Relevant bibliographies by topics / Manfredi

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Manfredi'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Manfredi"

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D’Anna, Luca. "Toward a Speech Communities Approach: A Review Article." Annali Sezione Orientale 78, no. 1-2 (April 18, 2018): 193–202. http://dx.doi.org/10.1163/24685631-12340050.

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Abstract The present paper offers a review of Stefano Manfredi’s Arabi Juba: un pidgin-créole du Soudan du Sud (2017), discussing the potential benefits of its methodological approach for the field of Arabic linguistics and dialectology. Manfredi’s volume represents the latest and most comprehensive description of Juba Arabic, a pidgin / creole spoken in South Sudan. It includes a socio-historical introduction describing the conditions from which the speech community that gave rise to Juba Arabic first emerged, followed by nine chapters that provide a detailed description of the language at the phonological, morphological and syntactical levels. The paper also discusses how Manfredi’s approach goes in the direction of a linguistics of speech communities invoked by Magidow (2017) and how it might represent a model for future grammars of dialectal Arabic. Manfredi (2017), in fact, provides a multidimensional description of Juba Arabic, in which the diverse nature of its speakers (monolinguals native speakers vs bilinguals L2 speakers with different L1s) and the prolonged contact with its lexifier language (Sudanese Arabic) give origin to acrolectal and basilectal varieties. Manfredi analyzes internal variation from both a synchronic and diachronic perspective, resorting to the concept of “dynamic synchrony” to describe ongoing processes of language change. The linguistic situation of the Arabic-speaking world after the end of the colonial period, on the other hand, witnesses a more and more intense contact between different Arabic dialects and an increased influence from MSA, through mass media and growing rates of literacy. The situation of language contact that results from these circumstances needs more refined conceptual tools in order to be effectively described. For this reason, and in light of Magidow (2017), this review article argues that the approach adopted by Manfredi might be successfully imported in the field of Arabic dialectology.
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Monteiro, Michelli Cristine Scapol. "Esculpir a memória: monumentos ao Centenário da Independência em Buenos Aires e São Paulo." Revista USP 1, no. 130 (October 18, 2021): 87–108. http://dx.doi.org/10.11606/issn.2316-9036.i130p87-108.

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As celebrações dos centenários das independências na América Latina foram eventos oportunos para os governos dessas nações investirem na construção da identidade nacional por meio da edificação de monumentos cívicos nacionais. Este artigo discorre sobre dois desses projetos: o Monumento a la Revolución de Mayo, em Buenos Aires, de Luigi Brizzolara e Gaetano Moretti, e o Monumento à Independência do Brasil, em São Paulo, de Ettore Ximenes e Manfredo Manfredi. Evidenciando os sincronismos dessas propostas, pretende-se demonstrar os meios pelos quais segmentos das elites dirigentes da Argentina e do Brasil procuraram dar materialidade a uma memória da independência.
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Schewe, C. K., R. Maserati, G. Wassmer, A. Adam, and L. Weitner. "Reply to Manfredi." Clinical Infectious Diseases 42, no. 9 (May 1, 2006): 1347–48. http://dx.doi.org/10.1086/503310.

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Merkel, Jayne. "Weiss/Manfredi Architects." Architectural Design 77, no. 1 (January 2007): 104–11. http://dx.doi.org/10.1002/ad.407.

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Tamayo Belda, Eduardo. "Diplomacia y paradiplomacia." Locus: Revista de História 28, no. 1 (July 5, 2022): 366–76. http://dx.doi.org/10.34019/2594-8296.2022.v28.37524.

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Wiesmair, Benjamin, Asghar Shirvani, and László Ronkay. "A new Orthosia Ochsenheimer, 1816 species from Iran (Lepidoptera, Noctuidae, Hadeninae)." Nota Lepidopterologica 43 (February 13, 2020): 15–28. http://dx.doi.org/10.3897/nl.43.38538.

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A new Orthosia species, O. habelerisp. nov., is described from Iran (Kerman, SE Zagros Mts), and compared with the allopatric, closely related species, O. manfredi Hreblay, 1994. The subgenus Orthosia and its three main lineages are characterised; the primary types of the taxa described by Staudinger and Hreblay & Plante are illustrated; the photographs of the male genitalia of the holotypes of O. manfredi Hreblay, 1994, O. ariuna Hreblay, 1991, O. faqiri Hreblay & Plante, 1994 and O. feda Hreblay & Plante, 1994, and the lectotype of O. incerta var. pallida Staudinger, 1888 are illustrated for the first time.
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MANFREDI, ROCCO L., ANTHONY KALES, ALEXANDROS N. VGONTZAS, EDWARD O. BIXLER, MELDA A. ISAAC, and CHARLES M. FALCONE. "Dr. Manfredi and Associates Reply." American Journal of Psychiatry 150, no. 5 (May 1993): 845—a—846. http://dx.doi.org/10.1176/ajp.150.5.845-a.

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ZUCCOLI, MARINA, and FRANCESCO BARBIERI. "PER UN ARCHIVIO DELLA CORRISPONDENZA DEGLI SCIENZIATI ITALIANI." Nuncius 6, no. 2 (1991): 145–55. http://dx.doi.org/10.1163/182539191x00803.

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Abstract<title> SUMMARY </title>Geminiano Rondelli (1652-1739), an important hydraulic engineer, was for many years professor of mathematics at University of Bologna. He held an important position at a time of crisis at the University of Bologna. The nine letters written by Rondelli to Luigi Ferdinando Marsili, here published, go back to the years 1701-1702, in which Marsili was considering the possibility of building an astronomical observatory and founding a research institute. This was to become the Istituto delle Scienze, of which Rondelli was the first librarian. Marsili, for the realization of this projects, looked for valuable collaborators and Rondelli suggested the name of two promising young mathematicians, Vittorio Stancari and Gabriele Manfredi, brother of the well-known Eustachio Manfredi.
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Powell, James M. "Il regno di Manfredi: Proposte di Interpretazione.Enrico Pispisa." Speculum 69, no. 2 (April 1994): 549. http://dx.doi.org/10.2307/2865168.

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Manfredi, Natalie. "A day in the life of Natalie Manfredi." Early Years Educator 4, no. 8 (December 2002): 44–45. http://dx.doi.org/10.12968/eyed.2002.4.8.14781.

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Dissertations / Theses on the topic "Manfredi"

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Soffientino, Francesca. "La committenza di Manfredi. Fonti e opere." Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/85771.

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Kitisakon, Kitsirin. "La Manfrediana methodus : variations thématiques et stylistiques dans la peinture européenne de la première moitié du XVIIe siècle." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010634.

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La Manfrediana methodus, expression de Joachim von Sandrart, désigne une façon de peindre d’après Bartolomeo Manfredi, peintre italien du XVIIe siècle, adaptée aux sujets de genre (le concert, le jeu…) et à certains sujets religieux. Elle trouve sa racine dans l’art du Caravage qu’adopte Manfredi avec originalité et dont ses contemporains vont également contribuer à mettre en place. Les peintres étrangers venus à Rome dans les années 1610 vont être séduits par cette « méthode » et on assistera à des variations autour des thèmes de la bonne aventure, des scènes de réunion ou du Reniement de Saint Pierre. La mort de Manfredi en 1622 et le retour de ses suiveurs dans leur pays à partir de 1620 marquent le début de la diffusion de la « méthode » en Europe. Utrecht et Anvers constitueront ses foyers nordiques principaux où elle s’éteindra autour des années 1630. Sa présence en France (à Paris, à Langres, en Languedoc, en Lorraine, et en Provence) sera notamment soulignée avec les cas de Georges de La Tour et Trophime Bigot. En Italie, si la « méthode » a survécu à Rome jusque dans les années 1630, en Toscane elle cristallise en un langage artistique particulier ; à Naples, sa trace peut être suggérée et c’est avec Mattia Preti qu’elle semble trouver ses derniers souffles, au-delà de 1650. En Espagne enfin, les premières scènes de genre Vélasquez peuvent très bien renvoyer à la « méthode ». Celle-ci, de par son adoption par des artistes d’origines diverses et de sensibilités différentes, se verra ainsi être utilisée avec des variations stylistiques et thématiques et se présente comme l’un des phénomènes artistiques européens les plus importants du XVIIe siècle
The Manfrediana methodus, an expression by Joachim von Sandrart, refers to a method of painting after Bartolomeo Manfredi, an Italian painter in the 17th century, with life-size and half-length figures for genre subjects (concert, card players…) and some religious ones. The “method” is rooted in the art of Caravaggio adopted by Manfredi with originality, however, his contemporaries also contribute to its establishment. Foreign painters in Rome were seduced by Manfredi’s art as the variations on the Fortune-telling scenes, meeting scenes and the Denials of Saint Peter prove. Manfredi’s death in 1622 and the return of his followers in their country marks the diffusion of the “method” in Europe. Utrecht and Antwerp are its most important centers where it flourished until around 1630s. Its presence in France (Paris, Languedoc, Lorraine, Langres and Provence) can be underlined with the case of Georges de La Tour and Trophime Bigot. In Italy, if the “method” had survived in Rome until the 1630s, it crystallized in Tuscany in a particular artistic language. In Naples, its trace can be suggested and its last breaths, beyond 1650, seems to be found thanks to Mattia Preti. In Spain, the first genre scenes by Velazquez and the Triumph of Bacchus may well refer to it. Through the adherence by painters with various origins and different sensibilities, the “method” is used with stylistic and thematic diversities and represents one of the most important European artistic phenomenon in the 17th century
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Banzola, Angelo. "Casa Caldesi. Un'ipotesi di restauro per il complesso architettonico faentino." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8664/.

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Il Palazzo è un'architettura ben presente nell’immaginario collettivo soprattutto per il fatto che sia comunemente indicato come l’antica dimora dei Manfredi, signori della città. Tanto importante da sollevare sulla stampa locale periodiche ondate di indignazione per il suo stato di abbandono. Il recente studio di Lucio Donati dimostra come gli antichi proprietari fossero in realtà i Bazolini prima e i Viarani poi. A conclusione dell’articolo proponeva quindi di chiamare il fabbricato secondo il nome dei reali proprietari. In questa tesi ho deciso invece di chiamare il fabbricato con il nome di Casa Caldesi. Il precario stato di conservazione indica l’urgenza di un pronto intervento di restauro. Questa tesi propone una delle possibili ipotesi di progetto. Visto lo stato delle cose ho scelto un progetto di restauro che prevedesse una funzione mista residenziale e ad uffici. Mantenendo lungo via Manfredi le vetrine e quindi la funzione commerciale al dettaglio negli spazi che già una volta ospitavano i negozi. Il progetto si è soffermato in particolare nel disegno delle residenze. L’obiettivo di ripristinare i grandi ambienti decorati è stato rispettato attraverso un paziente lavoro di distribuzione capace di conservare e valorizzare la bellezza dei locali, senza perdere i requisiti di funzionalità e comodità adeguati alle moderne residenze. Questa scelta funzionale anche se può sembrare scontata e compatibile con un palazzo che da sempre è stata una residenza, presenta tuttavia alcune problematiche. L’ipotesi di restauro quindi si pone il problema di organizzare gli spazi del palazzo in appartamenti ed uffici, ripristinare la spazialità di tutti i grandi ambienti decorati e renderli compatibili con le esigenze abitative odierne.
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Pascale, Guidotti Magnani Daniele <1985&gt. "Città e architettura a Faenza nel Rinascimento. Progetti e strategie di rinnovamento urbano nell'età di Carlo II Manfredi (1468-77)." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/7121/1/Pascale_Guidotti_Magnani_Daniele_tesi.pdf.

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La tesi ha come oggetto il rinnovamento urbano che fu realizzato a Faenza per opera del suo signore Carlo II Manfredi tra il 1468 e il 1477, d’accordo con il fratello, il vescovo Federico. La prima opera realizzata da Carlo fu il portico a due livelli che dotò di una nuova facciata il suo palazzo di residenza, di origini medievali. Questa architettura sarebbe stata il preludio di un riordino generale della piazza principale della città, probabilmente allo scopo di ricreare un foro all’antica, come prescritto dai trattati di Vitruvio e di Alberti. L’aspetto originale del loggiato rinascimentale, desumibile da documentazione archivistica e iconografica, permette di attribuirlo con una certa probabilità a Giuliano da Maiano. Oltre alla piazza, Carlo riformò profondamente il tessuto urbano, demolendo molti portici lignei di origine medievale, rettificando le principali strade, completando la cerchia muraria. Federico Manfredi nel 1474 diede inizio alla fabbrica della Cattedrale, ricostruita dalle fondamenta su progetto dello stesso Giuliano da Maiano. L’architettura della chiesa ha uno stile largamente debitore all’architettura sacra di Brunelleschi, ma con significative differenze (come la navata definita da un’alternanza tra pilastri e colonne, o la copertura composta da volte a vela). L’abside della cattedrale, estranea al progetto maianesco, fu realizzata nel 1491-92 e mostra alcuni dettagli riconducibili alla coeva architettura di Bramante. A Faenza si realizza in un periodo di tempo brevissimo una profonda trasformazione del volto della città: loggiato, riforma della piazza, riordino delle strade, una nuova cattedrale, tutto contribuisce a dare lustro ai Manfredi e a fare di Faenza una città moderna e in cui si mettono in pratica, forse per la prima volta nell’Italia settentrionale, i dettami di Vitruvio e di Alberti.
The present thesis aims the study of the urban renewal that was carried out in Faenza thanks to the work of the Lord of the city, Carlo II Manfredi (1468-1477), together with his brother, Bishop Federico. The first work accomplished by Carlo was the two-level portico that gave a new façade to the palace of medieval origin where he lived. This architecture was to herald a general reorganization of the main piazza in the city, probably in order to recreate an antique forum, as prescribed by the treatises of Vitruvius and Alberti. The original appearance of the Renaissance loggia, which can be inferred from archival and iconographic documents, makes it possible to attribute it almost certainly to Giuliano da Maiano. In addition to the square, Carlo drastically reformed the urban fabric, demolishing many wooden porticos of medieval origin, straightening out the main streets and completing the city walls. In 1474 Federico Manfredi ordered the construction of the Cathedral, rebuilt from its foundations on a project also by Giuliano da Maiano. The architectural style of the church owes much to Brunelleschi’s church architecture, but with significant differences (such as the nave defined by an alternation between pillars and columns, or the sail vault ceiling). The apse of the cathedral, not part of Maiano’s project, was built in 1491-92 and shows some details traceable to the architecture of Bramante, his contemporary. Over a very short period of time in Faenza, a strong transformation of the face of the city occurred: loggia, rearrangement of the piazza, reorganization of roads, a new cathedral, all contributed to bring prestige to the Manfredi family and to make Faenza a modern city where, perhaps for the first time in northern Italy, the dictates of Vitruvius and Alberti were put into practice.
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Pascale, Guidotti Magnani Daniele <1985&gt. "Città e architettura a Faenza nel Rinascimento. Progetti e strategie di rinnovamento urbano nell'età di Carlo II Manfredi (1468-77)." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/7121/.

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La tesi ha come oggetto il rinnovamento urbano che fu realizzato a Faenza per opera del suo signore Carlo II Manfredi tra il 1468 e il 1477, d’accordo con il fratello, il vescovo Federico. La prima opera realizzata da Carlo fu il portico a due livelli che dotò di una nuova facciata il suo palazzo di residenza, di origini medievali. Questa architettura sarebbe stata il preludio di un riordino generale della piazza principale della città, probabilmente allo scopo di ricreare un foro all’antica, come prescritto dai trattati di Vitruvio e di Alberti. L’aspetto originale del loggiato rinascimentale, desumibile da documentazione archivistica e iconografica, permette di attribuirlo con una certa probabilità a Giuliano da Maiano. Oltre alla piazza, Carlo riformò profondamente il tessuto urbano, demolendo molti portici lignei di origine medievale, rettificando le principali strade, completando la cerchia muraria. Federico Manfredi nel 1474 diede inizio alla fabbrica della Cattedrale, ricostruita dalle fondamenta su progetto dello stesso Giuliano da Maiano. L’architettura della chiesa ha uno stile largamente debitore all’architettura sacra di Brunelleschi, ma con significative differenze (come la navata definita da un’alternanza tra pilastri e colonne, o la copertura composta da volte a vela). L’abside della cattedrale, estranea al progetto maianesco, fu realizzata nel 1491-92 e mostra alcuni dettagli riconducibili alla coeva architettura di Bramante. A Faenza si realizza in un periodo di tempo brevissimo una profonda trasformazione del volto della città: loggiato, riforma della piazza, riordino delle strade, una nuova cattedrale, tutto contribuisce a dare lustro ai Manfredi e a fare di Faenza una città moderna e in cui si mettono in pratica, forse per la prima volta nell’Italia settentrionale, i dettami di Vitruvio e di Alberti.
The present thesis aims the study of the urban renewal that was carried out in Faenza thanks to the work of the Lord of the city, Carlo II Manfredi (1468-1477), together with his brother, Bishop Federico. The first work accomplished by Carlo was the two-level portico that gave a new façade to the palace of medieval origin where he lived. This architecture was to herald a general reorganization of the main piazza in the city, probably in order to recreate an antique forum, as prescribed by the treatises of Vitruvius and Alberti. The original appearance of the Renaissance loggia, which can be inferred from archival and iconographic documents, makes it possible to attribute it almost certainly to Giuliano da Maiano. In addition to the square, Carlo drastically reformed the urban fabric, demolishing many wooden porticos of medieval origin, straightening out the main streets and completing the city walls. In 1474 Federico Manfredi ordered the construction of the Cathedral, rebuilt from its foundations on a project also by Giuliano da Maiano. The architectural style of the church owes much to Brunelleschi’s church architecture, but with significant differences (such as the nave defined by an alternation between pillars and columns, or the sail vault ceiling). The apse of the cathedral, not part of Maiano’s project, was built in 1491-92 and shows some details traceable to the architecture of Bramante, his contemporary. Over a very short period of time in Faenza, a strong transformation of the face of the city occurred: loggia, rearrangement of the piazza, reorganization of roads, a new cathedral, all contributed to bring prestige to the Manfredi family and to make Faenza a modern city where, perhaps for the first time in northern Italy, the dictates of Vitruvius and Alberti were put into practice.
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Bertozzi, Luca. "Indivisibili e infinitesimi: un percorso storico alle origini del calcolo infinitesimale." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/17084/.

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Il calcolo infinitesimale è la branca fondamentale dell'analisi matematica che studia il comportamento di una funzione tramite le nozioni di limite e di continuità. Grazie a queste, definisce e studia anche la derivata, l'integrale e la convergenza di una serie o di una successione. Lo scopo della tesi è ripercorrere le tappe fondamentali che hanno portato alla nascita del calcolo infinitesimale, seguendo una scansione cronologica che dall'antica Grecia arriva agli inizi del XVIII secolo. L'elaborato si concentra sui personaggi storici che diedero un apporto considerevole a questo tema: si tratta di personalità di spicco nel panorama matematico. Per ciascuno di essi, oltre ad illustrare i contributi matematici più rilevanti nell'ambito del calcolo infinitesimale, sono stati messi in evidenza i tratti salienti della biografia, per meglio delineare le rispettive personalità scientifiche e l'ambiente culturale in cui essi hanno operato. Si parte quindi da Archimede e la sua opera, in cui si presentano i primi tentativi di quadratura di figure piane. Con un salto temporale di nove secoli, si affronta poi lo studio delle opere dei matematici italiani Luca Valerio, Bonaventura Cavalieri ed Evangelista Torricelli. L'attenzione si sposta quindi in Francia con l'esame delle opere matematiche di Renè Descartes e Pierre Fermat e dei loro metodi per la determinazione della retta tangente. Viene dunque presentata la memoria di G. W. Leibniz che segna la nascita vera e propria del calcolo differenziale. Infine si esaminano i contributi di autori italiani al nuovo calcolo soffermandosi in particolare sui lavori di Guido Grandi, Gabriele Manfredi e Jacopo Riccati, i quali si cimentarono soprattutto sull'integrazione delle equazioni differenziali.
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Götz, Helma. "Manfred Gurlitt : Leben und Werk /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1996. http://catalogue.bnf.fr/ark:/12148/cb35836202r.

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Kriehn, Ulrich. "Zwischen Kunst und Verkündigung Manfred Hausmanns Werk zwischen Literatur und Theologie." Marburg Tectum-Verl, 2002. http://d-nb.info/987419331/04.

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Aronson, Torbjörn. "Den unge Manfred Björkquist : hur en vision av kristendomens möte med kultur och samhälle växer fram /." Uppsala : Uppsala Universitet, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-9307.

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Bracher, Karl Dietrich Funke Manfred. "Politik, Geschichte und Kultur Wissenschaft in Verantwortung für die res publica ; Festschrift für Manfred Funke zum 70.Geburtstag." Bonn Bouvier, 2009. http://d-nb.info/995338167/04.

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Books on the topic "Manfredi"

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Manfredi, Bartolomeo, 1587-1620 or 1621, ed. Bartolomeo Manfredi. Soncino (CR) [i.e. Cremona, Italy]: Edizioni dei Soncino, 2013.

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Bernardini, Aldo. Nino Manfredi. 2nd ed. Roma: Gremese, 1999.

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1930-, Nicoletti Manfredi, ed. Manfredi Nicoletti architetto. Roma: Gangemi, 2006.

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Fabio, Francione, and Pellizzari Lorenzo, eds. Nino Manfredi regista. Alessandria: Falsopiano, 2005.

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Manfredi di Svevia. Roma: Salerno editrice, 2021.

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Enrico, Pispisa, ed. Scritti su Manfredi. Roma: Istituto storico italiano per il Medio Evo, 2006.

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Dennis, Sharp, ed. Manfredi Nicoletti: Architettura, simbolo, contesto = Manfredi Nicoletti : architecture, symbol, context. Roma: Gangemi, 1998.

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Nicoletti, Manfredi. Manfredi Nicoletti: Architettura, simbolo, contesto = Manfredi Nicoletti : architecture, symbol, context. Roma: Gangemi, 1998.

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Manfredi, Michael A. Weiss/Manfredi: Surface/subsurface. New York: Princeton Architectural Press, 2008.

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Manfredi, Michael A. Weiss/Manfredi: Surface/subsurface. New York: Princeton Architectural Press, 2008.

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Book chapters on the topic "Manfredi"

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Bònoli, Fabrizio. "Manfredi, Eustachio." In Biographical Encyclopedia of Astronomers, 1392–94. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_897.

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Hall, Graham, Ian Elliott, Mihkel Joeveer, Fabrizio Bònoli, Y. Tzvi Langermann, Josep Casulleras, Ke Ve Sarma, et al. "Manfredi, Eustachio." In The Biographical Encyclopedia of Astronomers, 733–35. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_897.

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Bernardi, Gabriella. "Maddalena (1673–1744) and Teresa (1679–1767) Manfredi." In The Unforgotten Sisters, 89–95. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26127-0_14.

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Eilmansberger, Thomas, and Rainer Palmstorfer. "Haftung Privater bei Verstoß gegen EU-Wettbewerbsrecht: Courage, Manfredi und ihre Auswirkungen auf das österreichische Recht." In Neueste Entwicklungen im Zusammenspiel von Europarecht und nationalem Recht der Mitgliedstaaten, 525–51. Vienna: Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-7091-0237-4_15.

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Grabau, Eveline, and Henriëtte Visser. "Manfred." In Creatieve therapie, 225–45. Houten: Bohn Stafleu van Loghum, 1987. http://dx.doi.org/10.1007/978-90-313-9536-1_17.

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Krause, Andreas. "Trojahn, Manfred." In Metzler Komponisten Lexikon, 806–7. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_308.

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Krause, Andreas. "Trojahn, Manfred." In Komponisten Lexikon, 640–41. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_317.

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Kuehni, Rolf. "Richter, Manfred." In Encyclopedia of Color Science and Technology, 1–3. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-27851-8_343-1.

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Reulecke, Jürgen. "Manfred Hausmann." In Jugendbewegt geprägt, 357–68. Göttingen: V&R Unipress, 2013. http://dx.doi.org/10.14220/9783847098270.357.

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Diller, Axel. "Bieler, Manfred." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5948-1.

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Conference papers on the topic "Manfredi"

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Staudt, Volker, Andreas Steimel, and Mario Pacas. "In Memoriam Manfred Depenbrock." In 2019 IEEE Energy Conversion Congress and Exposition (ECCE). IEEE, 2019. http://dx.doi.org/10.1109/ecce.2019.8912678.

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Kellermann, Hanna, Liang Wang, Vanessa Fahrenschon, Jana Steuer, Fei Zhao, Frank Grupp, Michael Schmidt, et al. "Verification observations of the Manfred Hirt PlanetSpectrograph." In Ground-based and Airborne Instrumentation for Astronomy VIII, edited by Christopher J. Evans, Julia J. Bryant, and Kentaro Motohara. SPIE, 2020. http://dx.doi.org/10.1117/12.2562495.

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Fahrenschon, Vanessa, Hanna Kellermann, Liang Wang, Frank Grupp, Claus Goessl, Ulrich Hopp, Wolfgang Mitsch, et al. "Environmental stability achieved for the Manfred Hirth Planet Spectrograph." In Ground-based and Airborne Instrumentation for Astronomy VIII, edited by Christopher J. Evans, Julia J. Bryant, and Kentaro Motohara. SPIE, 2020. http://dx.doi.org/10.1117/12.2560944.

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SZYBISZ, LESZEK. "A TRIBUTE TO MANFRED L. RISTIG ON HIS 70th BIRTHDAY." In Proceedings of the 13th International Conference. WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812772787_0006.

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Kroniger, Daniel, Philipp Vinnemeier, Christian Rudolf, and Manfred Wirsum. "High Pressure Combustion Test Rig for 10 MW Full Scale Gas Turbine Combustors." In ASME Turbo Expo 2014: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/gt2014-26736.

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This paper reports about a high pressure combustion test rig which was designed and erected inside the laboratory of the Institute of Steam and Gas Turbine (IDG, RWTH Aachen University, Univ.-Prof. Dr.-Ing. Dieter Bohn) in the time period from 1992. The first cold start-up was done to test and adjust the complex infrastructure including monitoring and control. The first hot start-up followed in May 2009 with a can-type combustor for a 7 MWel gas turbine. Thereafter, different gas turbine combustors have been tested and optimized with regard to NOx emission and combustor stability (see Tanaka et al. [1]). This test rig is designed to conduct combustion tests with unscaled gas turbine combustors with a thermal power of up to 10 MW and exhaust gas temperatures of up to 1350°C. The test rig is capable of achieving air inlet conditions of up to 24 bar, 550°C and 12 kg/s. After a successful phase of operation, the test rig has been continuously modified and upgraded at the Institute for Power Plant Technology, Steam and Gas Turbines (IKDG, RWTH Aachen University, Univ.-Prof. Dr.-Ing. habil. Manfred Wirsum). This paper introduces the current test rig. First, the test rig is classified in relation to similar test rigs by relevant literature. Thereafter, the test rig design and operation mode is presented in detail including a quality evaluation of the combustor inlet conditions. Furthermore, a steady-state simulation is set up. Based on its results, the theoretical operating ranges and limitations are identified and discussed.
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Pucci, Paola. "Pratiche di mobilitá e fonti digitali: opportunità e limiti dei dati di traffico telefonico." In International Conference Virtual City and Territory. Roma: Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7925.

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I cambiamenti nelle pratiche di mobilità nei territori della città contemporanea costituiscono un’utile chiave di lettura del processo di trasformazione dei tempi, dei luoghi e dei modi della vita sociale e dei programmi di attività che concorrono a strutturare il territorio. In questa prospettiva - che assume la mobilità come dispositivo di lettura delle trasformazioni urbane e sociali (Urry, 2005) - la sfida che si pone riguarda la disponibilità di fonti utili a restituire la variabilità spazio-temporale delle pratiche di mobilità con continuità temporale. In questo contesto, un valido supporto ai metodi tradizionali di rilevamento viene da fonti digitali, riconducibili alle Tecnologie dell’Informazione e della Comunicazione, di cui il paper descrive potenzialità e limiti, con particolare riferimento ai dati di traffico telefonico. A partire dai risultati di una ricerca empirica condotta dal Dastu Politecnico di Milano sui dati di telefonia mobile della rete di Telecom Italia (Manfredini, Pucci, Tagliolato, 2012 e 2013), il paper evidenzia le possibili applicazioni di tali fonti per l’analisi, la visualizzazione e l’interpretazione delle pratiche di mobilità e dei ritmi d’uso degli spazi urbani, utili per costruire politiche per la mobilità più efficaci ed eque, poiché meno generaliste. Changes in mobility practices are a useful tool to describe urban transformations in times, places, social life and work programs, as well as a structural element of contemporary cities. This is because mobility is cause and consequence of changes in the organization of everyday life (Urry, 2000). With the aim to reading the density of urban spaces usages and urban mobility practices, a valid support of conventional urban analysis methods comes from digital data sources (mobile phone data, ICT, digital traces acquired by social media).This paper focuses on the potentialities and limits offered by mobile phone data to a reading of the site practices and rhythms of usage of the contemporary city by identifying the principal mobile practices of different urban populations in Milan Urban Region. Starting from the results of a research carried out at the Dastu, Politecnico di Milano, using mobile phone data provided by Telecom Italia (Manfredini, Pucci & Tagliolato, 2012 and 2013) we will demonstrate how new maps, based on the processing of mobile phone data can represent spatialized urban practices and how they can give new insights for analyze space-time patterns of mobility practices. In the paper, the identification of temporary urban populations through mobile phone data (density of the calls and origin - destination traces of the calls) has not only a knowing purpose, but it is the condition for recognize new claims referred to “communities of practice”, by which to build mobility policies incisive, also because not generalist.
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Desideri, Umberto, and Stefano Ubertini. "Flow Field Measurements in an Annular Gas Turbine Exhaust Diffuser With Struts." In ASME 1999 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1999. http://dx.doi.org/10.1115/99-gt-418.

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This paper presents the velocity and turbulence characteristics of the flow in an annular diffuser, which is a model of a gas turbine exhaust diffuser with six struts. The diffuser where the measurements were made is a scaled down model of a 10 MW gas turbine, built by GE/Nuovo Pignone. In a previous paper (Desideri and Manfrida, 1995) 2-D turbulence and velocity measurements were presented with axial inlet velocity conditions. In this paper a more detailed 3-D analysis of the design and off design behavior of the diffuser is presented. Turbulence characteristics were determined by means of two hot split-film probes, which allowed measuring axial, radial and tangential components of the mean velocity and their fluctuating components. The measuring point is moved inside the diffuser by means of two step-motors, which allow the rotation of the hub and the radial displacement of the probe. Off-design behavior of the annular diffuser was determined by changing the inlet velocity angle of 10° from axial direction. The effect of swirl on the performance of the diffuser will be presented. Turbulence microscales were also calculated in regions of interest inside the diffuser, with particular attention to the strut wake.
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Corzo Morales, Maricely. "ESTÉTICAS COMUNITARIAS Y COLABORATIVAS Y DESARROLLO A ESCALA HUMANA." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5794.

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Teniendo en cuenta que la actividad de los artistas plásticos y visuales, así como cualquiera actividad humana, está inscrita en un determinado modelo de desarrollo de la sociedad, esto implica desde el punto de vista de la enseñanza universitaria que es necesario fomentar capacidades para reflexionar acerca de las diferentes maneras en que nuestro quehacer profesional se insertará en la vida social, económica y cultural, favoreciendo un determinado modelo de desarrollo. Es verdad que la continua expansión en las últimas décadas de las prácticas artísticas hacia nuevos espacios de intercambio y nuevos modos de hacer ha puesto de manifiesto una mayor preocupación por el lugar, los contextos de intervención/emplazamientos y por ende por lo local. Sin embargo, desde el punto de vista de las implicaciones de la globalización, ponemos en consideración un acercamiento a las teorías del desarrollo, de modo que cualquier práctica artística, pero especialmente las vertientes que buscan interactuar en contextos sociales, se planteen de forma crítica, el papel, la incidencia y la responsabilidad que tienen en el apoyo, redefinición o construcción de un modelo de vida, dentro de su sociedad. A lo largo de nuestra investigación doctoral, en la que hemos puesto en diálogo áreas tan disímiles como las estéticas comunitarias y colaborativas y el codesarrollo, hemos identificado posibles zonas de contacto interdisciplinar entre la teoría del Desarrollo a Escala Humana (DEH) del economista chileno Manfred Max-Neef y algunos aspectos transversales que complejizan el entramado entre las prácticas artísticas contemporáneas y sus actores, a saber, lo contextual, lo relacional y lo representacional. Este texto explicará en detalle los fundamentos del DEH para alimentar desde él una serie de preguntas y reflexiones sobre los modos en que las prácticas artísticas inciden a niveles micro y macro en sus contextos de intervención.http://dx.doi.org/10.4995/ANIAV.2017.5794
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KROTSCHECK, E. "A GENERIC WAY TO LOOK AT MANY-BODY THEORY." In A Festschrift in Honour of the 65th Birthdays of John W Clark, Alpo J Kallio, Manfred L Ristig and Sergio Rosati. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799760_0006.

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XIAN, Y. "A VARIATIONAL COUPLED-CLUSTER THEORY." In A Festschrift in Honour of the 65th Birthdays of John W Clark, Alpo J Kallio, Manfred L Ristig and Sergio Rosati. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799760_0007.

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