Relevant bibliographies by topics / Male nude in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Male nude in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Male nude in art"

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Hsu, Chi-Wei. "Alice Neels Female Nudes: Society, Feminism and Art." Communications in Humanities Research 3, no. 1 (2023): 648–62. http://dx.doi.org/10.54254/2753-7064/3/20220547.

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Alice Neel is one of the most prolific contemporary American artists, a realist in an age of abstraction. Her tenacity in portraying the people, the world and the issues that come with them led her portraits to carry not just a likeness to the subject, but also the subjects social, political, economic baggage. With that, Neels candor in portraying her subjects also allowed for representation of women of all circumstances, something historically lacking. Specifically, in her ground-breaking nude portraits of women, she breaks down previous conception of female nudes by incorporating the status
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Waldrep, Shelton. "The Body of Art." Corpus Mundi 1, no. 2 (2020): 62–87. http://dx.doi.org/10.46539/cmj.v1i2.21.

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As part of a larger study on the mainstreaming of pornography in contemporary film and television, this essay attempts to examine and extend our vocabulary for discussing visual representations of the human body by revisiting Kenneth Clark’s important study The Nude from 1972. Clark’s book provides a history of the male and female nude in two- and three-dimensional art from Ancient Egypt and Greece to the Renaissance and beyond. This essay focuses on places within his analysis that are especially generative for understanding pornography such as the importance of placing the nude form within a
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Cody, Steven J. "Aimé Mpane’s Nude: A Body that Questions." Zeitschrift für Kunstgeschichte 86, no. 4 (2023): 533–48. http://dx.doi.org/10.1515/zkg-2023-4005.

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Abstract Aimé Mpane is an especially versatile Congolese artist based in Brussels and Kinshasa. This paper examines his Nude (2006–2008), a life-sized sculpture of the idealized male form. Thinking carefully about Mpane’s treatment of the body, his selection of material, and his manipulation of the sculpture’s surface, I argue that Nude operates on an ethical level. The work engages with social conceptions of Black bodies, the history of nudity in western art, and—most interestingly—Frantz Fanon’s theory of embodiment, as presented in Black Skin, White Masks (1952). Nude thus allows us to expl
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Dimitrakaki, Angela. "(Post)modernism and Feminist Art History The Reception of the Male Nude in Twentieth‐century Greek Painting." Third Text 17, no. 3 (2003): 241–59. http://dx.doi.org/10.1080/0952882032000136876.

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Chittenden, Tara. "Sexing up the secondary art curriculum: a strategy for discussing Robert Mapplethorpe's photographs of S&M and the black male nude in art classrooms." International Journal of Education Through Art 5, no. 2 (2009): 157–67. http://dx.doi.org/10.1386/eta.5.2and3.157/1.

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Asen, Robert. "Appreciation and desire: The male nude in the photography of Robert Mapplethorpe." Text and Performance Quarterly 18, no. 1 (1998): 50–62. http://dx.doi.org/10.1080/10462939809366209.

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Saville, Julia F. "Nude male alfresco swimmers: the prehistory of a nineteenth‐century republican trope." Word & Image 25, no. 1 (2009): 56–74. http://dx.doi.org/10.1080/02666280802045954.

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Scheid, Kirsten. "NECESSARY NUDES: ḤADĀTHA AND MUʿĀṢIRA IN THE LIVES OF MODERN LEBANESE". International Journal of Middle East Studies 42, № 2 (2010): 203–30. http://dx.doi.org/10.1017/s0020743810000024.

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In his studio in Beirut in 1929, the young artist Moustapha Farroukh (1901–57) envisioned a composition to change his society. He hoped his oil painting would incite broad support among his fellow Lebanese for a revolution in conventional gender relations and women's participation in the urban social order. He titled the picture The Two Prisoners and based it on a European convention for representing the East: the Nude odalisque (Figure 1). The resulting painting exemplifies the complex role Arab intellectuals of the early 20th century played in the formation of modern art and universal modern
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Čubrilo, Jasmina. "Atelje Zore Petrović / Zora Petrovic’s studio." AM Journal of Art and Media Studies, no. 2 (December 15, 2012): 21–29. http://dx.doi.org/10.25038/am.v0i2.18.

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The big oil on canvas in the studio from 1941, and small, undated, double-sided tempera on the paper of the same name are complex images that define the horizon of Zora Petrović’s art world – different social, art, ideological discourses intertwine on its surfaces. These images reflect overlapping the private and public sphere, different power positions inside this overlapping and within the local art world of that time such as female artist vs. male art collector; female artist vs. male artist, female artist vs. male artist; female artist vs. female model, female artist/worker vs. female (upp
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Ciobanu, Estella Antoaneta. "Food for Thought: Of Tables, Art and Women in Virginia Woolf’s To the Lighthouse." American, British and Canadian Studies 29, no. 1 (2017): 147–68. http://dx.doi.org/10.1515/abcsj-2017-0023.

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Abstract This article examines art as it is depicted ekphrastically or merely suggested in two scenes from Virginia Woolf’s novel To the Lighthouse, to critique its androcentric assumptions by appeal to art criticism, feminist theories of the gaze, and critique of the en-gendering of discursive practices in the West. The first scene concerns Mrs Ramsay’s artinformed appreciation of her daughter’s dish of fruit for the dinner party. I interpret the fruit composition as akin to Dutch still life paintings; nevertheless, the scene’s aestheticisation of everyday life also betrays visual affinities
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Dissertations / Theses on the topic "Male nude in art"

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Missia, Frano G. "Painting the nude by male artists in Western art /." Access Digital Full Text version, 1993. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11396210.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1993.<br>Typescript; issued also on microfilm. Sponsor: Justin Schorr. Dissertation Committee: Rene Arcilla. Includes bibliographical references (leaves 112-113).
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Wyatt, Malinda. "William Rimmer's Concept of the Heroic Male Nude." VCU Scholars Compass, 1986. http://hdl.handle.net/10156/1443.

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Blount, Jennifer Lynn. "The black male nude a study of John Singer Sargent's Thomas McKeller nude within the context of nineteenth-century art and culture /." Birmingham, Ala. : University of Alabama at Birmingham, 2009. https://www.mhsl.uab.edu/dt/2009m/blount.pdf.

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Thesis (M.A.)--University of Alabama at Birmingham, 2009.<br>Title from PDF title page (viewed Sept. 2, 2009). Degree earned with the cooperation of additional faculty from the University of Alabama. Includes bibliographical references (p. 88-91).
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Radić, Xavier. "Queer reflections on Baron Wilhelm von Gloeden a creative reconsideration of pose, gaze and technique : this exegesis [thesis] is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Art and Design in the year 2004 /." Full thesis. Abstract, 2004.

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Tell, Cornelia. "Vem får vara naken på Instagram? : En jämförande bildanalys av fotografier som tagits ner från, respektive tillåtits finnas kvar på, Instagram." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-406944.

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The aim of this essay is to examine the censorship that the social media platform Instagram exerts over pictures of female nudes, and whether the body type of the women depicted is a factor in how the censorship is carried through. This is executed by making a comparative picture analysis of eight nude photos published on Instagram, four of which are allowed on the platform and four which are not, and have therefore been deleted. The bodies are analysed, and aspects of how they are depicted which are related to the Instagram Community Guidelines, and furthermore if the body depicted conforms t
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Seaman, Leah M. "The depiction of female emotion as seen through the work of Italian Renaissance artists Artemisia Gentileschi and Michelangelo Caravaggios Judith Beheading Holofernes and Artemisia Gentileschi and Cavaliere dArpinos Susanna and the Elders." Marietta College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors161944857779248.

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McCusker, Nicole Catherine. "Performance, Art and the Female Nude at Dr Sketchy's Anti-Art School." Thesis, University of Canterbury. Social and Political Sciences, 2012. http://hdl.handle.net/10092/7656.

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My thesis examines the event of Dr Sketchy's Anti-Art School, which has branches in over 120 cities worldwide. Dr Sketchy's combines the format of a life drawing class with burlesque performance, creating an event that focuses on both the performance and the creation of art by the attendees. Dr Sketchy's was begun in New York in 2005 by its creator Molly Crabapple, now an internationally recognized artist and popular alternative celebrity. I focus my study on the Christchurch branch of Dr Sketchy's Anti-Art School, founded in June 2010 by Audrey Baldwin, a performance artist and Fine Arts grad
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Stumpf-Condry, Claudia. "The renaissance of Antinous (1500-1550)." Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269970.

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Smither, Devon. "Identity crisis : the nude in 1930s modern Canadian art." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/27693.

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In their unwillingness to fully assimilate or relate the human body to its surroundings, many artists who painted nudes in the 1930s in Canada found their works the subject of censure and moral debate. Rather than becoming the site of praise for a new Canadian sensibility in the visual arts, the nudes painted in this period would not come to be associated with a uniquely Canadian artistic practice, and the genre failed to assume a pivotal place within the canon of Canadian art history. Viewers could not imagine themselves as heroic pioneers in front of a painting like Lilias Torrance Newton’s
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Pennings, Mark W. "Charles Wheeler and the nude in Australia." Connect to thesis, 1991. http://repository.unimelb.edu.au/10187/1432.

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The place for Charles Wheeler’s nudes in Australian art history has not been adequately gauged by art historians. He was one of Australia’s most notable painters of the nude, not perhaps because his vision was particularly inventive or original, but rather because he was an important, conservative conduit of that European tradition. Wheeler was very popular with the buying public over many decades, but success with his nudes was fundamentally a critical one. The positive response to Wheeler’s nudes, paintings which combined elements of the academic tradition and more fashionable conventions, p
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Books on the topic "Male nude in art"

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Gualdoni, Flaminio. Male nude. Skira, 2009.

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Gualdoni, Flaminio. Male nude. Skira, 2009.

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Gualdoni, Flaminio. Male nude. Skira, 2009.

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Bohm-Duchen, Monica. The nude. Scala Books, 1992.

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Civardi, Giovanni. Drawing the male nude. Studio Vista, 1995.

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1935-, Esten John, ed. The male nudes. Universe, 1999.

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de, Louville François, and Lucie-Smith Edward, eds. The Male nude: A modern view : an exhibition. Phaidon, 1985.

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French, Jim. The Art of Jim French: The nude male. State of Man, 1989.

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Edward, Lucie-Smith, and Louville François de, eds. The Male nude: A modern view :an exhibition. Rizzoli, 1985.

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Edward, Lucie-Smith. Adam: The male figure in art. Rizzoli, 1998.

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Book chapters on the topic "Male nude in art"

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Leppert, Richard. "Art, Aesthetics, and Male Genitalia." In On the Nude. Routledge, 2021. http://dx.doi.org/10.4324/9781003049968-18.

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Evans, Dorinda. "5. A Challenge to International Neoclassicism." In William Rimmer. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0304.05.

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Rimmer's major sculptural works, such as St. Stephen, Falling Gladiator, Dying Centaur, and Osirus (destroyed), were created for exhibition and in response to the international neoclassical movement. In different ways, they are actually critiques of the rage for neoclassicism. Much of what Rimmer was trying to do is conveyed in his teaching, and he used his exhibited art as an extension of this. He wanted an art based not on copying from antique casts or from life but, rather, on the artist's own imagination so that the work is self-expressive. The fact that the man in Falling Gladiator assumes an impossible position is an instance of his insistence on the imaginative. The St. Stephen and a cast of the Falling Gladiator were exhibited in Paris at the Salon des Refusés, where the Gladiator created a stir as it seemed, wrongly, to be a cast of a live person. Rimmer broke new ground in producing fragmented human figures with an antique reference, such as his Osiris, a classical-Greek-looking nude male without parts of his arms. They resembled the broken ancient sculpture of the present rather than of the revered past. Originally Osiris had the head of a hawk. As with his pictures, Rimmer also was unusual in frankly accepting and portraying abnormalities as in his Seated Man (Despair). The late Fighting Lions, showing a male and female in vicious combat is arguably an allegory of male dominance. As an original thinker, Rimmer, more than once, explored the problem of expressing the spiritual in the material, most effectively in his relatively abstract Torso, which is an attempt to show the divine awakening or creation of a human soul. Following the Bible, the plaster cast retains the effect of a man’s torso having been crudely fashioned from clay. Perhaps just as unexpected was his plan for a colossal sculpture, Tri Mountain (never executed), which amalgamated the effect of three men and three hills as a symbol of the city of Boston. His one major public statue is the over-life-size Alexander Hamilton on Commonwealth Mall in Boston.
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Maes, Hans. "Erotic Art and the Nude." In The Routledge Companion to the Philosophies of Painting and Sculpture. Routledge, 2023. http://dx.doi.org/10.4324/9781003312727-6.

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Martin, Thomas. "The Nude Figure in Renaissance Art." In A Companion to Renaissance and Baroque Art. John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118391488.ch19.

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Watanabe, Toshio. "Nude art, censorship and modernity in Japan." In The Persistence of Taste. Routledge, 2018. http://dx.doi.org/10.4324/9781315617299-17.

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Rhoton-Vlasak, Alice, and Kenneth C. Drury. "ART and Its Impact on Male Infertility Management." In Male Infertility. Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-3335-4_20.

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Ginsburg, Elizabeth, and Maren Shapiro. "ART in Cancer Survivors." In Female and Male Fertility Preservation. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-47767-7_4.

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Ohlander, Samuel J., Rodrigo L. Pagani, and Craig S. Niederberger. "Con: Should Varicocele Be Repaired Before ART?" In Varicocele and Male Infertility. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-79102-9_43.

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Picó, Joanna, Rocío Rivera, and Nicolás Garrido Puchalt. "Sperm DNA Damage, ART Outcomes, and Laboratory Methods for Selecting DNA Intact Sperm for ICSI." In Male Infertility. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-32300-4_58.

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Miller, Ann. "The Nude and the Naked: From Fine Art to Comics." In Spaces Between. Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-30116-3_5.

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Conference papers on the topic "Male nude in art"

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Knowlton, Ken. "Nude (studying in perception), 1996." In ACM SIGGRAPH 98 Electronic art and animation catalog. ACM Press, 1998. http://dx.doi.org/10.1145/281388.281647.

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Sophia, Hilma. "Male Gaze Tendencies in the Practice of Virtual Photoshoot." In International Conference on Aesthetics and the Sciences of Art. Bandung Institute of Technology, 2020. http://dx.doi.org/10.51555/338634.

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Benyon, Margaret. "Art concepts in holography: works from the Male Cosmetic Series." In LkForest 91, edited by Tung H. Jeong. SPIE, 1992. http://dx.doi.org/10.1117/12.57774.

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Marian, Ana. "Anatomical constructions in the making of the nude moldovan sculpture. Approaches in the realm of realism." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.07.

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In Moldovan sculpture, there are two types of the introduction of anatomical structures in the creation of sculptural nudity: based on realism and stylized ones. The pioneer in the study of sculptural nudity was Alexander Plamadeala. Although his studies at the Imperial Academy of Art, Sculpture and Architecture allowed him to comprehensively approach the depiction of sculptural nude, the sculptor still continued to experiment and seek new ways in the description of nude. “Nude” in Yuri Kanashin’s interpretation is an integral part of thematic compositions and has a separate logic, subordinate
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Shi, Xu-Bao, Lingru Xue, and Ralph W. deVere White. "Abstract 2105:miR-125bpromotes the tumor growth of prostate cancer cells in intact and castrated male nude mice." In Proceedings: AACR 101st Annual Meeting 2010‐‐ Apr 17‐21, 2010; Washington, DC. American Association for Cancer Research, 2010. http://dx.doi.org/10.1158/1538-7445.am10-2105.

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Useinov, T. B. "Display of love for a male object in a figurative system of medieval Crimean Tatar Ashyk poetry." In Scientific Trends: Philology, Culturology, Art history. ЦНК МОАН, 2019. http://dx.doi.org/10.18411/spc-26-11-2019-06.

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Roomi, M. Waheed, Nusrath W. Roomi, Matthias Rath, and Aleksandra Niedzwiecki. "Abstract 2348: Suppression of metastasis of intratesticular inoculation of B16FO melanoma cells by a novel nutrient mixture in male athymic nude mice." In Proceedings: AACR 103rd Annual Meeting 2012‐‐ Mar 31‐Apr 4, 2012; Chicago, IL. American Association for Cancer Research, 2012. http://dx.doi.org/10.1158/1538-7445.am2012-2348.

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Cheng, Yin, Qianlin Cui, Yujia Lin, and Yimo Zhu. "The Reason Behind Female Outnumbering Male Students in Foreign Language High Schools in China." In 2021 International Conference on Education, Language and Art (ICELA 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.110.

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Huang, Jianyang. "Differences in the Performance of Female and Male Students: A Case Study of Second Language Learning." In 2021 International Conference on Education, Language and Art (ICELA 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.091.

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Tomassoni, Rosella, Stefania Liburdi, and Annalisa Marsella. "THE ROLE OF WOMEN IN THE HISTORY OF ROMAN RELIGION: FROM VESTALE TO MADONNA." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs06.07.

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Introduction: Within the concept of women in the archaic Roman era, the present paper will attempt a believable reconstruction of the passage of the vestal woman figure, subjected to the male �potestas� of the �pontfex maximus� in which Eros was sacrificed to the Civitas due to the blackmail of equal rights, to the recovery of the woman as an object of Christian contemplation. Objective and Method: The aim of this article, through the analysis of recognized sources, is to study the axiom according to which the Roman woman was considered equal to the man in society (for roles, reputation, legal
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Reports on the topic "Male nude in art"

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Ajzenman, Nicolás, Gregory Elacqua, Diana Hincapié, et al. Do You Want to Become a Teacher?: Career Choice Motivation Using Behavioral Strategies. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003325.

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Qualified teachers are a fundamental input for any education system. Yet, many countries struggle to attract highly skilled applicants to the teaching profession. This paper presents the results of a large-scale intervention to attract high performing high-school students into the teaching profession in Chile. The intervention was a three-arm email campaign which made salient three types of motivations typically associated with the teaching profession: intrinsic/altruistic, extrinsic, and prestige-related. The objective was to identify which type of message better appealed to high performing s
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