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Journal articles on the topic 'Malyavkin'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Вохидов, Алишер. "СВЕДЕНИЯ О ВЗАИМООТНОШЕНИЯХ НАРОДОВ ЦЕНТРАЛЬНОЙ АЗИИ И КИТАЯ ПЕРИОДА VII-X ВВ. В ТРУДЕ А.Г. МАЛЯВКИНА «УЙГУРСКИЕ ГОСУДАРСТВА В IX-XII ВВ.»". Oriental Renaissance: Innovative, educational, natural and social sciences 2, № 26 (2022): 273–77. https://doi.org/10.5281/zenodo.7335626.

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<em>В статье рассматриваются сведения о взаимоотношениях между народами Центральной Азии и Китая период VII-X вв. по труду А.Г. Малявкина «Уйгурские государства в IX-XII вв.». Кроме этого, изучается китайские письменные источники, которыми А.Г. Малявкин основывался при описаниях событий своем труде. Также дается переводы глав и разделов использованных сочинений. А также статье присутствуют наши выводы по каждым сведениям.<strong>  </strong>В статье больше степени присутствует сведения, косящие уйгурского народа периода VII-X вв.</em> <em>The article discusses information about

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2

Kubarev, Gleb V. "JINSHAN 金山 — THE TUGU TURKS’ ANCESTRAL HOME: THE LOCALIZATION PROBLEM". Ural Historical Journal 84, № 3 (2024): 71–79. http://dx.doi.org/10.30759/1728-9718-2024-3(84)-71-79.

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According to the Chinese sources, the Turks’ ancestral home is the Golden Mountains/Jinshan, but opinions on their exact localization are divided. In the mid-18th century, French orientalist J. Deguignes was the first to express an opinion about Altai ancestral home of the Tugu Turks. In the 19th–20th centuries, his opinion was supported by Western European sinologists St. Julien and Liu- Mao-tsai. The founder of Russian Chinese studies N. Ya. Bichurin associated Jinshan with the south of the Russian Altai due to the presence of the highest mountains in this area and his translation and commen

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3

Mordashova, Valeria L. "Metamorphoses in Filipp Malavin’s Works of the 1910s and the Circumstances of his Emigration." Observatory of Culture, no. 1 (February 28, 2015): 83–87. http://dx.doi.org/10.25281/2072-3156-2015-0-1-83-87.

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Results from a fundamental research on the biography and creative work of the prominent Russian artist Filipp Malyavin (1869-1940) and covers the last prerevolutionary period of his creative activities. The research is based on the archive documents and publications including those concerned with his emigration of 1922.

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Prosekov, Sergey A. "V.V. Malyavin about the Origins of Ritualism in Chinese Culture." RUDN Journal of Philosophy 25, no. 1 (2021): 156–64. http://dx.doi.org/10.22363/2313-2302-2021-25-1-156-164.

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In the article analyzes the origin of Chinese ritualism based on the ideas expressed by well-known Sinologist V.V. Malyavin. The ceremoniality of Chinese culture, which has survived to the present day, is often presented to Europeans as a "relic of the past", a "retarding" mechanism in the civilization of Celestial. The author also demonstrates the fallacy of such beliefs and the closeness of some of the oldest complexes of the Chinese mentality and the postmodern mentality. In parallel, the basic foundations of the European and Chinese consciousness / unconscious are traced: cosmos and emptin

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5

Serapionova, Elena P. "F. A. Malyavinʼs panting in Czech collections". Slavic Almanac, № 3-4 (2021): 475–79. http://dx.doi.org/10.31168/2073-5731.2021.3-4.7.02.

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The review deals with a scientific catalog of works by the Russian artist, a native of the peasant family, of Filipp Andreevich Malyavin, published in Prague, which are kept in state and private collections in the Czech Republic. In addition to the actual catalog of works, the book includes scientific articles, reference materials, indexes, bibliography. The book is richly illustrated. The articles explain the reasons for finding a large number of Malyavinʼs works in the Czech Republic, analyze the phenomenon of Russian post-war and post-revolutionary immigration, reveal the details of the lif

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6

Mikhailov, A. F. "Chinese strategemic thinking and its origins in the cultural tradition of China." Noonomy and Noosociety. Almanac of Scientific Works of the S.Y. Witte INID 2, no. 2 (2023): 92–103. http://dx.doi.org/10.37930/2782-618x-2023-2-2-92-103.

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the article presents an original view of the Chinese strategy of success and the meaning of the key 36th stratagem of the ancient Chinese canon. This understanding was revealed to the author of the first translation into Russian, Vladimir Malyavin after many years of studying the Chinese art of Tai Chi Chuan and is of fundamental importance for grasping the essence of the Chinese intuitive approach to building a successful strategy in life, when a person encounters different circumstances along the way. A true strategy is not a mental activity based on ancient book texts, but the cultivation o

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7

Jančárková, Julie. "Nikolay Okunev and the biggest exhibition of Russian art in Czechoslovakia." Slavic Almanac, no. 1-2 (2019): 270–81. http://dx.doi.org/10.31168/2073-5731.2019.1-2.3.03.

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The preparation of the biggest exhibition of Russian art organized by the Institute of Slavonic Studies in Prague and N. L. Okunev strated even before Czechoslovakia recognized the USSR. The chosen works of art originated from private collections in Europe and emigrant artists. The establishing of diplomatic relations between the CSR and the USSR in the summer of 1934 resulted in creating new rules for the Czech organizations when working with the Russian emigrants. It started a conflict in the working commission that was organizing the exhibition. A disadvantageous background for the event wa

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8

Murashova, NatalIa S. "The World of Old Believers in Russian Fine Art in the 18th – First Third of the 20th Centuries." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 72 (2024): 232–53. http://dx.doi.org/10.37816/2073-9567-2024-72-232-253.

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Basing on a review of about 300 works created in the 18th – first third of the 20th centuries, the study presents a chronological and genre-thematic panorama of the development of the Old Believer trend in Russian fine art. It includes portraits, architectural landscapes, historical, genre paintings, book illustrations and sketches of theatrical scenery. The portrait genre is represented by commissioned works depicting real personalities and portrait types reproducing collective images of a diverse Old Believer community. Architectural landscapes captured key Old Believers locations — Vygoleks

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9

Shashneva, Ekaterina Nikolaevna, Svetlana Ivanovna Val'kevich, Viktor Georgievich Maslov, et al. "Oriental motifs and images in the works of K.D. Balmont: a cultural aspect." Человек и культура, no. 6 (June 2023): 164–76. http://dx.doi.org/10.25136/2409-8744.2023.6.69360.

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The article examines oriental motifs and images in the work of the poet of the Silver Age K.D. Balmont. The cultural significance of K.D. Balmont's work is undoubtedly for the ideas of the Silver Age. The purpose of the study is to analyze the work of K.D. Balmont and identify oriental images and motifs such as: the Enlightened Buddha, the desert, the Sphinx, the Koran, Allah, the Merciful. The object and material of the study were the poetic texts of K. Balmont: "Boro-Budur" from the collection "Burning Buildings", "Sphinx" from the collection "Silence", "Merciful" from the collection "Pearl

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10

Chechyk, V. "Agafonov’s Early Kharkiv Creative Period: Dialogue with the Theatre." Vìsnik Harkìvsʹkoi deržavnoi akademìi dizajnu ì mistectv 2020, no. 3 (2020): 82–93. http://dx.doi.org/10.33625/visnik2020.03.082.

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This article is dedicated to the study of the nature of E. Agafonov’s creative ties with the theater – a topic that has been insufficiently covered in the native art history. The author’s field of view is set in the artist’s early Kharkiv period, marked as the years of 1905–1913. The article focuses on the exceptional role of E. Agafonov in the organization and the artistic practice of the first modernist theater “Blakytne Oko” in Kharkiv (1909–1911). Agafonov belonged to the constellation of masters who was very sensitive to the problem of evolving the artistic speech. He viewed the theater a

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11

Tretyakova, Maria Sergeevna, and Natal'ya Yur'evna Kazakova. "The tradition of the literati in Chinese design: the poetics of memories." Культура и искусство, no. 2 (February 2025): 67–82. https://doi.org/10.7256/2454-0625.2025.2.70361.

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The theme of the "spirit of place" has long been popular in modern architecture and environmental design, which was developed by the Norwegian architect Christian Norberg-Schultz in the 1970s and 1980s. This idea turned out to be close to Chinese designers, especially those of them who inherited the ideas of the literati (wenren), and through the prism of Western ideas they took a new look at their own tradition. The purpose of the study is to identify some characteristic features of modern Chinese design culture associated with the influence of the literati on it. We believe that this specifi

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12

Rogochaya, G. P., and M. V. Filippova. "The connection between the emergence and course of conflicts in work teams and the psychological characteristics of their participants." Bulletin of the State University of Education. Series: Psychology, no. 3 (May 3, 2024): 99–113. https://doi.org/10.18384/2949-5105-2024-3-99-113.

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Aim. To identify the connection between the psychological characteristics of the personality of employees and the peculiarities of the emergence and course of conflicts in work collectives.Methodology. The relationship between the personal and situational characteristics of employees and peculiarities of the emergence and course of labor conflicts was studied. The respondents were 23 employees of MRT-Expert Sochi LLC, 50 employees of NJSC Krasnaya Polyana, 31 employees of sole proprietor Malyavina Yu.V. Paul&Shark. The following questionnaires were used: “Personality Questionnaire” by H. E

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13

Tretyakova, Maria S., and Nadezhda S. Aganina. "JAPANESE CHARACTERS AND IKEBANA: FROM YIN YANG BALANCE TO BREAKING OF FORM WITH SHIN GYO SO." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 95–111. http://dx.doi.org/10.17223/22220836/41/8.

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This study investigates a deep connection between Japanese characters and Ikebana, which is due to the fact that Japanese characters as well as ikebana express the same picture of the world. Because the basis of this model of the world is laying in the Chinese tradition, we will first examine the Chinese characters and Chinese art of flower arrangement or chahua, and then the Japanese characters and Japanese ikebana. In the study, we refer not only to the works of Russian researchers, such as V.V. Malyavin, V.G. Belozyorova and V.A. Pronnikov, but, to a greater extent, to sources in Japanese (

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14

Федюнева, Галина Валерьяновна. "К вопросу этимологизации русских диалектных ихтионимов с основой ар-/арг- ‘гольян’". Tomsk Journal of Linguistics and Anthropology, № 3(49) (21 липня 2025): 70–79. https://doi.org/10.23951/2307-6119-2025-3-70-79.

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В русских говорах Пермского края, Кировской и Свердловской областей зафиксирована лексическая группа слов с основой ар-/арг- (арка, агыш, арган и др.), соответствий которым в других регионах не обнаружено. Согласно имеющейся этимологии, они восходят к коми слову ар ‘малек, мальки’, что с учетом структурно-семантической близости коми и русских соответствий, а также территории бытования выглядит достаточно убедительно. Однако версия кажется незавершенной, так как материал коми и русских говоров в полном объеме еще не рассматривался, хотя его анализ допускает возможность и другого источника. Цель

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15

Филиппова, Ольга Николаевна. "The peasant theme in the creative work of Philipp Malyavin." Искусство Евразии, no. 2(13) (June 29, 2019). http://dx.doi.org/10.25712/astu.2518-7767.2019.02.008.

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Русское искусство конца XIX начала XX века было богато яркими талантами. Филипп Андреевич Малявин (18691940) являлся одним из самых оригинальных художников этого периода. Главной в его творчестве была крестьянская тема, которая издавна привлекала русских художников. Над этой темой работали и многие современники Ф.А. Малявина, известные художники А.Е. Архипов, С.В. Иванов, С.А.Коровин, А.П. Рябушкин, З.Е. Серебрякова. Они обращались к различным сторонам быта и жизни русской деревни, но всех их объединяло стремление раскрыть самобытность и душевную красоту русского народа. Ф.А. Малявин сказал св

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16

"The 1st Sechenov International Motherhood and Childhood Forum. Prospects and advanced technologies in diagnosis and treatment of diseases in children." Clinical review for general practice 5, no. 9 (2024): 74–81. http://dx.doi.org/10.47407/kr2024.5.9.00482.

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The review provides reviews of original reports and research focused on the issue of uropathy and nephropathy in children, the underlying mechanisms, outpatient follow-up of children with low and extremely low birth weight, as well as perinatal lesions of the central nervous system. In the reports, an important emphasis is placed on the issue of interdisciplinary cooperation of the specialists, who monitor children at risk and children with complex comorbidities. The reports of K.N. Demidova et al., A.V. Degryareva, O.V. Goncharova, U.S. Malyavina, E.S. Zholobova, and N.S. Podchernyaeva deserv

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17

"“I Would Like to Leave the Text and Enter Life”: To the 70th Anniversary of the Prominent Orientalist Vladimir V. Malyavin." Journal of the Institute of Oriental Studies RAS, no. 4 (14) (2020): 349–51. http://dx.doi.org/10.31696/2618-7302-2020-4-349-351.

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18

Antoshko, Maryna. "Education and upbringing of artists for Chinese theater." Collection of scientific works “Notes on Art Criticism”, no. 38 (December 19, 2020). http://dx.doi.org/10.32461/2226-2180.38.2020.222097.

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The purpose of the article is to study the issue of educating artists for Chinese theater. The methodology of the study is to use historical and biographical methods in the study of this topic. The scientific novelty of the article is to study the feasibility of Chinese opera culture, in particular the question of educating artists for Chinese theater, based on the country's musical traditions. The historical names of Chinese scholars who influenced the development of the musical arts and education system, which affected the cultural traditions of China, were highlighted. Conclusions. Based on

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