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Journal articles on the topic 'Malian fiction'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Prozesky, Maria. "African speculative fiction as Indigenous remembering: Contrasting stories by Jonathan Dotse and Masima Musodza." Tydskrif vir Letterkunde 59, no. 1 (2022): 109–20. http://dx.doi.org/10.17159/tl.v59i1.12727.

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How to understand what uniquely African contribution speculative fiction created by African authors makes is a vexed question. Drawing on concepts of the geopolitics of knowledge and locus of enunciation, from the South American tradition of decolonial theory, I argue that the term “Indigenous” must be retained to specify works that speak from epistemic locations within Indigenous African cultures. Such fiction does important remembering work by recovering, renewing, and extending Indigenous knowledge traditions and so claiming the right to imagine futures in Indigenous terms. This remembering

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2

Diarra, Modibo. "Love and taboo in Malian popular fiction: Amour Haram by Aramata Diawara and L'Union interdite by Ouleï Ba." ALTERNATIVE FRANCOPHONE 3, no. 4 (2024): 53–60. http://dx.doi.org/10.29173/af29488.

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Cet article qui analyse deux romans populaires maliens tente de répondre à trois questions essentielles relatives à l’intérêt du roman populaire, les sujets spécifiques qu’il traite et ses frontières avec le roman canonique. Il montre que le roman populaire malien répond aux mêmes critères esthétiques que les autres romans de cette catégorie qu’on peut trouver sous d’autres cieux. Amour Haram d’Aramata Diawara et L’Union interdite d’Ouleï Ba marquent l’évolution significative du roman sentimental malien, en ce sens qu’ils proposent une poétique où les frontières entre le roman dit « lettré » e

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3

Tracy, Kisha G. "Exploring and Teaching the Medieval in Afro/Africanfuturism." Pedagogy 25, no. 1 (2025): 111–22. https://doi.org/10.1215/15314200-11463039.

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Abstract This article explores the benefits of introducing undergraduate students to the genre of Afro/Africanfuturism as an entryway for a survey of medieval Africa. By first exploring fiction written by and about African and African diasporic people, students can become oriented to both the unique aspects of African literature and the common elements of the human experience that exist across time periods and geography. The short story “Egoli” by Zimbabwean author T. L. Huchu is an example of Africanfuturism that incorporates medieval African history, literature, culture, language, and herita

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4

Sahn, Sarah F. "Secrets, Lies, and Children’s Fiction by Kerry Mallan." Children's Literature Association Quarterly 39, no. 4 (2014): 586–89. http://dx.doi.org/10.1353/chq.2014.0062.

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5

Ostry, Elaine. "Secrets, Lies and Children’s Fiction by Kerry Mallan." Lion and the Unicorn 39, no. 2 (2015): 229–31. http://dx.doi.org/10.1353/uni.2015.0015.

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6

Grace, Fraser. "Platonov or bust." Short Fiction in Theory & Practice 13, no. 1 (2023): 23–36. http://dx.doi.org/10.1386/fict_00071_1.

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The author presents a highly personal case for considering Andrey Platonov as the third person of a ‘holy trinity’ of writers from early twentieth-century Russia. Where Chekhov foresaw huge social upheaval (but died before seeing it) and Gorky staged the beginnings of insurrection, Platonov explores the fallout of the Revolution. The malign impact of Gorky’s doctrine of Socialist Realism on Platonov’s life and work is tracked. The challenges of adapting Platonov’s fiction to the stage are examined, and a case study offered of the new play Bliss, based on ‘The River Potudan’, which premiered in

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7

Pavlik, Anthony. "Secrets, Lies and Children's Fiction. Kerry Mallan. London: Palgrave MacMillan, 2013. 224 pages." International Research in Children's Literature 7, no. 2 (2014): 221–23. http://dx.doi.org/10.3366/ircl.2014.0137.

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8

Craven-Matthews, Catriona, and Pierre Englebert. "A Potemkin state in the Sahel? The empirical and the fictional in Malian state reconstruction." African Security 11, no. 1 (2018): 1–31. http://dx.doi.org/10.1080/19392206.2017.1419634.

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9

Wilks, Yorick. "Will There Be Superintelligence and Would It Hate Us?" AI Magazine 38, no. 4 (2017): 65–70. http://dx.doi.org/10.1609/aimag.v38i4.2726.

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Bostrom’s Superintelligence (SI) is a wide-ranging essay (2016) that has raised important questions about the future of intelligent machines and the possible malign developments they may undergo. But, and perhaps surprisingly, it is not about technical developments in artificial intelligence (AI) nor a philosophical analysis of the concept of SI. There is little of either of these in it, which is largely an extended and stimulating essay on economics, decision theory and other forms of social science, all held together by the unsubstantiated hypothesis of “superintelligence” that belongs more

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10

Franck, Mia. "Gender Dilemmas in Children's Fiction. Kerry Mallan. Houndmills, Basingstoke: Palgrave Macmillan, 2009. ix + 221 pages. USD 80 (hardback)." International Research in Children's Literature 3, no. 1 (2010): 102–4. http://dx.doi.org/10.3366/ircl.2010.0014.

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11

Syahrul, Ninawati, Sastri Sunarti, and Atisah Atisah. "Gender Bias in Fairy Tales Narrative Analysis of The Folk Story Malin Deman and Puti Bungsu." International Journal of Multidisciplinary Sciences 3, no. 2 (2025): 131–39. https://doi.org/10.37329/ijms.v3i2.3933.

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The status and role of women in familial, social, and cultural contexts remain persistent themes in both modern and classical fiction, including traditional folk tales. For past generations, folk tales often served as a medium for expressing social realities and moral reflections, particularly concerning the position of women within the family. This research investigates the portrayal of women in the folk tale Malin Deman and Puti Bungsu, with the aim of describing and analyzing gender roles and biases embedded in the narrative. Using a qualitative method with a discourse analysis approach, th

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12

Kirsch, Geoffrey R. "Piercing the Corporate Whale: Agents, Principals, and the Personified Impersonal in Moby-Dick." Leviathan 26, no. 3 (2024): 55–68. http://dx.doi.org/10.1353/lvn.2024.a944385.

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Abstract: This essay considers Moby-Dick , the paradigmatic great American novel, as a meditation on the great American legal fiction of corporate person-hood. Infused with the new and exhilarating energies of a "joint-stock world" that "pays dividends," Melville's novel is also deeply preoccupied with the qualities of the corporate person: intangibility, immortality, and individuality. In delimiting the corporation's ontology, agency, and accountability, legal theorists grappled with the same mysteries of the "personified impersonal" embodied in both Moby Dick and the Pequod : is it "agent" o

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13

Dr., Abrar Ahmed. "Analyzing Cultural Hegemony Via Power Ambition Among Social Structures : in Latin American Novel." Journal of Academic Research for Humanities Vol.3, Issue 1 (2023): 1 0f 11. https://doi.org/10.5281/zenodo.8242784.

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<em>The human experience with power ambition is rarely successful, particularly when it is gained via the promotion of a soft culture used as a dominating tactic. It has always had disastrous effects on both the victimized and the perpetrators. The ambition for power among various social structures and their efforts to gain power through cultural hegemony (promotion of soft image) is the focus of the current research paper within the parameters of Gramsci’s theory of cultural hegemony as portrayed in The House of the Spirits by Isabel Allende. Social scientists, critics, and fiction writ

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14

Ifan Jerita Harefa, Arozatulo Bawamenewi, Riana, and Imansudi Zega. "Pengembangan Media Pembelajaran Audiovisual untuk Meningkatkan Hasil Belajar Siswa." Jurnal Pengabdian Masyarakat dan Riset Pendidikan 3, no. 4 (2025): 3537–42. https://doi.org/10.31004/jerkin.v3i4.1092.

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Audiovisual learning media is very important for students because it can help them understand the subject matter more easily and enjoyably. The purpose of this study is to develop Audiovisual learning media to improve student learning outcomes in the material reviewing fictional works about the Malin Kundang fairy tale and to find out the feasibility of content, feasibility of presentation, and feasibility of developing Audiovisual learning media with the Addie model. The subjects of the study were 21 students of class VIII-A of SMP Negeri 1 Namohalu Esiwa in the even semester. This type of re

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15

Aggarwal, Kusum. "Tchouaffe (Jean-Olivier), Passion of the Reel : Cinematic versus Modernist Political Fictions in Cameroon. Translated and edited by Sheri Malman. Bristol (UK) ; Chicago : Intellect, 2015, x-218 p. – ISBN 978-I-84150-564-0." Études littéraires africaines, no. 47 (2019): 255. http://dx.doi.org/10.7202/1064795ar.

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16

Merz, Wissenschafts-Redaktion. "Die konvergente Medienwelt als Rahmen für alltägliches Medienhandeln." merz | medien + erziehung 53, no. 6 (2009): 3–4. https://doi.org/10.21240/merz/2009.6.1.

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Die konvergente Medienwelt erweitert die Funktionen, die Medien in den Lebensvollzügen der Menschen haben. Schaltstelle ist dabei das Internet. Als Unterhaltungs-, Informations- und Orientierungsquellen fungieren nicht mehr nur die Massenmedien. Über das Internet werden sie ergänzt und verzahnt mit Angeboten unterschiedlicher Herkunft und Gestalt. Rezeption ist nicht mehr die vorrangige Komponente des Medienhandelns. Das Internet öffnet zusätzlich Kommunikationsräume, die für die Organisation und Gestaltung des Beziehungslebens, für grenzüberschreitenden Austausch über Interessengebiete oder a

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17

Davis, Aimee. "Adapting Elaine: Tennyson’s “The Lady of Shalott” and Feminist Young Adult Novels." ALAN Review 44, no. 3 (2017): 36–46. http://dx.doi.org/10.21061/alan.v44i3.a.4.

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One of the hallmarks of young adult literature is its focus on adolescent protagonists who struggle to reconcile what they want with what they are supposed to want. Indeed, some of the most enduring works of young adult literature, from L. M. Montgomery’s Anne of Green Gables (2006) to Judy Blume’s Forever (1975), place their young characters at a crossroads between cultural convention and individual desire. Foundational scholarship in the field of young adult fiction has suggested a recurring conflict in novels for young readers in which a protagonist finds himself or herself directly at odds

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18

Lehtonen, Sanna. "Kerry Mallan, Secrets, lies and children's fiction." Barnboken 37 (2014). http://dx.doi.org/10.14811/clr.v37i0.173.

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19

Gilbert, Anne. "Fanged fan fiction: Variations on "Twilight," "True Blood," and "The Vampire Diaries," by Maria Lindgren Leavenworth and Malin Isaksson." Transformative Works and Cultures 17 (January 23, 2014). http://dx.doi.org/10.3983/twc.2014.0583.

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Review of Maria Lindgren Leavenworth and Malin Isaksson. Fanged fan fiction: Variations on "Twilight," "True Blood," and "The Vampire Diaries." Jefferson, NC: McFarland, 2013, paperback, $40.00 (236p), ISBN 978-0-7864-7044-0.

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20

Brown, Duncan, and Antjie Krog. "Introduction." Multilingual Margins: A journal of multilingualism from the periphery, 2023. http://dx.doi.org/10.14426/mm.v10i1.2175.

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In the piece ‘Creative Non-Fiction: A Conversation’, we argued that ‘creative non-fiction has become in a sense “the genre” of South African writing, [...] writing which makes its meanings at the unstable fault line of the literary and journalistic, the maginative and the reportorial’ (2011: 57): recently, the work of Sihle Khumalo, Jacob Dlamini, Max du Preez, Rian Malan, Kevin Bloom, Denis Beckett, Shaun Johnson, Antjie Krog, Jonny Steinberg, Stephen Otter, John Carlin, Njabulo S. Ndebele, Jeff Opland, Julia Martin, Sarah Nuttall, Liz McGregor, Hedley Twidle, Duncan Brown; historically, Sol

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21

Carlson, Bronwyn. "Total Control: “black bitch” offending the offenders." AlterNative: An International Journal of Indigenous Peoples, May 30, 2024. http://dx.doi.org/10.1177/11771801241255145.

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Total Control (2019–2024) is a political drama that follows the story of Rachel Griffiths as the prime minister of so-called Australia and Deborah Mailman as her political rival. Available on demand on the Australian Broadcasting Corporation (ABC) iView, Total Control was initially called “Black Bitch” to draw attention to the historical racial slur but was forced to change its title due to a social media storm. Total Control demonstrates striking parallels with the treatment of real-life Indigenous women in politics. This article looks at the role of social media as a platform that provides a

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22

TIHAN BERCARIU, Tatiana-Daniela. "Alegorii livrești, reprezentări și funcții ale naratarului- personaj în nuvela Caravana cinematografică de Ioan Groșan." Comunicare interculturală și literatură 2 (April 30, 2025). https://doi.org/10.35219/cil.2024.2.29.

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According to the latest decades’theories, the reader’s perception brings a significantcontribution to the composition of the literary work. The fiction is born through the interactionbetween the world imagined by the writer and the world perceived by the reader. The postmodernisttext includes the reader and exposes the artistic strategies.In this study, we intend to identify the representations, the construction particularities and the literaryroles of the narratee- character in Ioan Groșan’s short story The cinematographic caravan, as well asits moral and existential meanings.The young librar

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23

Kennedy, Kevin. "The Uncanny Box: Nostalgia and TV Culture in David Lynch’s Twin Peaks: The Return." Film journal 9 (2024). http://dx.doi.org/10.4000/11yjk.

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David Lynch and Mark Frost’s Twin Peaks: The Return (2017) may be read as an extended meditation on the universal desire to return – to a putative golden age or lost paradise – and the eerie effects that are produced when this desire is realized. More specifically, the show explores the prevalent desire amongst TV audiences to continually “return” to beloved fictional spaces and characters. Drawing on psychoanalytic and philosophical theories of the uncanny, as well as film and media studies, the article explores the theme of returning within the show’s fictional and meta-fictional cosmos (the

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24

Asirvatham, Sulochana. "Alexander the Lynkestian and the Thracians at Thebes." Karanos. Bulletin of Ancient Macedonian Studies, November 8, 2024, 185–93. http://dx.doi.org/10.5565/rev/karanos.140.

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The Thracians are a well-attested part of the Alexander’s army in Asia. But when, exactly, did they appear in the king’s force? The question is prompted by the story of Timokleia of Thebes, which is found in Plutarch (Alex. 12; De mul. virt. 24) and Polyainos (Strat. 8.40) and happens to be the only source for Thracian presence in the Macedonian army before the Hellespont. During the Macedonian destruction of Thebes in summer 335, Timokleia is raped by a Thracian or a leader of the Thracians. The story is evidently designed to ennoble the figures of Alexander and Timokleia as idealized Greeks:

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25

Mahamadou, Hassane CISSE. "DES PRECEPTES HOMOLOGABLES A LA DEMOCRATIE DANS LES DISCOURS ARTISTIQUES AFRICAINS, TRADITIONNELS ET MODERNES." International Journal of Financial Accountability, Economics, Management, and Auditing (IJFAEMA) -ISSN 2788-7189 4, no. 6 (2023). https://doi.org/10.5281/zenodo.7500991.

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Les discours littéraires et filmiques africains sont empreints de préceptes homologables aux principes démocratiques jadis assimilés, tout simplement, à des valeurs morales. Ces récits traditionnels et modernes se veulent avant tout des modes de connaissance par excellence de l’Africain et de sa culture, mais aussi ils se révèlent être le reflet de ses valeurs sociales et par-delà, l’expression d’une idéologie transversale. En effet, bon nombre de films de fiction de réalisateurs africains trad

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26

Herb, Annika. "Non-Linear Modes of Narrative in the Disruption of Time and Genre in Ambelin Kwaymullina’s The Interrogation of Ashala Wolf." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1607.

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While Young Adult dystopian texts commonly manipulate expectations of time and space, it is largely in a linear sense—projecting futuristic scenarios, shifting the contemporary reader into a speculative space sometimes only slightly removed from contemporary social, political, or environmental concerns (Booker 3; McDonough and Wagner 157). These concerns are projected into the future, having followed their natural trajectory and come to a dystopian present. Authors write words and worlds of warning in a postapocalyptic landscape, drawing from and confirming established dystopian tropes, and af

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27

Mercer, Erin. "“A deluge of shrieking unreason”: Supernaturalism and Settlement in New Zealand Gothic Fiction." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.846.

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Like any genre or mode, the Gothic is malleable, changing according to time and place. This is particularly apparent when what is considered Gothic in one era is compared with that of another. The giant helmet that falls from the sky in Horace Walpole’s Castle of Otranto (1764) is a very different threat to the ravenous vampires that stalk the novels of Anne Rice, just as Ann Radcliffe’s animated portraits may not inspire anxiety for a contemporary reader of Stephen King. The mutability of Gothic is also apparent across various versions of national Gothic that have emerged, with the specificit

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28

Taylor, Alison. "“There’s Suspicion, Nothing More” — Suspicious Readings of Michael Haneke’s Caché (Hidden, 2005)." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.384.

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Michael Haneke’s film Caché tells the story of a bourgeois family in peril. The comfortable lives of the Laurents—husband Georges (Daniel Auteuil), wife Anne (Juliette Binoche), and teenage son Pierrot (Lester Makedonsky)—are disrupted when surveillance tapes of their home and private conversations are delivered to them anonymously. Ostensibly Caché sits in a familiar generic framework: the thriller narrative of a family under threat is reminiscent of films such as The Desperate Hours (1955), Cape Fear (1962), and Straw Dogs (1971). The weight of outside forces causes tension within the family

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