Journal articles on the topic 'Malta in art'

The aim of this paper is to identify the risks that need to be addressed when holding fine art, determine which are perceived as being the most important, and whether the risk perception is influenced by demographic variables such as age, educational background, and field of occupation. To identify the risks and evaluate the risk perception, we used a purposely designed questionnaire and sent it via various sources of communication systems and applications to individuals knowledgeable on fine arts. Findings revealed that, generally, art deterioration, art fraud, and art theft are the three main highlighted risks, with art deterioration considered in the high-risk range. In terms of risk perception, forgery is the biggest concern. On the other hand, considerations of the investment value of art lessened perceived risk exposure. Furthermore, the study has shown that certain risk perceptions were influenced by the participants’ demographic variables. Both the identified risks and risk perception considerations analyzed within this study provide us with insights as to what needs to be considered when offering fine art insurance, particularly when it comes to which risks that are perceived as being the most pressing by potential policyholders, and how these perceptions vary according to individual demographics variables as noted above.

In this article Frank Camilleri discusses the historical and professional links between Ingemar Lindh and Jerzy Grotowski, with a specific focus on the nature and implications of their separate work on physical action. Lindh's practice, particularly his research on the ‘disinterested act’, is read in the context of Grotowski's ‘doing’ in Art as Vehicle. The individual work of the two practitioners on vocal and vibration techniques is seen as integral to their research on physical action. Frank Camilleri is Senior Lecturer in Drama and Theatre Studies at the University of Kent and Artistic Director of Icarus Performance Project (Malta). He served as Academic Coordinator of Theatre Studies at the University of Malta from 2004 to 2008, and in 2007 co-founded Icarus Publishing Enterprise with Odin Teatret and the Grotowski Institute.

Malta has currently attracted numerous non-natives who consider the island conducive for business, investment and work. To enhance their working and living experience in Malta, several foreigners are learning Maltese as a second language (ML2), which could be challenging to learn, especially its grammar, if second language (L2) learners do not know Arabic. Furthermore, ML2 is a new subject with a lack of research in its pedagogical approaches. Second language acquisition (SLA) can be quite challenging for adults. Various evidence-based interventions including the use of art and music have been used to enhance SLA. Art and music play an important role in SLA, such as stimulating communication in L2, memorising new words and enhancing comprehension skills. The purpose of this study is to explore the impact of using music and art to enhance adults’ success in ML2. A qualitative methodology with convenience sampling was used to select 37 adult learners of ML2 who took part in a one-on-one interview via Zoom. The interviews were analysed, and the study results revealed that the use of art and music could contribute significantly in enhancing an adult learner’s academic achievement in ML2, whereas according to the participants, art and music are not currently used in ML2 courses. Therefore, the study recommends the use of art and music in both traditional and online classes to enhance adult learners’ academic achievement in ML2.

Revelations, apparitions, voices, stigmata and ecstasies were extraordinary phenomena and profoundly emotional, in which God was perceived as communicating with human beings through bodily phenomena. It was up to churchmen to regulate and control divine intervention in daily life and separate truth from deceit. But attempting to fulfil this pastoral duty was a complicated matter. Were these experiences authentic, really proceeding from God or were they illusions of the devil, the deceiver par excellence and able to capture human trust? Furthermore, besides the devil’s deceit, might there not also be an element of human simulation or ‘false sanctity’, that is, a mixture of lies and hypocrisy? This was the art of the actor, who makes the audience believe what is untrue. Hypocrites have one sole aim: to obtain praise and fame through the exercise of sham virtues.

Priseljevanje v Sredozemlje ima večtisočletno zgodovino, ki se na malteškem otočju odraža skozi zaporedje okupatorjev, ki so ga kolonizirali. Vendar pa so trendi v zadnjih desetletjih pokazali izrazite spremembe v starih vzorcih, tako da namesto povratnih migrantov in naseljevanja britanskih izseljencev sedaj prevladujejo selitveni tokovi iz Evrope in podsaharske Afrike, zlasti po vključitvi Malte v Evropsko unijo leta 2004. Članek preučuje količine vključenih v te tokove, spreminjajočo se prostorsko razmestitev izhodiščnih držav ter spreminjajoče se starostne strukture priseljencev v zadnjih dveh desetletjih. Da bi zagotovili zanesljivost podatkov, so bili uporabljeni podatki zaporednih popisov prebivalstva in stanovanj, ki jih je zbral Državni statistični urad Malte. Glavni ugotovitvi prispevka sta spreminjajoča se starostna struktura priseljencev ter njihove regionalne porazdelitve na Malti. Ker je Malta najmanjša država v EU in ima eno najvišjih gostot prebivalstva na svetu, je bila obravnavana tudi problematika gostote priseljencev. Pokaže se, da je gostota priseljenega prebivalstva na Malti tako visoka kot gostote vsega prebivalstva v nekaterih evropskih državah.

Priseljevanje v Sredozemlje ima večtisočletno zgodovino, ki se na malteškem otočju odraža skozi zaporedje okupatorjev, ki so ga kolonizirali. Vendar pa so trendi v zadnjih desetletjih pokazali izrazite spremembe v starih vzorcih, tako da namesto povratnih migrantov in naseljevanja britanskih izseljencev sedaj prevladujejo selitveni tokovi iz Evrope in podsaharske Afrike, zlasti po vključitvi Malte v Evropsko unijo leta 2004. Članek preučuje količine vključenih v te tokove, spreminjajočo se prostorsko razmestitev izhodiščnih držav ter spreminjajoče se starostne strukture priseljencev v zadnjih dveh desetletjih. Da bi zagotovili zanesljivost podatkov, so bili uporabljeni podatki zaporednih popisov prebivalstva in stanovanj, ki jih je zbral Državni statistični urad Malte. Glavni ugotovitvi prispevka sta spreminjajoča se starostna struktura priseljencev ter njihove regionalne porazdelitve na Malti. Ker je Malta najmanjša država v EU in ima eno najvišjih gostot prebivalstva na svetu, je bila obravnavana tudi problematika gostote priseljencev. Pokaže se, da je gostota priseljenega prebivalstva na Malti tako visoka kot gostote vsega prebivalstva v nekaterih evropskih državah.

At the time of postmodern deconstruction in thinking about aesthetic education, the concept of prof. Irena Wojnar on the integration of art with daily life is still valid. In the 1980s and 1990s, the legitimacy of prof. Wojnar’s theory were our studies of amateur artistic teams from youth vocational schools in Gorzów Wielkopolski, Lublin, Kraków, Andrychów, Koronowo, Kołobrzeg. Despite various profiles of the schools such as: mining, metallurgy, medicine, gastronomy, railway, amateur creativity was developed within the three following stages: (1) social meetings functioning instrumentally; (2) workshops enhancing the autonomy of art; (3) formation of a lifestyle that shapes the hierarchy of values. The integration of art with daily life is not limited to the past: Młodzi i teatr (‘Youth and the Theatre’) report prepared by the Malta Festival Foundation in Poznań (2013) shows its usefulness in the educational practice. Together with defining the typology of audience and the conditions for dissemination of the theatre, it emphasises the need for a broader cultural participation in the debate on art creation within the new social environment.

There's a popular meme that my archaeology friends have been circulating on social media lately: a picture of Giorgio Tsoukalos, a producer of the popular History Channel show Ancient Aliens, overlaid with the caption “I'm not saying it was aliens, but it was aliens.” The caption is a play on Tsoukalos's and others’ claims that the archaeological and historical record contains ample evidence for alien visits to earth in antiquity. To wit, past episodes of the show have suggested that Kachinas, Egyptian hieroglyphics, and indigenous rock art depict aliens; that much of the monumental art and architecture of ancient Mesoamerica, South America, Near East, Easter Island (of course), Malta, and elsewhere represents the genius of extraterrestrial visitors; that Mayan kings were not really people but alien overlords; that extraterrestrials were responsible for the demise of many civilizations—if not the dinosaurs, too—and so on.

The fortified city of Valletta, founded in 1566 by the Knights of Malta, is one of the few Renaissance ideal cities to be built. Planned from the beginning and constructed on virgin ground, it follows a rigid gridiron scheme designed by the Italian architect Francesco Laparelli da Cortona (1521-1570) that is an exemplar of Neoplatonic planning principles of the age of humanism and constitutes a model of modern urban design. Although the founding and development of the city has been well investigated historically, the formal essence of its urban design has not yet been examined satisfactorily from an architectural perspective. While the executed plan has been interpreted until now as an imperfect materialization of one of the four known preparatory drawings by Laparelli, in this article I suggest the possibility that the town built is a further evolutionary step in a fully traceable design process based on a coherent system of trigonometric proportions. In addition to the physical evidence of the city's current digital terrain model, the method of design proposed here is largely supported not only by sixteenth-century architectural theory (as advanced by Albrecht Dürer, Sebastiano Serlio, and Pietro Cataneo) but also historically by a group of new Florentine towns founded in the late Middle Ages that exhibit the same compositional principles.

As a result of the internationalization of theatrical art and the development of modern technologies, surtitles are currently one of the most frequently used methods of theater translation. The diversity of solutions currently proposed by theaters around the world entails the necessity of development of the common rules of the creation of surtitles. This role is to be fulfilled by the French rulebook prepared by the by the drama institute Maison Antoine Vitez, entitled "Guide du sur-titrage au théâtre" (Bataillon, Muhleisen, Diez, 2016). The following analysis is based on examples of the use of surtitles from four performances presented during the Malta Festival 2017 in Poznań. Its purpose will be to answer the question: to what extent the surtitles used during the Polish festival of theater are in compliance with the norms suggested by authors of“Guide du sur-titrage au théâtre” (2016)?

The European Framework for Key Competences (2006) promotes a shared European identity as a priority for assuring a cohesive future for the European Union (EU), yet the development of a discrete European identity remains acutely contentious, with critics claiming it is too shallow to support the bonds of solidarity needed to engender and support a shared ‘future together’. Most EU member states now have some sort of citizenship curriculum within their state education systems and most are aware that such programmes are difficult to introduce, to teach and to assess within conventional school curricula. However, much of the citizenship education literature tells us that educators are conscious of the problematic nature of exploring citizenship identities. Drawing on both philosophical perspectives and an empirical investigation undertaken by one of the authors, this paper argues that issues of belonging may prove a useful way to explore wider conceptions of citizenship. The research was designed to examine how visual art and citizenship education could be combined to explore and extend children’s notions of European identity, using data from Images & Identity, an EU-funded 2-year curriculum development project on citizenship and art education in the Czech Republic, England, Ireland, Germany, Malta and Portugal.

The development of a complete system of indicators and a composite sustainable energy index could prove useful to evaluate both the state of the art and the progress of national energy towards sustainable development. However, in the case of energy sustainability, a knowledge gap arises due to incomplete coverage and lack of systematic focus on sustainability components. The objective of our research is to obtain Sustainable Energy Development Aggregated Index to rank the EU Member States on the path to sustainable energy. We propose a set of indicators related to sustainable development in energy policy in the EU-28, grouped in three dimensions: social, economic and environmental and apply the standardized sums method in order to obtain the dimensional and aggregated indexes. The countries on the podium are Denmark, The Netherlands and Austria. The worst-performing countries (with index values below the first quartile) are Estonia, Malta, Slovakia, Poland, Greece, Cyprus and Bulgaria. A comparative analysis of the outcome with a few existing indexes for the EU Member States shows how large an impact on the index values and the ranking obtained does the selection of indicators and the methodology used have. The refinement of the set of energy indicators is necessary for the context where they will be applied to ensure their policy relevance and usefulness. It is also necessary to conduct a sensitivity analysis each time in the study.

Brevity in experimental Italian theatre is not merely an expressive dimension of scenic creation, but a forma mentis, a conceptual vocation of young companies. The 2000s produced a minor theatre in Italy – first because of the reduced stage size, and second because of the brevity of works such as installation pieces. Moving from the linguistic disintegration of the historical avant-gardes of the twentieth century, this theatre is especially inspired by the visual arts, even though its historical roots remain fragmented and art is still seen in the synthetic language of modern dance and Futurist variety. Short forms actually become a tool for crossing artistic genres and languages. Starting from Deleuze’s and Guattari’s philosophical concept of minor literature, in this article Silvia Mei explores and analyzes work by such Italian contemporary companies as gruppo nanou, Città di Ebla, Anagoor, Opera, ErosAntEros, and Teatro Sotterraneo – all representative of what can be called installation theatre, a new theatrical wave that crosses the boundaries and specificities of artistic language, leading to the deterritorialization of theatre itself, a rethinking of the artistic work as well as its relationship with the audience. Silvia Mei is Adjunct Professor of the History of Theatre Directing and Theatre Iconography at the University of Bologna, having been a Research Fellow at the University of Turin. Her recent publications include ‘La terza avanguardia: ortografie dell’ultima scena italiana’, in Culture Teatrali, No. 14 (2015), and Displace Altofest (Valletta: Malta 2018 Foundation).

Project by authorship and idealization of the paraense doctor Wirley Otávio Oliveira de Barros, which involves art, science, history and political reflection, developed in the city of Belém, capital of the State of Pará, in the middle of the Amazon region, registered in a notary through a Notarial Act. This grandiose work was developed with scientific support Museum of Geosciences of the Amazon (MUGEO) of the Institute of Geosciences (IG) of the Federal University of Pará (UFPA) through Prof. Dr. Marcondes Lima da Costa, with a PhD in Mineralogy and Geochemistry from Universität Erlangen-Nürnberg (Friedrich-Alexander), in Germany (1982) and with a post-doctorate in mineralogy-geochemistry from IG-USP (2001); chemist Dr. Suyanne Flávia Rodrigues, with a doctorate in Mineralogy and Geochemistry from the Graduate Program in Geology and Geochemistry (PPGG) at IG / UFPA and MsC. geologist Gisele Tavares Marques, also from PPGG. This project, which will soon be presented to the public, was duly informed to Her Majesty, Queen Elizabeth Alexandra Mary Windsor (Elizabeth II), of the United Kingdom of Great Britain and Northern Ireland, in addition to Head of Commonwealth Realms and Defender of Faith, as it presents as a prominent item the replica work of “Saint Edward's Crown” or “St. Stephen’s Crown ”, as mentioned in the Royal letter received on February 3, 2016, signed by Miss Jennie Vine (Deputy to the Senior Correspondence Officer for Buckingham Palace), who on this occasion conveys the monarch's personal message. This is the official coronation crown of British monarchs, consisting of 444 stones of distinct mineral gems, which inspired the title attributed to the project. Therefore, it is a replica of a symbol of POWER, whose heraldic meaning of CRUZ DE MALTA and FLOR-DE-LIS guide the conduct and political profile of the ruler. In this regard, the author also addresses a message to the "men of power", made through a personal text of his own.

This study aims to depict the image of the Jew by two different authors of various periods of time. Undoubtedly, the Image of the Jew had been discussed and depicted in many plays of famous and prominent authors, especially during The Renaissance Era, such as Christopher Marlowe in his brilliant artistic work The Jew of Malta. In addition to, William Shakespeare’s glorious piece of art The Merchant of Venice which is described by Dr. Mahmoud Shetywi, in his article “The Merchant of Venice in Arabic” as the play that is considered till now as the most prominent Elizabethan comedy that has been studied, performed and adapted by many universal and Arab modern and contemporary authors ; who one of them is the Yemeni author and playwright Ali Ahmed Bakathir with his adaptation of The Merchant of Venice which is called The New Shylock , in which he relates the traditional Elizabethan image of the Jew to the issue of (The Arab – Israeli Conflict). So, this study endeavors to show the genius dramatic techniques, that are used by both authors and the effect of Shakespeare on Bakathier. The New Shylock can be considered an adaptation of The Merchant of Venice with modern modifications and new concepts that serve the purpose of Bakathir. Accordingly, the researchers will rely on the theory of adaptation in excavating the treasures of both texts. Moreover, there are various (psychological, political, social and anthropological) aspects of depth that they tried to convey within their creation of the character of Shylock and what does this character really imply of the essential issues, to criticize and relate them to their own societies and times.

This paper aims to investigate different factors which ultimately lead a student in a VET (Vocational, Education, and Training) context to consider dropping out of the course of study. This study was carried out within the Malta College of Art, Science, and Technology (MCAST) as it is Malta’s leading VET institution. In order to address the major problem of school drop-outs, one has to understand why students consider dropping out of college. Identifying the reasons that lead to dropping out is extremely difficult because of the range of factors related to the individual student, the family, the community setting in which the student lives, and the school. The purpose of this study is to explore reasons leading students to consider dropping out in a VET context. It seeks to analyse any relationship between different factors in the life of a student and whether these factors lead a student to consider dropping out of a course of study. ‘The school drop-out rate is an important indicator in assessing the performance of the education system, by level of education. From another perspective analysis, it signals some aspects of social and economic life which can influence people’s access to education’ (Blandul and Abela 2015). Dropping out of school is the ultimate phase in a dynamic and cumulative process of disengagement (Newmann et al. 1992). The main objective of this research is to understand the main factors leading a student to consider dropping out of college in a VET context. It will also investigate what measures can be taken and what can be done within the college to minimize the drop-out rate. The independent variables in this study are the factors which previous studies have shown that they influence the drop-out rate. The dependent variable is the drop-out rate of students at MCAST. This analysis will study the existence of a relationship between these independent variables and the dependent variable.

The article presents new information about the altar painting “Blessed Augustin Kažotić, St John Evangelist and St James” in Trogir Cathedral. In the lower right corner, a previously unknown inscription was discovered during the restoration: Teodoro Matteini F. in Venezia 1805. Apart from the name of the distinguished Italian painter, Teodoro Matteini (Pistoia, 1754 - Venice, 1831), it states that it was made in Venice in 1805. This indisputably confirms the opinion published so far by Croatian and Italian art historians. Based on Italian and Croatian documents, it can be concluded that the key role in the commission of the painting was played by brothers Ivan Dominik (1761-1848) and Ivan Luka Garagnin (1764-1841), the noblemen of Trogir and respectable representatives of Dalmatian society in the early nineteenth century. They knew Matteini well because he was the painter who in 1798 painted a portrait of Ivan Dominik Garagnin who is mentioned in a letter as a steward of Trogir Cathedral. In the process of commissioning and designing the painting’s composition and details, an active part was played by the learned brothers’ friend and confidant, Giovanni de Lazara (Padua 1744-1833), a nobleman from Padua, knight of Malta, bibliophile, collector and inspector-conservationist of paintings in Padua and its environment from 1793 onwards.The painting shows St James, St John the Evangelist and a Trogir saint - blessed Augustin Kažotić (c. 1260-1323) - who was a bishop of Zagreb and Lucera. According to archival records, the citizens of Trogir provided Matteini with information about the saint and an older painting which served as a model for the new portrait. The painting was set in the new marble altar which had been installed by Nicolò and Zuane Degani in 1802.At Ca’ Pesaro (Galleria Internazionale d’Arte Moderna) in Venice, there is a drawing from 1805 signed by Matteini (pencil on paper, 431 x 283 mm) which depicts St James and is a preparatory sketch for his portrait on the Trogir painting.

Nomenclatural notes on Malva cretica s.l. (Malvaceae) are discussed. The names Malva althaeoides, M. althaeoides var. hirsuta, M. anodaeformis, M. cretica, and M. cretica var. montana are lectotypified on specimens preserved in the Herbaria BM, G, MA, and P. The names M. hirsuta by Sieber and by Tenore are respectively invalid (Art. 36.1c) and illegitimate (Art. 53.2) according to the Melbourne Code.

Until recently, the care of persons with mental disorder in Malta was regulated by mental health legislation enacted in 1976. This was closely modelled on the 1959 British Mental Health Act. Now, the Mental Health Act 2012 is being implemented in two steps, in 2013 and 2014. The paper reviews its provisions.

Katie Mitchell has been directing opera since 1996, when she debuted on the operatic stage with Mozart and Da Ponte’s Don Giovanni at the Welsh National Opera. Since then, she has directed more than twenty-nine operas in major opera houses around the world. Mitchell here speaks of her directorial approach when working with the genre, addressing various aspects of interest for those who want a better grasp of the dynamics of opera-making in the twenty-first century. Ranging from the director’s imprint, or signature on the work they put on the stage, to the relationships forged with people running opera institutions, Mitchell reflects on her experiences when staging opera productions. She sheds light on some fundamental differences between theatre-making and opera production, including the issue of text – the libretto, the dramatic text, and the musical score – and the very basic fact that in opera a director is working with singers, that is, with musicians whose attitude and behaviour on stage is necessarily different from that of actors in the theatre. Running throughout the conversation is Mitchell’s commitment to ensure that young and contemporary audiences do not see opera as a museum artefact but as a living performative experience that resonates with the aesthetics and political imperatives of our contemporary world. She speaks of the uncompromising political imperatives that remain central to her work ethic, even if this means deserting a project before it starts, and reflects on her long-term working relations with opera institutions that are open to new and alternative approaches to opera-making strategies. Mitchell underlines her respect for the specific rules of an art form that, because of its collaborative nature, must allow more space for theatre-makers to venture within its complex performative paths if it wants to secure a place in the future. Mario Frendo is Senior Lecturer of Theatre and Performance and Head of the Department of Theatre Studies at the School of Performing Arts, University of Malta, where he is the director of CaP, a research group focusing on the links between culture and performance.

This article reexamines the “Albert Maltz affair” in light of debates about art and literature in the journal New Masses (1926–48), as well as in international Marxist aesthetics. I argue for a reexamination of the “para-Marxist” theory of art he developed to clarify the role of leftist criticism and the “citizen writer.” The controversy stirred by the publication of Maltz's “What Shall We Ask of Writers?” (New Masses, 12 February 1946) is only fully appreciated through the aesthetic implications that many historians of the Hollywood Ten have overlooked. The immediate attacks on Maltz by critics like Mike Gold were motivated primarily by the view that a properly Marxist aesthetics must follow the Leninist–Zhdanovite theory of “art as a weapon.” More importantly, the support that Maltz and like-minded authors earned from New Masses readers for expressing the “Engelian” thesis that left-wing critics should evaluate art for dialectical tensions of form (and not solely for proletarian messages) suggests that this episode might be read as a beacon of salutary developments in international Marxist aesthetics rather than as an omen of American communist repression caused by the HUAC trials.

The emergence of Islam influenced the revolution and made a wave of culture toward a new world when experiencing an era of darkness. The progress of Greek civilization in the West could not be continued by the Roman empire and Roman domination in the classical era until the middle ages; which was then the rise of the West in the era of renaissance in the 14-16th century. This paper will reveal the influence of Islam on the development of the Western world, since the emergence of contact between Islam with the West in the Classical era until the middle ages. There are different opinions among historians about who and when the first contact between Islam and the West took place. The first contact, however, occurred when the areas of East Roman government (Byzantium), Syria (638) and Egypt (640) fell into the hands of the Islamic government during the reign of Caliph 'Umar bin Khaţţāb. The Second contact, at the beginning of the eighth and ninth centuries occurred when the kings of Islam were able to rule Spain (711-1472), Portugal (716-1147), and important Mediterranean islands such as Sardinia (740-1050), Cicilia (827-1091), Malta (870-1090) as well as several small areas in Southern Italy and French Southern France. The third contact, took place in Eastern Europe from the fourteenth to early twentieth century when the Ottoman empire ruled the Balkan peninsula (Eastern Europe) and Southern Russia. The Ottoman empire's powers in Europe covered Yunāni, Bulgaria, Albania, Romania, Yugoslavia, Hungary, parts of Rhode, Cyprus, Austria and parts of Russia. Of the three periods of contact, the greatest influence was in the second contact period, where the decline of Western science in the dark era, while in the Islamic world developed advanced and produces scientists, thinkers and intellectuals in various sciences. This influence can be seen from the sending of students studying to the university of Islamic area, the establishment of the university, the translation and copying of various scientific literature such as natural science (Science of astronomy, Mathematics, Chemistry, Pharmacy, medicine, architecture etc) and Social Science history, philosophy, politics, economics, earth sciences, sociology, law, culture, language, literature, art, etc.). The Historians recognize that the influence of Islamic civilization is very great on the development of the West, which culminated in the renaissance or rise of Western civilization in Europe after the dark era.

The emergence of Islam influenced the revolution and made a wave of culture toward a new world when experiencing an era of darkness. The progress of Greek civilization in the Westcould not be continued by the Roman empire and Roman domination in the classical era until the middle ages; which was then therise of the West in the era of renaissance in the 14-16th century.This paper will reveal the influence of Islam on the development of the Western world, since the emergence of contact between Islam with the West in the Classical era until the middle ages. There are different opinions among historians about who and when the first contact between Islam and the West took place. The first contact, however, occurred when the areas of East Roman government (Byzantium), Syria (638) and Egypt (640) fell into the hands of the Islamic government during the reign of Caliph 'Umar bin Khaţţāb. The Second contact, at the beginning of the eighth and ninth centuries occurred when the kings of Islam were able to rule Spain (711-1472), Portugal (716-1147), and important Mediterranean islands such as Sardinia (740-1050), Cicilia (827-1091), Malta (870-1090) as well as several small areas in Southern Italy and French Southern France. The third contact, took place in Eastern Europe from the fourteenth to early twentieth century when the Ottoman empire ruled the Balkan peninsula (Eastern Europe) and Southern Russia. The Ottoman empire's powers in Europe covered Yunāni, Bulgaria, Albania, Romania, Yugoslavia, Hungary, parts of Rhode, Cyprus, Austria and parts of Russia. Of the three periods of contact, the greatest influence was in the second contact period, where the decline of Western science in the dark era, while in the Islamic world developed advanced and produces scientists, thinkers and intellectuals in various sciences. This influence can be seen from the sending of students studying to the university of Islamic area, the establishment of the university, the translation and copying of various scientific literature such as natural science (Science of astronomy, Mathematics, Chemistry, Pharmacy, medicine, architecture etc) and Social Science history, philosophy, politics, economics, earth sciences, sociology, law, culture, language, literature, art, etc.). The Historians recognize that the influence of Islamic civilization is very great on the development of the West, which culminated in the renaissance or rise of Western civilization in Europe after the dark era.

A decade ago, the financial world was taken by surprise, when prominent credit institutions filed for bankruptcy. The financial crisis phenomena spurred the need for regulating Securitisation and enhancing the capital requirements framework. In response, the Basel Committee initiated the regulatory treatment for the Simple Transparent and Comparable Securitisation (STC Securitisation), the USA passed the Dodd–Frank Act and the EU introduced Securitisation Regulation No. 2017/2402 to address the causes and failures, which were identified, following the aftermath of this financial crisis. With this article, we aim to analyse the main provisions of the Regulation No. 2017/2402 on Malta as a jurisdiction for securitisation and provide an insight on the prospective market development. To reach our aim we analysed scholarly documentation (academic chapters, journals, articles and monographs), rules, guidelines, recommendations, directives and regulations and use the case study methodology, as suggested by Yin (2003) and Yazan (2015), on Malta. In our opinion, recently, Malta has made significant improvements in the securitisation sector, mostly evidenced by the introduction of the legislation. All interviewees emphasised that Malta has substantial opportunities for further growth in the securitisation market and it is encouraged to be exploited well.

IL RICHIAMO DELL'ANTICO: NAZIONALISMO, POLITICA E ARCHEOLOGIA NELLA MALTA BRITANNICA (1880–1964)Negli anni recenti si è sviluppato un notevole interesse per gli aspetti socio-politici della pratica archeologica. Nel ripercorrere lo sviluppo della tradizione archeologica di Malta, questo studio si propone di scoprire se gruppi sociali o politici si appropriarono di oggetti antichi e di siti archeologici per rivendicare una propria distinta identita. L'articolo si concentra sul periodo che seguì all'annuncio, nel 1880, di una serie di riforme che regolavano gli affari pubblici, che rese il dominio coloniale britannico in Malta ancora più invadente ed autoritario. La comprensione dell'antico che può definirsi propriamente ‘archeologica’ nacque in questo periodo e maturò dall'esigenza di conservare le vestigia della storia del paese attraverso l'emanazione di leggi e il fervore patriottico e nazionalista. L'attività archeologica di personaggi quali A.A. Caruana, Albert Mayr, Themistocles Zammit, Thomas Ashby e Luigi M. Ugolini, viene qui analizzata in questo contesto. Gli autori sostengono che, contro lo sfondo di una lenta comprensione delle fasi più antiche della razza umana e del riconoscimento del passato preistorico di Malta, sorse la necessità tra i politici di una delle colonie della ‘Corona’ di appropriarsi del passato come di un precedente per il presente ed il futuro.

The period from the 1960s to the 1990s was one of great political change in Malta. Up until its independence in 1964, Malta had been under foreign domination, and this new political direction meant change in the way the Maltese saw and governed themselves. Theatre during this period expressed this emerging new identity. Looking at theatre and political protest during this period reveals that in contrast to the more politically engaged post-independence theatre, recent Maltese theatre is relatively unchanging, perhaps due to a more general decline in political involvement.

AbstractRossiya yest' yevropeyskaya derzhava ("Russia is a European power") was Tsarina Catherine II's credo and program, a logical continuation of the policy of Tsar Peter the Great. Malta and the Order of St. John played an important role in Catherine's plan: the island of the knights was to serve as a bridgehead for a permanent Russian presence in the Mediterranean. Already in 1698 Tsar Peter had sent delegations and diplomats to Hospitaller Malta to negotiate a Russo-Maltese alliance against the Ottomans. In the 1760s a Russian chargé d'affaires was installed in Malta and the famous fleet of the Order was used by Russian officers for training, and in 1768 a plan was drawn up for a joint Russo-Maltese naval attack on the Greek mainland. But such moves must have brought about the united opposition of the Mediterranean powers as well as of that of the British. Even in such a "holy war" against their infidel archenemy, which would have been in perfect accord with its statutes, the Order of St. John could no longer act freely. Officially, France remained the main protector of the Order's neutrality, so until the end of the Ancien régime the Order did not risk an open alliance with Russia. In the long run, however, Tsarina Catherine's insistence had paved the way for extremely close Russo-Maltese relations to come when her son Paul became tsar and even was proclaimed as the new grand master of the Order of Malta.

Temporary or permanent, local or international, voluntary or forced, legal or illegal, registered or unregistered migrations of individuals, whole communities or individual groups are an important factor in constructing and modifying (modern) societies. The extent of international migrations is truly immense. At the time of the preparation of this publication more than 200 million people have been involved in migrations in a single year according to the United Nations. Furthermore, three times more wish to migrate, mostly from sub-Saharan Africa towards some of the most economically developed areas of the world according to the estimates by the Gallup Institute (Esipova, 2011). Some authors, although aware that it is not a new phenomenon, talk about the era of migration (Castles, Miller, 2009) or the globalization of migration (Friedman, 2004). The global dimensions of migration are definitely influenced also by the increasingly visible features of modern societies like constantly changing conditions, instability, fluidity, uncertainty etc. (Beck, 2009; Bauman, 2002).The extent, direction, type of migrations and their consequences are affected by many social and natural factors in the areas of emigration and immigration. In addition, researchers from many scientific disciplines who study migrations have raised a wide range of research questions (Boyle, 2009, 96), use a variety of methodological approaches and look for different interpretations in various spatial, temporal and contextual frameworks. The migrations are a complex, multi-layered, variable, contextual process that takes place at several levels. Because of this, research on migrations has become an increasingly interdisciplinary field, since the topics and problems are so complex that they cannot be grasped solely and exclusively from the perspective of a single discipline or theory. Therefore, we are witnessing a profusion of different “faces of migration”, which is reflected and at the same time also contributed to by this thematic issue of the journal Ars & Humanitas.While mobility or migration are not new phenomena, as people have moved and migrated throughout the history of mankind, only recently, in the last few decades, has theoretical and research focus on them intensified considerably. In the last two decades a number of research projects, university programs and courses, research institutes, scientific conferences, seminars, magazines, books and other publications, involving research, academia as well as politics and various civil society organizations have emerged. This shows the recent exceptional interest in the issue of migration, both in terms of knowledge of the processes involved, their mapping in the history of mankind, as well as the theoretical development of migration studies and daily management of this politically sensitive issue.Migration affects many entities on many different levels: the individuals, their families and entire communities at the local level in the emigrant societies as well as in the receiving societies. The migration is changing not only the lives of individuals but whole communities and societies, as well as social relations; it is also shifting the cultural patterns and bringing important social transformations (Castles 2010). This of course raises a number of questions, problems and issues ranging from human rights violations to literary achievements. Some of these are addressed by the authors in this thematic issue.The title “Many faces of migration”, connecting contributions in this special issue, is borrowed from the already mentioned Gallup Institute’s report on global migration (Esipova, 2011). The guiding principle in the selection of the contributions has been their diversity, reflected also in the list of disciplines represented by the authors: sociology, geography, ethnology and cultural anthropology, history, art history, modern Mediterranean studies, gender studies and media studies. Such an approach necessarily leads not only to a diverse, but at least seemingly also incompatible, perhaps even opposing views “on a given topic. However, we did not want to silence the voices of “other” disciplines, but within the reviewing procedures actually invited scientists from the fields represented by the contributors to this volume. The wealth of the selected contributions lies therefore not only in their coherence and complementarity, but also in the diversity of views, stories and interpretations.The paper of Zora Žbontar deals with the attitudes towards foreigners in ancient Greece, where the hospitality to strangers was considered so worthy a virtue that everyone was expected to “demonstrate hospitality and protection to any foreigner who has knocked on their door”. The contrast between the hospitality of ancient Greece and the modern emergence of xenophobia and ways of dealing with migration issues in economically developed countries is especially challenging. “In an open gesture of hospitality to strangers the ancient Greeks showed their civilization”.Although the aforementioned research by the United Nations and Gallup Institute support some traditional stereotypes of the main global flows of migrants, and the areas about which the potential migrants “dream”, Bojan Baskar stresses the coexistence of different migratory desires, migration flows and their interpretations. In his paper he specifically focuses on overcoming and relativising stereotypes as well as theories of immobile and non-enterprising (Alpine) mountain populations and migrations.The different strategies of the crossing borders adopted by migrant women are studied by Mirjana Morokvasic. She marks them as true social innovators, inventing different ways of transnational life resulting in a bottom-up contribution to the integrative processes across Europe. Some of their innovations go as far as to shift diverse real and symbolic boundaries of belonging to a nation, gender, profession.Elaine Burroughs and Zoë O’Reilly highlight the close relations between the otherwise well-established terminology used in statistics and science to label immigrants in Ireland and elsewhere in EU, and the negative representations of certain types of migrants in politics and the public. The discussion focusses particularly on asylum seekers and illegal immigrants who come from outside the EU. The use of language can quickly become a political means of exclusion, therefore the authors propose the development and use of more considerate and balanced migration terminology.Damir Josipovič proposes a change of the focal point for identifying and interpreting the well-studied migrations in the former Yugoslavia. The author suggests changing the dualistic view of these migrations to an integrated, holistic view. Instead of a simplified understanding of these migrations as either international or domestic, voluntary or forced, he proposes a concept of pseudo-voluntary migrations.Maja Korać-Sanderson's contribution highlights an interesting phenomenon in the shift in the traditional patterns of gender roles. The conclusions are derived from the study of the family life of Chinese traders in transitional Serbia. While many studies suggest that child care in recent decades in immigrant societies is generally performed by immigrants, her study reveals that in Serbia, the Chinese merchants entrust the care of their children mostly to local middle class women. The author finds this switch of roles in the “division of labour” in the child care favourable for both parties involved.Francesco Della Puppa focuses on a specific part of the mosaic of contemporary migrations in the Mediterranean: the Bangladeshi immigrant community in the highly industrialized North East of Italy. The results of his in-depth qualitative study reveal the factors that shape this segment of the Bangladeshi diaspora, the experiences of migrants and the effects of migration on their social and biographical trajectories.John A. Schembri and Maria Attard present a snippet of a more typical Mediterranean migration process - immigration to Malta. The authors highlight the reduction in migration between Malta and the United Kingdom, while there is an increase in immigration to Malta from the rest of Europe and sub-Saharan Africa. Amongst the various impacts of immigration to Malta the extraordinary concentration of immigrant populations is emphasized, since the population density of Malta far exceeds that of nearly all other European countries.Miha Kozorog studies the link between migration and constructing their places of their origin. On the basis of Ardener’s theory the author expresses “remoteness” of the emigratory Slavia Friulana in terms of topology, in relation to other places, rather than in topography. “Remoteness” is formed in relation to the “outside world”, to those who speak of “remote areas” from the privileged centres. The example of an artistic event, which organizers aim “to open a place like this to the outside world”, “to encourage the production of more cosmopolitan place”, shows only the temporary effect of such event on the reduction of the “remoteness”.Jani Kozina presents a study of the basic temporal and spatial characteristics of migration “of people in creative occupations” in Slovenia. The definition of this specific segment of the population and approach to study its migrations are principally based on the work of Richard Florida. The author observes that people with creative occupations in Slovenia are very immobile and in this respect quite similar to other professional groups in Slovenia, but also to the people in creative professions in the Southern and Eastern Europe, which are considered to be among the least mobile in Europe. Detailed analyses show that the people in creative occupations from the more developed regions generally migrate more intensely and are also more willing to relocate.Mojca Pajnik and Veronika Bajt study the experiences of migrant women with the access to the labour market in Slovenia. Existing laws and policies push the migrants into a position where, if they want to get to work, have to accept less demanding work. In doing so, the migrant women are targets of stereotyped reactions and practices of discrimination on the basis of sex, age, attributed ethnic and religious affiliation, or some other circumstances, particularly the fact of being migrants. At the same time the latter results in the absence of any protection from the state.Migration studies often assume that the target countries are “modern” and countries of origin “traditional”. Anıl Al- Rebholz argues that such a dichotomous conceptualization of modern and traditional further promotes stereotypical, essentialist and homogenizing images of Muslim women in the “western world”. On the basis of biographical narratives of young Kurdish and Moroccan women as well as the relationships between mothers and daughters, the author illustrates a variety of strategies of empowerment of young women in the context of transnational migration.A specific face of migration is highlighted in the text of Svenka Savić, namely the face of artistic migration between Slovenia and Serbia after the Second World War. The author explains how more than thirty artists from Slovenia, with their pioneering work in three ensembles (opera, ballet and theatre), significantly contributed to the development of the performing arts in the Serbian National Theatre in Novi Sad.We believe that in the present thematic issue we have succeeded in capturing an important part of the modern European research dynamic in the field of migration. In addition to well-known scholars in this field several young authors at the beginning their research careers have been shortlisted for the publication. We are glad of their success as it bodes a vibrancy of this research area in the future. At the same time, we were pleased to receive responses to the invitation from representatives of so many disciplines, and that the number of papers received significantly exceeded the maximum volume of the journal. Recognising and understanding of the many faces of migration are important steps towards the comprehensive knowledge needed to successfully meet the challenges of migration issues today and even more so in the future. It is therefore of utmost importance that researchers find ways of transferring their academic knowledge into practice – to all levels of education, the media, the wider public and, of course, the decision makers in local, national and international institutions. The call also applies to all authors in this issue of the journal.

Temporary or permanent, local or international, voluntary or forced, legal or illegal, registered or unregistered migrations of individuals, whole communities or individual groups are an important factor in constructing and modifying (modern) societies. The extent of international migrations is truly immense. At the time of the preparation of this publication more than 200 million people have been involved in migrations in a single year according to the United Nations. Furthermore, three times more wish to migrate, mostly from sub-Saharan Africa towards some of the most economically developed areas of the world according to the estimates by the Gallup Institute (Esipova, 2011). Some authors, although aware that it is not a new phenomenon, talk about the era of migration (Castles, Miller, 2009) or the globalization of migration (Friedman, 2004). The global dimensions of migration are definitely influenced also by the increasingly visible features of modern societies like constantly changing conditions, instability, fluidity, uncertainty etc. (Beck, 2009; Bauman, 2002).The extent, direction, type of migrations and their consequences are affected by many social and natural factors in the areas of emigration and immigration. In addition, researchers from many scientific disciplines who study migrations have raised a wide range of research questions (Boyle, 2009, 96), use a variety of methodological approaches and look for different interpretations in various spatial, temporal and contextual frameworks. The migrations are a complex, multi-layered, variable, contextual process that takes place at several levels. Because of this, research on migrations has become an increasingly interdisciplinary field, since the topics and problems are so complex that they cannot be grasped solely and exclusively from the perspective of a single discipline or theory. Therefore, we are witnessing a profusion of different “faces of migration”, which is reflected and at the same time also contributed to by this thematic issue of the journal Ars & Humanitas.While mobility or migration are not new phenomena, as people have moved and migrated throughout the history of mankind, only recently, in the last few decades, has theoretical and research focus on them intensified considerably. In the last two decades a number of research projects, university programs and courses, research institutes, scientific conferences, seminars, magazines, books and other publications, involving research, academia as well as politics and various civil society organizations have emerged. This shows the recent exceptional interest in the issue of migration, both in terms of knowledge of the processes involved, their mapping in the history of mankind, as well as the theoretical development of migration studies and daily management of this politically sensitive issue.Migration affects many entities on many different levels: the individuals, their families and entire communities at the local level in the emigrant societies as well as in the receiving societies. The migration is changing not only the lives of individuals but whole communities and societies, as well as social relations; it is also shifting the cultural patterns and bringing important social transformations (Castles 2010). This of course raises a number of questions, problems and issues ranging from human rights violations to literary achievements. Some of these are addressed by the authors in this thematic issue.The title “Many faces of migration”, connecting contributions in this special issue, is borrowed from the already mentioned Gallup Institute’s report on global migration (Esipova, 2011). The guiding principle in the selection of the contributions has been their diversity, reflected also in the list of disciplines represented by the authors: sociology, geography, ethnology and cultural anthropology, history, art history, modern Mediterranean studies, gender studies and media studies. Such an approach necessarily leads not only to a diverse, but at least seemingly also incompatible, perhaps even opposing views “on a given topic. However, we did not want to silence the voices of “other” disciplines, but within the reviewing procedures actually invited scientists from the fields represented by the contributors to this volume. The wealth of the selected contributions lies therefore not only in their coherence and complementarity, but also in the diversity of views, stories and interpretations.The paper of Zora Žbontar deals with the attitudes towards foreigners in ancient Greece, where the hospitality to strangers was considered so worthy a virtue that everyone was expected to “demonstrate hospitality and protection to any foreigner who has knocked on their door”. The contrast between the hospitality of ancient Greece and the modern emergence of xenophobia and ways of dealing with migration issues in economically developed countries is especially challenging. “In an open gesture of hospitality to strangers the ancient Greeks showed their civilization”.Although the aforementioned research by the United Nations and Gallup Institute support some traditional stereotypes of the main global flows of migrants, and the areas about which the potential migrants “dream”, Bojan Baskar stresses the coexistence of different migratory desires, migration flows and their interpretations. In his paper he specifically focuses on overcoming and relativising stereotypes as well as theories of immobile and non-enterprising (Alpine) mountain populations and migrations.The different strategies of the crossing borders adopted by migrant women are studied by Mirjana Morokvasic. She marks them as true social innovators, inventing different ways of transnational life resulting in a bottom-up contribution to the integrative processes across Europe. Some of their innovations go as far as to shift diverse real and symbolic boundaries of belonging to a nation, gender, profession.Elaine Burroughs and Zoë O’Reilly highlight the close relations between the otherwise well-established terminology used in statistics and science to label immigrants in Ireland and elsewhere in EU, and the negative representations of certain types of migrants in politics and the public. The discussion focusses particularly on asylum seekers and illegal immigrants who come from outside the EU. The use of language can quickly become a political means of exclusion, therefore the authors propose the development and use of more considerate and balanced migration terminology.Damir Josipovič proposes a change of the focal point for identifying and interpreting the well-studied migrations in the former Yugoslavia. The author suggests changing the dualistic view of these migrations to an integrated, holistic view. Instead of a simplified understanding of these migrations as either international or domestic, voluntary or forced, he proposes a concept of pseudo-voluntary migrations.Maja Korać-Sanderson's contribution highlights an interesting phenomenon in the shift in the traditional patterns of gender roles. The conclusions are derived from the study of the family life of Chinese traders in transitional Serbia. While many studies suggest that child care in recent decades in immigrant societies is generally performed by immigrants, her study reveals that in Serbia, the Chinese merchants entrust the care of their children mostly to local middle class women. The author finds this switch of roles in the “division of labour” in the child care favourable for both parties involved.Francesco Della Puppa focuses on a specific part of the mosaic of contemporary migrations in the Mediterranean: the Bangladeshi immigrant community in the highly industrialized North East of Italy. The results of his in-depth qualitative study reveal the factors that shape this segment of the Bangladeshi diaspora, the experiences of migrants and the effects of migration on their social and biographical trajectories.John A. Schembri and Maria Attard present a snippet of a more typical Mediterranean migration process - immigration to Malta. The authors highlight the reduction in migration between Malta and the United Kingdom, while there is an increase in immigration to Malta from the rest of Europe and sub-Saharan Africa. Amongst the various impacts of immigration to Malta the extraordinary concentration of immigrant populations is emphasized, since the population density of Malta far exceeds that of nearly all other European countries.Miha Kozorog studies the link between migration and constructing their places of their origin. On the basis of Ardener’s theory the author expresses “remoteness” of the emigratory Slavia Friulana in terms of topology, in relation to other places, rather than in topography. “Remoteness” is formed in relation to the “outside world”, to those who speak of “remote areas” from the privileged centres. The example of an artistic event, which organizers aim “to open a place like this to the outside world”, “to encourage the production of more cosmopolitan place”, shows only the temporary effect of such event on the reduction of the “remoteness”.Jani Kozina presents a study of the basic temporal and spatial characteristics of migration “of people in creative occupations” in Slovenia. The definition of this specific segment of the population and approach to study its migrations are principally based on the work of Richard Florida. The author observes that people with creative occupations in Slovenia are very immobile and in this respect quite similar to other professional groups in Slovenia, but also to the people in creative professions in the Southern and Eastern Europe, which are considered to be among the least mobile in Europe. Detailed analyses show that the people in creative occupations from the more developed regions generally migrate more intensely and are also more willing to relocate.Mojca Pajnik and Veronika Bajt study the experiences of migrant women with the access to the labour market in Slovenia. Existing laws and policies push the migrants into a position where, if they want to get to work, have to accept less demanding work. In doing so, the migrant women are targets of stereotyped reactions and practices of discrimination on the basis of sex, age, attributed ethnic and religious affiliation, or some other circumstances, particularly the fact of being migrants. At the same time the latter results in the absence of any protection from the state.Migration studies often assume that the target countries are “modern” and countries of origin “traditional”. Anıl Al- Rebholz argues that such a dichotomous conceptualization of modern and traditional further promotes stereotypical, essentialist and homogenizing images of Muslim women in the “western world”. On the basis of biographical narratives of young Kurdish and Moroccan women as well as the relationships between mothers and daughters, the author illustrates a variety of strategies of empowerment of young women in the context of transnational migration.A specific face of migration is highlighted in the text of Svenka Savić, namely the face of artistic migration between Slovenia and Serbia after the Second World War. The author explains how more than thirty artists from Slovenia, with their pioneering work in three ensembles (opera, ballet and theatre), significantly contributed to the development of the performing arts in the Serbian National Theatre in Novi Sad.We believe that in the present thematic issue we have succeeded in capturing an important part of the modern European research dynamic in the field of migration. In addition to well-known scholars in this field several young authors at the beginning their research careers have been shortlisted for the publication. We are glad of their success as it bodes a vibrancy of this research area in the future. At the same time, we were pleased to receive responses to the invitation from representatives of so many disciplines, and that the number of papers received significantly exceeded the maximum volume of the journal. Recognising and understanding of the many faces of migration are important steps towards the comprehensive knowledge needed to successfully meet the challenges of migration issues today and even more so in the future. It is therefore of utmost importance that researchers find ways of transferring their academic knowledge into practice – to all levels of education, the media, the wider public and, of course, the decision makers in local, national and international institutions. The call also applies to all authors in this issue of the journal.

According to Protestant eschatology, the dead are no longer with us. In the forceful words of Eamon Duffy they are ‘gone beyond the reach of human contact, even of human prayer’. But if this was the most devastating change in the mind of Protestants, Catholics affirmed Tridentine teaching on the cult of the dead by an ‘obsessional multiplication’ of suffrages or intercessory prayers, especiallypost mortemmasses. This belief was still strong in eighteenth-century Catholic Europe. Italy, Spain and south-west Germany all exhibited such religious ‘frenzy’. Only France may be cited as an example to the contrary. Michel Vovelle has successfully proved that in Provence the will became simply a legal act distributing fortunes, with no reference to the pious clauses. However, we cannot extend this thesis, as Philippe Aries has mistakenly done, to the entire Catholic West.

AbstractThe most frequently recurring translocations in mucosa-associated lymphoid tissue (MALT) B-cell non-Hodgkin lymphoma, t(11;18)(q21;q21) and t(14;18)(q32; q21), lead to formation of an API2-MALT1 fusion or IgH-mediated MALT1 overexpression. Various approaches have implicated these proteins in nuclear factor κB (NF-κB) signaling, but this has not been shown experimentally in human B cells. Immunohistochemistry showed that MALT1 is predominantly expressed in normal and malignant germinal center B cells, corresponding to the differentiation stage of MALT lymphoma. We expressed MALT1 and apoptosis inhibitor-2 API2/MALT1 in human B-cell lymphoma BJAB cells and found both transgenes in membrane lipid rafts along with endogenous MALT1 and 2 binding partners involved in NF-κB signaling, B-cell lymphoma 10 (BCL10) and CARMA1 (caspase recruitment domain [CARD]-containing membrane-associated guanylate kinase [MAGUK] 1). API2-MALT1 and exogenous MALT1 increased constitutive NF-κB activity and enhanced IκB kinase (IKK) activation induced by CD40 stimulation. Both transgenes protected BJAB cells from FAS (CD95)-induced death, consistent with increases in NF-κB cytoprotective target gene expression, and increased their proliferation rate. Expression of a dominant-negative IκBα mutant showed that these survival and proliferative advantages are dependent on elevated constitutive NF-κB activity. Our findings support a model in which NF-κB signaling, once activated in a CD40-dependent immune response, is maintained and enhanced through deregulation of MALT1 or formation of an API2-MALT1 fusion.

The Malta of this feature is not an island surrounded by sea but a lake surrounded by land – the artificial lake created near the Polish city of Poznań for the World Kayak Championships of 1990. However, since that event, and the momentous political changes with which it coincided, the lake has become the annual focus for a quite different event: a festival of theatre that has earned a reputation for both hosting and initiating important experimental work which is none the less rooted in the need to maintain close contact with its ever larger and more enthusiastic audiences. A range of illustrations of some of the oustanding productions accompanies retrospects by two regular members of those audiences – Juliusz Tyszka, who outlines the origins and development of MALTA, and Ewa Obrębowska-Piasecka, who offers a personal response to the achievements of the festival and to the philosophy of theatre underlying them.

The mashing step underpins the brewing process, during which the endogenous amylolytic enzymes in the malt, chiefly β-amylase, α-amylase, and limit dextrinase, act concurrently to rapidly hydrolyze malt starch to fermentable sugars. With barley malts, the mashing step is relatively straightforward, due in part to malted barley’s high enzyme activity, enzyme thermostabilities, and gelatinization properties. However, barley beers also contain gluten and individuals with celiac disease or other gluten intolerances should avoid consuming these beers. Producing gluten-free beer from gluten-free malts is difficult, generally because gluten-free malts have lower enzyme activities. Strategies to produce gluten-free beers commonly rely on exogenous enzymes to perform the hydrolysis. In this study, it was determined that the pH optima of the enzymes from gluten-free malts correspond to regions already typically targeted for barley mashes, but that a lower mashing temperature was required as the enzymes exhibited low thermostability at common mashing temperatures. The ExGM decoction mashing procedure was developed to retain enzyme activity, but ensure starch gelatinization, and demonstrates a modified brewing procedure using gluten-free malts, or a combination of malts with sub-optimal enzyme profiles, that produces high fermentable sugar concentrations. This study demonstrates that gluten-free malts can produce high fermentable sugar concentrations without requiring enzyme supplementation.