Relevant bibliographies by topics / Manifest Destiny

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Manifest Destiny'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Manifest Destiny"

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Graham, Jorie. "Manifest Destiny." Grand Street, no. 42 (1992): 65. http://dx.doi.org/10.2307/25007556.

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Osuna, Steven. "Securing Manifest Destiny." Journal of World-Systems Research 27, no. 1 (March 20, 2021): 12–34. http://dx.doi.org/10.5195/jwsr.2021.1023.

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This article argues Mexico’s war on drugs was a tactic by elites in both the United States and Mexico to legitimate the Mexican neoliberal state’s political, economic, and ideological governance over Mexican society. Through tough on crime legislation and maintenance of free market policies, the war on drugs is a “morbid symptom” that obfuscates the crisis of global capitalism in the region. It is a way of managing a crisis of legitimacy of Mexico’s neoliberal state. Through arguments of Mexico as a potential “failed state” and a “narco-state,” the United States has played a leading role by investing in militarized policing in the drug war and securitization of Mexico’s borders to expand and maintain capitalist globalization. In the twenty-first century, the ideology of manifest destiny persists, but instead of westward expansion of the U.S. state, it serves as the maintenance and expansion of global capitalism.
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Brauer, Kinley. "Manifest Destiny Revisited." Diplomatic History 23, no. 2 (April 1999): 379–84. http://dx.doi.org/10.1111/1467-7709.00171.

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Gura, Philip F. "Making America's Destiny Manifest." Reviews in American History 27, no. 4 (1999): 554–59. http://dx.doi.org/10.1353/rah.1999.0076.

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gobat, michel. "Rethinking Manifest Destiny Expansionism." Diplomatic History 32, no. 5 (November 2008): 981–84. http://dx.doi.org/10.1111/j.1467-7709.2008.00737.x.

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Main, Jackson T., and Marc Egnal. "The Invention of Manifest Destiny." Reviews in American History 17, no. 1 (March 1989): 40. http://dx.doi.org/10.2307/2703124.

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Lee, Yuanchung, and Jeffrey Burton. "Manifest Destiny Through Court Reform?" Yale Law Journal 105, no. 7 (May 1996): 2013. http://dx.doi.org/10.2307/797239.

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Gonzalez, Rita, Ramon Garcia, and C. Ondine Chavoya. "A.L.A.R.M.A.'s Manifest(o) Destiny." Wide Angle 20, no. 3 (1998): 79–83. http://dx.doi.org/10.1353/wan.1998.0029.

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Horowitz, Irving Louis. "Histories, futures, and manifest destiny." Society 31, no. 5 (July 1994): 12–16. http://dx.doi.org/10.1007/bf02693256.

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Hökmark, Gunnar. "The European Union's manifest destiny." European View 8, no. 2 (December 2009): 181–85. http://dx.doi.org/10.1007/s12290-009-0091-9.

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Dissertations / Theses on the topic "Manifest Destiny"

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Craig, Clinton. "Arizhio: Tales of Glorious Manifest Destiny." TopSCHOLAR®, 2017. https://digitalcommons.wku.edu/theses/2046.

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This is a book of short stories with a critical introduction. In theme, the stories seek to find the border between the Midwest and the Southwest of America by focusing on Ohio and Arizona. Some of the stories seek to exemplify “experimental” fiction, while the critical introduction seeks to define “experimental.” In addition, the introduction theorizes about the role of setting in linking collections and characterization.
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Wilson, Eric C. "Manifest destiny : a symphony for wind ensemble." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1281300.

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Fischer, Andreas. "Monroe-Doktrin und Manifest Destiny : Konzeptionen amerikanischer Außenpolitik 1823-1848 /." Taunusstein : Driesen, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2899634&prov=M&dok_var=1&dok_ext=htm.

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Fischer, Andreas. "Monroe-Doktrin und Manifest Destiny Konzeptionen amerikanischer Aussenpolitik 1823 - 1848." Taunusstein Driesen, 2002. http://deposit.d-nb.de/cgi-bin/dokserv?id=2899634&prov=M&dok_var=1&dok_ext=htm.

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Pattee, Julie Anne. "A ceiling of blue: swimming pools, movie stars and manifest destiny." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=96752.

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This thesis explores the relationship between the social history and the filmic history of the swimming pool. The history of the swimming pool and the history of the movies wove themselves together during the first half of the twentieth century. By 1950, the image of the swimming pool and the image of the movie star were connected in the social imaginary. Discourses about gender, health, discipline and the body were moulded by the architectural environment of the swimming pool, when the movies translated the image of the swimming pool, they carried these ideas along with them. These ideas affected the formation of modern subjectivities. This thesis attempts to demonstrate one of the means by which a particular set of ideas infiltrated the collective psyche
Cette thèse examine le rapport entre l'histoire sociale et l'histoire filmique de la piscine. Elle tente de démonter le moyen par lequel une tendance particulier c'est inflirté dans la psyché collective. L'histoire de la piscine et l'histoire du cinema se sont entrelacé au cours de la prèmiere moitier du vingtieme sciècle. Par l'année 1950, l'image de la piscine et l'image de la vedette étaient liés dans l'imagination sociale. Les discours au sujet de sexe, la santé, la discipline et le corps étaient façonné par l'environment architecturale de la piscine. Losque le cinéma traduit l'image de la piscine, il emporte ces idées avec. Ces idées affectent la formation des subjectivités moderne. Cette thèse tente de dèmontrer le moyen par lequel une tendance particulier c'est infiltré dans la psyché collective.
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Coffman, Natalie Brooke. "The Mormon Battalion's Manifest Destiny: Expansion and Identity during the Mexican-American War." ScholarWorks @ UVM, 2015. http://scholarworks.uvm.edu/graddis/509.

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This thesis examines the experience of the Mormon Battalion, a group of five hundred Mormon soldiers commissioned by President James K. Polk to enlist in the U.S. military and aid in the newly declared war against Mexico in 1846. The war was a result of a belligerent and aggressive form of territorial expansion justified by the ideology of Manifest Destiny. Polk and many other Americans believed it was their Manifest Destiny to dominate a continental nation, and the Mormon Battalion was assigned to march to California to conquer Mexican territory for the United States. An examination of the Mormon soldiers' journals and letters, as well as official Mormon Church records and correspondence, reveals that, despite participating in a war that promoted aggressive expansion, the Mormons' understanding of Manifest Destiny contained unique perspectives regarding racial hierarchies and displays of masculinity, key elements of that popular ideology. The peculiar approach that the Mormons' had to Manifest Destiny was directly influenced by their history as a persecuted body of believers. Ultimately, the Mormon soldiers agreed to volunteer for the war not because they wanted to express patriotism, but because they had a firm dedication to their church and resolved obedience to their leader, Brigham Young. Additionally, an examination of popular contemporary media outlets and their responses to the enlistment of the Mormon Battalion, as well as the relevant historiography, is included to demonstrate the evolution of the Mormon Battalion in historical memory, both inside and outside the Mormon Church. The treatment of the battalion by popular media outlets reflected changing attitudes regarding the implications of promoting a martial and aggressive society, while the role of the battalion in Mormon history evolved in tandem with Mormons' fluctuating identities as U.S. citizens.
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Ystebo, Derek. "Our Sister Republic: Creating Mexico in the Minds of the American Public and the Role of the Press." Thesis, North Dakota State University, 2012. https://hdl.handle.net/10365/26540.

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During the Mexican War, Americans radically transformed their ideas about Mexicans and Mexican-Americans. The Mexican War offered itself up as the first of such interactions between the neighboring republics. The Mexican during the War was met largely with criticism from the American public, a criticism aided by the work of the press. While a vast majority of the presses disparaged the Mexican populace on a variety of subjects, not all papers denigrated the Mexicans as some inferior population in need of assistance from the United States in order to survive and reach a proper level of civilization. Papers such as the Catholic and abolitionist presses sought to portray the Mexican in a more positive light. Analysis of these spheres of influence of the various presses offers up a genesis of the Mexican within the American imagination.
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McDonough, Matthew Davitian. "Manifestly uncertain destiny: the debate over American expansionism, 1803-1848." Diss., Kansas State University, 2011. http://hdl.handle.net/2097/13108.

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Doctor of Philosophy
Department of History
Charles W. Sanders
Americans during the first half of the nineteenth-century were obsessed with expansion. God had bestowed upon them an innate superiority in nearly all things. American settlers were culturally, economically, racially and politically superior to all others. But how accurate are such statements? Did a majority of Americans support such declarations? The purpose of this dissertation is to examine how Americans wrote and read about expansion. Doing so reveals that for every citizen extolling the unique greatness of Americans, one questioned such an assumption. For every American insisting that the nation must expand to the Pacific coast to be successful there was one who disdained expansion and sought to industrialize what territory the nation already possessed. Americans during the first half of the nineteenth century were of many minds about expansion. The destiny of the United States was anything but manifest. Using a wealth of nineteenth century newspapers this dissertation demonstrates that the concept of Manifest Destiny was far less popular than previously imagined. Newspapers were the primary source of information and their contents endlessly debated. Editors from around the country expressed their own views and eagerly published pertinent letters to the editor that further detailed how Americans perceived expansion. While many people have often read John O’Sullivan’s rousing words he was not necessarily indicative of American sentiment. For every article espousing the importance of acquiring Florida to deny it to the British there was one deriding the notion because they felt Florida to be nothing but a worthless swamp filled with hostile Indians. American justification and opposition to territorial expansion followed no grand strategy. Instead, its most fascinating characteristic was its dynamic nature. In the Southwest expansionist proponents argued that annexation would liberate the land from Papist masters, while opponents questioned the morality of such a conquest. Encouraging or discouraging territorial expansion could take on innumerable variations and it is this flexible rhetoric that the dissertation focuses upon. The debate that raged in the public forum over expansion was both heated and fascinating. The voices of both pro and anti-expansionists were crucial to the development of antebellum America.
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SILVA, Maurineide Alves da. "Guerra, nação e cinema: uma leitura filmográfica sobre as motivações norte-americanas para a ação beligerante." Universidade Federal de Goiás, 2011. http://repositorio.bc.ufg.br/tede/handle/tde/2319.

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Made available in DSpace on 2014-07-29T16:17:39Z (GMT). No. of bitstreams: 1 Dissertacao Maurineide Alves da Silva.pdf: 991986 bytes, checksum: 111fb6a28f609b9364d02765fa3f1a9a (MD5) Previous issue date: 2011-09-27
The United States is a country of tradition belligerent. It is common to find in their public squares and monuments statues of military figures, in addition to reserve specific days to honor them, military parades and ceremonies are displayed in various regions of the country and numerous film productions are performed representing the U.S. involvement in world conflicts. It is felt that the war is part of its fundamental characteristics. Seeking to understand the aspects that have built this tradition and thus marked the history of the United States military interventions around the world, without limiting ourselves to explanations that emphasize only the imperialist interests, but taking into account ideological and dogmatic aspects, we reach a ideology formulated in the nineteenth century, in order to justify the U.S. right to intervene in another nation: the ideology of Manifest Destiny. The three ideas that form the three show Manifest Destiny of American beliefs that are part of their national identity and profoundly marked its history: Puritanism, democracy and capitalism. To peer into the permanence of these three beliefs motivating the U.S. military interventions in the XXI century and still seek mainly new elements that enrich our historical understanding of the American society in his belligerent relations with other regions of the world, analyze imagery of a document period, the film Black Hawk Down (Black Hawk Down, Hidley Scott, 2001), which refers to U.S. military intervention in Somalia in 1993 and eventually present the vision of its directors on the subject. As one of the forms of cultural expression more representative of the United States, the film ends up a material extremely rich set of information about the beliefs and customs United States.
Os Estados Unidos são um país de tradição beligerante. É comum encontrar em suas praças públicas estátuas e monumentos de figuras militares, além de reservarem dias específicos para homenageá-los; desfiles e cerimônias militares são exibidos em diversas regiões do país e inúmeras produções cinematográficas são realizadas representando a participação norte-americana em conflitos mundiais. Percebe-se que a guerra faz parte de suas características fundamentais. Buscando entender os aspectos que construíram tal tradição e, consequentemente, marcaram a história dos Estados Unidos com intervenções militares por todo o mundo, sem nos limitarmos a explicações que ressaltam apenas os interesses imperialistas, mas levando em consideração aspectos dogmáticos e ideológicos, chegamos a uma ideologia formulada no século XIX, com o objetivo de justificar o direito norte-americano de intervir em outra nação: a ideologia do Destino Manifesto. As três idéias que formam o Destino Manifesto mostram três crenças do norte-americano que fazem parte de sua identidade nacional e que marcaram profundamente sua história: o puritanismo, a democracia e o capitalismo. Para perscrutar a permanência dessas três crenças motivando as intervenções militares norte-americanas ainda no século XXI e principalmente buscar elementos novos que enriqueçam a nossa compreensão histórica sobre a sociedade norte-americana em sua relação beligerante com outras regiões do mundo, analiso um documento imagético desse período, a produção cinematográfica Falcão Negro em Perigo (Black Hawk Down, Hidley Scott, 2001), que se reporta à intervenção militar norte-americana na Somália em 1993 e acaba por apresentar a visão de seus realizadores sobre o tema. Sendo uma das formas de manifestação cultural mais representativa dos Estados Unidos, o cinema acaba por configurar um material extremamente rico de informações a respeito das crenças e costumes norte-americanos.
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Jordan, Benjamin Thomas. "Synthetic Landscapes." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4303.

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My work explores the complex social geography of modern society and the intricate relationship between mankind and the environment. Through this work I explore the past and present lineage of manifest destiny, from its beginnings in Europe to western expansion in America, to forms it has takes in contemporary America. These ceramic forms serve as the conceptual grounds to explore the romanticizing of the western landscape especially from an individual and group perspective. I simultaneously celebrate the history of the pastoral life while questioning the authenticity, and motivations of that lifestyle, and use this platform as a jumping off point to ask questions about humanities complicated relationship with nature. Through hand-labor, contemplative making, and a reverence for tradition, I explore both interrelated and divergent human perceptions using clay as my primary medium.
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Books on the topic "Manifest Destiny"

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T, Heidler Jeanne, ed. Manifest destiny. Westport, Conn: Greenwood Press, 2003.

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Mountjoy, Shane. Manifest destiny. New York: Chelsea House Publishers, 2009.

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Maurice, Berger, and Brooklyn Museum, eds. Manifest destiny. New York: Brooklyn Museum, 2004.

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Dyer, Wayne W. Manifest Your Destiny. New York: HarperCollins, 2008.

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Qureshi, Atif F. Pakistan: Manifest destiny. [Birmingham]: Epic Press, 2009.

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Qureshi, Atif F. Pakistan: Manifest destiny. [Birmingham]: Epic Press, 2009.

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Heil, Edwin. California fulfills manifest destiny. Santa Ana, Calif: Friis-Pioneer Press, 1992.

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Rockman, Alexis. Alexis Rockman: Manifest destiny. Brooklyn, NY: Brooklyn Museum, 2004.

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Malik, Boone Kofi, Hill Sean Damien, Kenji, and Neon Pen, eds. Horsemen: The manifest destiny. Chicago, IL: Griot Enterprises, 2021.

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1925-, Johannsen Robert Walter, Haynes Sam W. 1956-, and Morris Christopher, eds. Manifest destiny and empire: American antebellum expansionism. College Station, Tex: Published for the University of Texas at Arlington by Texas A&M University Press, 1997.

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Book chapters on the topic "Manifest Destiny"

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Kehoe, Alice Beck. "Manifest Destiny." In Militant Christianity, 67–74. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137282156_8.

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Johnson, Louise C., Tanja Luckins, and David Walker. "Manifest destiny?" In The Story of Australia, 26–42. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003185970-2.

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Boggs, Carl. "From Manifest Destiny to Empire." In Phantom Democracy, 25–56. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120105_2.

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"Manifest Destiny." In The Tragedy of U.S. Foreign Policy, 71–79. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctvd1c8rh.13.

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"Manifest Destiny." In The Cambridge History of American Foreign Relations, 170–99. Cambridge University Press, 1993. http://dx.doi.org/10.1017/chol9780521382090.008.

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Haynes, Robert V. "Manifest Destiny." In The Mississippi Territory and the Southwest Frontier 1795–1817, 241–59. University Press of Kentucky, 2010. http://dx.doi.org/10.5810/kentucky/9780813125770.003.0014.

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Levy, Beth E. "Manifest Destiny." In Frontier Figures, 246–67. University of California Press, 2012. http://dx.doi.org/10.1525/california/9780520267763.003.0010.

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"Manifest Destiny." In The Palm at the End of the Mind, 134–48. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822392439-040.

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"Manifest Destiny." In Adiós Muchachos, 93–111. Duke University Press, 2012. http://dx.doi.org/10.1215/9780822394594-008.

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"Manifest Destiny." In America’s Road to Empire. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350028708.ch-008.

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Conference papers on the topic "Manifest Destiny"

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Macken, Jared. "The Ordinary within the Extraordinary: The Ideology and Architectural Form of Boley, an “All-Black Town” in the Prairie." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.63.

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In 1908, Booker T. Washington stepped off the Fort Smith and Western Railway train into the town of Boley, Oklahoma. Washington found a bustling main street home to over 2,500 African American citizens. He described this collective of individuals as unified around a common goal, “with the definite intention of getting a home and building up a community where they can, as they say, be ‘free.’” The main street was the physical manifestation of this idea, the center of the community. It was comprised of ordinary banks, store front shops, theaters, and social clubs, all of which connected to form a dynamic cosmopolitan street— an architectural collective form. Each building aligned with its neighbor creating a single linear street, a space where the culture of the town thrived. This public space became a symbol of the extraordinary lives and ideology of its citizens, who produced an intentional utopia in the middle of the prairie. Boley is one of more than fifty “All-Black Towns” that developed in “Indian Territory” before Oklahoma became a state. Despite their prominence, these towns’ potential and influence was suppressed when the territory became a state in 1907. State development was driven by lawmaker’s ambition to control the sovereign land of Native Americans and impose control over towns like Boley by enacting Jim Crow Laws legalizing segregation. This agenda manifests itself in the form and ideology of the state’s colonial towns. However, the story of the state’s history does not reflect the narrative of colonization. Instead, it is dominated by tales of sturdy “pioneers” realizing their role within the myth of manifest destiny. In contrast, Boley’s history is an alternative to this myth, a symbol of a radical ideology of freedom, and a form that reinforces this idea. Boley’s narrative begins to debunk the myth of manifest destiny and contrast with other colonial town forms. This paper explores the relationship between the architectural form of Boley’s main street and the town’s cultural significance, linking the founding community’s ideology to architectural spaces that transformed the ordinary street into a dynamic social space. The paper compares Boley’s unified linear main street, which emphasized its citizens and their freedom, with another town typology built around the same time: Perry’s centralized courthouse square that emphasized the seat of power that was colonizing Cherokee Nation land. Analysis of these slightly varied architectural forms and ideologies reorients the historical narrative of the state. As a result, these suppressed urban stories, in particular that of Boley’s, are able to make new contributions to architectural discourse on the city and also change the dominant narratives of American Expansion.
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Romanova, K. "THE MANIFESTATIONS OF TRANSCULTURALITY IN ELCHIN SAFARLI’S NOVEL THE “SWEET SAULT OF THE BOSPHORUS”." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3734.rus_lit_20-21/234-238.

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The article analyses how transculturality manifests itself in a Russian-language novel the Sweet Salt of the Bosphorus by Azerbaijani writer Elchin Safarli. Despite the author’s allusions to the Constantinopolitan text of the 20th century Russian literature, a range of specifics prevents one from referring this novel to the Russian literary tradition. Due to the symbiosis of two mentalities in Safarli’s perception of the world, this literary piece incorporates the following transliterary features of writing: the author’s specific bilingual consciousness, which unlike monolingual, particularly the Russian one, states that human’s destiny is predetermined by one’s personal choice and actions, and the reconstruction of an Azerbaijani view of the world by means of the Russian language, which at the level of poetics manifests itself in that the gustatory and olfactory components of perception become dominant form of the autobiographical character’s sensory reactivity and are an important key to understanding the author’s position.
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Rosa, Marcos Pedro Magalhães. "Um autorretrato de José Pancetti no Masp: a mitologia do artista." In Encontro da História da Arte. Universidade Estadual de Campinas, 2018. http://dx.doi.org/10.20396/eha.13.2018.4581.

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Amítica em torno do pintor José Pancetti é construída por textos de catálogos, biografias e por interpretações amplas do que seria a arte brasileira. Embora diversa, ela guarda no seu núcleo alguns elementos biográficos recorrentemente mobilizados: a profissão marinheiro, a sensibilidade ao mar, o caráter intempestivo e a morte trágica, conclusão da jornada do pintor em busca de seu destino manifesto: a arte moderna. Essa mítica, estruturada de modo textual, guarda relação estreita com a vontade de narrar a institucionalização da arte moderna no país e com a as obras do artista, em especial, os seus autorretratos.
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Garrido, Pablo, and Ramon Agüero. "Caracterización experimental del comportamiento de Network Coding para comunicaciones multicast." In XIII Jornadas de Ingenieria Telematica - JITEL2017. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/jitel2017.2017.6601.

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Las comunicaciones multicast, caracaterizadas por la existencia de una única fuente, que transmite la misma información a múltiples destinos, están llamadas a ser un ingrediente relevante en las redes de siguiente generación. Este trabajo se centra en el uso del esquema de codificación de red Random Linear Network Coding (RLNC) para ofrecer una mayor escalabilidad en ese tipo de comunicaciones, frente a otros esquemas más tradicionales, incrementando la fiabilidad extremo a extremo. Los resultados teóricos ponen de manifiesto la gran ventaja que supone el utilizar técnicas de codificación, frente al uso de retransmisiones selectivas para recuperar la información perdida. Además, se muestra la viabilidad de la solución propuesta, desplegándola sobre una plataforma experimental compuesta por múltiples dispositivos de bajo coste, Raspberry-Pi's.
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Garrigos-Simón, Fernando Jose, Daniela Buzova, Silvia Sanz-Blas, and Yeamduan Narangajavana Kaosiri. "Creando experiencias de calidad y sostenibles para el turista post-covid: la contribución del guía turístico." In INNODOCT 2022. Valencia: Editorial Universitat Politècnica de València, 2023. http://dx.doi.org/10.4995/inn2022.2022.16500.

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La última década ha traído retos para el sector turístico, relacionados tanto con las nuevas necesidades y expectativas de los turistas originados a raíz de la Covid19, como con la creciente concienciación y preocupación por la sostenibilidad del turismo. El objetivo del presente trabajo se centra en poner de manifiesto la contribución que pueden y deben tener los guías turísticos no sólo en proveer una experiencia turística de calidad a los visitantes de los destinos, sino también cómo su labor puede afectar positivamente la consecución de la sostenibilidad a nivel socio-cultural. El trabajo analiza la evolución que ha experimentado el papel del guía turístico en el último siglo a través de una revisión de la literatura. Los resultados evidencian cómo la función tradicional informativa del guía turístico debe completarse hoy en día con una faceta más emocional del papel del guía, que, con su actuación, debe involucrar a los turistas de manera que cocreen juntos la experiencia del tour. Además, la formación de los guías turísticos en la nueva era post-covid debe contemplar contenidos de sostenibilidad, para impactar tanto las actividades responsables del turista en el destino, como sus actitudes y comportamientos sostenibles post-visita.------------------------------------------------------------------The last decade has brought challenges for the tourism sector, related both to the new needs and expectations of tourists brought about by Covid19, and to the growing awareness and concern for the sustainability of tourism. The aim of this paper is to highlight the contribution that tour guides can and should make not only in providing a quality tourism experience to visitors to destinations, but also how their work can positively affect the achievement of sustainability at a socio-cultural level. The paper analyses the evolution of the role of the tour guide over the last century through a review of the literature. The results show how the traditional informative function of the tour guide must nowadays be complemented by a more emotional facet of the role of the guide, who, through his or her actions, must involve tourists in such a way that they co-create the tour experience together. Furthermore, the training of tour guides in the new post-covid era must include sustainability content, in order to impact both the tourist's responsible activities at the destination and their sustainable attitudes and behaviour post-visit.
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6

Garrigos-Simón, Fernando Jose, Daniela Buzova, Silvia Sanz-Blas, and Yeamduan Narangajavana Kaosiri. "Creando experiencias de calidad y sostenibles para el turista post-covid: la contribución del guía turístico." In INNODOCT 2022. Valencia: Editorial Universitat Politècnica de València, 2023. http://dx.doi.org/10.4995/inn2022.2023.16500.

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La última década ha traído retos para el sector turístico, relacionados tanto con las nuevas necesidades y expectativas de los turistas originados a raíz de la Covid19, como con la creciente concienciación y preocupación por la sostenibilidad del turismo. El objetivo del presente trabajo se centra en poner de manifiesto la contribución que pueden y deben tener los guías turísticos no sólo en proveer una experiencia turística de calidad a los visitantes de los destinos, sino también cómo su labor puede afectar positivamente la consecución de la sostenibilidad a nivel socio-cultural. El trabajo analiza la evolución que ha experimentado el papel del guía turístico en el último siglo a través de una revisión de la literatura. Los resultados evidencian cómo la función tradicional informativa del guía turístico debe completarse hoy en día con una faceta más emocional del papel del guía, que, con su actuación, debe involucrar a los turistas de manera que cocreen juntos la experiencia del tour. Además, la formación de los guías turísticos en la nueva era post-covid debe contemplar contenidos de sostenibilidad, para impactar tanto las actividades responsables del turista en el destino, como sus actitudes y comportamientos sostenibles post-visita.------------------------------------------------------------------The last decade has brought challenges for the tourism sector, related both to the new needs and expectations of tourists brought about by Covid19, and to the growing awareness and concern for the sustainability of tourism. The aim of this paper is to highlight the contribution that tour guides can and should make not only in providing a quality tourism experience to visitors to destinations, but also how their work can positively affect the achievement of sustainability at a socio-cultural level. The paper analyses the evolution of the role of the tour guide over the last century through a review of the literature. The results show how the traditional informative function of the tour guide must nowadays be complemented by a more emotional facet of the role of the guide, who, through his or her actions, must involve tourists in such a way that they co-create the tour experience together. Furthermore, the training of tour guides in the new post-covid era must include sustainability content, in order to impact both the tourist's responsible activities at the destination and their sustainable attitudes and behaviour post-visit.
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7

Leguizamon, Roberto Carlos. "CRIPTOTURISMO “EL CAMINO DE LA TECNOLOGÍA BLOCKCHAIN PARA REPENSAR EL TURISMO DEL MAÑANA”." In VII CONGRESO INVESTIGACIÓN, DESARROLLO E INNOVACIÓN DE LA UNIVERSIDAD INTERNACIONAL DE CIENCIA Y TECNOLOGÍA. Universidad Internacional de Ciencia y Tecnología, 2022. http://dx.doi.org/10.47300/actasidi-unicyt-2022-29.

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Criptoturismo es una forma de crear un estilo innovador en la industria turística, donde se combinan la tecnología blockchain y la actividad, con el objetivo de brindar herramientas para el diseño de nuevos servicios y productos, aumentando la calidad de los destinos. Este artículo refleja una tendencia tecnológica, donde los estudiantes, profesionales e investigadores, podrán utilizar de complemento en sus producciones turísticas, para buscar la innovación incremental de todas sus planificaciones. La alfabetización digital de este concepto fue un aspecto clave en la educación superior, descubriendo sus alcances a través de las metodologías exploratorias, experienciales, en el trabajo de campo de los saberes tradicionales. Criptoturismo potenció la oportunidad de manifestar el desarrollo evolutivo de la educación y la investigación, donde permitió el nacimiento al dictamen de su primer taller didáctico, dentro de la diplomatura de turismo digital de la Universidad nacional de Tucuman, en Argentina, y la producción del primer libro de consulta y referencia, titulado: “Criptoturismo el nuevo estilo de la industria”, ambos resultados sirvieron para la reinvención del turismo desde la educación y la ciencia, que tanto sufrió durante pandemia.
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8

Burgos Núñez, Antonio. "El patrimonio de los puentes de hormigón armado. Perspectivas desde el sudeste de España." In II Simposio de Patrimonio Cultural ICOMOS España. Valencia: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/icomos2022.2022.14933.

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Durante la primera mitad del siglo XX se generalizó en España la construcción de puentes de hormigón armado. Su materialización fue especialmente intensa en la década anterior a la Guerra Civil, coincidiendo con la finalización de la red nacional de carreteras. En estos años se implementaron principalmente diseños estandarizados, pero también soluciones originales. Después continuaron construyéndose hasta la década de 1960, aunque ya repitiendo los mismos esquemas y sin aportar ideas nuevas. Vinculado mayormente a la infraestructura viaria, el conjunto de puentes así formado se vió afectado por la profunda modernización que aquella ha experimentado en las últimas décadas. Su destino ha sido muy dispar, siendo pocos los que han podido subsistir sin sufrir alteraciones radicales (incluso su completa destrucción) o ser abandonados. En general, se ha actuado con ellos irrespetuosamente y sin la menor consideración de su condición de bienes culturales Aún así, olvidados y huérfanos de cualquier reconocimiento, los puentes de hormigón armado constituyen un preciado patrimonio, tanto por sus valores estéticos, como por su condición de documentos para la historia de la Ingeniería y la Arquitectura. A partir del análisis de la situación en el marco geográfico del Sudeste de España, la comunicación tiene por objeto principal poner de manifiesto su relevancia, contribuyendo a su justa valoración y a que se emprendan acciones de salvaguardia.
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Roslikova, V. I. "ON THE QUESTION OF SOIL COVER TRANSFORMATION IN NATURAL AND AGROGENIC CONDITIONS OF THE MIDDLE Amur LOWLAND." In Современные проблемы регионального развития. ИКАРП ДВО РАН, 2024. http://dx.doi.org/10.31433/978-5-904121-41-9-2024-32-35.

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Modern geological processes trigger the transformation of soil cover. From endogenous factors, in the conditions of the Amur region, the most important role is played by wind and water, the role of which increases under anthropogenic influence. In winter, up to 40% of the arable land is not covered with snow, and it intertwines, and in the spring, the liquefied upper horizon is washed away and the structural state of the soil is destroyed. The spring-summer monsoons continue to destroy surface horizons. In general, over 2–3 decades after development, soils lose a significant part of their fertility and erosion develops. With a loss of soil productivity of 10%, they enter the stage of desertification. The pace of this natural process is accelerating as a result of improper management of soil resources, which is clearly manifested in the territory of the PRC, and this is immediately evident in the border territories of the Amur region (siltation of rivers, dust storms, etc.). The world community of scientists is already firmly convinced that civilization can survive depletion of oil reserves, but only continued loss of topsoil. In this regard, urgent measures are needed, and the first urgent matter is to take care of the main life-support resource, the soil.
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Aceituno Martínez, Eduardo. "El agua como símbolo y componente del espacio en los relatos de Maryse Condé." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3020.

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Un análisis crítico de los relatos de Maryse Condé (Pointe-à-Pitre, 1937) no puede pasar por alto la presencia recurrente de un elemento en particular: el agua. Nuestro estudio intenta analizar la manera en que la escritora de Guadalupe recurre al agua empleándola, en primer lugar, como símbolo, siempre de forma sutil y poética. Así, el agua, que se manifiesta generalmente como elemento del paisaje y que el narrador introduce a través de concisas descripciones, suele representar un reflejo externo de las convulsas emociones de los personajes. Los prestigiosos trabajos de Gaston Bachelard y Gilbert Durand permiten arrojar luz hasta cierto punto sobre las implicaciones del mencionado símbolo en la obra de Maryse Condé. Por otra parte, el mar constituye al mismo tiempo un componente indispensable del espacio, como no podía ser de otra manera al desarrollarse la acción de los relatos en las Antillas. Por lo tanto, el agua no queda tan sólo relegada a símbolo ocasional, sino que supone además un factor cuya pura presencia determina las dramáticas historias de los personajes. En concreto, el mar aísla a personas y a poblaciones, los condena a un trágico estancamiento, provoca que nadie pueda llegar a escapar de su isla ni de su destino. Sólo algunas mujeres protagonistas de estos relatos tratarán heroicamente de zafarse de la maldición de su sexo (en una cultura patriarcal y discriminadora), de su condición social humilde (un abismo infranqueable separa las clases sociales, en pleno siglo XX), de su mestizaje (en una sociedad dividida en compartimentos estancos debido a la segregación racial). Por todo ello, creemos que conviene considerar este original tratamiento del agua como un rasgo característico y valioso de la escritura de Maryse Condé.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3020
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Reports on the topic "Manifest Destiny"

1

Duffield, Mark F. America on the Offense: A New Manifest Destiny. Fort Belvoir, VA: Defense Technical Information Center, January 2000. http://dx.doi.org/10.21236/ada382240.

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