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Journal articles on the topic 'Man Ray'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Jaffe, Harold. "Man Ray." boundary 2 15, no. 1/2 (1986): 343. http://dx.doi.org/10.2307/303442.

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2

Averyanova, Olga N. "“SELF-PORTRAIT” BY MAN RAY AS A LINGUISTIC CONSTRUCTION OF THE MAN RAY BRAND." Articult, no. 2 (2018): 89–98. http://dx.doi.org/10.28995/2227-6165-2018-2-89-98.

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3

Blackburn, Philip. "M for MAN RAY." Public 28, no. 56 (2017): 100–102. http://dx.doi.org/10.1386/public.28.56.100_7.

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4

Averyanova, Olga N. "MAN RAY. ART OF STRATEGY." Articult, no. 4 (2018): 142–57. http://dx.doi.org/10.28995/2227-6165-2018-4-142-157.

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5

Zabel, Barbara. "Man Ray and the Machine." Smithsonian Studies in American Art 3, no. 4 (1989): 67–83. http://dx.doi.org/10.1086/smitstudamerart.3.4.3108991.

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6

Zabel, Barbara. "Man Ray and the Machine." American Art 3, no. 4 (1989): 66. http://dx.doi.org/10.1086/424083.

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7

Somerville, Kristine. "Man Ray: Reluctant Celebrity Photographer." Missouri Review 46, no. 1 (2023): 143–54. http://dx.doi.org/10.1353/mis.2023.0004.

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8

Banerjee, Arpan. "The man with x ray eyes." BMJ 336, no. 7654 (2008): 1193. http://dx.doi.org/10.1136/bmj.39583.675729.4e.

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9

Hubert, Renée Riese. "Book Review: Man Ray: Paris, LA." Modernism/modernity 5, no. 1 (1998): 173–74. http://dx.doi.org/10.1353/mod.1998.0011.

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10

Guzman, Antonio. "The Fluidities of Photography (Man Ray)." Critique d’art, no. 12 (September 1, 1998): 43–44. http://dx.doi.org/10.4000/critiquedart.107234.

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11

L’Écotais, Emmanuelle de. "Les Violon d’Ingres de Man Ray." Photographica, no. 6 (April 27, 2023): 153–69. http://dx.doi.org/10.4000/photographica.1168.

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12

Durafour, Jean-Michel. "Man Ray : voir le cinéma en peinture." Ligeia N° 97-100, no. 1 (2010): 62. http://dx.doi.org/10.3917/lige.097.0062.

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13

Bahcall, John. "Ray Davis: The scientist and the man." Nuclear Physics B - Proceedings Supplements 48, no. 1-3 (1996): 281–83. http://dx.doi.org/10.1016/0920-5632(96)00262-9.

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14

Guzman, Antonio. "Les Fluidités de la photographie (Man Ray)." Critique d’art, no. 12 (September 1, 1998): 41–42. http://dx.doi.org/10.4000/critiquedart.107229.

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15

Leth Meilvang, Emil. "Altings adskillelse – Om Surrealismens fysiologiske æstetik: Da Man Ray mødte Étienne-Jules Marey." Slagmark - Tidsskrift for idéhistorie, no. 78 (February 20, 2019): 75–92. http://dx.doi.org/10.7146/slagmark.vi78.128593.

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ALL THINGS SEPARATE - THE PHYSIOLOGICAL AESTHETICS OF THE SURREALISM. MAN RAY MEETS ÉTIENNE-JULES MAREY The article examines the interrelation of the chrono-photographical work of the French physiologist Étienne-Jules Marey and the avant-garde aesthetics of the surrealist photographer and filmmaker Man Ray. In his 1926 film Emak Bakia, Man Ray appropriated the visual idiom of Marey’s studies in comparative physiology as he paraphrased the technique of chrono-photography. The article argues that this appropriation cannot be properly understood simply on the level of form or visual style.

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16

SUCUOĞLU, Melis. "Man Ray, Rayogram Tekniği ve Resim Sanatında Değişimler." Anadolu Üniversitesi Sanat & Tasarım Dergisi 6, no. 1 (2016): 192. http://dx.doi.org/10.20488/www-std-anadolu-edu-tr.291266.

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17

Grossman, Wendy, and Letty Bonnell. "Man Ray, African Art, and the Modernist Lens." African Arts 42, no. 3 (2009): 72–81. http://dx.doi.org/10.1162/afar.2009.42.3.72.

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18

Chung, CH. "X-Ray Quiz: An Elderly Man with Haemoptysis." Hong Kong Journal of Emergency Medicine 13, no. 3 (2006): 185–86. http://dx.doi.org/10.1177/102490790601300311.

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19

Lee, JCK, SYJ Ka, EMW Man, and JSF Shum. "X-Ray Quiz: A Man with Distended Abdomen." Hong Kong Journal of Emergency Medicine 17, no. 5 (2010): 517–19. http://dx.doi.org/10.1177/102490791001700516.

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20

Choi, YH, KH Cho, HM Lee, DH Lee, and SY Yun. "X-Ray Quiz: A Man with Finger Pain." Hong Kong Journal of Emergency Medicine 18, no. 6 (2011): 446–48. http://dx.doi.org/10.1177/102490791101800614.

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21

Ibarlucía, Ricardo. "Benjamin, Tzara y los rayogramas de Man Ray." Boletín de Estética, no. 67 (August 17, 2024): 73–87. http://dx.doi.org/10.36446/be.2024.67.387.

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Este trabajo presenta y ofrece en español el prefacio de Tristan Tzara a Les Champs délicieux (1922), álbum de rayogramas del fotógrafo estadounidense Man Ray, que fue traducido por Walter Benjamin para la revista alemana de vanguardia G- Zeitschrift für elementare Gestaltung en 1924. Muestra la rela-ción de Benjamin con Hans Richert, editor de esta revista, así como con otros de los dadaístas de Zúrich durante su estancia en Suiza, y señala el modo en que su propia traducción de Tzara fue recuperada por Benjamin en un relevante pasaje de “Kleine Geschichte der Photographie” (1931).

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22

Richardson, Michael. "A Cinematic Artist: The Films of Man Ray." History of Photography 35, no. 4 (2011): 444–45. http://dx.doi.org/10.1080/03087298.2011.617955.

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23

Averyanova, O. "Early examples of solarization in photography. Man Ray." Bulletin of the South Ural State University Series «Social Sciences and the Humanities» 18, no. 02 (2018): 60–67. http://dx.doi.org/10.14529/ssh180210.

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24

Townsend, C. "A Cinematic Artist: The Films of Man Ray." French Studies 65, no. 4 (2011): 548–49. http://dx.doi.org/10.1093/fs/knr182.

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25

Russell, J. G. B., and G. A. M. Webb. "Valuing the man-sievert in X-ray diagnosis." British Journal of Radiology 60, no. 715 (1987): 681–84. http://dx.doi.org/10.1259/0007-1285-60-715-681.

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26

Puckett, Joshua. "Spider-Man and the Power of Animation." Film Matters 11, no. 2 (2020): 131–33. http://dx.doi.org/10.1386/fm_00090_7.

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27

Frelik, Edyta. "Man Ray, czyli o odzyskiwaniu „pomiędzy” słowem a obrazem." Śląskie Studia Polonistyczne 22, no. 2 (2023): 1–17. http://dx.doi.org/10.31261/ssp.2023.22.06.

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Tocząca się obecnie debata na temat związków i relacji zachodzących między mediami artystycznymi stała się punktem wyjścia omówienia twórczości Man Raya, jednego z najbardziej rozpoznawalnych przedstawicieli wczesnego modernizmu, którego dokonania, zwłaszcza literackie, są wciąż zbyt mało znane jako przykłady modernistycznej samoświadomości artystycznej. Przywrócenie jego dorobku, obejmującego dzieła wizualne, teksty i multimedialne hybrydy, jako bogatego historycznego źródła może, zdaniem autorki, przysłużyć się uwidocznieniu i „odzyskaniu” dla współczesnego dyskursu o kondycji transmedialnej

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28

Оlga N. Averyanova, Оlga N. Averyanova. "FROM MAN RAY TO ANDY WARHOL. SELF-IDENTIFICATION CODE." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2018): 143–54. http://dx.doi.org/10.28995/2073-6401-2018-3-143-154.

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29

Averyanova, Olga N. "MARCEL DUCHAMP, MAN RAY, RROSE SÉLAVY: PHOTOGRAPHY, READYMADE, BRAND." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 31 (September 1, 2018): 5–21. http://dx.doi.org/10.17223/22220836/31/1.

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30

Hopkins, David. "Men Before the Mirror: Duchamp, Man Ray and Masculinity." Art History 21, no. 3 (1998): 303–23. http://dx.doi.org/10.1111/1467-8365.00112.

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31

Zabel, Barbara. "Perpetual Motif: The Art of Man Ray. Merry Foresta." Archives of American Art Journal 28, no. 4 (1988): 29–33. http://dx.doi.org/10.1086/aaa.28.4.1557618.

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32

Cowen, R. "One-Man Band: X-Ray Source Plays Two Tunes." Science News 149, no. 10 (1996): 148. http://dx.doi.org/10.2307/3979652.

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33

Chung, CH. "X-ray Quiz: a Young Man with Chest Pain." Hong Kong Journal of Emergency Medicine 11, no. 2 (2004): 91–93. http://dx.doi.org/10.1177/102490790401100205.

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34

Parsa, Nasim, Richard Williams, and Ziv Gamliel. "A Young Man with an Abnormal Chest X-ray." American Journal of Gastroenterology 111 (October 2016): S1334—S1335. http://dx.doi.org/10.14309/00000434-201610001-02651.

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35

Hosford, Romy. "Review: Man Ray in Paris, by Erin C. Garcia." Afterimage 39, no. 3 (2011): 37. http://dx.doi.org/10.1525/aft.2011.39.3.37.

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36

Butt, Mu, and El Goh. "X-Ray Quiz: A Man with Traumatic Thumb Pain." Hong Kong Journal of Emergency Medicine 22, no. 4 (2015): 259–60. http://dx.doi.org/10.1177/102490791502200409.

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37

Drijkoningen, F. F. J. "Rhétorique surréaliste et cinéma:l'Etoile de mer de Man Ray." Neophilologus 69, no. 3 (1985): 342–51. http://dx.doi.org/10.1007/bf02001047.

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38

Lindelöf, B., and Lindberg M. "The effect of grenz rays on irritant skin reactions in man." Acta Dermato-Venereologica 67, no. 2 (1987): 128–32. http://dx.doi.org/10.2340/0001555567128132.

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To investigate the effect of grenz rays on irritant contact reactions, eleven healthy volunteers were studied. They were given 3 Gy of grenz rays, once a week for 3 weeks, to a defined area of the back. Twenty-four hours after the last treatment, serial dilution sodium lauryl sulphate patch tests were applied both on the grenz ray treated area and on the untreated control skin. Biopsy specimens were taken from the irritant reactions both from the grenz ray treated area and from the control area and different cell populations in dermis and epidermis were identified by monoclonal antibodies (Leu

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39

Bandier, Norbert. "Man Ray, les surréalistes et le cinéma des années 20." Actes de la recherche en sciences sociales 88, no. 3 (1991): 48–60. http://dx.doi.org/10.3917/arss.p1991.88n1.0048.

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40

Averyanova, Olga N. "Man Ray the artist and the photographer: Experiments in modernism." Vestnik of Saint Petersburg University. Arts 8, no. 1 (2018): 37–51. http://dx.doi.org/10.21638/11701/spbu15.2018.103.

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41

Bandier, Norbert. "Man Ray, les surréalistes et le cinéma des années 20." Actes de la recherche en sciences sociales 88, no. 1 (1991): 48–60. http://dx.doi.org/10.3406/arss.1991.2981.

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42

Knowles, Kim. "From Studio to Street: The Urban Photography of Man Ray." History of Photography 34, no. 1 (2010): 29–42. http://dx.doi.org/10.1080/03087290903361407.

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43

Wong, OF, TK Yim, KSC Lam, and PHK Tsang. "X-Ray Quiz: A 62-Year-Old Man with Hypotension." Hong Kong Journal of Emergency Medicine 18, no. 2 (2011): 125–26. http://dx.doi.org/10.1177/102490791101800211.

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44

Kepner, Margaret. "“Man Ray – Human Equations: A Journey from Mathematics to Shakespeare”." Journal of Mathematics and the Arts 10, no. 1-4 (2016): 4–8. http://dx.doi.org/10.1080/17513472.2015.1124623.

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45

Black, David R., Harold E. Burdette, and William Banholzer. "X-ray diffraction imaging of man-made and natural diamond." Diamond and Related Materials 2, no. 2-4 (1993): 121–25. http://dx.doi.org/10.1016/0925-9635(93)90041-y.

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46

Piorek, Stanislaw. "Principles and applications of man-portable X-ray fluorescence spectrometry." TrAC Trends in Analytical Chemistry 13, no. 7 (1994): 281–86. http://dx.doi.org/10.1016/0165-9936(94)87065-9.

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47

Pass, Victoria. "Man Ray, African Art, and the Modernist Lens: Wendy Grossman." Photography and Culture 4, no. 2 (2011): 231–33. http://dx.doi.org/10.2752/175145211x12992393431494.

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48

Trend, P., A. Prochazka, D. Short, A. Ward, and A. Amis. "X-ray imaging of intramuscular markers during movement in man." Journal of Neuroscience Methods 17, no. 2-3 (1986): 228. http://dx.doi.org/10.1016/0165-0270(86)90106-8.

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49

Usmonova, Zarina Habibovna. "TRANSLATOR'S SKILL IN "THE ILLUSTRATED MAN" ("КАЛЕЙДОСКОП") BY RAY BRADBURY". International Journal of Education, Social Science & Humanities. Finland Academic Research Science Publishers 11, № 5 (2023): 680–86. https://doi.org/10.5281/zenodo.7942018.

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<em>Данная статья посвящена специфике элементов перевода и исследует лексическую значимость научных терминов в художественных произведениях. При этом анализируются рассказы Рея Брэдбери и исследуется вес терминов, использованных автором в переводе.  </em>

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50

Obayashi, Yuki, Chisato Izumi, and Yoshihisa Nakagawa. "Man in his 50s with chest pain and dyspnoea." Heart 104, no. 10 (2018): 868. http://dx.doi.org/10.1136/heartjnl-2017-312477.

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Clinical introductionA man in his 50s with sudden-onset chest pain and dyspnoea was transferred to the emergency room. He had a history of aortic valve replacement due to aortic regurgitation with a mechanical valve 6 years previously. Heart rate was 90 bpm, and blood pressure was too low to measure. In the emergency room, he presented with severe dyspnoea and a chest X-ray showed severe lung congestion (figure 1A). ECG showed complete left bundle branch block. His respiratory status rapidly worsened, and he went into cardiopulmonary arrest. After cardiopulmonary resuscitation, transthoracic e

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