Relevant bibliographies by topics / Manga hero and villain / Journal articles
To see the other types of publications on this topic, follow the link: Manga hero and villain.

Journal articles on the topic 'Manga hero and villain'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Manga hero and villain.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Dalrymple, T. "Hero or villain?" BMJ 337, sep24 3 (September 24, 2008): a1747. http://dx.doi.org/10.1136/bmj.a1747.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Flintoft, Louisa. "Hero or villain?" Nature Reviews Cancer 4, no. 4 (April 2004): 250. http://dx.doi.org/10.1038/nrc1334.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kiiski, Hanni, Ludovic Hoyet, Andy T. Woods, Carol O’Sullivan, and Fiona N. Newell. "Strutting Hero, Sneaking Villain." ACM Transactions on Applied Perception 13, no. 1 (December 10, 2015): 1–21. http://dx.doi.org/10.1145/2791293.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Purvis, Mark. "The seal: hero or villain." World Pumps 1995, no. 351 (December 1995): 3. http://dx.doi.org/10.1016/s0262-1762(99)81036-0.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Marx, Bridget. "The laser — hero or villain?" Nature 316, no. 6026 (July 1985): 373. http://dx.doi.org/10.1038/316373a0.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Shurman, D. "Endnote. Antonio Provolo: hero or villain?" Journal of Deaf Studies and Deaf Education 4, no. 1 (March 1, 1999): 69. http://dx.doi.org/10.1093/deafed/4.1.69.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Chandratilleke, Dinusha, Peter Hollingsworth, and Michaela Lucas. "CGRA1: GLUCOCORTICOIDS: FROM HERO TO VILLAIN." Internal Medicine Journal 46 (September 2016): 30. http://dx.doi.org/10.1111/imj.1_13198.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Onkka, Patrick, and Roger Rodby. "When the HeRO Becomes the Villain." Seminars in Dialysis 30, no. 5 (June 13, 2017): 456–57. http://dx.doi.org/10.1111/sdi.12619.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Starling, Shimona. "Hero turns villain in fatty liver." Nature Reviews Immunology 17, no. 8 (July 17, 2017): 466. http://dx.doi.org/10.1038/nri.2017.81.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Oborne, Peter. "He's a Hero, not a Villain." British Journalism Review 30, no. 3 (September 2019): 43–47. http://dx.doi.org/10.1177/0956474819873574.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Scanlon, Thomas F., and Ann Thomas Wilkins. "Villain or Hero: Sallust's Portrayal of Catiline." Classical World 92, no. 2 (1998): 178. http://dx.doi.org/10.2307/4352257.

Full text
APA, Harvard, Vancouver, ISO, and other styles
12

Groves, Alan M., and A. David Edwards. "Heart Rate Characteristic Monitoring—HeRO or Villain?" Journal of Pediatrics 159, no. 6 (December 2011): 885–86. http://dx.doi.org/10.1016/j.jpeds.2011.08.049.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Grassie, G. "Pooling together: IP as hero or villain?" Journal of Intellectual Property Law & Practice 6, no. 1 (December 27, 2010): 1–2. http://dx.doi.org/10.1093/jiplp/jpq193.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

Wong, Wei. "Focus Issue: Autophagy as hero and villain." Science Signaling 10, no. 468 (February 28, 2017): eaam9622. http://dx.doi.org/10.1126/scisignal.aam9622.

Full text
APA, Harvard, Vancouver, ISO, and other styles
15

Bordon, Yvonne. "Viral villain turns hero in skin cancer." Nature Reviews Immunology 19, no. 12 (November 8, 2019): 720–21. http://dx.doi.org/10.1038/s41577-019-0245-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
16

Brown, Paul J. "Russia: From Energy Villain to Environmental Hero?" Environmental Claims Journal 26, no. 2 (April 3, 2014): 157–82. http://dx.doi.org/10.1080/10406026.2014.872968.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

Schmidt, Kristoffer. "Ludvig Holbergs opgør med Antikkens helteideal." Slagmark - Tidsskrift for idéhistorie, no. 65 (March 9, 2018): 57–72. http://dx.doi.org/10.7146/sl.v0i65.104129.

Full text
Abstract:
There exists a general agreement that the most precise and extensive definition of Ludvig Holberg’s perception of the historical hero and villain is to be found in his Heltehistorier (Hero-tales) from 1737. Scholars however have never fully agreed on who the heroes and villains of Heltehistorier were. Some focus on certain biographies from which they deduce that Holberg operated with one single type of hero. This article indicates that Holberg did not limit his definition of a hero to one specific archetype. His intention was to dispute the classical hero figure, and instead present a series of different types of hero but also villain. Heroes could excel as: gracious warlords, flawless statesmen or philosophers, while the villains were portrayed as sanctimonious deceivers or merciless avengers. Heroes could also possess vices and villains virtues. Whether their attributes were good or bad was always assessed in relation to their cultural and historical heritage.
APA, Harvard, Vancouver, ISO, and other styles
18

Hyosik Hwang. "Macbeth a Villain-hero as a Calvinist Reprobate." Shakespeare Review 46, no. 2 (June 2010): 309–29. http://dx.doi.org/10.17009/shakes.2010.46.2.005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Pearce, Fred. "Worm turns from villain to climate change hero." New Scientist 220, no. 2939 (October 2013): 17. http://dx.doi.org/10.1016/s0262-4079(13)62474-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
20

Zhang, Song. "Hero or villain? The heterogeneity of Th17 cells." Molecular Immunology 112 (August 2019): 358–59. http://dx.doi.org/10.1016/j.molimm.2019.06.014.

Full text
APA, Harvard, Vancouver, ISO, and other styles
21

Ylä-Herttuala, S. "Adverse effects of gene therapy: Hero or villain?" Gene Therapy 10, no. 3 (January 23, 2003): 193. http://dx.doi.org/10.1038/sj.gt.3301894.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Hermawan, Daniel. "You are Victim: The Depiction of Enemies in Japanese Super Hero Series." IZUMI 10, no. 1 (April 26, 2021): 84–91. http://dx.doi.org/10.14710/izumi.10.1.84-91.

Full text
Abstract:
The depiction of Super-Villain in Japanese Super Hero series usually showing the western country as the main villain. The result of World War II primarily influences this. Nevertheless, recently there have been several Super Hero Series that depicted the minorities as the main villain. The purpose of this study is to present the issue of minorities in the Japanese Super Hero Series. Through the cultural study approach, this paper will discuss how minorities being represented by the antagonist character, Roimudde. This study had two aims (i) how does the Roimudde representing the minorities in Japanese society. (ii) how the characters Heart and Medic represent that minorities were victims of society. We found that the Roimudde was a different race from humans representing the minorities through content analysis of the Children television series Kamen Rider Drive. At the same time, Heart and Medic have painful memories that made them grudge toward humanity. It is also mean that this film was recognizing the minorities as the victim of prejudice by society. It is necessary to throw all prejudice to other people just because of physical or race differences to enter transnational society without prejudice.
APA, Harvard, Vancouver, ISO, and other styles
23

Cunliffe, Ann, and Chris Coupland. "From hero to villain to hero: Making experience sensible through embodied narrative sensemaking." Human Relations 65, no. 1 (January 2012): 63–88. http://dx.doi.org/10.1177/0018726711424321.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Klapp, Orrin. "At skabe folkehelte." Slagmark - Tidsskrift for idéhistorie, no. 65 (March 9, 2018): 19–36. http://dx.doi.org/10.7146/sl.v0i65.104126.

Full text
Abstract:
The popular hero is a social type having certain definable roles. The problem of making a hero is that of imputing to a person these roles and of maintaining and building a collective interpretation which has the character of a legend. The destroying of a hero is the casting of him in antiheroic roles. Social types, especially fundamental symbols such as the hero, the villain, and the fool, provide a key to collective psychology because the mass recognizes and readily responds to these symbols.
APA, Harvard, Vancouver, ISO, and other styles
25

Hoffman, R. "Villain or Hero: Sallust's Portrayal of Catiline. AT Wilkins." Classical Review 48, no. 1 (January 1, 1998): 50–52. http://dx.doi.org/10.1093/cr/48.1.50.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

Tweedale, Geoffrey. "Hero or Villain?—Sir Richard Doll and Occupational Cancer." International Journal of Occupational and Environmental Health 13, no. 2 (April 2007): 233–35. http://dx.doi.org/10.1179/oeh.2007.13.2.233.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Smith, Emma. "The hero, the villain, the princess, and the book." Cahiers Élisabéthains: A Journal of English Renaissance Studies 93, no. 1 (March 6, 2017): 77–89. http://dx.doi.org/10.1177/0184767817697388.

Full text
Abstract:
This article establishes a prehistory of the excitement about the discovery of the Saint-Omer Shakespeare First Folio in a longer narrative of investments in the book’s secrets. Tracing the neglected importance of Baconianism to the establishment of the First Folio’s cultural prominence in the early twentieth century, parallels between the kinds of narratives told by authorship sceptics and by bibliographers are drawn. I argue that the sense that the book encodes mysteries about its own genesis unites popular and academic approaches to the First Folio and is one way to account for the discrepancy between its value and its non-rarity.
APA, Harvard, Vancouver, ISO, and other styles
28

Keenan, Siobhan. "Re-reading Shakespeare’s Richard III: Tragic Hero and Villain?" Linguaculture 2017, no. 1 (June 1, 2017): 23–34. http://dx.doi.org/10.1515/lincu-2017-0003.

Full text
Abstract:
Abstract The discovery of the body of the historical Richard III under a Leicester car park in 2012 sparked fresh interest in one of England’s most controversial kings. Accused of murdering his nephews—the Princes in the Tower—Richard’s reign was cut short when he was defeated by Henry Tudor, Earl of Richmond (later Henry VII), at the Battle of Bosworth (1485). Richard was subsequently demonised in Tudor historiography, perhaps most famously by Sir Thomas More in his “History of King Richard the thirde” (printed 1557). It is to More that we owe the popular image of Richard III as a “croke backed” and “malicious” villain (More 37), an image which Shakespeare has been accused of further codifying and popularising in his Richard III. Today, the historical Richard III’s defenders argue for the king’s good qualities and achievements and blame early writers such as More and Shakespeare for demonising Richard; but, in Shakespeare’s case at least, this essay argues that the possibility of a sympathetic—and even a heroic—reading of the king is built in to his characterisation of Richard III.
APA, Harvard, Vancouver, ISO, and other styles
29

Purver, Judith. "Napoleon: hero or villain? Multiple reflections of a singular life." Bulletin of the John Rylands Library 84, no. 3 (September 2002): 85–104. http://dx.doi.org/10.7227/bjrl.84.3.6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
30

Machado, Thatiane C. G., Cristina Guatimosim, and Lucas M. Kangussu. "The Renin-Angiotensin System in Huntington’s Disease: Villain or Hero?" Protein & Peptide Letters 27, no. 6 (June 9, 2020): 456–62. http://dx.doi.org/10.2174/0929866527666200110154523.

Full text
Abstract:
Huntington’s Disease (HD) is an autosomal dominant, progressive neurodegenerative disorder characterized by severe symptoms, including motor impairment, cognitive decline, and psychiatric alterations. Several systems, molecules, and mediators have been associated with the pathophysiology of HD. Among these, there is the Renin-Angiotensin System (RAS), a peptide hormone system that has been associated with the pathology of neuropsychiatric and neurodegenerative disorders. Important alterations in this system have been demonstrated in HD. However, the role of RAS components in HD is still unclear and needs further investigation. Nonetheless, modulation of the RAS components may represent a potential therapeutic strategy for the treatment of HD.
APA, Harvard, Vancouver, ISO, and other styles
31

Hossfeld, Uwe, and Mark Walker. "Hero or villain? Stasi archives shed light on Russian scientist." Nature 411, no. 6835 (May 2001): 237. http://dx.doi.org/10.1038/35077302.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

Kelsh, Robert, Heinz Arnheiter, and Marcus Bosenberg. "The immune system in pigment cell biology: villain or hero?" Pigment Cell & Melanoma Research 26, no. 4 (June 26, 2013): 433. http://dx.doi.org/10.1111/pcmr.12128.

Full text
APA, Harvard, Vancouver, ISO, and other styles
33

Greenfield, Steve. "Hero or Villain? Cinematic Lawyers and the Delivery of Justice." Journal of Law and Society 28, no. 1 (March 2001): 25–39. http://dx.doi.org/10.1111/1467-6478.00176.

Full text
APA, Harvard, Vancouver, ISO, and other styles
34

McNally, Ben, Julian L. Griffin, and Lee D. Roberts. "Dietary inorganic nitrate: From villain to hero in metabolic disease?" Molecular Nutrition & Food Research 60, no. 1 (August 26, 2015): 67–78. http://dx.doi.org/10.1002/mnfr.201500153.

Full text
APA, Harvard, Vancouver, ISO, and other styles
35

Schuman, H., B. Schwartz, and H. D'Arcy. "Elite Revisionists and Popular Beliefs: Christopher Columbus, Hero or Villain?" Public Opinion Quarterly 69, no. 1 (January 1, 2005): 2–29. http://dx.doi.org/10.1093/poq/nfi001.

Full text
APA, Harvard, Vancouver, ISO, and other styles
36

Sartin, Jeffrey S. "J. Marion Sims, the Father of Gynecology: Hero or Villain?" Southern Medical Journal 97, no. 5 (May 2004): 500–505. http://dx.doi.org/10.1097/00007611-200405000-00017.

Full text
APA, Harvard, Vancouver, ISO, and other styles
37

Knecht, R. J. "The Reputation of Cardinal Richelieu: Classical Hero or Romaitic Villain?" Seventeenth-Century French Studies 15, no. 1 (January 1993): 5–24. http://dx.doi.org/10.1179/c17.1993.15.1.5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
38

Vukadinovic, Ana. "Journey from hero to villain and enjoying television antihero narrative." Kultura, no. 146 (2015): 131–43. http://dx.doi.org/10.5937/kultura1546131v.

Full text
APA, Harvard, Vancouver, ISO, and other styles
39

Bergstrand, Kelly, and James M. Jasper. "Villains, Victims, and Heroes in Character Theory and Affect Control Theory." Social Psychology Quarterly 81, no. 3 (August 28, 2018): 228–47. http://dx.doi.org/10.1177/0190272518781050.

Full text
Abstract:
We examine three basic tropes—villain, victim, and hero—that emerge in images, claims, and narratives. We compare recent research on characters with the predictions of an established tradition, affect control theory (ACT). Combined, the theories describe core traits of the villain-victim-hero triad and predict audiences’ reactions. Character theory (CT) can help us understand the cultural roots of evaluation, potency, and activity profiles and the robustness of profile ratings. It also provides nuanced information regarding multiplicity in, and subtypes of, characters and how characters work together to define roles. Character types can be strategically deployed in political realms, potentially guiding strategies, goals, and group dynamics. ACT predictions hold up well, but CT suggests several paths for extension and elaboration. In many cases, cultural research and social psychology work on parallel tracks, with little cross-talk. They have much to learn from each other.
APA, Harvard, Vancouver, ISO, and other styles
40

Tladi, Dire. "Of Heroes and Villains, Angels and Demons: The ICC-AU Tension Revisited." Volume 60 · 2017 60, no. 1 (January 1, 2018): 43–68. http://dx.doi.org/10.3790/gyil.60.1.43.

Full text
Abstract:
The article re-visits the ICC-AU tension from the lens of the hero-villain trend. It considers the main themes in the ICC-AU debate, namely whether the International Criminal Court (ICC) is targeting Africans and the question of immunity, in the light of the arguments made by the respective interlocutors of the ICC and the African Union (AU). It adopts, as a starting point, the position that the idea that one side is wrong and the other side is right (referred to as the hero-villain approach) is overly simplistic and proceeds to show how complex the issues relating to the ICC-AU tension are. In sum, the article questions both the ICC’s claim to neutrality and the AU’s claim of champion of decolonisation. The article concludes with a postscript to account for the Prosecutor’s recent decision to seek an investigation into the situation in Afghanistan.
APA, Harvard, Vancouver, ISO, and other styles
41

Utomo Hadibroto, Joko. "Anomalus dan Brand Aura Karakter Superhero Pada Film Gundala: Analisis Struktur Naratif." CoverAge: Journal of Strategic Communication 10, no. 1 (September 23, 2019): 37–45. http://dx.doi.org/10.35814/coverage.v10i1.1231.

Full text
Abstract:
This research or analysis uses Vladimir Propp's narrative structure analysis of the genre of superhero film titled Gundala, which is based on Indonesian comics. Gundala is a superhero character or hero who has supernatural powers that come from the energy of lightning. Through the power of his lightning energy, Gundala as a hero is able to defeat villain as a criminal. This is the narration presented from the film Gundala. Thus, the use of the concept of narrative structure aims to reveal the role and position of each character in the frame of binary opposition. Next, an understanding of his supernatural powers was analyzed using the concept of anomalous categories from Claude Levi-Strauss. Furthermore, the film Gundala has its appeal in presenting the narratives of the characters. Both superhero and villain characters. Related to that, the use of the concept of brand aura aims to find an element of attraction for the characters of the shop for the cinema audience.
APA, Harvard, Vancouver, ISO, and other styles
42

Joyce, T., D. Langton, J. Lord, and A. Nargol. "P-8 Metal-on-Metal Resurfacing Hip Prostheses: Hero or Villain?" Journal of Biomechanics 43 (June 2010): S7. http://dx.doi.org/10.1016/s0021-9290(10)70014-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
43

Cooper, Sandra T. "Ca2+and mitochondrial ROS: Both hero and villain in membrane repair." Science Signaling 10, no. 495 (September 5, 2017): eaao3795. http://dx.doi.org/10.1126/scisignal.aao3795.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Frauenfelder, Hans. "The Debye-Waller factor: From villain to hero in protein crystallography." International Journal of Quantum Chemistry 35, no. 6 (June 1989): 711–15. http://dx.doi.org/10.1002/qua.560350606.

Full text
APA, Harvard, Vancouver, ISO, and other styles
45

Clark, Mark W. "Hero or Villain? Bertolt Brecht and the Crisis Surrounding June 1953." Journal of Contemporary History 41, no. 3 (July 2006): 451–75. http://dx.doi.org/10.1177/0022009406064655.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

Waterfield, Robin. "The Death of Socrates: Hero, Villain, Chatterbox, Saint. By Emily Wilson." Heythrop Journal 49, no. 6 (November 2008): 1040–42. http://dx.doi.org/10.1111/j.1468-2265.2008.00427_4.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
47

Li, Yiu-Tai, Wei-Ting Chao, and Peng-Hui Wang. "Growth differentiation factor 15 in pregnant women: A hero or villain?" Taiwanese Journal of Obstetrics and Gynecology 60, no. 4 (July 2021): 593–94. http://dx.doi.org/10.1016/j.tjog.2021.05.003.

Full text
APA, Harvard, Vancouver, ISO, and other styles
48

Kaarsgaard, Stine Zink. "Når skurke digter helte hos Kierkegaard." Slagmark - Tidsskrift for idéhistorie, no. 65 (March 9, 2018): 73–90. http://dx.doi.org/10.7146/sl.v0i65.104130.

Full text
Abstract:
The article is divided into three main sections. The article first considers the question of heroes and villains in Kierkegaard’s authorship broadly speaking. It then outlines the different roles of ‘the tragic hero’ which exposes the most explicit and repeated use of the word hero in Kierkegaard’s works. Finally it turns to the poet and reflects upon the double role of the poet as perhaps the closest we can get to a “villainish hero” in Kierkegaard’s authorship. ‘Heroes and villains’ is not something that is much discussed in Kierkegaard literature, and this fact foreshadows what may be an immediate suspicion; that there are none such as such in Kierkegaard’s works because the mere making of a hero (in language and image) always somehow withdraws the possibility of the hero from his or her own story. The only true hero in that sense may be the poet, because he makes life comprehensible, and yet as such he is also the only true villain, because he breaches between life and faith, making both appear but none for real.
APA, Harvard, Vancouver, ISO, and other styles
49

Wood, Martyn. "Role of the 5-HT2C Receptor in Atypical Antipsychotics: Hero or Villain?" Current Medicinal Chemistry-Central Nervous System Agents 5, no. 1 (March 1, 2005): 63–66. http://dx.doi.org/10.2174/1568015053202732.

Full text
APA, Harvard, Vancouver, ISO, and other styles
50

Babagolzadeh, Reza, and Mahdi Shafieyan. "From Villain to Victim: The Feminine Hero in Sharon Pollock’s Blood Relations." English Language and Literature Studies 6, no. 4 (November 29, 2016): 82. http://dx.doi.org/10.5539/ells.v6n4p82.

Full text
Abstract:
Sharon Pollock’s Blood Relations (1984) is based on the infamous legend of Lizzie Borden and the murder mysteries of her father and stepmother at their family home in Fall River, Massachusetts. Despite her acquittal, Lizzie remained the suspect by society facing ostracism. Pollock's play creates a scenario some ten years after the murder, portraying a different side to the myth. Her feminist play invites the audience to sympathize with Lizzie, regardless of the speculations surrounding the heinous act. However, this paper goes beyond feelings of sympathy by portraying the suspected patriarchal pariah and father-killing figure as the hero of the oppressed.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Manga hero and villain' for other source types:
Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography