Academic literature on the topic 'Manipuri writer'

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Journal articles on the topic "Manipuri writer"

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Singha, Sudeshna. "THE IMPACT OF MANIPURI DANCE IN THE ROYAL COURT OF TRIPURA." International Journal of Research -GRANTHAALAYAH 9, no. 3 (2021): 360–67. http://dx.doi.org/10.29121/granthaalayah.v9.i3.2021.3785.

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Manipuri people are a small group of Tripura. During the time of the Maharaja’s these people’s song and music attained a very special status. Firstly, it was royal palace centered, secondly, in various places of Tripura in the Manipuri dominant areas and in their temples, mandaps or at various festivals. According to many writers it can be said clearly like a mirror the Manipuri culture touched Tripura during the tenure of Rajdhar Manikya from 1785 – 1804. And at that very same time the tenure of Manipuri king Bhagyachandra is 1759 – 61 and 1763 – 1798. The Manipuri Raas established by him later on achieved the status of Indian classical dance. In later times, Manipuri culture started influencing the royal palace right after Harisheshwari became the queen of Tripura. In that time’s Agartala that means in Old Agartala, near to the royal palace for the first time Radhamadhab temple was established. The name of the Manipuri dominant areas in this Old Agartala is Nalgaria. This is where Maharani Tulsibati took birth. According to the writer Udainarayan Adhikari – “The Manipuri’s who came to Tripura with Princes Harisheshwari of Manipur at the fag end of the 18th century as a result of her wedding with Rajdhar Manikya II of Tripura, were settled in a village near capital old Agartala. This village now goes by the name of Mekhlipara, because Mekhli was the Tripura name for Manipur in the days of yore. There is a small township called Ranir Bazar a few kilometres east of Old Agartala or Khayerpur. It was founded by the Manipuri queen Maharani Tulsibati. Her parents lived at Nalgadiya a little east of Ranirbazar. So she founded this bazaar or township in order to develop this area. The name Ranirbaazar reminds us that it was founded by a Rani (Maharani Tulsibati).
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Thoudam, Natasha. "'Collective Memory' as an Alternative to Dominant (Hi)stories in Narratives by Women from and in Manipur." Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies (ISSN 2455 6564) Vol. 2, Issue 1 (January 31, 2017): 33–81. https://doi.org/10.5281/zenodo.1336042.

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Theorizing in the context of France, Pierre Nora laments the erosion of 'national memory‘ or what he calls ― "milieux de memoire" and the emergence of what have remained of such an erosion as sites of memory‘ or ―"lieux de memoire" (7–24). Further he contends that all historic sites or ―"lieux d’histoire" (19) such as "museums, archives, cemeteries, festivals, anniversaries, treaties, depositions, monuments, sanctuaries, fraternal orders" (10) and even the "historian" can become lieux de memoire provided that in their invocation there is a will to remember (19). In contrast to Nora‘s lamentation, in the particular context of Manipur, a state in Northeast part of India, there is a reversal. It is these very 'sites of memory‘ that bring to life the collective memory‘ of Manipur, which is often national, against the homogenizing tendencies of the histories of conflicting nationalisms in Manipur, including those of the Indian nation-state. This paper shows how photographs of Manorama Thangjam‘s raped‘ body, the suicide note of the raped‘ Miss Rose, Mary Kom‘s autobiography, and Rani‘ Gaidinlui‘s struggle become sites for 'collective‘ memory that emerge as an alternative to history in Manipur.
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Jani, Chitra Rajesh &. Dr. Atulkumar Parmar. "EXPLORING THE WORLD OF THE TRIBES: A STUDY OF SELECTED NORTH-EAST SHORT STORIES." Scholarly Research Journal for Humanity Science & English Language 12, no. 65 (2024): 9–17. https://doi.org/10.5281/zenodo.13986208.

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<em>The research has its premise based on the North-East Indian region, especially in Manipur. North-East India has a centuries old history and traditions to follow with their rich mythologies and cultural importance which can only sustain with preservation of language. There are countless languages and dialects which are in endangered state whereas some have gone extinct. Such languages are revived by some enthusiastic writers who are writing extensively in these endangered languages to keep it alive. The paper examines such great works of the selected writers like Smriti Kumar Sinha and Linthoi Chanu. The research is an endeavor to assess the multiple experiences of North-East Indian tribal people with their social, political and cultural relevance. The situation of tribal people in the backdrops of pre-colonial, colonial and post-colonial times is the pertinent reference point of the study.&nbsp;&nbsp;</em>
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Telegin, Aleksandr I. "Analytical solution of the first problem of the manipulators' dynamics." Bulletin of the South Ural State University. Ser. Computer Technologies, Automatic Control & Radioelectronics 22, no. 1 (2022): 28–52. http://dx.doi.org/10.14529/ctcr220103.

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The aim is to solve the problem of deriving an explicit analytical form and the cumbersome of the equa-tions of dynamics of body systems. The research methods refer to the mechanics of body systems and systems analysis. The research results allow to write out formulas for calculating forces and moments of forces in the joints of the systems of bodies with one open branch. It is demonstrated in examples of writing out analytical types of equations of dynamics of industrial robot arms with three and six degrees of freedom in space. Three kinds of equations of dynamics were obtained for such manipula-tors. The first equations are written out in scalar-coordinate form with explicit quasi-accelerations and ve-locities, whose role is played by the projections of absolute angular accelerations and velocities of bodies on their connected axes. The second ones are written in vector-matrix form and are obtained from the former in the process of replacing quasi-accelerations by relative linear and angular accelerations of bodies with the allocation of a symmetric matrix of inertial coefficients. The third kind of equations of dynamics is ob-tained from the second one in the process of replacing quasi-velocities by relative linear and angular veloci-ties of bodies. In the third form, the centrifugal, Coriolis, and gyroscopic inertial forces are clearly ex-pressed. Gyroscopic inertial forces allow us to simplify the formula for calculating the power consumption of drives, as well as to simplify the Timofeev formula for calculating the driving forces and moments of forces that provide control of the program motion of manipulator bodies with a given quality. A technique for reusing formulas for manipulators with matching kinematic diagrams of their subsystems is demonstra-ted in the examples . Geometric, kinematic, static and inertial parameters of bodies are explicitly expressed in the equations of dynamics The multipliers for accelerations and products of velocities in the equations of dynamics are optimal in the sense of the minimum of arithmetic operations (additions and multiplica-tions) required for their calculations. Conclusion. All analytical types of equations of dynamics are veri-fied. They occupy several lines of text and further simplification is practically impossible.
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Parra, José Joaquín. "La palabra como material de construcción en La obra de Kafka | Words as a construction material in Kafka’s Der Bau." ZARCH, no. 6 (September 16, 2016): 134. http://dx.doi.org/10.26754/ojs_zarch/zarch.201661458.

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La palabra es, y como tal puede ser empleada, una sustancia germinal de la arquitectura: como la línea y la madera, al igual que la piedra y el barro, es un material primario de construcción. La escritura y el dibujo son técnicas constructivas: estados de arquitectura. Con la palabra, pronunciada o grafiada, con los verbos y los sustantivos adecuados pueden alzarse o excavarse arquitecturas habitables, recintos en los que ampararse y postergar el advenimiento inevitable de la muerte. Pues la palabra no es solo el lugar de la memoria: es también el lugar del proyecto y de la puesta en obra, de la ideación y de la ejecución, del registro del proceso que va de la concepción a la extinción. Franz Kafka es uno de los que con su producción, que con sus obras ha demostrado la validez de esta teoría: uno de los que con mayor intensidad se ha afanado en ejercer la arquitectura empleando rigurosa y sobriamente esa abundante y elemental materia ingrávida. Uno de los lugares ejemplares en los que el escritor oficia de arquitecto, de promotor y de obrero que manipula la tierra con sus manos, es el relato inconcluso titulado Der Bau, escrito casi en estado terminal por alguien que sabía que construir, además de en ordenar la materia y en atribuirle una forma a la idea para que pueda ser usada, consiste en hacer visible, en materializar los sueños; que consiste en dar cuerpo, en componer a la luz, en decir lo inédito y lo inaudito. Words are an essential component from which architecture germinates: as lines and timber, like stone and clay, they are primary materials of construction. Writing and drawing are construction techniques: stages of the architectural process. With the precise words, verbs and nouns, habitable architectures might be erected or excavated, rooms in which to find shelter and postpone the inevitable act of death. Words are not only the place of the memory, but also the place of the project and the place of the construction, of the idea and the execution, of the narrative of the building process which begins with conception and leads to extinction and from there commences again. Franz Kafka is among those whose work has demonstrated the validity of this theory: one of those who has been most intensely determined to practice architecture by using with rigour and sobriety this abundant and elementary weightless matter that words are. One of the exemplary places where the writer acts as an architect, a developer and a builder who manipulates the soil with his hands, is the unfinished story entitled Der Bau, written at a terminal stage of life by someone who knew that building, besides organizing the matter and attributing a form to the idea to make it usable, consists of making dreams visible; materializing, composing in the light, saying the unprecedented and the unheard (Trad. R. Fenutría).
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Pudovkina, S. G., and A. I. Telegin. "WRITING OUT OF FORMULAS FOR CALCULATING FORCES IN THE JOINTS OF MANIPULATORS IN STATICS." Bulletin of the South Ural State University. Ser. Computer Technologies, Automatic Control & Radioelectronics 21, no. 3 (2021): 47–58. http://dx.doi.org/10.14529/ctcr210305.

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The problem of bulkiness of mathematical models of manipulative systems of industrial robots is solved. Here we consider formulas for calculating static reactions in joints and formulas for active forces that balance the forces of gravity acting on the manipulator's bodies in its stationary state. The manipulator can be in such a state when it is before capturing the object of manipulation and releasing it, or when it is performing some assembly operations, or it is during spot welding and in slow (quasi-static) arc-welding and painting processes. Aim. The aim is to derive general recur-rence and finite formulas for calculating the reaction forces in joints and their projections to the ax-es of the coordinate system rigidly connected with the selected body. Express the formulas of force projections in terms of guiding cosines and justify their optimality in terms of the minimum of arithmetic operations. Derive general inverse recurrence formulas for writing out the guide cosines of the axes associated with the moving bodies of the coordinate system with respect to the stationary coordinate system. Research methods. The methods of research relate to vector mechanics and sys-tems analysis, and the algorithmization of calculations by reducing them to the use of recurrent formulas. Results. A systematic analysis of general formulas, in which all possible regular expres-sions are highlighted which are corresponding unambiguously to the kinematic parameters of ma-nipulators, is performed. These regular expressions are used in software for analytical modeling of manipulator, in particular, for the analytical solution of problems of statics of a manipulator. The method of analytical verification of the prescribed formulas is described. The tasks of writing out optimal formulas for calculating the projections of static reaction forces in joints have been solved. And the tasks of writing out optimal formulas for calculating active forces in progressive joints of universal manipulators with six degrees of freedom, operating in Cartesian, cylindrical, spherical and angular coordinate systems, have been solved also. Analytical verification of the derived equations of stat-ics is performed. Examples of the reuse of the derived formulas for manipulators with the same kin-ematic schemes of their subsystems. Conclusion. Expressions of the equations of statics of manipu-lators through the guide cosines of the axes of the associated coordinate systems of their bodies al-low us to write these equations through the known parameters of body orientation. The recurrent formulas for calculating directional cosines allows to use recursive functions in their software im-plementation, i.e. to increase the computational efficiency of the software.
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Roy, Somi. "Imasi Document: M.K. Binodini Devi in Modern Manipuri Culture." July 26, 2017. https://doi.org/10.5281/zenodo.834802.

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On M.K. Binodini Devi and Her Place in Modern Manipuri Culture L. Somi Roy, M.K. Binodini Memorial Lecture Program Booklet, 2014 [<em>Excerpt</em>] Maharaj Kumari Binodini Devi is the key renaissance figure of modern, contemporary Manipuri culture. A Manipuri writer who bridged the two worlds of ancient royalty and modern life, M.K. Binodini Devi was born as a princess into a palace life. Yet she transcended the constraints of royalty to live to the full the life of an enlightened commoner and emerged as the iconic pioneer in the evolution of Manipuri modernism. M.K. Binodini Devi brought a deep humanism and a sense of beauty and esthetics to all her work. She made her name in the wider world as a novelist and a writer of short stories, essays, plays and screenplays of award-winning films, lyrics, poems and ballet scripts. But her work spread beyond literature and film, theater, and dance to sculpture, environmentalism, women’s issues, youth, social activism and electoral politics. Her work garnered accolades beyond Manipur on the national stage and in the international arena.
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"Writer Independent Manipuri Offline Signature Verification using Transfer Learning Technique of Convolutional Neural Network." International Journal of Innovative Technology and Exploring Engineering 9, no. 1S (2019): 76–80. http://dx.doi.org/10.35940/ijitee.a1018.1191s19.

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Automatic Signature Verification system is used to verify whether a signature is genuine or forged. Forged Signatures are those signatures that a person produced by imitating the signature of another person. Automatic Signature Verification is very important as a person’s handwritten signature is used everywhere to authenticate themselves and there is not very much difference between a genuine signature and the imitation of it, i.e. a forged signature. In this work, signature verification is done using different pre-trained Convolutional Neural Networks (CNNs). Convolutional Neural Network has powerful learning ability, and it can be used to distinguish between a genuine and a forged signature automatically. In this experiment, Manipuri signature dataset was used, the dataset was prepared originally and it contains 729 genuine signatures and 243 forged signatures. Features were extracted from pre-trained networks and classification was done using binary Support Vector Machine (SVM) classifier and the performances of the networks were compared. And according to the experiment we achieved a classification accuracy of 84.7 using VGG19 features, accuracy of 86.8 using VGG16 features and accuracy of 81.9 using Alexnet features.
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Premchandra, Kshetrimayum. "The Rise of Yawol Poetry in Manipuri Literature." Rupkatha Journal on Interdisciplinary Studies in Humanities 14, no. 2 (2022). http://dx.doi.org/10.21659/rupkatha.v14n2.ne05.

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The Manipuri term yawol or ya-ol means ‘a new awakening or beginning’. It is a term primarily associated with the Manipuri insurgency movement known locally as yawol eehou. Apart from the impending political turmoil and the polarising nature of this movement, there was a passionate, phenomenal boom of literary products in the Manipuri language since the 70s issuing from this insurgency movement. Yawol poetry is both a poetic movement and a literary period, much like the Mizo literature ‘Rambuai’ and Naga literature of the ‘troubled times’. The urge to adopt a new style of writing based on lived experiences rather than some poetic fancy or nostalgia for a bygone era by the Manipuri writers, especially in poetry, coincided with the rise of the insurgency movement in the state. Names such as ‘violent literature’ or ‘blood literature’ that have characterised Manipuri literature sometimes overshadow the ‘non-violent’ yet rich poetic expressions intrinsic to the state. However, not addressing the widespread prevalence of violence and anarchy in Manipuri literature will be historically and aesthetically incorrect. In this paper, the author shall explore the rise of such a distinct poetic style adopted by scores of Manipuri poets across four decades and explain why the poetics of blood and violence have been a significant mainstay in Manipuri poetry.
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Khumancha, Oinam Ghanashyam, and Oinam Teresa. "Status of Maharaja of Manipur in British India Empire and Current Social Status Among Peers." Journal of History and Social Sciences 12, no. 2 (2021). http://dx.doi.org/10.46422/jhss.v12i2.172.

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Many writers claim that kingdom of Manipur with varieties of its, name, is a continuous institution from by-gone many millennia. Now many wishful thinkers claim, Meitei Tribe should not be Scheduled Tribe list of India, any more due to adoption of Hindu and glorious history of kinghood. This paper will try to examine the status of Maharaja of Manipur within the British India Empire and current Social status among peers to verify the merit of those wishful thinkers.
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Books on the topic "Manipuri writer"

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Tombī Siṃha, Noṃmāithema, 1942- editor, Jayantakumāra Śarmmā, Bi., 1935- editor, and Rājakumāra Bi Esa, eds. Who's who of Manipuri writers. Writers' Forum Imphal, 2012.

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Th, Khomdon Singh, Ramachandran R. Dr, National Library (India), and Manipur University Library, eds. Proceeding of three day National Seminar on Role of Librarians, Archivists, and Writers in Preservation of National Heritage: 9-11 September, 2010, Manipur University, Canchipur, Imphal. Siroi Publications, 2010.

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Singh, Rajkumar Mani. Khwairakpam Chaoba Singh (Manipuri Writer). Sahitya Akademi, 2002.

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Singh, E. Nilakanta. Pandit Atambapu Sharma (Manipuri Writer). Sahitya Akademi, 1998.

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Book chapters on the topic "Manipuri writer"

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Haripriya, Soibam. "Irom Sharmila’s Poetry and the Politics of Anthologizing Indian Literature." In The Oxford Handbook of Modern Indian Literatures. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197647912.013.15.

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Abstract Hailed as an “Iche” (elder sister), Irom Sharmila is the subject of many genres—poetry, songs, documentary films, and artwork. This chapter looks at the activist-poet’s collection Fragrance of Peace (2010) to examine the paradoxical way her body is seen as a site of resistance, her naming and identification through the kin term “sister,” and her status within Manipuri literature. It is significant that Irom is a rarely anthologized poet. Her work cannot be found in any anthologies on the literature of Northeast India, while, ironically, writings about her activism abound. Though her oeuvre is much more than protest poetry, this collection of poems foregrounds the political role of her poetry. The chapter juxtaposes Irom’s own self-representation through her poetry with works written about her. Through this exercise, the intention is to explore the place of women in the construction of a collective resistance and its conscious self-representation in literature.
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Saxena, Akshya. "Sound." In Vernacular English. Princeton University Press, 2022. http://dx.doi.org/10.23943/princeton/9780691219981.003.0005.

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This chapter looks at the English language as part of global protest vocabulary where it is used to speak back to the Indian state. In a 2004 landmark protest against years of army presence in the state of Manipur in Northeast India, twelve women stood naked in front of the army base to protest the rape and murder of a young woman named Manorama by members of the armed forces. Raising the English-language slogan of “Indian Army Rape Us / We Are All Manorama's Mothers,” they used the language of the democratic state to challenge its authority. Northeast India as a geopolitical category and Northeast Indian literature as a body of work both become legible in the postcolonial state's use of English. The chapter argues that the women's political and phonological—figurative and literal—voice offers a decolonial lineage of a mother tongue in English. With a discussion of contemporary literature by northeastern writers like Temsula Ao and Yumlembam Ibomcha, it also reveals the emergence of the English language as specifically aural—an instance of speaking English, of Anglophony—as it represents the nonvocal and vocal soundscapes of military violence and human suffering.
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Conference papers on the topic "Manipuri writer"

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Longjam, Teressa, Dakshina R. Kisku, and Phalguni Gupta. "Improving reliability of manipuri offline signature verification using writer independent paradigms." In Thirteenth International Conference on Digital Image Processing, edited by Xudong Jiang and Hiroshi Fujita. SPIE, 2021. http://dx.doi.org/10.1117/12.2599572.

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