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1

Hon, Michael. "Malířský tah." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2016. http://www.nusl.cz/ntk/nusl-240507.

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Diploma thesis called Brush stroke demonstrates technique of materialization brush strokes in an open space. Center thought of the project is application of a specific technology, when color or another material is not applied on surface by brush, but pressed through surface. It is important, that gesture of painting act remains in the color matter. Project works with reflection of painting as an artistic medium, highlighting visual and haptic elements of the result. Thesis is based on invention of technique, it's demonstration and presentation in form of an exhibition.
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Kachlíková, Barbora. "Malířův rok." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2016. http://www.nusl.cz/ntk/nusl-241031.

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I have been working on my Master degree work at art residenci in Gedok art centrum in Stuutgart,Germany. Thecollection of work is consist of approximately 15-20 works.Medium is painting, technique oil on canvas. The serie of paintings has different kind of measures, from 80x90cm to 200 x 200cm.
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Martiníková, Zuzana. "Nepříliš známý malíř." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232411.

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Master's thesis called Not too well-known painter reacts on art of regional painter Jaromír Martiník. It is an exhibition of the work of this painter. Thanks to the intervention of author of this exhibition brings up his work into unusual context of artist from Beskydy, who is influenced by oriental philosophy.
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Klepáčová, Veronika. "Život a dílo slezského fotografa a malíře Józefa Raszky (1875-1929)." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202928.

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The Master thesis deals with life and work of a Silesian photographer and painter Józef Raszka (1875-1929). During the compilation of the thesis emphasis was put on searching and collecting information in archives and finally on their processing into one comprehensive unit. Generally, the thesis is divided into four main parts. The first chapter outlines historical events that took place during Raszka's life in a region he lived in. The other two chapters describe Raszka's life and the research method in detail. All of the chapters mentioned above should introduce this extraordinary and contr
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Stecker, Marcel. "Vidění, fotografie a nové éry technologií." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-202956.

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American painter Ed Ruscha has been using medium of photography since his studies at Chouinard ART Institute in Los Angeles. In 1963 he published author's book Twentysix Gasoline Stations which depicts gasoline stations on the road between Los Angeles and Oklahoma. My diploma thesis describes Ruscha´s book and the time and circumstances under which it was being made. I am putting Ruscha´s book in the context of cold war and atmosphere of this period. I am writing about american individualism and expansion of automobility and its strategies. I focused deeply on Ruscha´s early artist period and
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Park, Soyoung. "Rozbor obrazů objevujících se v díle Noč ní motýl." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2012. http://www.nusl.cz/ntk/nusl-156011.

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Abstract "Nocturnal Butterfly" is short animation film which is directed by Raoul Servais. This animation is Servais's homage to Belgian surrealist Paul Delvaux. This paper concerns comparative analysis between the images of Nocturnal Butterfly about male and female, butterfly, mirror, railway station, automaton, last freeze-frame, and motifs of Delvaux's painting. At first, my research at overall characteristic of surrealism would show that Delvaux's painting shares such characteristic. André Breton who is a key man in surrealism believed that automatism is driving force for artistic creatio
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Čejková, Michaela. "Klišé v současné výtvarné fotografii." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202790.

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The diploma thesis defines the therm "cliché" in art and specifically in photography. This definition stems from examining concepts that are closely related to cliché: paraphrase, kitch, copy, reproduction. The thesis also pinpoints various examples of cliché in today's photography. It follows the development of certain clichés and aims to answer the question that concerns the repetitive search and imitation of certain images, even by authors who are undoubtedly aware of their existence, as well as frequency.
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Petříková, Lea. "Umělecké filmy produkované farmaceutickou společností Sandoz." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-263337.

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The aim of this Master’s thesis is to analyse formal and thematic layers of the artistic films produced by the pharmaceutic company Sandoz and to put them in the relation to the specific history of the company. Sandoz laboratories produced mainly in the 60’s and 70’s several artistic films (e.g. La Femme 100 Têtes which was the adaptation of Max Ernst’s collages or Images du monde visionnaire with the presence of artist Henri Michaux). The thesis explores some of the films and, at the same time, describes the production background and cinematographic context in the relation to the history of
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9

Ropková, Barbora. "Vincenc Beneš. Malířské dílo." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313708.

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Author's name: Barbora Ropková School: Charles University, Prague Faculty of Arts Institut of Art History Celetná 20, 116 42 Prague 1 Program: Art History Title: Vincenc Beneš. Paintings. Supervisor: Prof. PhDr. Petr Wittlich, CSc. Number of pages: 140 + attachment Number of attachments: 158 pages Year: 2011 Key words: monograph, expressionism, cubism, Osma, Skupina výtvarných umělců, Antonín Slavíček's painting heritage, traditon of modern french painting in group Mánes, sensual realism and landscape This thesis intention is to work into monography Vincenc Beneš's work (1883-197). Beneš belon
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Vejnarová, Pavlína. "Fyzická akce malíře." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-322661.

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Vejnarová, P.: Physical action of a painter [Diploma thesis] Prague 2013 - Charles University, Faculty of Education, Department of Art Education, (Notes: DVD - The record of the realization of practical part of the thesis). Abstract The theme of the diploma thesis "Physical action of a painter" is the analysis of gesture, body, movement, sense perception, dance in relation to visual art. In the theoretical part there is dealt with the artists of action art for whom the gesture, dance and movement during the art creation is principal and dominant. The didactic part is made up of an art project
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Heisslerová, Radka. "Malířský cech na Novém Městě pražském v 17. a 18. století." Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-438376.

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The presented dissertation deals with the history of the painter's guild of the New Town of Prague with the main emphasis on its form and development in the 17th and 18th centuries but doesn't leave aside the period of older history. The work thus focuses on New Town painters from the beginnings of the existence of their guild, through the issuance of the privilege of Emperor Rudolf II. in 1595, by which he granted the Old Town-Lesser Town painter's guild significant privileges, as a result of which the joint development of all Prague painting associations began to take different paths. The th
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Holý, Ondřej. "Krajina Železných hor jako malířské téma." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-438601.

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The diploma thesis is divided into three parts to meet the requirements of the Department of Art Education. The main part consists of an artistic - historical chapter, which discusses the phenomenon of painting in the Iron Mountains as a place for the development of landscape painting at the turn of the 18th and 19th centuries. The work focuses on the analysis of landscape motifs in a given locality. He compares the motifs that inspired painters and seeks their connection to the work of other painters and puts them in the context of open-air painting. The chapter deals in detail with five pain
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Cenkerová, Markéta. "Malířské umělecké dílo jako předmět právního jednání." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-368734.

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in English Painting as an Object of Jurudical Acts The work is focused on individual types of legal proceedings connected with the painter's artwork. First, it offers an excursion to the basics of copyright, its development and contemporary issues. The work provides classification of copyright in the system of intellectual property rights and briefly explains the differences between continental and Anglo-American concepts. The following chapters attempt to define the terms "author", "work" and "painting". Then, it deals in more detail with specific types of artworks, such as restoration, book
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Opatrná, Marie. "Umělecká tvorba malíře Jana Jiřího Heringa." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-296408.

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Umělecká tvorba malíře Jana Jiřího Heringa. Diplomová práce. Marie Opatrná. vedoucí práce: Doc. PhDr. Martin Zlatohlávek Ph.D. - Praha, 2011 - 245 s. Abstract The theme of this thesis is The Production of Painter Jan Jiří Hering who painted during first half of the 17th century. There are described the resources and patterns of his artistic work, which technique brought to our country Italian and Netherlands artistic elements. The thesis involves all paintings and drawings, which are attributed to Hering or to his workshop, and compares them with each other.
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Malina, Lukáš. "Filmový a malířský obraz oneirického žánru - Problém interpretace." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-367969.

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The subject of the thesis is a comparative analysis of sign production and the interpretation of the film and painting of oneiric or horror genre focused on Vall Lewton's films and their similarity to the painting in creating an atmosphere of uneasiness and fear. Although these works are based on a sign structure, which is an important key to their interpretation, they are not independent of the different interpretations they allow. On the contrary, it seems that the work's intention is to encourage the viewer to complete the art by projecting his own fear into it. This approach is based on Um
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Velflová, Lenka. "Malíř František Jakub Prokyš." Master's thesis, 2009. http://www.nusl.cz/ntk/nusl-278149.

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Painter František Jakub Prokyš and his sacral works There were two historians of art who were profoundly interested in painter František Jakub Prokyš. The first one František Matouš prepared an intensive study before World War II, but he did not finish it. Pavel Zadražil was the second and he wrote his diploma about this subject in 1985. Prokyš is mentioned in some other books as well. We hardly know anything about František Jakub Prokyš's childhood and his teenage. He was probably born in the town of Slaný in 1713. The first proper information about him is from Borovany, where he worked in 17
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Fronek, Jiří. "Johann Hiebel, malíř fresek." Doctoral thesis, 2007. http://www.nusl.cz/ntk/nusl-282262.

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The painter Johann Hiebel (1679/1681 - 1755), who came from Schwaben (South Germany), was one of the many foreign artists who became residents in Bohemia and significantly influenced the Bohemian baroque art. He arrived in Prague at the end of the year 1707 and his arrival was very seasonable. He has acquired a reputation as a painter of frescoes educated by the famous painter Andrea Pozzo. In a short period of time he started working on projects organized by the most important investors in Bohemia, especially by the Societas Jesu of the Bohemian province, where he realized his most significan
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Sejkorová, Kašparová Věra. "Sakrální tvorba barokního malíře Jana Petra Molitora." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-434207.

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Sacral Works of Baroque Painter John Peter Molitor Thesis deals with sacral work of John Peter Molitor (1702-1757) baroque painter of german origin working in Bohemia. He studied art in Germany but in Bohemia he was influenced by V. V. Reiner's work. His subject areas were portrait and sacral works were where he was excellent. We can find some portrait traits of particular persons at some Molitor's paintings of saints. His realization in the sacral sourroundings can be found in Middle Bohemia and Prague. He worked mainly for churches but he also worked for aristocrats whom he decorated the int
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OUBRECHTOVÁ, Marcela. ""Kéž bych byl malířem." František Thun v době předbřeznové." Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-50369.

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This thesis concerns a peer Francis Thun (1809-1871) who was one of the most important personalities in the public and cultural life in Bohemia from the 30s till the end of the 60s of the 19th century. Thun {--} a gifted visual artist himself - was particularly interested in the institutions connected with the visual art. The author shows where his long-life interest in the visual arts was formed. She follows his childhood, upbringing, his own artistic beginning and his studies. She particularly considers his ways around Europe and his stay in Dresden, that used to be one of the most important
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Nová, Magdaléna. "Antonio Maria Viani v Mantově. Malířské dílo a kresba." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-298599.

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The subject of thesis is Antonio Maria Viani's paintings and drawings which he created during his residence in Mantua. Mantua was ruled by art enthusiastic Gonzagas family who were the indisputable art enthusiasts. This thesis aims to summarize and evaluate the articles that had been written about Antonio Mario Viani until the exhibition called "I segni dell'arte. Il Cinquecento da Praga a Cremona" took place in Cremona in 1997/1998. The exhibition significantly helped this artist (originally from Cremona) to become widely known. Firstly shown, there were some Viani's drawings from Clary-Aldri
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Lokšová, Pavlína. "Život a dílo pozdně barokního malíře Josefa Hagera." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-341523.

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Life and work of a late baroque painter Joseph Hager The thesis outlines artistic work of Joseph Hager, Czech late baroque painter. The author, especially of the wall painting, studied by Jan Karel Kovář and Antonio d'Agostini. Later worked as an assistant of František Karel Palko in a church St. Nicolas placed in Lesser Town od Prague. The illusive painting of architecture was his specialization. He worked primarily in Czech, but for example he decorated also a church in Vranov near Brno or a church in Dresden. The essential part of thesis is catalog of realizations, which contains a lot of e
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Sekyrka, Tomáš. "Život pražských malířů v 17. a 18. století." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-349680.

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The painter's life in Prague in the 17th and 18th centuries Tomáš Sekyrka For more than a century, the life stories of Prague-based painters in the Baroque era (which I define as 1620-1780 for the purposes of this work) have been a focus of research by art historians and other specialists. Research in this area was based to varying degrees on an analysis and interpretation of artworks and data offered by a multitude of written documents, primarily drawing information from the registers of Prague parishes (providing major dates in painters' lives), various official records of municipal authorit
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Henslová, Barbora. "Renesanční malířská výzdoba kazetových stropů ve vybraných zámcích v Čechách." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-336223.

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Diploma thesis "Renaissance Painting Decoration of Coffered Ceilings in Selected Castles in Bohemia" first briefly introduces the most important examples of aristocratic residences with painted coffered ceilings in Bohemia. Painted coffered ceilings in Bohemia primarily occurred in the main halls of castles and palaces in the second half of the 16th century. The main part of thesis deals with two noble residences with painted coffered ceilings. Deal with detailed ceiling paintings Knights' Hall in the castle Telč and ceiling paintings of four halls Častolovice chateau. Attention is focused on
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Brožová, Kristýna. "Soběslav Pinkas, český malíř (1827 - 1901)." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-305065.

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English Abstract The goal of my master thesis is to present a comprehensive study of the life and work of Sobeslav Pinkas (1927 - 1901), one of the most important Czech realistic painters. Painter's personal and artistic development is introduced in the wider historical context to allow us to understand why he had decided to become a painter. In 1948 Pinkas, as a young student of law, joined the armed revolution and personally attended the riots. Later he became a caricaturist for the Sotek magazine. His craving for democracy in the political life was mirrored in his attempts to find a new way
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MATĚJKOVÁ, Lucie. "Jan Jiří Hering, malíř počínající protireformace." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-398894.

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Jan Jiří Hering, painter at the beginning of the Counter-Reformation This diploma thesis deals with Prague based painter Jan Jiří Hering, whose art refers to the first half of the 17th century. The artist's early style is closely associated with the art inspired by the drawings of the Rudolfine Mannerist Era, while the later forms of his paintings show a rather rigid style. It may be presumed that several years spent in Rome during the pontificate of Sixt V. alongside with artistically inspiring atmosphere of Post-Rudolfinian's Prague and consecutive fine art assignments in service of the Cat
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Rajdlová, Lenka. "František Jakub Prokyš. Českobudějovický malíř 18. století." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-326916.

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The aim of this thesis was to write a monograph of the painter František Jakub Prokyš, who lived and worked in 18th century in the south of Bohemia. The first part is text put together from thoroughly examined archival sources and literature. It deals with the painter's private and professional life. The text is separated into compact chapters. The events are arranged chronologically. There are also included notes explaining in more detail the profiles of his customers. The main part of the text is the thorough cataloguing of Prokyš's works of art. The works are separated into groups according
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Knedlíková, Wanková Veronika. "Malířská výzdoba zámku Bučovice ve 2. pol. 16. století: recepce benátských vzorů." Doctoral thesis, 2015. http://www.nusl.cz/ntk/nusl-350997.

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This thesis deals with wall paintings of Italian character in Bu ovice Chateau in Moravia, Czech Republic. The unique wall paintings were created on impulse of Moravian aristocrat and owner of the castle - Jan Šembera ernohorský of Boskovice - in the last twenty years of the 16th century. This time represents a golden age of wall painting in the Czech lands; however, it rather reflects Italian Mannerism than the Renaissance. The paintings are situated in five rooms in the ground floor of the castle; they should refer to the level of education, nobility and wealth of the donator, Jan Šembera. T
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Plzáková, Lucie. "Méně známí malíři pro klášter v Oseku ve vyznění baroka." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-310987.

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The thesis deals with selected baroque paintings that hang in the cloister of the Cistercians monastery and in the monastery's church of the Virgin Mary's Ascension in Osek. It aspires on approaching the paintings of less known baroque artists of Václav Antonín Lihm, Gerard Angelmayer and Benedikt Kern. It also aspires on setting their artistic production into the situation at the monastery. The first part describes the monastery in Osek as an important clerical centre that has ineffaceably inscribed itself into the landscape of Northern Bohemia as well as into the history of Czech Art by its
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Květ, Přemysl. "Zima v žánrové malbě zaalpských malířů 16. a 17. století." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-408885.

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The master thesis called Winter in genre painting of the Northern European region in the 16th and 17th-century focuses with the theme of winter period performed on the works of selected artists from Northern Europe. It deals not only with her impressive atmosphere but mainly observes the habits and traditions of the ordinary inhabitants of the villages or towns what is represented on the pictures. The attention of interest is also biblical scenes connected with the Nativity of Christ or folk celebrations of Christian feats during the winter. On selected themes can further explore the forms of
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Květ, Přemysl. "Zimní krajinomalba v dílech zaalpských malířů mezi léty 1560-1660." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-409677.

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The diploma thesis is focused on the analysis of selected works of the winter landscape painting of the Norther European painters . Structurally, the work is conducted in such a way that it first introduces the evolution of landscape painting in the Northern Europe from 14.-16. century. In this context, three selected works are analyzed, whose scenes are set in the winter landscape. The cultural-historical context of the 16th-17th centuries is then outlined to familiarize with the circumstances of the time. century in the Netherlands. Then lives and works of the painters presented are briefly
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Ropková, Barbora. "Podoby malířské exprese v současném českém umění v kontextu českého a zahraničního umění." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-372352.

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This dissertation thesis deals with the work of three contemporary Czech artists - Josef Bolf, Jakub Špaňhel and Lubomír Typlt. The reason for choosing these three was the fact that all of the artists represent the same generation which entered the art scene in the late 1990s and their canvases can be equally described as expressive, although right at first glance there are noticeable differences in the intervention of the emotional and sense elements which participated in the creation process of the work of art, but also in its content. Contemporary expressive paintings are influenced by the
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Danihelková, Tereza. "Zobrazení Pekla v díle vybraných nizozemských malířů 15. a 16. století." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-408898.

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This diploma thesis is focused on presenting selected artwork with the theme of Hell, which were made in 15. and 16. century. The focus will be on placing this artworks into whole artworks of selected painters. Also to compare it between each other and try to prove how was the tradition of this theme affected by political situation, customer and how was it affected by literature.
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Vítů, Barbora. "Obrazy moderní Indie - reflexe v životě a díle malíře M.F. Husaina." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-308266.

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The thesis disserts an outlook on life and Art of the Modern Indian painter M.F. Husain (1915-2011), with a special attention on his art production which reflects some of socio- cultural changes of modernizing and globalizing India of the 20th and 21th Century. The thesis has been structured in chapters dealing with Husain's personal and artistic development, providing also the analysis of some concrete art works which have been involved with the socio-cultural changes being described - from the point of view of their inner message, formal idiom or the way they have or have not been accepted b
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BUČKOVÁ, Michaela. "Technologie a techniky závěsného obrazu v období baroka jako inspirační zdroj pro vizuální interpretaci." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-263200.

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The master´s thesis deals with technology of hanging painting in the Baroque period and it is a source of inspiration for visual interpretation. The master´s thesis is devided into theoretical and practical part. Theoretical part deals with technologies of baroque painting on hanging painting and techniques of this period. Key figure is study of production of Czech painter Karel Škréta. The integral part is teoretical and technological process of prominent preservers. The technological process of Škréta's production, which is the part of practical part, is based on their cognition.
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Uholyeva, Xenie. "Námět v díle současných českých malířů a jeho vztah k osobnosti tvůrce." Master's thesis, 2009. http://www.nusl.cz/ntk/nusl-275980.

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The construed diploma thesis deals with both some content characteristics of the visual artist's work and his/her individuality (personality) as well as their correlation. The theoretical part of the thesis begins with an introduction to the issues in the interdisciplinary research in creative art. In the second chapter, a summary of present research focused on visual artist's personality as well as on personality correlates of creativity in general and on some typologies of artists which impeach their production and personality is included. Our personal results are later compared with those s
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Jandlová, Sošková Martina. "Obrazy německých a rakouských malířů 17. století ve sbírkách Národní galerie v Praze." Doctoral thesis, 2008. http://www.nusl.cz/ntk/nusl-292666.

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The collection of German and Austrian painting of the 17th and 18th centuries includes over 600 paintings. Out of this number, seventeenth-century painting totals 190 works reflecting the various stages of the development of painting in Austrian and German lands. At the same time, this ensemble mirrors the development of collectorship from the 17th to the 20th centuries. The aim of the textual part of the presented catalogue is to briefly define the turning points in the development of art in Germany and Austria. The catalogue does not want to summarize the history of German art, it rather foc
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Keilová, Sylvie. "František Pelíšek (1896-1937). Český malíř v Brazílii: analýza jeho zápisků." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-305628.

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František Pelíšek was a Czech painter who entirely developed his talent after emigrating to Brazil. He left to the South American country in 1920 and two years later he became a regular professor at the Instituto Belas Artes in Porto Alegre. On the basis of his diaries we learn more about his personal life and about the life of emigrants in Brazil. We get to know other important personalities in the Czech compatriot's life and we will also mention the most important work of Pelíšek outside the art school. The thesis also deals with general questions about emigration with special focus on Brazi
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BOHDALOVÁ, Martina. "Neobyčejnost obyčejného." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-50749.

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My thesis The Exceptionality of the Usual consists of two parts, theoretical and practical. Practical part involves a set of sixteen still-life paintings in which a technic of dry pastel is used. Theoretical part surveys the art genres in still-life paintings of artists who created their opuses in the first half of the 20th century. At the beginning of my thesis I deal with and clear up the points of view that I take into account when examining artistic expressions and outlining historical development of still-life painting. Then I analyse particular periods of artistic life of modern artists
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SKOŘEPOVÁ, Zuzana. "Malíř Friedrich/Bedřich Feigl a jeho rodina, aneb Život mezi národy a metropolemi." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-47907.

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The presented diploma thesis is concerned with the personality of Friedrich/ Bedřich Feigl, a painter from the classical modern era, and attempts to understand the milieu in which he lived during the two periods of his life. Based on extant sources (letters, memoirs, press of the period, the painter?s own texts) and using historical-antropological optics, Bedřich Feigl, a Prague German of Jewish origin, is placed into a web of social relationships which formed in the first half of the twentieth century. The thesis is divided into two basic parts. The first one focuses on the Prague period, whe
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Mikolášková, Edita. "Jan Šplíchal (1894-1942), malíř krajiny a vesnického života - jeho život a dílo v kontextu doby." Master's thesis, 2009. http://www.nusl.cz/ntk/nusl-278146.

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Summary: Jan Šplíchal (1894-1942), painter of landscape and country life - his life and work in context of his epoch The presented magister work deals with the life and oeuvre of the regional painter Jan Šplíchal. He spent his life, except of his short studies in Prague, in Sloupnice by Litomyšl and its surrounding where he gathered inspiration for his work. The central point of his oeuvre is recording of the village and natural features of his born place. Deliberately he became the epigone of the grate landscape painters who went through the Mařák's school and follows their themes and manneri
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NAUŠ, Stanislav. "Tvorba mnichovského malíře Jana Polacka v kontextu dobové výtvarné produkce v Bavorsku a možný ohlas v českém malířství kolem roku 1500." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-390145.

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In comparison with the art production at Nurnberg or at the cities of the so-called Danube School at the end of 15th century stands the simultaneous painting at Munich in the background. Therefore is sometimes forgotten, that there, in this period, a painter Jan Polack with his workshop was active. To his important customers/patrons belonged the dukes Sigmund and Albrecht of Wittelsbach and the Bavarian monasteries (Weihenstephan near Feising), for which he made few altars or portraits. A most of these altars were after that removed from the original sacral areas and today they are presented i
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Novák, Hugo. "Transduktivní pohyb dění mezi chaosem a řádem." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404425.

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This work deals with the approach to the art of painting as a transductive movement of events that expresses its virtual dimension through an updating process. It is an approach whereby, based on the expression of its own origin, a painting brings infinity to its finite form. The aim of this work will be to not only attempt to understand painting as a real process of creation by means of the transductive dimension that is thus perceived, but also to demonstrate this dimension in action and approach the igniter of an explosive charge that will, at least partially, disrupt (and dissolve) the tra
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Kadlecová, Žaneta. "Grafická tvorba Jana Jiřího Balzera inspirovaná Norbertem Grundem ve sbírkách Národní galerie v Praze." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-306560.

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The target of my dissertation is to draw the character of the graphical works created by Jan Jiří Balzer which are kept in the collections of the National gallery in Prague. The resource of the graphical works of J. J. Balzer according to Norbert Grund includes more than five hundred and fifty items which remained almost non-elaborated. That's why, I would try to sort out and catalogue them. Beyond my dissertation, I would like to introduce a personality of the contemporary artist who is at the time the founder of an engraving plant and a successful businessman - who managed to interest the Cz
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TŘEŠKOVÁ, Marie. "Doteky." Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-45491.

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The practical part of diploma work consist of five figurative paintings, medium and bigger sized, made with acrylic colors on the canvas. The whole painting set is called `` Touches{\crqq}. The reflection principle goes trough the entire work and is also the name of subtitle. The reflection is important in a symbolic sense while choosing particular motives and colorful paintings. The work is inspired by the book Golden age written by Czech contemporaneous author Michal Ajvaz. In written section of diploma work the reader gets better idea about the work and each motif as well. There is a descri
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RIVOLOVÁ, Tereza. "Portréty umělců a hudebníků v próze Willy Catherové." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-136508.

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The aim of the diploma thesis is a presentation of the detailed portraits of fictional artists and musicians in selected short stories and novels by Willa Cather. The diploma thesis contains three main chapters. The first chapter is focused on the delineation of the context of Willa Cather's writing. The chapter presents the author's biography focused on the musical impulses and crucial turns of Cather's authorship development as well as brief biographical facts about the real artistic personalities who inspired Cather's fictional characters. The second chapter concerns with the analysis of th
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Bartůšková, Alice. "Řehole a múzy. Bratři kapucíni ve službách umění na prahu českého baroka." Doctoral thesis, 2019. http://www.nusl.cz/ntk/nusl-434098.

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disertační práce v anglickém jazyce ALICE BARTŮŠKOVÁ MONASTIC RULES AND MUSES. THE CAPUCHIN FRIARS IN THE SERVICE OF THE ART IN EARLY BAROQUE BOHEMIA VEDOUCÍ PRÁCE: DOC. PHDR. MARTIN ZLATOHLÁVEK, PHD. Dissertation entitled Monastic rules and muses. The capuchin friars in the service of the art in early Baroque Bohemia set out for the purpose of research to the neglected theme of the Capuchin brothers - painters on the border between Mannerism and the Baroque era. This phenomenon in painting, which is not only characteristic for the order of the Capuchins, but also of other ecclesiastical order
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Čermáková, Zdeňka. "Mineralogická analýza historických maleb." Doctoral thesis, 2015. http://www.nusl.cz/ntk/nusl-333576.

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Historical painted works of art have a very complex inner structure. The period painting technique led to the execution of a ground layer followed by several layers of underpainting and a top paint layer, over which a layer of glaze has been applied to increase the resistance to external wear. Each of these colour layers is composed of a dye or a pigment (or their mixture) bound by organic binder. Throughout the history, pigments were commonly prepared from minerals, either extracted from natural deposits or created artificially. In these heterogeneous layers containing both inorganic and orga
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Zbořil, Jonáš. "Umění sebeklamu: nespolehlivý vypravěč a jeho motivace v románech An Artist of the Floating World a The Remains of the Day Kazuo Ishigura." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-354151.

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The purpose of this thesis is to analyse unreliable narration and its motivation in the two novels by Kazuo Ishiguro, An Artist of the Floating World (1986) and The Remains of the Day (1989) using the taxonomy of Zuzana Fonioková and James Phelan and Mary Patricia Martin. In its theoretical part, this thesis explores the concept of unreliability in contemporary narratology, furthermore, it studies self-deception and memory, two phenomena essential for understanding the motivations for unreliable narration. The practical part consists of an analysis of the textual signals of unreliability, whic
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Mandažiev, Petr. "Metoda dějin umění v díle Heinricha Wölfflina (1864-1945)." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-353544.

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Heinrich Wölfflin (1864-1945) is considered one of the most influential art history scholars. His study entitled "Kunstgeschichtliche Grundbegriffe" ("Principles of Art History"), published in 1915, gained considerable response, both critical and favourable. In the study, Wölfflin attempted to explain transpersonal principles of periodically repeating artistic evolution. This evolutionary process, culminating in two phases, conditions entire artistic output (architecture, sculpture, painting, artistic craft), which thus developes within predetermined limits. Wölfflin defined each phase by conc
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Kuzica, Rokytová Bronislava. "Hannes Beckmann (1909-1977). Desava - Praha - New York." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-379073.

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Hannes Beckmann (1909-1977). Dessau - Prague - New York This PhD thesis is dedicated to an exceptional, though still forgotten personality, an artist of German descent, Hannes Beckmann |1909-1977|. A graduate of Germany's Bauhaus, he was one of the refugees fleeing Nazism to Czechoslovakia, and among many other achievements, he later became the director of the photography department of the Guggenheim Museum in New York. Through his work, he fulfilled avant-garde ideas on the synthesis of artistic fields: he was a painter, stage designer, art theorist and pedagogue, but also a creator of abstra
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