Relevant bibliographies by topics / Maleki (Musical group)

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Academic literature on the topic 'Maleki (Musical group)'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Books on the topic "Maleki (Musical group)"

1

Peter, Walker. The book of Maleki. CreateSpace Independent Publishing Platform, 2013.

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2

Il Divo: Our music, our journey, our words. Headline Pub. Group, 2007.

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3

Wo ai INFINITE: Zui wu xian ke neng de mei li da sou mi. Hui hong qi ye gu fen you xian gong si, 2014.

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4

Emblem3: Test your super-fan status. Barrons Educational Series, Inc., 2014.

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5

Ian, Cranna, ed. Pete Burns, freak unique: My autobiography. John Blake, 2006.

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6

Jackson, Laura. Jon Bon Jovi: The biography. Portrait, 2003.

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7

Tiber, Elliot. Taking Woodstock: A true story of a riot, a concert, and a life. Square One Publishers, 2007.

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8

McIntosh, Jonathan. The women’s international gamelan group at the Pondok Pekak. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199352227.003.0008.

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Balinese gamelan music stresses notions of unity, community and totality that are realized through the interaction of players and instruments. Traditionally considered a male activity, Balinese women now perform gamelan music in sacred and secular contexts. Moreover, the rise of mass tourism and an increase in the number of expatriates living in Bali now means that gamelan music has become an important site for ‘intercultural’ collective music-making. Nonetheless, little research exists concerning this emerging and significant facet of Balinese musical performance, with no studies examining in
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9

Glass, Loren. Carole King's Tapestry. Bloomsbury Publishing Inc, 2021. http://dx.doi.org/10.5040/9781501355653.

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Carole King’s Tapestry is both an anthemic embodiment of second-wave feminism and an apotheosis of the Laurel Canyon singer-songwriter sound and scene. And these two elements of the album’s historic significance are closely related insofar as the professional autonomy of the singer-songwriter is an expression of the freedom and independence women of King’s generation sought as the turbulent sixties came to a close. Aligning King’s own development from girl to woman with the larger shift in the music industry from teen-oriented singles by girl groups to albums by adult-oriented singer-songwrite
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10

Amico, Stephen. Corporeal Intentions. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038273.003.0004.

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This chapter explores how male homosexuality is suggested via the presentation of the sexualized male body as object of the gaze—an objectifying gaze placing the male in the position of the “feminine.” It looks at the efflorescence of images of male physical beauty in the musical discourses of numerous singers and bands in the first two decades of the twenty-first century in Russia and how these images were conflated with homosexuality or homoeroticism. To this end, the chapter examines instances of the male body's foregrounding in the work of Andrei Danilko, the groups Hi-Fi and Smash!!, and
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