LUMPUR'S FASHION IDENTITY THROUGH CROSS-CULTURAL COLLABORATION." Malaysian Journal of Sustainable Environment 11, no. 2 (2024): 135–58. https://doi.org/10.24191/myse.v12i1.1604.

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In the wake of accelerated globalization, the fashion industry has transcended regional confines, evolving into a notably internationalized domain. This investigation delves into the collaborative endeavours between international fashion brands and local Malaysian designers, particularly within Kuala Lumpur—a city characterized by diverse cultural influences- as a pivotal arena for amalgamating cultural heritage with contemporary design aesthetics. The inquiry focuses on utilizing cultural heritage elements, such as batik, within these collaborations to foster design innovation while examining

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9

Zakaria, Muhammad Hisyam. "The Influences of Contemporary Fashion to the Development of Men’s Baju Melayu in Malaysia." International Journal of Art and Design 8, no. 1/SI-2 (2024): 1–13. http://dx.doi.org/10.24191/ijad.v8i2/si-1.2495.

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This study aims to analyse contemporary fashion influences that occurred in Malay men's Baju Melayu. Observations of modern contemporary Baju Melayu visual images from local designers were performed to identify the development of form, silhouette, colour, styling, and accessories. Analysis showed that the Malay men's Baju Melayu faces many changes in forms, silhouettes, colours, styles, and accessories in line with technological evolution, fashion openness, and the new lifestyle of the Malay men in Malaysia. The study hopes that local designers' new contemporary approaches can still portray Ma

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10

Ba’ai, Nazirah Mohamad, Nur Siti Khadijah Zullkifle, Mohd Fairus Yussof, Noorhaslinda Mohamad Ali, Asliza Aris, and Hema Zulaika Hashim. "Malay Traditional Jewellery: The Innovation of Pending as Contemporary Fashion Accessories in Malaysia." International Journal of Research and Innovation in Social Science VII, no. IV (2023): 1170–77. http://dx.doi.org/10.47772/ijriss.2023.7497.

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Pending is part of traditional jewellery, often used to complement Malay clothing. Aristocratic people usually wear this pending on the waist on special occasions and gatherings, such as weddings and cultural events. Since Pending is no longer as popular as it once was, this study suggests improving and innovating existing functions. New mechanisms have shown viable replacements for traditional features. This study aims to resurrect the Pending into a modern multi-function buckle as a contemporary fashion accessory in Malaysia. Qualitative research involving observation and description analysi

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11

Looi, Melinda. "Forum Panelist 2: MODA: Protecting Malaysia’s Frontliners, One Stitch at a Time." International Journal of Human and Health Sciences (IJHHS) 5 (March 5, 2021): 7. http://dx.doi.org/10.31344/ijhhs.v5i0.298.

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When COVID-19 brought on the MCO or Movement Control Order in March 2020, it was an unprecedented & uncertain time for Malaysians. As the battle to treat infections began, the issue of personal protective equipment (PPE) arose. Shortage of availability, high cost, suitability of materials were the challenges faced by our medical frontliners and to which MODA decided to step up to fill the gap.MODA is a Non-Profit Organization (NPO) whose members comprise local fashion designers as well as persons & companies involved in Malaysia’s fashion industry. Thus, began a mission to raise funds,

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Zainun, Norzaleha, Suriati Saidan, Zolina Mohamad, and Nur Syazwan Hasim. "[Telekung Contemporary Skills in The New Millennium Malaysia] Keterampilan Telekung Kontemporari Alaf Baru Di Malaysia." Jurnal Islam dan Masyarakat Kontemporari 21, no. 2 (2020): 153–69. http://dx.doi.org/10.37231/jimk.2020.21.2.491.

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The understanding of the concept Aurah has currently seen an ascending growth among Muslim women. The question is, how far is the understanding of the concept to be accustomized with daily clothing such as telekung (cloak for Muslim women). The design of telekung is mandated by the Islamic Dress Code Ethics which is stated in the al-Quran. This paper discusses both, relative topic of interests that touches the essential concepts and the latest trend in telekung industry in Malaysia that unleashes a rather bewildering new contemporary threshold in the local Muslim fashion universe. Telekung is

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13

Lim, Yu Qin, and Azizi Bahauddin. "From script to space: Integrating Nüshu heritage into interior design narratives." ARTEKS : Jurnal Teknik Arsitektur 10, no. 1 (2025): 53–62. https://doi.org/10.30822/arteks.v10i1.3562.

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Nüshu, or “women’s script”, is a unique calligraphy and female culture traditionally inherited among women in Jiangyong County, Hunan Province, China. Regarded as “the secret language of women”, it has recently been revitalised. Besides the museum dedicated to preserving Nüshu, previous studies have explored its characteristics, linguistic and literacy aspects, cultural significance, and applications in digital technology. Despite its integration into product, fashion, and multimedia designs, widespread awareness remains scarce. This research aims to integrate Nüshu heritage into feminine inte

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14

"The Adaptation of Modesty Concept in Sportswear Design for Malaysian Women." Kupas Seni, no. 10 (August 18, 2022): 15–28. https://doi.org/10.37134/kupasseni.vol10.sp.2.2.2022.

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Modesty sportswear design is an alternative outfit to fulfill the needs of modesty appearances while doing sports especially for the Muslim women. The intention of innovating modesty sportswear design for Malaysian women is to provide more options of sport outfit for their active lifestyle. Recently, there was an issue regarding the lack of fashion likeness of the current sportswear design in local fashion industry and an excessive attention towards the women appearance in public which could distress their moral and confident level. The objectives of this study are: 1. to investigate the probl

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15

Anuar, Mohd Farhairuddin Bin. "The Revolutionary of I.R. 4.0 Digital Fashion Marketing in Fashion Design Studies for Malaysia Institution." Technoarete Transactions on Advances in Social Sciences and Humanities 4, no. 2 (2024). https://doi.org/10.36647/ttassh/04.02.a001.

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Fashion marketing plays a crucial role in the creative Industrial Revolution (IR) 4.0, which is characterized by the integration of digital technologies, data analytics, automation, and connectivity. There are many marketing tools that can be used as a strategy to market their fashion products to consumers. The objective of this research is to identify the significance of digital marketing methods that influence the current existing fashion products and to suggest the comprehensive of implementation digital fashion marketing syllabus in the fashion studies program in Malaysia. The researchers

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16

Thimm, Viola. "Muslim Fashion: Challenging Transregional Connectivities between Malaysia and the Arabian Peninsula." TRaNS: Trans -Regional and -National Studies of Southeast Asia, February 16, 2021, 1–12. http://dx.doi.org/10.1017/trn.2021.1.

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AbstractIn Malaysia, a Muslim-majority country in Southeast Asia, a dynamic market for Muslim fashion has evolved over the past decade, especially concerning theabaya, a female Muslim dress. Malay Malaysian designers, producers and consumers focus on this garment because it represents a style of female Islamic clothing that is perceived as ‘authentic’. Theabayaoriginates from the Arabian Peninsula and is generally worn by Arabic Muslim women with asyariah-compliant design that is commonly simple, loose and opaque. Embedded into the broader marketising processes of ahalalindustry in Malaysia, M

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17

"Theme and Trend Forecast for Malaysian Woman Modest Wear in year 2024 (Idea for Raya OOTD)." Kupas Seni, no. 10 (June 27, 2022): 42–49. https://doi.org/10.37134/kupasseni.vol10.1.5.2022.

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Fashion trend forecasting is the prediction of mood, behaviors and buying habits of the consumer. It is no longer a question of identifying your customers by demographic and sociographic. Malaysia does not have any forecaster that predict the upcoming trend for fashion industry. Usually, Malaysian designers will usually refer to the international forecaster such as WGSN or trendwatching.com or else, to gain some idea to produce a design. This study was focused on the forecast of modesty fashion specifically for year 2024. The objectives were 1. To establish a local trend forecasting and theme

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18

Mursyida, Rosihan, and Aris Asliza. "The Influence of Cultural Values Towards Creativity Enhancement: The Case of Malaysian Fashion Designers." July 15, 2022. https://doi.org/10.5281/zenodo.7030864.

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19

TIRUNAVUKKUARASU, ARTHIMULAM, CHOO YING HOE DENNIS, and SENG TECK TAN. "CORPORATE SOCIAL RESPONSIBILITY AND BRAND IMAGE'S INFLUENCE ON PURCHASE INTENTION OF FASHION CONSUMERS IN MALAYSIA." 17, no. 10 (2022): 2162–76. https://doi.org/10.5281/zenodo.7294519.

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<strong>Abstract</strong> Aspirations toward a more emblematic way of life and the inventiveness of architects and designers fuel one of the world's major industries: fashion. By relying on mass manufacturing as well as a low-cost structure to drive consumer demand, it exhausts the planet's natural resources. The popularity of fashion as a consumer good has skyrocketed in current and past years. The advent of the "Fast-Fashion Model" has spurred a flurry of innovation in the garment market, with many well-known businesses regularly releasing new styles designed to appeal to a

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20

Alanadoly, Alshaimaa Bahgat, and Suha Fouad Salem. "Hijabista willingness to accept premium pricing: an analytical study of the effect of social and self-identity on hijab fashion brands satisfaction." Journal of Islamic Marketing ahead-of-print, ahead-of-print (2021). http://dx.doi.org/10.1108/jima-02-2020-0041.

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Purpose This paper aims to study the predictors influencing hijabista satisfaction towards Hijab fashion brands and their willingness to pay premium pricing as fashion consumers. The effects of product design, product quality, social and self-identity have been studied in relation to product, and brand satisfaction is believed to have led to acceptance of premium pricing. Various factors have been studied and analysed to provide a better understanding of Hijab fashion consumer behaviour. Design/methodology/approach Data were collected by using online structured surveys distributed within the a

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21

Talib, Lilinieta, Nur Fatin Umar, and Zolina Mohamad. "Batik Inspiration From Shibori Tie-dye Technique." Idealogy Journal 9, no. 2 (2024). https://doi.org/10.24191/idealogy.v9i2.579.

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This article presents the study of the tie and dye subject in the Fashion Design Program, College of Creative Arts and Design, UiTM Perak, Malaysia, which focuses on how the program's first-year diploma students are experimenting with exploring colours by using related tie-dye Shibori techniques with batik inspiration on fabric which can be incorporated and utilised in many ways for fashion design work. This article addressed the background of tie-dye Shibori techniques within the realm of batik inspirations, expanding the traditional understanding of the ancient Japanese art of tie-dyeing. Th

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22

Wardhani, Ariani Kusumo, Hanisa Hasan, and Renita Azzhara. "Analysis of Symbols in Campaign Women Illustration of “The Beauty from Sabang to Merauke." Eduvest - Journal of Universal Studies 2, no. 5 (2022). http://dx.doi.org/10.59188/eduvest.v2i5.432.

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The beauty of women who are very diverse is not limited to physical beauty, but there are many points of view that can be seen; therefore, women are the main target audience in the campaign. The trend of women's beauty is generally much influenced by the socio-cultural background of a society. As in the work of designer Nadya Noor who collaborated with Base, a beauty product company, by creating an illustration applied for campaign on clothing about beauty standardization, this work was inspired by the unique shapes of the big islands in Indonesia, as well as the diversity of women in Indonesi

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23

Wang, Rachel. "Race and Orientalism in the History of Asian Barbies." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3061.

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In 1981, Mattel introduced America’s first Asian Barbie as “Oriental Barbie”, described as “dainty and elegant … [in a] long, slender yellow dress”, with hair “pulled back to display her lovely face” (“Oriental Barbie”). Oriental Barbie is purportedly from Hong Kong, yet she is simultaneously marketed to represent the entire Orient in a homogenising, stigmatising manner that exemplifies Robert Park’s concept of the “racial uniform”. The back of Oriental Barbie’s box provides vague, generalising descriptions of “the Orient” that imply the purported superiority of the Occident: “in this part of

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