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Journal articles on the topic 'Man of Law's Tale'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Johnson. "English Law and the Man of Law's "Prose" Tale." Journal of English and Germanic Philology 114, no. 4 (2015): 504. http://dx.doi.org/10.5406/jenglgermphil.114.4.0504.

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2

Baldwin, Anna. "'The Man of Law's Tale' as a Philosophical Narrative." Yearbook of English Studies 22 (1992): 181. http://dx.doi.org/10.2307/3508384.

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3

Hirsh. "A Scotian Reading of the Man of Law's Tale and the Clerk's Tale." Modern Language Review 116, no. 1 (2021): 1. http://dx.doi.org/10.5699/modelangrevi.116.1.0001.

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4

Spearing, A. C. "Narrative Voice: The Case of Chaucer's Man of Law's Tale." New Literary History 32, no. 3 (2001): 715–46. http://dx.doi.org/10.1353/nlh.2001.0047.

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5

Francine McGregor. "Abstraction and Particularity in Chaucer's Man of Law's Tale." Chaucer Review 46, no. 1-2 (2011): 60. http://dx.doi.org/10.5325/chaucerrev.46.1_2.0060.

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6

Taylor, Jamie K. "Toward Premodern Globalism: Oceanic Exemplarity in Chaucer's Man of Law's Tale." PMLA/Publications of the Modern Language Association of America 135, no. 2 (2020): 254–71. http://dx.doi.org/10.1632/pmla.2020.135.2.254.

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This essay reads Chaucer's Man of Law's Tale—a retelling of the popular Constance exemplum—as a case study for thinking about a global Middle Ages. The tale's globalism emerges most pointedly in its depiction of the ocean and, more surprisingly, in Constance's pale face during her trial for a murder she did not commit. By reading these unlikely images together, this essay argues that both operate as oceanic sites of exemplary justice and that the Man of Law frames the Constance story as a call for global justice outside the reach of territorial law. Chaucer imagines a legality that works like

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7

Dugas, Don-John. "The Legitimization of Royal Power in Chaucer's "Man of Law's Tale"." Modern Philology 95, no. 1 (1997): 27–43. http://dx.doi.org/10.1086/392450.

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8

O'CONNELL. "'STRUGLYNG WEL AND MYGHTILY': RESISTING RAPE IN THE MAN OF LAW'S TALE." Medium Ævum 84, no. 1 (2015): 16. http://dx.doi.org/10.2307/45275370.

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9

Shoaf, R. A. "“Unwemmed Custance”: Circulation, Property, and Incest in the Man of Law's Tale." Exemplaria 2, no. 1 (1990): 287–302. http://dx.doi.org/10.1179/exm.1990.2.1.287.

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10

Hendrix, Laurel L. "“Pennannce profytable”: The Currency of Custance in Chaucer's Man of Law's Tale." Exemplaria 6, no. 1 (1994): 141–66. http://dx.doi.org/10.1179/exm.1994.6.1.141.

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11

Schibanoff, Susan. "Worlds Apart: Orienta1ism, Antifeminism, and Heresy in Chaucer's Man of Law's Tale." Exemplaria 8, no. 1 (1996): 59–96. http://dx.doi.org/10.1179/exm.1996.8.1.59.

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12

Reichardt, Dosia. "The Man of Law's Tale: Bartleby, Augustine, and the Economy of Salvation." Journal of the Australasian Universities Language and Literature Association 2009, no. 112 (2009): 39–51. http://dx.doi.org/10.1179/000127909804775669.

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13

BARLOW. "A Thrifty Tale: Narrative Authority and the Competing Values of the Man of Law's Tale." Chaucer Review 44, no. 4 (2010): 397. http://dx.doi.org/10.5325/chaucerrev.44.4.0397.

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14

Nachtwey, Gerald R. "Geoffroi de Charny's Book of Chivalry and Violence in The Man of Law's Tale and The Franklin's Tale." Essays in Medieval Studies 20, no. 1 (2003): 107–20. http://dx.doi.org/10.1353/ems.2004.0009.

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15

Sottosanti, Danielle. ""We shul first feyne us cristendom to take": Conversion and Deceit in Chaucer's Man of Law's Tale." Studies in Philology 117, no. 2 (2020): 240–60. http://dx.doi.org/10.1353/sip.2020.0008.

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16

Stavsky. "Translating the Near East in the Man of Law's Tale and Its Analogues." Chaucer Review 55, no. 1 (2020): 32. http://dx.doi.org/10.5325/chaucerrev.55.1.0032.

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17

Shutters. "The Host, the Man of Law's Tale, and the Fantasy of the Foreign Wife." Chaucer Review 55, no. 4 (2020): 397. http://dx.doi.org/10.5325/chaucerrev.55.4.0397.

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18

Kisor, Yvette. "Moments of Silence, Acts of Speech: Uncovering the Incest Motif in the Man of Law's Tale." Chaucer Review 40, no. 2 (2005): 141–62. http://dx.doi.org/10.1353/cr.2005.0020.

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19

Hamaguchi. "The Cultural Otherness of Custance as a Foreign Woman in the Man of Law's Tale." Chaucer Review 54, no. 4 (2019): 411. http://dx.doi.org/10.5325/chaucerrev.54.4.0411.

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20

Benson, C. David. "Varieties of Religious Poetry in The Canterbury Tales: The Man of Law’s Tale and The Clerk’s Tale." Studies in the Age of Chaucer 1986, no. 1 (1986): 159–67. http://dx.doi.org/10.1353/sac.1986.0064.

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21

Meyer-Hoffman, Gretcheo Iman. "Pagans, Tartars, Moslems, and Jews in Chaucer's "Canterbury Tales"." American Journal of Islam and Society 19, no. 3 (2002): 129–32. http://dx.doi.org/10.35632/ajis.v19i3.1930.

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Brenda Deen Schildgen's analysis of the Canterbury Tales explores thecontemporary worldviews of medieval Europeans. Chaucer, an Englishcourt poet, wrote probably his greatest work- the Canterbury Tales - at theend of the fourteenth century. It is a collection of 24 tales told by pilgrimsas they make their way to Canterbury cathedral. Chaucer frames the taleswith a prologue and dialogue between the tales.Schildgen's book examines the eight tales set outside Christian Europe.Much of the book discusses the medieval view of paganism and the continuinginfluence of pagan philosophy on medieval intel

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22

Landman, James. "Proving Constant: Torture and The Man of Law’s Tale." Studies in the Age of Chaucer 20, no. 1 (1998): 1–39. http://dx.doi.org/10.1353/sac.1998.0000.

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23

Gania Barlow. "A Thrifty Tale: Narrative Authority and the Competing Values of the Man of Law’s Tale." Chaucer Review 44, no. 4 (2010): 397–420. http://dx.doi.org/10.1353/cr.0.0047.

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24

Raybin, David. "Custance and History: Woman as Outsider in Chaucer’s Man of Law’s Tale." Studies in the Age of Chaucer 12, no. 1 (1990): 65–84. http://dx.doi.org/10.1353/sac.1990.0002.

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25

Lavezzo, Kathy. "Beyond Rome: Mapping Gender and Justice in The Man of Law’s Tale." Studies in the Age of Chaucer 24, no. 1 (2002): 149–80. http://dx.doi.org/10.1353/sac.2002.0022.

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26

Astell, Ann W. "Apostrophe, Prayer, and the Structure of Satire in The Man of Law’s Tale." Studies in the Age of Chaucer 13, no. 1 (1991): 81–97. http://dx.doi.org/10.1353/sac.1991.0003.

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27

Dongchoon Lee. "he Man of Law’s Tale: Fusing a Popular English Tradition With Elite Literary Devices." Studies in English Language & Literature 37, no. 4 (2011): 91–114. http://dx.doi.org/10.21559/aellk.2011.37.4.005.

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28

Robertson, Elizabeth. "The “Elvyssh” Power of Constance: Christian Feminism in Geoffrey Chaucer’s The Man of Law’s Tale." Studies in the Age of Chaucer 23, no. 1 (2001): 143–80. http://dx.doi.org/10.1353/sac.2001.0048.

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29

임현량. "Counterfeit Correspondences: Documentary Manipulations and Textual Consciousness in Gloucester’s Confession and The Man of Law’s Tale." Medieval and Early Modern English Studies 25, no. 1 (2017): 67–97. http://dx.doi.org/10.17054/memes.2017.25.1.67.

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30

Fedotova, Svitlana. "THE METHOD OF USING «V. Y. PROPP’S CUBES» AS A MEANS FOR UNDERSTANDING THE CONTENT OF A FAIRY TALE BY PRESCHOOL AND PRIMARY SCHOOL CHILDREN." Academic Notes Series Pedagogical Science 1, no. 192 (2021): 138–43. http://dx.doi.org/10.36550/2415-7988-2021-1-192-138-143.

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A fairy tale is the genre which is well represented in preschool education programmes as well as in the curriculum of general primary education. A fairy tale is an important means for developing children's verbal creativity and their logical thinking. A fairy tale stimulates children's imagination, prepares them for the future life in the real world, broadens their horizons, fosters not only moral and ethical values but also the right attitude to the world. Folk tales were not initially created for children. Adults displayed their own mythological ideas about the world, nature and a man by mea

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31

Koch, Gertrud. "A law's tale." Philosophy & Social Criticism 34, no. 6 (2008): 685–92. http://dx.doi.org/10.1177/0191453708090334.

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32

Morozov, A. Y. "MORAL AND RELIGIOUS MOTIVES IN THE WORKS OF J.R.R. TOLKIEN: CULTURAL CONTEXT." UKRAINIAN CULTURAL STUDIES, no. 1 (2017): 60–65. http://dx.doi.org/10.17721/ucs.2017.1.13.

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The main moral and religious themes of J. Tolkien`s novels “The Lord of rings” and “The Silmarillion” are observed in the article. It is analyzed that Tolkien followed Christian tradition, sharing st. Augustine`s conception of evil as the absence of good. It is clarified Tolkien`s anti-Nietzschean position where evil is equal to the will to power, while the good is associated with humility and serving. It is shown an author`s interpretation of Socratic classic inquiry: would people live virtuous life if they achieve omnipotence and why moral life is preferable than immoral one. According to To

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33

Wood, Marjorie Elizabeth. "The Sultaness, Donegild, and Fourteenth-Century Female Merchants: Intersecting Discourses of Gender, Economy, and Orientalism in Chaucer’s Man of Law’s Tale." Comitatus: A Journal of Medieval and Renaissance Studies 37, no. 1 (2006): 65–85. http://dx.doi.org/10.1353/cjm.2006.0052.

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34

Boyd, Beverly. "Our Lady According to Geoffrey Chaucer: Translation and Collage." Florilegium 9, no. 1 (1987): 147–54. http://dx.doi.org/10.3138/flor.9.008.

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Chaucer addressed some of his best known poetry to the Virgin Mary. Whatever basis such poetry may have had in personal religion, this discussion is interested in the fact that Chaucer’s marian writings are in large part the result of translation, adaptation, quotation, and allusion. That observation is not meant to be iconoclastic, for literature of the time did not have the present-day obsession with novelty, and much mediaeval religious poetry is derivative. In writing about the Virgin Mary, Chaucer sometimes layered borrowed passages in a complex of sources themselves borrowed, leaving the

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35

Lolordo, Antonia. "Person, Substance, Mode and ‘the moral Man’ in Locke's Philosophy." Canadian Journal of Philosophy 40, no. 4 (2010): 643–67. http://dx.doi.org/10.1080/00455091.2010.10716738.

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In 1769, the English bishop and theologian Edmund Law published a Defence of Mr. Locke's Opinion concerning Personal Identity. In this work, Law attempted to ‘explain and vindicate Mr. Locke's hypothesis’ (301) by offering a new account of Lockean persons. Law's account centers around three key claims. First, persons are modes — very roughly, properties — rather than substances. Second, the relevant properties are those that make moral evaluation appropriate, thus taking seriously Locke's insistence that ‘person’ is a forensic term. And third, the fact that persons are modes is what makes a de

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36

Ranasinghe, Prashan. "Refashioning vagrancy: a tale of Law's narrative of its imagination." International Journal of Law in Context 11, no. 3 (2015): 320–40. http://dx.doi.org/10.1017/s1744552315000178.

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AbstractThis paper explicates the relation between vagrancy and public disorder, a relation constituted by a dialecticism that is at once (dis)continuous and (dis)connected. This relationship is important not only to appreciate the place of public disorder vis-à-vis contemporary urban public space and social life, but historical vagrancy as well. The paper examines the refashioning of vagrancy, paying attention to the semantic legal reformatting of its constitution and how this process permits the regulation of essentially the same historical problems and concerns by translating them into lega

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37

SILAR, THEODORE I. "THE MAN OF LAW'S CUSTANCE: ADMINISTRATOR OF FRANKALMOIGN." Notes and Queries 44, no. 3 (1997): 306–9. http://dx.doi.org/10.1093/nq/44.3.306.

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38

Kurysheva, L. A. "Ya. B. Knyazhnin’s Tale in Verses Flor and Lisa in the Context of Early Russian Ballads." Studies in Theory of Literary Plot and Narratology, no. 1 (2019): 104–22. http://dx.doi.org/10.25205/2410-7883-2019-1-104-122.

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One of the popular plots of the Russian literary ballad of the last third of the 18th – the first decade of the 19th century was the story of treacherous love. Ya. B. Knyazhnin’s Flor and Lisa. A Tale in Verses (1778) is one of the first Russian ballads. In addition, this is the first Russian ballad with the appearance of the dead man – the plot situation is so productive in the subsequent, romantic period. It is characteristic that at the early stage of the formation of a new literary genre, the nomination “ballad” does not appear for all authors. Poets get along either without a genre design

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39

Prufer, Kevin. "An American Tale." Manoa 31, no. 1 (2019): 87–89. http://dx.doi.org/10.1353/man.2019.0052.

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40

Lee, Peter H. "The Tale of Tan'gun." Manoa 14, no. 2 (2002): 21. http://dx.doi.org/10.1353/man.2003.0034.

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41

Nikolić, Jovana. "Symbolism and imagination of the medieval period: The lady and the unicorn in the works of Gustave Moreau." Kultura, no. 168 (2020): 51–68. http://dx.doi.org/10.5937/kultura2068051n.

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The French Symbolist painter Gustave Moreau often used the motifs of fantastic beings and animals in his works, amongst which the unicorn found its place. Moreau got the inspiration for the unicorn motif after a visit to the Cluny Museum in Paris, in which six medieval tapestries with the name "The Lady and the Unicorn" were exhibited. Relying on the French Middle Age heritage, Moreau has interpreted the medieval legend of the hunt for this fantastic beast (with the aid of a virgin) in a new way, close to the art of Symbolism and the ideas of the cultural and intellectual climate of Paris at t

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42

Rees, Roger, and Adrian Higham. "Diocletian: The Tale of a Singular Man." Classics Ireland 5 (1998): 153. http://dx.doi.org/10.2307/25528331.

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43

Seeman, Mary V. "Younger man/older woman: A cautionary tale." British Journal of Medical Psychology 58, no. 2 (1985): 175–78. http://dx.doi.org/10.1111/j.2044-8341.1985.tb02631.x.

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44

Hsiung, Hansun. "Woman, Man, Abacus: A Tale of Enlightenment." Harvard Journal of Asiatic Studies 72, no. 1 (2012): 1–42. http://dx.doi.org/10.1353/jas.2012.0007.

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45

Torbica, Marija. "A sound tale about the symbolic conflict between two human beings: Meanings and soundings of language in Veliki kamen: A radiophonic poem by Ivana Stefanović." New Sound 53, no. 1 (2019): 119–37. http://dx.doi.org/10.5937/newso1901119t.

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The radiophonic work, A Large Stone, due to the synergy of various acoustic elements, calls for an imaginary play of listening and stimulates the further artistic development of interdisciplinary. The focus is on listening, on the perception of sound, and unlike the musical part, the radiophonic effect is reduced to the auditory aspect, since there is no (note) record that we can use. On the one hand, the sound is the one that is elusive, on the other hand, words, i.e. language, tends to 'root' and define. Ivana Stefanović through the drama text of Ljubomir Simović enters into a dialogue with

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46

Rawstrone, Annette. "We've explored… the gingerbread Man." Nursery World 2019, no. 11 (2019): 22–23. http://dx.doi.org/10.12968/nuwa.2019.11.22.

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47

Stott, Jon C., Arthur R. Wright, Joan M. Tenenbaum, and Douglas R. Parks. "First Medicine Man: The Tale of Yobaghu-Talyonunh." American Indian Quarterly 11, no. 1 (1987): 75. http://dx.doi.org/10.2307/1183739.

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48

Gerlo, Sarah, Julian R. E. Davis, Dixie L. Mager, and Ron Kooijman. "Prolactin in man: a tale of two promoters." BioEssays 28, no. 10 (2006): 1051–55. http://dx.doi.org/10.1002/bies.20468.

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49

Tschinag, Galsan, and Katharina Rout. "The Tamyrs: A Tale of Two Peoples." Manoa 19, no. 2 (2008): 215–21. http://dx.doi.org/10.1353/man.2008.0005.

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50

Teubner, Gunther. "The Law before its law: Franz Kafka on the (Im)possibility of Law's Self-reflection." German Law Journal 14, no. 2 (2013): 405–22. http://dx.doi.org/10.1017/s2071832200001851.

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Before the Law stands a doorkeeper. A man from the countryside comes up to the door and requests admittance to the Law. But the doorkeeper says that he can't grant him admittance now. The man thinks it over and then asks if he'll be allowed to enter later. “It's possible” says the doorkeeper, “but not now.” Since the gate to the Law stands open as always, and the doorkeeper steps aside, the man bends down to look through the gate into the interior. When the doorkeeper sees this, he laughs and says: “If you're so drawn to it, go ahead and try to enter, even though I've forbidden it. But bear th

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