Academic literature on the topic 'Manhattan Type Foundry'

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Journal articles on the topic "Manhattan Type Foundry"

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Torres-Campos, Tiago, and Mark Dorrian. "Under the rug: Pleasure, violence, and other operations to de-sediment Central Park." Interstices: Journal of Architecture and Related Arts, August 30, 2024, 118–26. http://dx.doi.org/10.24135/ijara.v23i23.793.

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In The Manhattan Transcripts (1977–1981; Transcripts) Bernard Tschumi explores pleasure and violence as two driving forces in the creation of architecture space. Tschumi’s experimental operations supported a design enquiry that probes across his proposed architecture of the event and recontextualises it from the contemporary perspectives offered by the Anthropocene theory. The operations were also calibrated to inform a design exploration that sought to de-sediment Manhattan’s ground conditions from within its geologic entanglements. Under the Rug was the first of three instalments titled Insu
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Tata, Michael Angelo. "Beyond the Stars." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2433.

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Through Andy Warhol, much important thinking about the meanings of celebrity for a capitalist, schizoid world takes place — by Andy, by his significant others (Pat Hackett, Bob Colacello, Brigid Berlin), and by the consumers and contemplators of his works. Both a source of his own observations and a screen on which philosophies are projected, Warhol presents an unparalleled critique of celebrity. Other horizontalities, such as Madonna’s, do not generate half the heat as Warhol’s own tendril-like intrusion into so many aspects of the media machine (music, publishing, modeling, painting, film-ma
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Brien, Donna Lee. "“Porky Times”: A Brief Gastrobiography of New York’s The Spotted Pig." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.290.

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Introduction With a deluge of mouthwatering pre-publicity, the opening of The Spotted Pig, the USA’s first self-identified British-styled gastropub, in Manhattan in February 2004 was much anticipated. The late Australian chef, food writer and restauranteur Mietta O’Donnell has noted how “taking over a building or business which has a long established reputation can be a mixed blessing” because of the way that memories “can enrich the experience of being in a place or they can just make people nostalgic”. Bistro Le Zoo, the previous eatery on the site, had been very popular when it opened almos
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Book chapters on the topic "Manhattan Type Foundry"

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Siegel, Martin J. "Demon Boy Prosecutor." In Judgment and Mercy. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501768521.003.0003.

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This chapter argues that prospects for graduates like Irving Robert Kaufman were bleak in 1931. It underlines that the Depression was in full swing, and he was an average student from an average school. And there was a deeper problem: the doors of many law offices were closed to Jewish applicants. As the chapter highlights, two out of every three Jewish lawyers in the city practiced alone, and those who could find jobs with existing firms were almost invariably hired by other Jews. The chapter follows how Kaufman found a clerkship with a Manhattan lawyer named Louis Rosenberg—no relation to th
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Bryant, John. "The Example of Irving." In Melville and Repose. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195077827.003.0003.

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Abstract On 31 July 1847, Herman Melville, author of Typee and Omoo, dined at Astor House with Evert Duyckinck, former editor for Putnam’s and co-founder of The Literary World. At the time, Melville’s career was bounding. He was soon to marry Elizabeth Shaw, and by September he would move with her, his mother, sisters, brother, and sister-in-law into a town house near Astor Place. Those Manhattan years were tumultuous: The author would plunge avidly into Duyckinck’s library; immerse himself in metaphysics, literature, and politics; and write three books (Mardi, Redburn, White-Jacket). He would
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