Academic literature on the topic 'Mamma Roma (Motion picture)'

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Journal articles on the topic "Mamma Roma (Motion picture)"

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Strobl, Staci, Nickie Phillips, Emanuel Banutai, and Danielle Reynolds. "Film-making and Police-minority Relations: Slovenian Police and Roma in Shanghai Gypsy." International Journal for Crime, Justice and Social Democracy 4, no. 4 (December 1, 2015): 22–39. http://dx.doi.org/10.5204/ijcjsd.v4i4.187.

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After experiencing riots involving police and a Roma village, a community in north-eastern Slovenia hosted the million-dollar production of a major motion picture, Shanghai Gypsy (2012), which focuses on Roma and criminal justice themes. Several current Slovenian police officers played the role of police while local Roma were ‘extras’ as Roma villagers. This research explored the meaning of cooperating on production of the film for participants from two groups formerly in conflict. The current study consisted of semi-structured interviews conducted approximately 18 months after the film was produced with a sample of participants. We hypothesized that the film participants were able to interact with each other in ways that opened up new modes of communication, improved interpersonal relationships, and aided mutual understanding. Participants indicated that the film was regarded as a powerful means of generating Roma cultural awareness. Both police and Roma tended to downplay the intensity of the original conflict, yet often offered stories and anecdotes that seemed to indicate that relations between the groups had indeed improved as a result of their participation in the film.
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Suárez, Fernando Moreno. "Roma y Netflix: ganando premios y rompiendo reglas." AVANCA | CINEMA, May 10, 2020. http://dx.doi.org/10.37390/ac.v0i0.51.

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Five years after his International consecration in the 86th American Motion Picture Academy awards, in which his film ‘Gravity’ rose with 7 Oscar awards, Mexican filmaker Alfonso Cuarón keeps gaining atention and winning prizes with his new movie ‘Roma’.Shooted entirely in Mexico, the 8th movie of this Mexico City born and raised filmaker is much more that a return to his homeland, it has become an innovative case, critic and distribution wise, that deserves analysis.Heightened within a context in which cinema produced in Mexico has a complicated distribution and a nearly impossible exhibition conditions (only half of the over 150 local industry produced pictures are shown in theatres), Roma commercial release has been, to say the less, successful, a paradox and certainly unique, being on Netflix as its main distribution platform.Winner of three Oscar awards this past February (Best Foreign Language film, Best Director, Best cinematography) with 10 nominations, and winner of Best Picture at the British BAFTA awards, and laurate of prestigious film festivals as Venice, Roma is financed by Netflix and with a distribution contract on this streaming platform, that has confronted two business models that is changing the industry irretrievably.
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Dissertations / Theses on the topic "Mamma Roma (Motion picture)"

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Sheery, Yardena do Baixo 1981. "Agripina é Roma-Manhattan e outras experiências héliocinematográficas /." São Paulo, 2015. http://hdl.handle.net/11449/123946.

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Orientador: José Leonardo do Nascimento
Banca: Sérgio Mauro Romagnolo
Banca: Francisco Cabral Alambert Junior
Banca:Omar Khouri
Banca: Marco Garaude Giannotti
Resumo: Este trabalho é uma tentativa de aproximação, por várias frentes diferentes, de Agripina é Roma Manhattan, curta-metragem no formato super-8 realizado por Hélio Oiticica em 1972, durante sua estadia em Nova Iorque. Consequentemente, este trabalho se aproxima de outras produções cinematográficas do universo rico e singular do artista.
Abstract: This work is an attempt to approach, by several different ways; to Agripina is Rome-Manhattan, shortcut super-8 movie made by Hélio Oiticica in 1972, along his stay in New York City. Consequently, this work also takes a closer look to other cinematographic productions in the rich and unique Oiticica's universe.
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Sheery, Yardena do Baixo [UNESP]. "Agripina é Roma-Manhattan e outras experiências héliocinematográficas." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/123946.

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Made available in DSpace on 2015-06-17T19:34:23Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-02-25. Added 1 bitstream(s) on 2015-06-18T12:48:57Z : No. of bitstreams: 1 000830845.pdf: 995151 bytes, checksum: 5545c45a36a93dcf65ce6d1fac6a1eb7 (MD5)
Este trabalho é uma tentativa de aproximação, por várias frentes diferentes, de Agripina é Roma Manhattan, curta-metragem no formato super-8 realizado por Hélio Oiticica em 1972, durante sua estadia em Nova Iorque. Consequentemente, este trabalho se aproxima de outras produções cinematográficas do universo rico e singular do artista.
This work is an attempt to approach, by several different ways; to Agripina is Rome-Manhattan, shortcut super-8 movie made by Hélio Oiticica in 1972, along his stay in New York City. Consequently, this work also takes a closer look to other cinematographic productions in the rich and unique Oiticica's universe.
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Books on the topic "Mamma Roma (Motion picture)"

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Sparano, Eleonora. L'appetito sociale: Il cibo come desiderio di riscatto nel linguaggio cinematografico di Pier Paolo Pasolini : il caso di "Mamma Roma". Faenza: Homeless Book, 2018.

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Damiani, Ludovica, Sciascia Gambaccini, and Luca Dotti. Audrey a Roma. Milano: Mondadori, 2011.

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Aristarain, Adolfo. Martín (Hache); Lugares comunes; Roma: Tres películas. Madrid: Ocho y Medio, Libros de Cine, 2004.

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Roma ore 11. Palermo: Sellerio, 2004.

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Bruni, David. Roberto Rossellini: Roma, città aperta. Torino: Lindau, 2006.

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author, Taricano Caterina, ed. Un marziano genovese a Roma. Ghezzano (PI): Felici editore, 2013.

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Roncoroni, Stefano. La storia di Roma città aperta. Bologna: Cineteca Bologna, 2006.

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Scanu, Stefano. Buio in sala: Guida breve ai cinema di Roma. Roma: Giulio Perrone editore, 2016.

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Sidney, Gottlieb, ed. Roberto Rossellini's Rome open city. Cambridge: Cambridge University Press, 2004.

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Cataldo, Gianmaria. Roma, Netflix: Il cinema condiviso tra grande sala e piccoli schermi. Roma: Edizioni Progetto cultura, 2021.

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