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1

Poole, Robert. "The Manchester Observer." Bulletin of the John Rylands Library 95, no. 1 (2019): 30–122. http://dx.doi.org/10.7227/bjrl.95.1.3.

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The newly digitised Manchester Observer (1818–22) was England’s leading radical newspaper at the time of the Peterloo meeting of August 1819, in which it played a central role. For a time it enjoyed the highest circulation of any provincial newspaper, holding a position comparable to that of the Chartist Northern Star twenty years later and pioneering dual publication in Manchester and London. Its columns provide insights into Manchester’s notoriously secretive local government and policing and into the labour and radical movements of its turbulent times. Rich materials in the Home Office pape
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Cowhig, Ruth M. "Ira Aldridge in Manchester." Theatre Research International 11, no. 3 (1986): 239–46. http://dx.doi.org/10.1017/s0307883300012372.

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On Saturday, 10 February, 1827, the Manchester Guardian announced the coming appearance of ‘the African Roscius’ at the Theatre Royal, Manchester. After referring to ‘his success in New York and in all the principal theatres in the United States’ and to his performances ‘in the Theatres Royal, Bath, Bristol, Brighton, Plymouth, Exeter, and upwards of fifty nights at the Royal Coburg Theatre, London, with universal approbation’, the notice states that he will spend one night in Manchester on his way to Edinburgh and Glasgow. A note in the Manchester Courier the following week (17.2.1827) emphas
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3

Read, Donald. "Truth in News: Reuters and the Manchester Guardian, 1858–1964." Northern History 31, no. 1 (1995): 281–97. http://dx.doi.org/10.1179/007817295790175345.

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McNiven, Peter. "The Guardian archives in the John Rylands University Library of Manchester." Bulletin of the John Rylands Library 74, no. 2 (1992): 65–84. http://dx.doi.org/10.7227/bjrl.74.2.3.

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Owen, Nicholas. "“Facts Are Sacred”: The Manchester Guardian and Colonial Violence, 1930–1932." Journal of Modern History 84, no. 3 (2012): 643–78. http://dx.doi.org/10.1086/666052.

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6

McArthur, Tom. "Poetic Nonsense?" English Today 1, no. 3 (1985): 34–35. http://dx.doi.org/10.1017/s0266078400001267.

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On the 3rd November 1984 there appeared in The Guardian newspaper (London and Manchester) an article entitled ‘The earth lay gloog, the cattle bollowed deep’. It was the work of MAGGIE COOK, the founder of the Boscobel Poets of Hastings, and lies squarely in the tradition of English literate nonsense. The article is reproduced below, with a commentary by TOM McARTHUR.
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Casey, Christopher A. "Common Misperceptions: The Press and Victorian Views of Crime." Journal of Interdisciplinary History 41, no. 3 (2010): 367–91. http://dx.doi.org/10.1162/jinh_a_00106.

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After a string of successes in the early nineteenth century, the Victorian movement to reform criminal punishment began to falter. Despite evidence to the contrary, the populace grew convinced that violent crime was on the rise. A frequency analysis of The Times and The Manchester Guardian suggests that this misperception was due to a drastic increase in crime coverage by the periodicals of the day.
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8

Gratzer, Walter. "Sir John Royden Maddox. 27 November 1925 — 12 April 2009." Biographical Memoirs of Fellows of the Royal Society 56 (January 2010): 237–55. http://dx.doi.org/10.1098/rsbm.2009.0024.

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John Maddox was a man of prodigious energy, blessed by an astonishing memory, and with a deep understanding of broad swathes of science. As a lecturer at the University of Manchester he seemed set on an academic career and was widely regarded as the most promising member of an outstanding group of young theoreticians. Yet during five years he published no papers, other than an unsigned account in Nature in 1951 of the newly opened Joule Museum in Salford. He suffered, it was thought, from want of confidence in writing up his work, but then came his precipitate move to the Manchester Guardian ,
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Saddlemyer, Ann. "More Letters by John Millington Synge." Irish University Review 45, no. 1 (2015): 25–30. http://dx.doi.org/10.3366/iur.2015.0147.

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In May 1905 John Millington Synge received a request from C.P. Scott, editor of the Manchester Guardian, to tour the Congested Districts in the west of Ireland, and send his observations as a series of personal letters to the paper. Doubtless urged by their common friend John Masefield, Scott suggested that Jack Butler Yeats might join the playwright as illustrator. Four letters from Synge to Scott concerning the arrangements were not included in The Collected Letters of John Millington Synge when first published in 1968–9. This omission is finally repaired here.
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10

Thiele, David. "“THAT THERE BRUTUS”: ELITE CULTURE AND KNOWLEDGE DIFFUSION IN THE INDUSTRIAL NOVELS OF ELIZABETH GASKELL." Victorian Literature and Culture 35, no. 1 (2007): 263–85. http://dx.doi.org/10.1017/s1060150307051510.

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ELIZABETH GASKELL SCHOLARS are well aware of the anger that Mary Barton evoked in some quarters of Manchester's industrial bourgeoisie. These scholars are also certainly familiar with the central document of this anger, a wide-ranging critique in which an anonymous “Correspondent” of the Manchester Guardian accuses the anonymous novelist not only of ignorance but also of distortions that amount to “a libel on the masters, merchants, and gentlemen of this city.” The correspondent, W. R. Greg, offers several lines of argument in support of this charge. I would like to take one of these as the op
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HAMPTON, MARK. "THE PRESS, PATRIOTISM, AND PUBLIC DISCUSSION: C. P. SCOTT, THE MANCHESTER GUARDIAN, AND THE BOER WAR, 1899–1902." Historical Journal 44, no. 1 (2001): 177–97. http://dx.doi.org/10.1017/s0018246x01001479.

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This article demonstrates the connections between journalism, patriotism, and the culture of public discussion in late Victorian Britain, taking as a case study C. P. Scott's use of the Guardian in opposing the Boer War. It asserts that while opposing the war, Scott was simultaneously trying to redefine ‘patriotism’ and preserve a rapidly waning ideal of the press as an agent of public discussion, two interrelated goals. In contrast to a predominant image of the patriot as blind supporter of the government's imperial expansionism, the Guardian put forth an ideal of a critical patriotism. At th
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ROBERT MOORE, JAMES. "PROGRESSIVE PIONEERS: MANCHESTER LIBERALISM, THE INDEPENDENT LABOUR PARTY, AND LOCAL POLITICS IN THE 1890s." Historical Journal 44, no. 4 (2001): 989–1013. http://dx.doi.org/10.1017/s0018246x0100214x.

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The Manchester Progressive Municipal Programme of 1894 has been viewed as indicative of a new Liberal approach to labour and social questions, heralding the New Liberalism of the Edwardian era and marking a gradual transition to class-based politics. Rather than focus on the role of senior individuals, such as Manchester Guardian editor C. P. Scott, in fostering the change, this article explores the practical problems of grass-roots party co-operation and the problems that Progressive approaches brought to Liberals. Progressive ideas had already permeated much Liberal thinking before 1890 and
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13

Conway, J. S. "Britische Presse und nationalsozialistischer Kirchenkampf. Eine Untersuchung der 'Times' und des 'Manchester Guardian' von 1930 bis 1939." German History 15, no. 1 (1997): 158–61. http://dx.doi.org/10.1093/gh/15.1.158.

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14

O’Reilly, Carole. "‘The Magnetic Pull of the Metropolis’: The Manchester Guardian, The Provincial Press and Ideas of the North." Northern History 57, no. 2 (2020): 270–90. http://dx.doi.org/10.1080/0078172x.2020.1800932.

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15

Høgsbjerg, Christian. "“What would an Athenian have thought of the day’s play?” C.L.R. James’s early cricket writings forThe Manchester Guardian." Journal of Postcolonial Writing 52, no. 3 (2016): 249–61. http://dx.doi.org/10.1080/17449855.2016.1203098.

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FODOR, G. "FROM THE MANCHESTER GUARDIAN RECONSTRUCTION SUPPLEMENTS TO A TRACT ON MONETARY REFORM: THE EARLY DEVELOPMENT OF KEYNES'S THOUGHT." Contributions to Political Economy 9, no. 1 (1990): 83–97. http://dx.doi.org/10.1093/oxfordjournals.cpe.a035756.

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17

Hodgson, Guy Richard. "Nurse, martyr, propaganda tool: The reporting of Edith Cavell in British newspapers 1915–1920." Media, War & Conflict 10, no. 2 (2016): 239–53. http://dx.doi.org/10.1177/1750635216676852.

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Edith Cavell’s death by a German firing squad in 1915 proved to be a significant moment for First World War propaganda. News of the British nurse’s death caused a torrent of outrage in Britain and around the world, inspired thousands of Allied troops to enlist and helped sway US opinion against Germany. Newspapers, as the principal source of communication between the government and the people, were essential in relaying this message and this article studies the roles played by the Daily Mail, the Manchester Guardian and the Daily Express. The results show the newspapers were eager participants
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Conway, John S. "Britische Presse und Nationalsozialistischer Kirchenkampf. Eine Untersuchung der "Times" und des "Manchester Guardian" von 1930 bis 1939 by Markus Huttner." Catholic Historical Review 83, no. 1 (1997): 128–30. http://dx.doi.org/10.1353/cat.1997.0109.

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19

Ofcansky, Thomas P. "L.S.B. Leakey: A Biobibliographical Study." History in Africa 12 (1985): 211–24. http://dx.doi.org/10.2307/3171721.

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Louis Seymour Bazett Leakey (1903-72) was a man of immense ability and variety. Apart from his numerous activities in the fields of paleontology, archeology, and anthropology, he achieved prominence as a naturalist, historian, political analyst, handwriting expert, and administrator. His writings not only reflect these interests but also serve as an important focal point for future research about East Africa.Especially valuable are Leakey's often overlooked contributions to newspapers such as The East African Standard (Nairobi), Kenya Weekly News (Nakuru), and The Times (London). In addition t
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WEI, SHUGE. "Beyond the Front Line: China's rivalry with Japan in the English-language press over the Jinan Incident, 1928." Modern Asian Studies 48, no. 1 (2013): 188–224. http://dx.doi.org/10.1017/s0026749x11000886.

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AbstractThis paper examines how China and Japan fought for supremacy in China's treaty-port English-language press during the Jinan Incident of 1928. It argues that China's defeat in this media battle was a result of the long-term, unsettled political conditions the country was experiencing. The constant changes of government thwarted China's official and non-official efforts to establish a national news network. The threat from the northern warlords and China's intricate relations with the imperialist powers deterred the Nanjing regime from formulating decisive foreign propaganda policies. In
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Moutafidou, Lona. "“Daddy, can’t you see we are burning?” Traumatic Time and Parental Responsibility in Kenneth Lonergan’s Manchester by the Sea." University of Bucharest Review. Literary and Cultural Studies Series 9, no. 1 (2020): 42–52. http://dx.doi.org/10.31178/ubr.9.1.5.

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In Kenneth Lonergan’s film Manchester by the Sea, screened in 2016, Lee commits a life-changing mistake: on his way to the mini-market, he forgets to put the screen on the fireplace. Upon his return, he becomes a numbed witness to the spectacle of his own family tragedy as the authorities remove his children’s bodies from the burning house scene. This significant event is represented through a sequence of flashbacks, which designates said cinematic device as one of the film’s most important features. Indeed, in The Trauma Question, Roger Luckhurst approaches the flashback as “the cinema’s rend
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Deli, Peter. "The quality press and the soviet union: A case study of the reactions of the Manchester guardian, the new statesman and the times to Stalin's great purges, 1936–38." Media History 5, no. 2 (1999): 159–80. http://dx.doi.org/10.1080/13688809909357958.

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23

Young, Joanne. "‘Amongst stuffed beasts and fire-buckets’." Bulletin of the John Rylands Library 96, no. 2 (2020): 97–112. http://dx.doi.org/10.7227/bjrl.96.2.5.

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This article focuses on women at Owens College, Manchester between 1883 and 1900. It does so through the lens of the everyday places, spaces and material features that symbolically defined an everyday experience on the periphery of college life. Having achieved admission to Owens in 1883, the first women to enter this newly coeducational space were met by hostility and resistance that expressed itself both in words and the careful guarding of formerly male preserves. This article therefore examines the objects, doorways, rooms and lecture halls that formed the daily environment for women as th
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24

Conway, J. S. "Book Reviews : Britische Presse und nationalsozialistischer Kirchenkampf. Eine Untersuchung der 'Times' und des 'Manchester Guardian' von 1930 bis 1939. By Markus Huttner. 'Veroffentlichungen der Kommission fur Zeitgeschichte', series B. Forschungen, vol. 67. Paderbom: Ferdinand Schoningh. 1995. 814 pp. DM 108." German History 15, no. 1 (1997): 158–61. http://dx.doi.org/10.1177/026635549701500126.

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McMorran, Kieran. "“A German Bred Revolt”: the Manchester Guardian’s perceptions of the Irish Easter Rising, 1916." Irish Studies Review 27, no. 4 (2019): 564–77. http://dx.doi.org/10.1080/09670882.2019.1663607.

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26

Rathbone, Richard. "Guardians of Empire: the armed forces of the colonial power, c. 1700–1964. Edited by David Killingray and David Omissi. pp. x, 259. Manchester, Manchester University Press, 1999." Journal of the Royal Asiatic Society 10, no. 2 (2000): 298–300. http://dx.doi.org/10.1017/s1356186300012876.

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ECHENBERG, MYRON. "Guardians of Empire: The Armed Forces of the Colonial Powers c. 1700–1964. Edited by DAVID KILLINGRAY and DAVID OMISSI. Manchester: Manchester University Press, 1999. Pp. x+259. £47.50 (ISBN 0-7190-5734-5)." Journal of African History 43, no. 3 (2002): 503–40. http://dx.doi.org/10.1017/s0021853702478413.

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"Corrigendum. JIA 111 part II." Journal of the Institute of Actuaries 112, no. 1 (1985): 115. http://dx.doi.org/10.1017/s0020268100042074.

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29

Albrecht, Richard. "F. A. Voigts Deutschlandberichte im „Manchester Guardian“ (1930–1935)." Communications 13, no. 2 (1987). http://dx.doi.org/10.1515/comm.1987.13.2.135.

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"All the math that's fit to print: articles from The Manchester Guardian." Choice Reviews Online 32, no. 09 (1995): 32–5133. http://dx.doi.org/10.5860/choice.32-5133.

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Oliveira, Carlisson, and Hermano Rodrigues. "NOMES E IDENTIDADES EM SÃO BERNARDO: IRONIA, BÍBLIA E COMPULSÃO DE REPETIÇÃO." fólio - Revista de Letras 12, no. 1 (2020). http://dx.doi.org/10.22481/folio.v12i1.6186.

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Neste artigo propomos que a maior parte dos nomes do romance São Bernardo são nomeados de modo irônico e que possuem algum relação com a Bíblia: Seu Ribeiro em relação ao progresso; d. Glória em relação a sua situação financeira; Paulo em relação ao Apóstolo e o título em relação ao Santo Bernardo de Claraval. E que o nome de Madalena seria uma exceção a este procedimento. Por fim, buscando uma crítica que leve em conta o psicológico, o social e o estético, propomos uma leitura dos nomes Paulo Honório e Casimiro Lopes a partir do nome do cangaceiro Casimiro Honório, especulando que a incorpora
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Joannides De Lautour, Vassili, Zahirul Hoque, and Danture Wickramasinghe. "Operationalising ethnicity in accountability: insights from an ethnic group within the Salvation Army." Accounting, Auditing & Accountability Journal ahead-of-print, ahead-of-print (2021). http://dx.doi.org/10.1108/aaaj-08-2013-1450.

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PurposeThis paper explores how ethnicity is implicated in an etic–emic understanding through day-to-day practices and how such practices meet external accountability demands. Addressing the broader question of how ethnicity presents in an accounting situation, it examines the mundane level responses to those accountability demands manifesting an operationalisation of the ethnicity of the people who make those responses.Design/methodology/approachThe study followed ethnomethodology principles whereby one of the researchers acted both as an active member and as a researcher within a Salvation Ar
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Brockington, Roy, and Nela Cicmil. "Brutalist Architecture: An Autoethnographic Examination of Structure and Corporeality." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1060.

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Introduction: Brutal?The word “brutal” has associations with cruelty, inhumanity, and aggression. Within the field of architecture, however, the term “Brutalism” refers to a post-World War II Modernist style, deriving from the French phrase betón brut, which means raw concrete (Clement 18). Core traits of Brutalism include functionalist design, daring geometry, overbearing scale, and the blatant exposure of structural materials, chiefly concrete and steel (Meades 1).The emergence of Brutalism coincided with chronic housing shortages in European countries ravaged by World War II (Power 5) and g
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Harb, Zahera. "Arab Revolutions and the Social Media Effect." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.364.

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The Arab world witnessed an influx of satellite channels during the 1990s and in the early years of the first decade of the new century. Many analysts in the Arab world applauded this influx as a potential tool for political change in the Arab countries. Two stations were at the heart of the new optimism: Al-Jazeera and Al Arabiya, the two most prominent 24-hour news channels in the region. Al-Jazeera proved to be more controversial because in its early years of broadcasting it managed to break taboos in the Arab media by tackling issues of human rights and hosting Arab dissidents. Also, its c
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Bonner, Frances. "This may Look like Science Fiction, But..." M/C Journal 2, no. 1 (1999). http://dx.doi.org/10.5204/mcj.1736.

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The borderline between fiction and non-fiction is, like much that is liminal, deeply attractive to observers, and among the consequences of this is a proliferation of names; 'faction', 'fictocriticism' and the shifting pairing of docudrama/dramadoc operate to indicate the blending of different types of fictional and non-fictional material. All of these produce that feeling of unease proper to liminal states. In his recent study, Derek Paget notes how it is the seriousness of the truth claims of that version of non-fiction called documentary that makes its mixing with drama so fraught with pote
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Hawley, Erin. "Re-imagining Horror in Children's Animated Film." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1033.

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Introduction It is very common for children’s films to adapt, rework, or otherwise re-imagine existing cultural material. Such re-imaginings are potential candidates for fidelity criticism: a mode of analysis whereby an adaptation is judged according to its degree of faithfulness to the source text. Indeed, it is interesting that while fidelity criticism is now considered outdated and problematic by adaptation theorists (see Stam; Leitch; and Whelehan) the issue of fidelity has tended to linger in the discussions that form around material adapted for children. In particular, it is often assume
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Dutton, Jacqueline Louise. "C'est dégueulasse!: Matters of Taste and “La Grande bouffe” (1973)." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.763.

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Dégueulasse is French slang for “disgusting,” derived in 1867 from the French verb dégueuler, to vomit. Despite its vulgar status, it is frequently used by almost every French speaker, including foreigners and students. It is also a term that has often been employed to describe the 1973 cult film, La Grande bouffe [Blow Out], by Marco Ferreri, which recounts in grotesque detail the gastronomic suicide of four male protagonists. This R-rated French-Italian production was booed, and the director spat on, at the 26th Cannes Film Festival—the Jury President, Ingrid Bergman, said it was the most “s
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Seale, Kirsten, and Emily Potter. "Wandering and Placemaking in London: Iain Sinclair’s Literary Methodology." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1554.

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Iain Sinclair is a writer who is synonymous with a city. Sinclair’s sustained literary engagement with London from the mid 1960s has produced a singular account of place in that city (Bond; Baker; Seale “Iain Sinclair”). Sinclair is a leading figure in a resurgent and rebranded psychogeographic literature of the 1990s (Coverley) where on-foot wandering through the city brings forth narrative. Sinclair’s wandering, materialised as walking, is central to the claim of intimacy with the city that underpins his authority as a London writer. Furthermore, embodied encounters with the urban landscape
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Arnold, Bruce, and Margalit Levin. "Ambient Anomie in the Virtualised Landscape? Autonomy, Surveillance and Flows in the 2020 Streetscape." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.221.

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Our thesis is that the city’s ambience is now an unstable dialectic in which we are watchers and watched, mirrored and refracted in a landscape of iPhone auteurs, eTags, CCTV and sousveillance. Embrace ambience! Invoking Benjamin’s spirit, this article does not seek to limit understanding through restriction to a particular theme or theoretical construct (Buck-Morss 253). Instead, it offers snapshots of interactions at the dawn of the postmodern city. That bricolage also engages how people appropriate, manipulate, disrupt and divert urban spaces and strategies of power in their everyday life.
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Starrs, Bruno. "Publish and Graduate?: Earning a PhD by Published Papers in Australia." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.37.

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Refereed publications (also known as peer-reviewed) are the currency of academia, yet many PhD theses in Australia result in only one or two such papers. Typically, a doctoral thesis requires the candidate to present (and pass) a public Confirmation Seminar, around nine to twelve months into candidacy, in which a panel of the candidate’s supervisors and invited experts adjudicate upon whether the work is likely to continue and ultimately succeed in the goal of a coherent and original contribution to knowledge. A Final Seminar, also public and sometimes involving the traditional viva voce or or
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McGowan, Lee. "Piggery and Predictability: An Exploration of the Hog in Football’s Limelight." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.291.

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Lincolnshire, England. The crowd cheer when the ball breaks loose. From one end of the field to the other, the players chase, their snouts hovering just above the grass. It’s not a case of four legs being better, rather a novel way to attract customers to the Woodside Wildlife and Falconry Park. During the matches, volunteers are drawn from the crowd to hold goal posts at either end of the run the pigs usually race on. With five pigs playing, two teams of two and a referee, and a ball designed to leak feed as it rolls (Stevenson) the ten-minute competition is fraught with tension. While the pi
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Donkin, Ashley. "Illegitimate Online Newspaper Representations of the Chaplaincy Program." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.878.

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IntroductionThe National School Chaplaincy and Student Welfare Program (NSCSWP) has been one of the most controversial Australian news topics in the past eight years. Newspaper representations of the NSCSWP have been prolific since the Program began in 2006/07. In my previous research into the NSCSWP, I found that initially the Program was well received. Following the High Court Challenge campaign, however, which began in late 2010, newspaper reports portrayed the NSCSWP in a predominantly negative light. These negative portrayals of the NSCSWP persisted in the lead up to the second High Court
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Livingstone, Randall M. "Let’s Leave the Bias to the Mainstream Media: A Wikipedia Community Fighting for Information Neutrality." M/C Journal 13, no. 6 (2010). http://dx.doi.org/10.5204/mcj.315.

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Although I'm a rich white guy, I'm also a feminist anti-racism activist who fights for the rights of the poor and oppressed. (Carl Kenner)Systemic bias is a scourge to the pillar of neutrality. (Cerejota)Count me in. Let's leave the bias to the mainstream media. (Orcar967)Because this is so important. (CuttingEdge)These are a handful of comments posted by online editors who have banded together in a virtual coalition to combat Western bias on the world’s largest digital encyclopedia, Wikipedia. This collective action by Wikipedians both acknowledges the inherent inequalities of a user-controll
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Varney, Wendy. "Homeward Bound or Housebound?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2701.

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 If thinking about home necessitates thinking about “place, space, scale, identity and power,” as Alison Blunt and Robyn Dowling (2) suggest, then thinking about home themes in popular music makes no less a conceptual demand. Song lyrics and titles most often invoke dominant readings such as intimacy, privacy, nurture, refuge, connectedness and shared belonging, all issues found within Blunt and Dowling’s analysis. The spatial imaginary to which these authors refer takes vivid shape through repertoires of songs dealing with houses and other specific sites, vast and distant
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