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Journal articles on the topic 'Male friendship – drama'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Besio, Kimberly. "A Friendship of Metal and Stone: Representations of Fan Juqing and Zhang Yuanbo in the Ming Dynasty." NAN NÜ 9, no. 1 (2007): 111–45. http://dx.doi.org/10.1163/138768007x171731.

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AbstractThis essay examines representation of male friendship in Ming vernacular literature through an analysis of works that retell the story of two late Han friends, Fan Juqing and Zhang Yuanbo. Throughout the Ming, versions of the tale were produced in a variety of literary genres including a zaju play and a vernacular short story. Both the drama and the short story are extant in multiple editions, providing us insights into how they were interpreted by various literati editors. The durability of the friendship between Fan and Zhang—an essential aspect in all depictions of their story—is vi

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Lee, Seung Hee. "Popularization Strategy and Acceptance Characteristics of OTT BL (Boys’ Love) Content: Focus on WATCHA Original’s “Semantic Error”." Liberal Arts Innovation Center 12 (July 31, 2023): 43–75. http://dx.doi.org/10.54698/kl.2023.12.43.

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Focusing on the recent trend of producing and distributing a large number of BL (Boys' Love) contents on OTT(over-the-top) platforms, this study examined the background and popularization success strategy through a text and acceptance characteristics analysis of WATCHA Original’s series “Semantic Error”. “Semantic Error” is evaluated as a work that has been a catalyst for bringing BL to the public level, which was previously enjoyed by a small number of female fans with male homosexual tastes on specific platforms. A meticulous popularization strategy was hidden behind the spectacular report c

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Fauzi, Ahmad, and Siti Nur Khabibah Romantika. "Analisis Persahabatan Dalam Drama All Of Us Are Dead." Medio Jurnal Ilmu Komunikasi 1, no. 1 (2023): 1–22. https://doi.org/10.56013/mji.v1i1.1775.

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Netflix released a drama series entitled "All of Us Are Dead" which tells the story of a group of teenagers who are trying to save themselves from being chased by zombies that occur at their school. At first their friendship was established because of circumstances, but because they were often together made them closer and believed in each other, so they were willing to sacrifice themselves so that their friends could survive the zombies. The focus of the problem in this study is how the meaning of friendship in the drama all of us are dead with the aim of research to determine the meaning of

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Medina, Carmen L. "Drama Wor(l)ds: Explorations of Latina/o Realistic Fiction." Language Arts 81, no. 4 (2004): 272–82. http://dx.doi.org/10.58680/la20042905.

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This article looks at fifth gradersâ€™ interpretations of Friends from the other side/Amigos del tro lado by Chicana/Mexican American feminist writer Gloria AnzaldÃºa (1993). Drama-in-Education strategies were the pedagogical tools used to facilitate the studentsâ€™ engagement in dialogues that moved them from understanding aspects of the life and social reality of Mexican undocumented immigrants on the US/Mexico border to questioning issues of citizenship and justice. Three (3) overarching themes were identified that extended through the dialogues and the drama: First, Making sense of the iss

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Sun, Qi. "An Interpretation of Multiple Values in Shakespeare's The Merchant of Venice." Journal of Higher Education Research 3, no. 1 (2022): 76. http://dx.doi.org/10.32629/jher.v3i1.643.

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The Merchant of Venice is a satirical play by William Shakespeare, written during the Renaissance. The rise of humanism in this period gave rise to equality, freedom, tolerance and self-worth. However, the traditional thinking in the Medieval Ages and the reality of social development had fettered humanism and made the social values full of contradictions and conflicts. The Merchant of Venice is a true reflection of the society at that time under such historical background. The story involves rich and diversified social values. This paper tries to interpret the diversified values in The Mercha

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Garnika, Dikdik. "Relationship Between Peer Attachment with Korean Wave Cultural Conformity in Early Youth." JOMSIGN: Journal of Multicultural Studies in Guidance and Counseling 3, no. 2 (2019): 151–64. http://dx.doi.org/10.17509/jomsign.v3i2.20964.

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The Korean wave cultural conformity that occurred in early adolescents was triggered because of a close relationship in friendship which made him adjust his behaviour with his peer group. This study aims to describe empirically the relationship of peer attachment with Korean wave culture conformity of students. The research uses a quantitative approach with correlational methods. The samples used were saturation samples, namely all students of class 7th grade SMP Negeri 44 Bandung Academic Year 2018/2019 who enjoyed Korean wave culture in the form of Korean pop and Korean drama totalling 88 pe

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Mosusova, Nadezda. "Prince of zeta by Petar Konjovic: Opera in five/four acts on the 125th anniversary of the composer's birth." Muzikologija, no. 8 (2008): 151–63. http://dx.doi.org/10.2298/muz0808151m.

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Petar Konjovic (Curug, May 5, 1883 - Belgrade, October 1, 1970) stands out among Serbian composers as an author of instrumental and vocal compositions. Studies at the Prague Conservatory (1904-1906) acquainted Konjovic with Czech music, Wagner's opus, and the Russian national-romantic school, which contributed to the evolution of his talent for both music and stage, enabling him to express his ideas more explicitly in operatic works. It was in the Prague that the second opera - Prince of Zeta - was conceived, with new musical vividness and dramatic appeal (first version composed 1906-1926, the

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Rinaldi, Keyza Baby, and Sisca Aulia. "Analisis Semiotika Representasi Penyintas Pelecehan Seksual Film Like & Share." Koneksi 8, no. 1 (2024): 142–50. http://dx.doi.org/10.24912/kn.v8i1.27603.

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The film "Like & Share" is a teenage drama film from Indonesia. The movie narrates the experiences of two friends named Lisa, portrayed by Aurora Ribero, and Sarah, portrayed by Arawinda, as they navigate through their lives and explore their sexuality together. However, the two of them experienced many obstacles in their friendship and also in their traumatic romance. Sarah, who is in a relationship with Devan, experiences sexual thoughts carried out by her boyfriend. In this study, qualitative methods are employed, utilizing John Fiske's semiotic analysis techniques to investigate, scrut

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PAGONE, NOVIA. "Exporting Spanishness: The Role of Netflix in Shaping How the World Imagines Spain." Bulletin of Contemporary Hispanic Studies 2, no. 2 (2020): 143–59. http://dx.doi.org/10.3828/bchs.2020.9.

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The worldwide leader in streaming television, Netflix exercises significant influence over what viewers watch through algorithms and the shaping of communities based on a set of culturally determined preferences, or ‘taste communities’. Furthermore, its reputation for producing noteworthy and boundary-pushing original television content creates the expectation that Netflix will follow a similar path in Spain, where viewers represent diverse backgrounds. This essay argues that as a company based in the US creating original shows for broadcast to a global audience, Netflix sidesteps many of the

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Cho, Hyowon. "Vergangene Vergängnis: Für eine Philologie des Stattdessen." arcadia 52, no. 1 (2017): 74–94. http://dx.doi.org/10.1515/arcadia-2017-0005.

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AbstractBetween Erich Auerbach and Walter Benjamin, there existed a remarkable friendship, which on the one hand manifested itself as an unobtrusive disputation, and yet which on the other hand could be considered an unintended collaboration toward an old-new ideal of philology. Auerbach claims that with the Divine Comedy of Dante Alighieri, Western European literature reached the climax of the figuralism that Auerbach, if belatedly, wants to bring to the fore. Benjamin, in contrast, finds energy for the revolution in the surrealistic love that traces back not to Dante, but to the Provençal po

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Zaimar, Yulia Sofiani, and Sugianti Somba. "HASE YUUKI'S PERSONALITY MYTH IN ANIME FILM ISSHUUKAN TOMODACHI BY SHOUSUKE MURAKAMI." Journal of English Language Teaching and Literature (JELTL) 5, no. 1 (2022): 19–31. http://dx.doi.org/10.47080/jeltl.v5i1.1860.

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ABSTRACT In this research, the researcher will examine Japanese animated films, Isshuukan Tomodachi. Isshuukan Tomodachi is a film that aired on February 18, 2017. The film was directed by Shousuke Murakami. Actualy, this anime film,taken for manga. The researcher is intrested in this film, because he sees many keys, how tobe a good friend. This research will be exposing the pischological of the main charater, Hase through signs. Those signs would find out the hidden meaning behind the text (myth). The researcher choses Isshuukan Tomodachi to be reseached, because it has excellent story

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Wardęcka-Gościńska, Alicja. "THE FRIENDSHIP OF WITOLD FRIEMANN AND ADAM MITSCHA WITH KAZIMIERZ BROCZYK RECORDED IN CORRESPONDENCE." Notes Muzyczny 1, no. 19 (2023): 151–204. http://dx.doi.org/10.5604/01.3001.0053.6744.

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In their youth in Lviv, Kazimierz Broczyk, a writer, and two musicians, Witold Friemann and Adam Mitscha, made an acquaintance that in time turned into a devoted lifelong friendship. Even though their fates were separated because of the WW II hardships, and they found themselves in different cities, this is how we have their correspondence kept up among them and uncovering a wide variety of different topics. Its main body is the existentialism related to their lives and moral choices. The letters exchanged by Broczyk and Friemann date back to the period of 1954 and 1967, whereas the letters of

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Kumar, Dr Yogendra. "Muhurta science in view of Valmiki Ramayana (वाल्मीकि रामायण की दृष्टि में मुहूर्त विज्ञान)". Yog-garima 1, № 1 (2023): 27–30. http://dx.doi.org/10.52984/yogarima1105.

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If we look into the Indian tradition, we get the description of many high quality books. In that Valmiki Ramayana composed by Maharishi Valmiki has an important place in human life. Regarding this epic, Dr. Neelam Singh has told in his research paper that Ramayana is a unique Sanskrit epic written by Adi poet Valmiki. This is the part of Hindu memory through which the saga of King Rama of Raghuvansh was told. It is also called the poetry of the beginning. There are seven chapters of Ramayana which are known as Kanda. The story of Lord Shri Ram versed by Maharishi Valmiki is known as Valmiki Ra

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Lerman, Zafra Margolin. "Education, Human Rights, and Peace – Contributions to the Progress of Humanity." Pure and Applied Chemistry 91, no. 2 (2019): 351–60. http://dx.doi.org/10.1515/pac-2018-0712.

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Abstract I started my chemistry adventure while in high school, where I was the only female in a science and mathematics-oriented class. During our Junior year of high school, we were sent to the desert, close to the Red Sea in Israel to build roads. In the summers, we were in a Kibbutz on the border to help with the work needed. After work, we had time to discuss our future. Upon graduating from high school, I was drafted into the army, and in the evenings, started my college education and majored in chemistry. After finishing my term in the army, I continued my undergraduate studies in chemi

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Wahyuningsih, Dian, and Slamet Suyanto. "Implementasi kearifan lokal melalui model bcct untuk pengembangan kemampuan sosial anak usia dini." Jurnal Pendidikan dan Pemberdayaan Masyarakat 2, no. 1 (2015): 10. http://dx.doi.org/10.21831/jppm.v2i1.4840.

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Penelitian ini bertujuan untuk mengetahui perkembangan sosial anak usia dini melalui implementasi kearifan lokal dalam kegiatan bermain model BCCT. Jenis penelitian ini adalah penelitian kualitatif dengan pendekatan fenomenologi. Subjek dalam penelitian adalah perkembangan sosial anak usia 5-6 tahun.Teknik pengumpulan data yang digunakan teknik wawancara dan obser-vasi model event recording. Teknis analisis data yang digunakan adalah analisis induktif model Creswell. Hasil penelitian menunjukkan bahwa nilai kearifan lokal meliputi: (1) rasa syukur, tidak sombong, tidak keras kepala, kebersamaa

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Bobowski, Sławomir. "Tematyka ukraińska w powojennym polskim filmie fabularnym do 1989 roku." Studia Filmoznawcze 37 (September 14, 2016): 151–78. http://dx.doi.org/10.19195/0860-116x.37.7.

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UKRAINIAN THEMES IN POLISH CINEMA UNTIL 1989In postwar Poland three films were created that alluded directly to the fights of the Polish Communistic Army against the Ukrainian Uprising Army and the Polish Home Army, which took place in Bieszczady at the end of the Second War and in the following several months. These were: Sergeant Major Kaleń Ewa and Czesław Petelscy, 1961, The Ruptured Bridge Jerzy Passendorfer, 1962, Woolves’ Echos Aleksander Ścibor-Rylski, 1968. They were all made to create the myth of Bieszczady, to achieve a propaganda effect. They also all have a form close to that of t

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Bobowski, Sławomir. "Українська тематика у повоєнному польському ігровому кіно до 1989 року". Studia Filmoznawcze 37 (14 вересня 2016): 179–206. http://dx.doi.org/10.19195/0860-116x.37.8.

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UKRAINIAN THEMES IN POLISH CINEMA UNTIL 1989In postwar Poland three films were created that alluded directly to the fights of the Polish Communistic Army against the Ukrainian Uprising Army and the Polish Home Army, which took place in Bieszczady at the end of the Second War and in the following several months. These were: Sergeant Major Kaleń Ewa and Czesław Petelscy, 1961, The Ruptured Bridge Jerzy Passendorfer, 1962, Woolves’ Echos Aleksander Ścibor-Rylski, 1968. They were all made to create the myth of Bieszczady, to achieve a propaganda effect. They also all have a form close to that of t

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Song, Tian. "Composer – Artist: The role of pianist Hsu Fei Ping in the creative activity of Huang An Lun." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (2018): 43–60. http://dx.doi.org/10.34064/khnum1-50.04.

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Background. The article is dedicated to the creative communication of two outstanding Chinese musicians – a pianist Hsu Fei Ping and a composer Huang An Lun. Complete mutual understanding facilitated their communication. Practically in all his programs, the pianist included the music of Western European and Chinese composers. Critics especially noted that Hsu Fei-Ping had the musical penetration, brilliance and poetry of interpretations. Among many Chinese pianists, he was recognized as the best interpreter of piano works by Huang An Lun. This musician has a special role in the work of Huan An

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Parker, Christopher, David Watson, Alan Armstrong, et al. "Reviews: The Logic of History: Putting Postmodernism in Perspective, on the Future of History: The Postmodernist Challenge and its Aftermath, Modernism and the Ideology of History: Literature, Politics, and the Past, Postmodernism in History: Fear or Freedom?, Quoting Shakespeare: Form and Culture in Early Modern Drama, Early Modern Civil Discourses, ‘A moving Rhetoricke’: Gender and Silence in Early Modern England, Society and Culture in Early Modern England, the English Radical Imagination: Culture, Religion and Revolution, 1630–1660, An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727, Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain, the French Revolution and the London Stage, 1789–1805, Nationalism, Imperialism and Identity in Late Victorian Culture, Modernism, Male Friendship and the First World War, Bloody Good: Chivalry, Sacrifice, and the Great War, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940McCullaghC. Behan, The Logic of History: Putting Postmodernism in Perspective , Routledge, 2004, pp. viii + 212, £18.99 pbBreisachE., On the Future of History: The Postmodernist Challenge and its Aftermath , University of Chicago Press, 2003, pp. vii + 236, $16.00 pb.WilliamsL. Blakeney, Modernism and the Ideology of History: Literature, Politics, and the Past , Cambridge University Press, 2002, pp. 265, £40.SouthgateBeverley, Postmodernism in History: Fear or Freedom? Routledge, 2003, pp. xi + 211, £55, £16.99 pb.BrusterDouglas, Quoting Shakespeare: Form and Culture in Early Modern Drama , University of Nebraska Press, 2001, pp. 288, £35.50.RichardsJennifer (ed.), Early Modern Civil Discourses , Palgrave Macmillan, 2003, pp. 206, $65.00.LuckyjChristina, ‘A moving Rhetoricke‘: Gender and Silence in Early Modern England , Manchester University Press, 2002, pp. viii + 198, £40.CressyDavid, Society and Culture in Early Modern England , Variorum Collected Studies Series, Ashgate, 2003, pp. xii + 344, £57.50.McDowellNicholas, The English Radical Imagination: Culture, Religion and Revolution, 1630–1660 , Clarendon Press, 2003, pp. x + 219, £45.BurnsWilliam E., An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727 , Manchester University Press, 2002, pp. 218, £45.BergMaxine and EgerElizabeth (eds), Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods , Palgrave Macmillan, 2003, pp. xii + 259, 41 plates, £55.SweetRosemary, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain , Hambledon & London, 2004, pp. xxi + 473, £25.TaylorGeorge, The French Revolution and the London Stage, 1789–1805 , Cambridge University Press, 2002, pp. x + 263, £45.AttridgeSteve, Nationalism, Imperialism and Identity in Late Victorian Culture , Palgrave Macmillan, 2003, pp. 229, £45.ColeSarah, Modernism, Male Friendship and the First World War , Cambridge University Press, 2003, pp. 297, £40FrantzenAllen J., Bloody Good: Chivalry, Sacrifice, and the Great War , University of Chicago Press, 2004, pp. 335, £24.50.BoydKelly, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940 , Palgrave Macmillan, 2003, pp. x + 273, £60." Literature & History 14, no. 1 (2005): 81–100. http://dx.doi.org/10.7227/lh.14.1.6.

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Baldassin, Linda. "Il teatro in posa nello studio dei fratelli Vianelli." Drammaturgia, April 5, 2022, 123–42. http://dx.doi.org/10.36253/dramma-13543.

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Although the name of the Fratelli Vianelli establishment is little known to most, their portraits accompany numerous essays on nineteenth-century theatre. Having lost the archive that documented forty years of activity, the investigation was carried out in the archives dedicated to the conservation of materials related to the theatre, where about one hundred and ninety photographs of actors, playwrights, singers, composers or musicians were found. In the course of the research, important links emerged between the Fratelli Vianelli and the publishing world, in particular with the publisher Rico

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HARBELİOĞLU, Merve, and Özge ZEYBEKOĞLU AKBAŞ. "Semiological Analysis: Example of Soap - opera named “Acımak”." Medya ve Kültürel Çalışmalar Dergisi, September 29, 2022. http://dx.doi.org/10.55055/mekcad.1179545.

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Reşat Nuri Güntekin is a Turkish novelist, story writer and dramatist who has a significant role in literature of Republican Era and he wrote many well-known works such as; Scrub bird (1922), Secret Hand (1922), The Mark (1924), From Mouth to Heart (1925), Green Night (1928), Fall of the Leaf (1930), Azure (1935), Old Illness (1938), Firey Night (1942) and Head in the Clouds (1961). Reşat Nuri Güntekin deals with individual and social subjects such as; family, love, child, loneliness, friendship, sacrifice and ethics and he try to depict the new contrary to the traditional and spread the ideol

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Rutherford, Amanda, and Sarah Baker. "Upgrading The L Word: Generation Q." M/C Journal 23, no. 6 (2020). http://dx.doi.org/10.5204/mcj.2727.

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The L Word: Generation Q is the reboot of The L Word, a long running series about a group of lesbians and bisexuals in Los Angeles in the early 2000s. Both programmes are unique in their positioning of lesbian characters and have been well received by audiences and critics alike. These programmes present a range of characters and narratives, previously excluded from mainstream film and television, bringing a refreshing change from the destructive images typically presented before. We argue that the reboot Generation Q now offers more meaningful representation of the broader lesbian and transge

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Starrs, D. Bruno. "Enabling the Auteurial Voice in Dance Me to My Song." M/C Journal 11, no. 3 (2008). http://dx.doi.org/10.5204/mcj.49.

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Despite numerous critics describing him as an auteur (i.e. a film-maker who ‘does’ everything and fulfils every production role [Bordwell and Thompson 37] and/or with a signature “world-view” detectable in his/her work [Caughie 10]), Rolf de Heer appears to have declined primary authorship of Dance Me to My Song (1997), his seventh in an oeuvre of twelve feature films. Indeed, the opening credits do not mention his name at all: it is only with the closing credits that the audience learns de Heer has directed the film. Rather, as the film commences, the viewer is informed by the titles that it

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Y.Lin, Angel M. "Modernity and the Self." M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1983.

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'Self-awareness' and the development of the autonomous subject (derived from Enlightenment and the Anglo-European philosophical traditions) has often been implicated in discussions of modernity. In East Asian societies where the Confucianist social order is seen as a deep-rooted social and cultural force, discussions of modernity and modernisation have often revolved around the tension between the spread of individualism and liberalism that come with modernisation and contact with the West. The preservation of traditional sociocultural values and familial and social structures that stress mutu

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Kuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1155.

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The curtain rose. The howling of desert wind filled the performance hall in the Shanghai Grand Theatre. Into the center stage, where a scenic construction of a mountain cliff and a desert landscape was dimly lit, entered the character of the Daoist priest Wang Yuanlu (1849–1931), performed by Chen Yizong. Dressed in a worn and dusty outfit of dark blue cotton, characteristic of Daoist priests, Wang began to sweep the floor. After a few moments, he discovered a hidden chambre sealed inside one of the rock sanctuaries carved into the cliff.Signaled by the quick, crystalline, stirring wave of sou

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Woodward, Kath. "Tuning In: Diasporas at the BBC World Service." M/C Journal 14, no. 2 (2010). http://dx.doi.org/10.5204/mcj.320.

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Diaspora This article looks at diaspora through the transformations of an established public service broadcaster, the BBC World Service, by considering some of the findings of the AHRC-funded Tuning In: Contact Zones at the BBC World Service, which is part of the Diasporas, Migration and Identities program. Tuning In has six themes, each of which focuses upon the role of the BBC WS: The Politics of Translation, Diasporic Nationhood, Religious Transnationalism, Sport across Diasporas, Migrating Music and Drama for Development. The World Service, which was until 2011 funded by the Foreign Office

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Rocavert, Carla. "Aspiring to the Creative Class: Reality Television and the Role of the Mentor." M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1086.

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Introduction Mentors play a role in real life, just as they do in fiction. They also feature in reality television, which sits somewhere between the two. In fiction, mentors contribute to the narrative arc by providing guidance and assistance (Vogler 12) to a mentee in his or her life or professional pursuits. These exchanges are usually characterized by reciprocity, the need for mutual recognition (Gadamer 353) and involve some kind of moral question. They dramatise the possibilities of mentoring in reality, to provide us with a greater understanding of the world, and our human interaction wi

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McNicol, Emma Jane Brosnan. "Gendered Violence as Revelation in John le Carré’s The Night Manager." M/C Journal 23, no. 4 (2020). http://dx.doi.org/10.5204/mcj.1665.

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Susanne Bier and David Farr’s 2016 television adaptation of John le Carré’s novel The Night Manager (“Manager”) indexes the resilience of traditional Christian misogyny in contemporary British-American media. In the first episode of the series, Sophie (Aure Atika)’s partner Freddie Hamid (David Avery) brutally beats her. In the subsequent scene, despite her scars, Sophie has a sex scene with the eponymous night manager Pine (Tom Hiddlestone). Sophie’s eye socket and the left side of her face bear fresh bruises and wounds throughout the sex scene. And in the sixth and final episode, Pine and Je

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Caldwell, Tracy M. "Identity Making from Soap to Nuts." M/C Journal 6, no. 1 (2003). http://dx.doi.org/10.5204/mcj.2149.

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The release of the film Fight Club (Dir. David Fincher, 1999) was met with an outpouring of contradictory reviews. From David Ansen’s [Newsweek] claim that “Fight Club is the most incendiary movie to come out of Hollywood in a long time” (Fight Club DVD insert) to LA Times’s Kenneth Turan who proclaimed Fight Club to be “…a witless mishmash of whiny, infantile philosophising and bone-crushing violence that actually thinks it’s saying something of significance” (Fight Club DVD insert), everyone, it seemed, needed to weigh in with their views. Whether you think the film is a piece of witless and

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Brien, Donna Lee, and Helen Yeates. "“What’s Love Got To Do With It?”." M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.1995.

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“Smack habit, love habit – what's the difference? They both can kill you.” (Helen Garner, Monkey Grip, 1976) From tennis scores to computer viruses, love is all around us, but do we live in an age where “Love is all you need”? In the post-AIDS, post-September 11, post-Bali globalised multimedia present, is love an outmoded concept or more important than ever before? Why is it hard to even say the word without imagining a sea of Barbie pink and the cringe-making verses from greeting cards? Love, its trials and the search for it, imbues media culture. Love knows no age-bounds, as the film Innoce

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Geoghegan, Hilary. "“If you can walk down the street and recognise the difference between cast iron and wrought iron, the world is altogether a better place”: Being Enthusiastic about Industrial Archaeology." M/C Journal 12, no. 2 (2009). http://dx.doi.org/10.5204/mcj.140.

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Introduction: Technology EnthusiasmEnthusiasts are people who have a passion, keenness, dedication or zeal for a particular activity or hobby. Today, there are enthusiasts for almost everything, from genealogy, costume dramas, and country houses, to metal detectors, coin collecting, and archaeology. But to be described as an enthusiast is not necessarily a compliment. Historically, the term “enthusiasm” was first used in England in the early seventeenth century to describe “religious or prophetic frenzy among the ancient Greeks” (Hanks, n.p.). This frenzy was ascribed to being possessed by spi

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Gordon, Robert M. "The Medea Complex and the parental alienation syndrome." June 16, 1998. https://doi.org/10.5281/zenodo.7647006.

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Although Parental Alienation Syndrome is induced by mothers, fathers, grandparents and same sex parents, it is far more common with mothers. We are more likely to abuse the people who are most available and under our power. Men tend to abuse women, and mothers are more likely to abuse their children. In my child custody evaluation work, I have seen many mothers aggress against their children's fathers by turning their children against him. In the process, they do great harm to their children. When I work with patients who were turned against a parent, they often have a great deal of the re

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Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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   From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha

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Currie, Susan, and Donna Lee Brien. "Mythbusting Publishing: Questioning the ‘Runaway Popularity’ of Published Biography and Other Life Writing." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.43.

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Introduction: Our current obsession with the lives of others “Biography—that is to say, our creative and non-fictional output devoted to recording and interpreting real lives—has enjoyed an extraordinary renaissance in recent years,” writes Nigel Hamilton in Biography: A Brief History (1). Ian Donaldson agrees that biography is back in fashion: “Once neglected within the academy and relegated to the dustier recesses of public bookstores, biography has made a notable return over recent years, emerging, somewhat surprisingly, as a new cultural phenomenon, and a new academic adventure” (23). For

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Brown, Adam, and Leonie Rutherford. "Postcolonial Play: Constructions of Multicultural Identities in ABC Children's Projects." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.353.

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In 1988, historian Nadia Wheatley and indigenous artist Donna Rawlins published their award-winning picture book, My Place, a reinterpretation of Australian national identity and sovereignty prompted by the bicentennial of white settlement. Twenty years later, the Australian Broadcasting Corporation (ABC) commissioned Penny Chapman’s multi-platform project based on this book. The 13 episodes of the television series begin in 2008, each telling the story of a child at a different point in history, and are accompanied by substantial interactive online content. Issues as diverse as religious diff

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Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei

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Kabir, Nahid. "Why I Call Australia ‘Home’?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2700.

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   Introduction I am a transmigrant who has moved back and forth between the West and the Rest. I was born and raised in a Muslim family in a predominantly Muslim country, Bangladesh, but I spent several years of my childhood in Pakistan. After my marriage, I lived in the United States for a year and a half, the Middle East for 5 years, Australia for three years, back to the Middle East for another 5 years, then, finally, in Australia for the last 12 years. I speak Bengali (my mother tongue), Urdu (which I learnt in Pakistan), a bit of Arabic (learnt in the Middle East); but

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Van der Nagel, Emily. "Alts and Automediality: Compartmentalising the Self through Multiple Social Media Profiles." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1379.

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IntroductionAlt, or alternative, accounts are secondary profiles people use in addition to a main account on a social media platform. They are a kind of automediation, a way of representing the self, that deliberately displays a different identity facet, and addresses a different audience, to what someone considers to be their main account. The term “alt” seems to have originated from videogame culture and been incorporated into understandings of social media accounts. A wiki page about alternate accounts on virtual world Second Life calls an alt “an account used by a resident for something ot

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