Academic literature on the topic 'Malaysian wit and humor (English)'

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Journal articles on the topic "Malaysian wit and humor (English)"

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Wisasongko, Wisasongko, Aji Pangestu, and Agung Tri Wahyuningsih. "A Pragmatic Study on Verbal Humor Used in Mrnigelng Youtube Video." Scholars International Journal of Linguistics and Literature 6, no. 1 (2023): 28–35. http://dx.doi.org/10.36348/sijll.2023.v06i01.003.

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Humor is one of the main sources of entertainment in the media, such as YouTube. Mrnigelng is a comedian who uses Uncle Roger’s persona to give criticism to western cooks that try to make Asian dishes humorously in YouTube. This study aims to examine the verbal humor found in Mrnigelng video entitled “Uncle Roger DISGUSTED by this Egg Fried Rice Video (BBC Food)”. By employing Shades verbal humor classifications and Attardo General Theory of Verbal Humor, this study analyzes the types of verbal humor used in the object and how they are generated. The result of this study shows that there are e
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Hempelmann, Christian F. "True German and phony English laughter: Schmidt-Hidding was still Schmidt." European Journal of Humour Research 5, no. 4 (2017): 179. http://dx.doi.org/10.7592/ejhr2017.5.4.hempelmann.

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Schmidt-Hidding’s (b. 1903, d. 1967) lexical field study on the area of Humor und Witz [humor and wit/jokes] (1963b) receives attention in humor research to this day, especially in German-speaking countries. His diamond-shaped illustration of the two dimensions of the field of humor, not least in its aim to distinguish “earthy” German from “courteous” English humor, has become well-known. In view of this continued interest in the final write-up of Schmidt-Hidding’s work on humor (1963a, 1963b), in which he consistently ignores his earlier related publications under the name of Schmidt, this pa
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Baladouni, Vahé. "CHARLES LAMB: A MAN OF LETTERS AND A CLERK IN THE ACCOUNTANT'S DEPARTMENT OF THE EAST INDIA COMPANY." Accounting Historians Journal 17, no. 2 (1990): 21–36. http://dx.doi.org/10.2308/0148-4184.17.2.21.

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Charles Lamb (1775–1834), English author, who became famous for his informal, personal essays and literary criticism, is presented here in his vocational role as accounting clerk. Lamb's long years of experience in and out of London's counting-houses permitted him to capture the early nineteenth-century business and accounting life in some of his renowned essays and letters to friends. His unique wit, humor, and warm humanity bring to life one of the most interesting periods in accounting history.
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Pandey, Kamya, and Ruchi Jaggi. "Advertising Narratives of Society and Politics: A Semiotic Analysis of Amul’s Print Ads." Revista Gestão Inovação e Tecnologias 11, no. 4 (2021): 5112–31. http://dx.doi.org/10.47059/revistageintec.v11i4.2552.

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Contextual knowledge is the most important aspect of language comprehension. We define contextual knowledge as both general knowledge and discourse knowledge, i.e., knowledge of the situational context, background knowledge, and co-textual context. In this paper, we will discuss the significance of contextual knowledge in comprehending the humor found in Amul's cartoon advertisements in India. Throughout the process, we will analyze these advertisements and determine whether humor is an effective tool for advertising and, as a result, marketing. These bilingual advertisements also assume that
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AlAfnan, Mohammad Awad, Siti Fatimah MohdZuki, and Shefa Mohammad AlAfnan. "Blending Identities: Exploring the Linguistic, Cultural, and Pragmatic Dimensions of Manglish in the Malaysian Society." Studies in Media and Communication 13, no. 3 (2025): 15. https://doi.org/10.11114/smc.v13i3.7654.

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Manglish, a hybrid linguistic form combining Malay and English, reflects Malaysia’s multicultural identity and dynamic linguistic landscape. The article investigates the structural, cultural, and pragmatic dimensions of Manglish by analyzing dialogues from popular Malaysian television series, including Kopitiam, Oh My English! Sepahtu Reunion Live, and KL Gangster. The article examines key features of Manglish, such as its lexical creativity, syntactic flexibility, and cultural references, to highlight its role as a practical communication tool and a marker of national identity. Findings revea
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Lahiri, Kajal. "ET INTERVIEW: PROFESSOR G.S. MADDALA." Econometric Theory 15, no. 5 (1999): 753–76. http://dx.doi.org/10.1017/s0266466699155063.

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Over the last three decades, G.S. Maddala (universally known as “G.S.”) has been a familiar name to all doing econometric work. His substantial contributions to the discipline through numerous books and articles single him out as one of the most distinguished econometricians of our time. Because of his extraordinary ability to synthesize and exposit complex methodological results in simple intuitive terms, he has influenced econometric research in other areas of social science also. According to the Social Science Citation Index, G.S. has been one of the top five most cited econometricians dur
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Ejaz, Muhammad Ansar, and Dr Ayesha Asghar Gill. "Wit and Whimsy: A Stylistic Exploration of Social Dynamics in Jane Austen's Pride and Prejudice." ACADEMIA International Journal for Social Sciences 4, no. 1 (2025): 233–43. https://doi.org/10.63056/acad.004.01.0064.

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This study examines the distinctive writing style of Jane Austen in Pride and Prejudice, using Leech and Short (1981) theoretical framework, highlighting its enduring relevance and critical acclaim. Through a comprehensive analysis, the research identifies key elements of Austen's prose, including her use of irony, satire, and social commentary, which serve to critique the societal norms of the Regency era. The novel's dialogue-driven structure is emphasized as a vital component for character development and the portrayal of interpersonal dynamics, inviting readers into the complexities of soc
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Öktem, Öz. "Sir John Falstaff: Shakespeare’s Multidimensional Antihero." International Journal of Arts, Humanities & Social Science 05, no. 12 (2024): 7–14. https://doi.org/10.56734/ijahss.v5n12a2.

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In this paper I explore the multidimensional character of Sir John Falstaff, one of Shakespeare’s most iconic figures, who appears in Henry IV, Part 1, Henry IV, Part 2, and The Merry Wives of Windsor. Falstaff, a blend of comical antihero and tragic figure, challenges traditional ideals of heroism, honor, and masculinity through his wit, cowardice, and self-indulgence. His lighthearted but intricate friendship with Prince Hal reveals significant contrasts in their values, emphasizing Falstaff’s role as both mentor and foil in Hal’s journey from a reckless youth to a responsible king. Falstaff
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Bezrodnykh, Iryna, and Olena Konopelkina. "THE NATURALNESS OF SEXUALITY AS THE TECHNIQUE OF SEDUCTION IN THOMAS CAREW’S POETIC NARRATION." English and American Studies, no. 20 (June 23, 2023): 134–44. http://dx.doi.org/10.15421/382317.

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The article under consideration focuses on the study of the poetic heritage by one of the prominent representatives of the English literary tradition of the XVIIth century, a leading Cavalier-poet Thomas Carew with special emphasis on the stylistic peculiarity of his erotic discourse. Being restricted by the social norms and behavioral patterns of the court poet still found his own manner of seduction which won him a reputation of the wit of his time and a real libertine. In order to make a sexual appeal less overt the narrator using his erudition and sense of humor tries to demonstrate the na
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Tyshakova, Liudmyla, and Nailia Khairulina. "Comparative analysis of English and American humor in literary discourse." Lingua libera, no. 2 (October 20, 2024). http://dx.doi.org/10.36074/lingua.issue2.003.

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The article studies humor as a type of comic in the literary discourse. The composition of the traditional comic variety paradigm is determined, including humor, irony, satire, and sarcasm. The leading techniques and linguistic/speech means of representing and enhancing the comic effect in the literary discourse are described. The essentials of their complex description are considered. The concept of humor is analyzed as a linguistic and sociocultural phenomenon in the literary discourse. Attention is focused on investigating the peculiarities of British and American humor. The authors trace t
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Dissertations / Theses on the topic "Malaysian wit and humor (English)"

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Valencia, Cabrera Marlon. "Learning about humor teaching second language humor in ESL /." Online access for everyone, 2008. http://www.dissertations.wsu.edu/Thesis/Spring2008/m_valencia_042808.pdf.

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Hornback, Robert Borrone. "After carnival : normative comedy and the everyday in Shakespeare's England /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Argent, William T. "Humor Recognition: A Comparative Analysis." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/4955.

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There are various approaches to the explanation of humor in the field of humor research. Some of these theories, while providing interesting insight into the phenomenon known as humor, remain limited in their ability to account for how humor is recognized. Others do not even address the issue. This thesis compares five different theories in humor research by analyzing the humorous short story "My Watch" by Mark Twain. These theories are: 1. a typological approach to humor, 2. a social- functional model, 3. incongruity theory, 4. Grice's Cooperative Principle taken from linguistic pragmatics, a
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Sio, In San. "Translating Chinese humor in movie subtitles : a case study." Thesis, University of Macau, 2010. http://umaclib3.umac.mo/record=b2525504.

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Odumosu, Temi-Tope. "Roaming beggars, errant servants and sable mistresses : some African characters from English satirical prints (1769-1819)." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610347.

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Leung, Shan Mui Stella. "The use of praise and humour in ESL classrooms by native speaking teachers (NS) and non-native speaking Chinese teachers of English (NNS) : a cross-cultural comparative study in the Hong Kong context." HKBU Institutional Repository, 2002. http://repository.hkbu.edu.hk/etd_ra/380.

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Bond, Nathaniel Peter. "Lessons in Immorality: Mishima's Masterpiece of Humor and Social Satire." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/988.

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From 1958 to 1959, Mishima Yukio published a series of satirical essays titled Lessons in Immorality, in the magazine Weekly Morningstar. Lessons in Immorality was made into a television series, a stage play, and a film. Famous in the West for writing serious novels, Mishima's work as a humor writer is largely unknown. In these essays Mishima writes in a very comic style, making liberal use of hyperbole, burlesque, and travesty, in order to parody and satirize contemporary Japanese morality. Mishima uses humor to create a world in which Mishima Yukio, iconoclastic author and pop-culture figure
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Balisch, Loretta Faith. "Scrub growth, Canadian humour to 1912, an exploration." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1994. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ36198.pdf.

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Carruthers, John R. "The effects of a course in American jokes on a class of intermediate level ESL students." PDXScholar, 1987. https://pdxscholar.library.pdx.edu/open_access_etds/3657.

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Teachers of English to speakers of other languages have often incorporated humor in the curriculum, yet a recent computer search revealed that there were no empirical studies which have shown that curricular humor enhances English language learning. The three specific questions of the thesis are: does the use of curricular humor 1) improve memory/recall, 2) improve over-all English proficiency, and 3) result in the subjects' having more positive attitudes towards Americans, and if so, does a more positive attitude correlate with improved memory/proficiency?
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Sobiech, Michael James. "A Mock Rhetoric: The Use of Satire in First-Year Composition." TopSCHOLAR®, 2008. http://digitalcommons.wku.edu/theses/45.

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Books on the topic "Malaysian wit and humor (English)"

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Shanmughalingam, M. Marriage and mutton curry: Stories. Epigram Books, 2018.

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Lat. It's a Lat, Lat, Lat, Lat world. Berita Publishing, 1985.

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Lat. Lots of Lat. 8th ed. Berita Pub., 1990.

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Des, MacHale, ed. Wit. Mercier Press, 1997.

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MacHale, Des. Ready wit. Mercier Press, 2004.

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Wud. Parrey: Komik bahasa Melayu Sarawak pertama di dunia. Penerbit Art of Wud Sdn Bhd, 2019.

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Publishing, Berita, ed. Orang kaya Malaysia: 138 penggerak dunia korporat. Berita Pub., 2004.

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Des, MacHale, ed. Irish wit. Mercier Press, 2002.

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Des, MacHale, ed. Yet more wit. Mercier Press, 1998.

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Lat. Lat with a punch. Berita Pub., 1988.

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Book chapters on the topic "Malaysian wit and humor (English)"

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Sorensen, Janet. "The Gendered Slang of Century’s End." In Strange Vernaculars. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691169026.003.0005.

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This chapter considers the use of cant in burlesque writing. In the burlesques of Gay and Henry Fielding, the comic strangeness of cant, and of language itself, is made more so, its “unnaturalness” and “ludicrousness” emphasized often in the interest of cutting satire. Cant lexicographers of the later part of the century, however, celebrated cant's amusing figurative uses of language, especially its humor. They took the humor of the burlesque uses of cant and low languages but left the grim vision behind. While readers might be strangers to the world of canters, later collections of cant language often introduced it to elicit laughter—a laughter that depended on and reminded readers of their own wit and their playful intimacy with a shared and expanding English.
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Jones, Peter J. A. "Introduction." In Laughter and Power in the Twelfth Century. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198843542.003.0007.

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The Introduction discusses how, towards the end of the twelfth century, enigmatically powerful images of laughing kings and saints began to appear in texts circulating at the English royal court. At the same time, contemporaries began to celebrate the humor, wit, and laughter of King Henry II (r.1154–89), and his martyred archbishop of Canterbury, Saint Thomas Becket (d.1170). This introductory chapter briefly explores the potential intellectual, literary, social, religious, and political roots for these images, outlining the framework of the book as a whole. Along with a critical overview of existing scholarship on medieval humor, the politics and government of Henry II, and the sainthood of Thomas Becket, the chapter indicates for the reader how a study of the relationship between laughter and power may have implications for how we understand the political and religious reforms of the twelfth century more generally.
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