Relevant bibliographies by topics / Manitoba Museum of Man and Nature

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Academic literature on the topic 'Manitoba Museum of Man and Nature'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Manitoba Museum of Man and Nature"

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Etherington, Robert. "Krystyna DEUSS, Indian Costumes from Guatemala, Manitoba Museum of Man and Nature, Winnipeg, September 18 through November 30, 1986." Culture 7, no. 1 (2021): 73–74. http://dx.doi.org/10.7202/1078781ar.

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Kehoe, Alice B. "Kayasochi Kikawenow: Our Mother from Long Ago (An Early Cree Woman and Her Personal Belongings from Nagami Bay, Southern Indian Lake). Kevin Brownlee and E. Leigh Syms. 1999. The Manitoba Museum of Man and Nature, Winnipeg, MB, Canada. 97 pp. $12.95 (Can.) (paper), ISBN 0-920704- 22-0." American Antiquity 67, no. 1 (2002): 186. http://dx.doi.org/10.2307/2694905.

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Boesky, Amy. ""Outlandish-Fruits": Commissioning Nature for the Museum of Man." ELH 58, no. 2 (1991): 305. http://dx.doi.org/10.2307/2873370.

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Nekrošienė, Rita. "FACILITY OF EDUCATION ACTIVITIES IN THE BOTANICAL GARDENS AND PARKS: EXPERIENCE OF SOUTH GERMANY." GAMTAMOKSLINIS UGDYMAS / NATURAL SCIENCE EDUCATION 4, no. 1 (2007): 29–33. http://dx.doi.org/10.48127/gu-nse/07.4.29.

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Some facilities of education activities in south Germany botanical gardens and parks are presented in this article. Research was carried out in Munchen-Nymphenburg, Alpengarten Schachen and Augsburg botanical gardens, Munchen zoological garden, Munchen city parks (in the Museum of Man and Nature). The role of botanic gardens is as an advocate for the maintenance of biodiversity and therefore botanic gardens need to reorient their education programmes and incorporate a vision for a more socially and environmentally sustainable future. Botanic and zoo gardens can use a variety of techniques to c
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Krisdayanthi, Astrid, I. Gusti Ketut Indra Pranatha Darma, and Ni Made Desi Meliana. "Pengelolaan Museum Rudana Sebagai Daya Tarik Wisata Berbasis Kearifan Lokal Di Desa Peliatan Kecamatan Ubud Kabupaten Gianyar." Ganaya : Jurnal Ilmu Sosial dan Humaniora 6, no. 2 (2023): 345–57. http://dx.doi.org/10.37329/ganaya.v6i2.2436.

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Rudana Museum is an art museum located in Ubud, Gianyar, Bali and is used to exhibit and promote works of art in the form of paintings and sculptures by Balinese artists. Rudana Museum was founded by Nyoman Rudana, a painting collector who is also the owner of Rudana Fine Art Gallery and Genta Fine Art Gallery. Proper management is very important. This research will discuss how to manage Rudana Museum as a local wisdom-based tourist attraction in Peliatan Village, Ubud District, Gianyar Regency. The focus of this study focuses on three things, namely to determine the potential of Rudana Museum
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Shlienkova, Elena V., and Khristina V. Kaygorodova. "Protomuseum – immersion – proto-spectactor. Visual nature of immersivity. Spatial and sensual experience." Urban construction and architecture 13, no. 1 (2023): 158–65. http://dx.doi.org/10.17673/vestnik.2023.01.20.

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The article is devoted to the study of the immersiveness of proto-museum and museum environments in a historical context: from proto-interfaces (rock paintings, frescoes, hunting pseudo-targets) to meta-visualization (new media and a museum without walls, tangible objects broadcasting intangible values). The basis of the studied typology of museumified environments are: pre-museum collections (Primitive society / protomuseum, Ancient world / protomuseum-temple / treasury, Middle Ages / protomuseum-theatre). The methodological basis of the study is the analysis of strategies for organizing spac
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Xu, Haoyuan, and Mohd Jaki Mamat. "The Art of Interior Layout Design in Chinese Museums: An Exploration Based on Typical Cases." International Journal of Religion 5, no. 5 (2024): 783–93. http://dx.doi.org/10.61707/ctxx0t81.

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In the construction of a museum, the most important part is the interior layout design and space layout, etc. This paper mainly takes the typical museums in Beijing, Shanghai, Nanjing and other famous cities as examples to discuss the importance of interior design. At the same time, in the exhibition design of the museum, relevant personnel can combine modern information technology with traditional culture. In the process of emphasizing the harmonious coexistence of man and nature, they can pay more attention to the sense of experience and participation of tourists, maintain innovation, and en
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Rostovskaya, Tamara K., Alexander М. Egorychev, and Svyatoslav B. Gulyaev. "Museum as a Socio-cultural Institute for the Development of Man and Society." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 67 (2023): 202–15. http://dx.doi.org/10.37816/2073-9567-2023-67-202-215.

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The paper deals with issues related to the phenomenon of the museum as a socio-cultural institution for the development of man and society. We are talking about the analysis of the nature of collecting, the meanings and values that a person finds when it is necessary to determine the purpose of the existence of himself and his being world, as well as issues affecting the evolution of the birth, formation and development of the museum phenomenon in the human community, its role in the shaping of a reasonable, cultural and spiritual person. The most diverse samples of culture (paintings, sculptu
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Akeli, Safua. "Letter Man: representing graphic designer Joseph Churchward." Tuhinga 21 (July 1, 2010): 1–11. https://doi.org/10.3897/tuhinga.21.e34181.

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Since the 1960s, Samoan-born graphic designer Joseph Churchward has hand-created over 570 typefaces (fonts), the greatest number designed by any individual in the world. In 2008, the Museum of New Zealand Te Papa Tongarewa (Te Papa) acquired a large number of samples of Churchward’s work and showcased a range of pieces in the exhibition Letter Man: Joseph Churchward’s world of type . This new acquisition and exhibition deviated from the historical practice of collecting and exhibiting artefacts from the Pacific Islands, which previously had an ethnographic focus. This paper considers the ratio
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Sabella, Giorgio, and Fabio Massimo Viglianisi. "The new layout of the Museum of Zoology of the University of Catania (Italy) one year after its opening." Biodiversity Journal 15, no. 2 (2024): 179–85. http://dx.doi.org/10.31396/biodiv.jour.2024.15.2.179.185.

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On 9 July 2021 the Museum of Zoology of the University of Catania (Italy), the oldest Sicilian zoological museum whose foundation dates back to 1853 by Prof. Andrea Aradas, reopened to the public with a new layout, which involved the elimination of all the showcases in which the specimens were displayed. The new project instead envisaged that all the vertebrate specimens present in the main room, around 170, are arranged on open platforms and grouped according to systematic or biogeographical criteria. An emotional museum was thus created in which the elimination of the showcases and the possi
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Books on the topic "Manitoba Museum of Man and Nature"

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International Northwestern Conference on Diseases in Nature Communicable to Man (56th 2001 Winnipeg, Manitoba). Proceedings of the 56th annual conference of the International Northwestern Conference on Diseases in Nature Communicable to Man: St. John's College, the University of Manitoba, Fort Garry Campus, Winnipeg, Manitoba, July 29-August 1, 2001. s.n., 2001.

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Andō, Hiroshige. Hiroshige: The Sixty nine stations of the Kisokaido. George Braziller, 2008.

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Andō, Hiroshige. Hiroshige. Prestel, 2005.

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Museum, Brooklyn, ed. Hiroshige: One hundred famous views of Edo. G. Braziller, 1986.

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Andō, Hiroshige. Hiroshige: Shaping the image of Japan. Hotei Pub., 2008.

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Andō, Hiroshige. Hiroshige: An exhibition of woodblock prints to mark the 200th anniversary of the artist's birth. Edited by Martini Małgorzata, Alberowa Zofia, Czarnecka Zuzanna, Centrum Sztuki i Techniki Japońskiej "Manggha" (Kraków, Poland), Muzeum Narodowe w. Krakowie, and Mie̦dzynarodowe Triennale Grafiki (1997). National Museum in Cracow, Centre of Japanese Art and Technology Manggha, 1997.

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Andō, Hiroshige. Hiroshige: The Sixty nine stations of the Kisokaido. George Braziller, 2008.

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Andō, Hiroshige. Hiroshige: Notturni : Edo (Tokyo) 1797-1858. Arte antica, 1992.

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Andō, Hiroshige. Hiroshige: Birds and flowers. G. Braziller, 1988.

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Andō, Hiroshige. Hiroshige: Nihon Ukiyoe Hakubutsukan shozō. Edited by Sakai Gankō, Nihon Ukiyoe Hakubutsukan, Nihon Ukiyoe Gakkai, Gifu-shi Rekishi Hakubutsukan, Gifu Shinbunsha, and Gifu Hōsō. Gifu-shi Rekishi Hakubutsukan], 1995.

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Book chapters on the topic "Manitoba Museum of Man and Nature"

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Main, George. "The Waterhold Project." In Manifesto for Living in the Anthropocene. punctum books, 2015. https://doi.org/10.21983/p3.0100.1.13.

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The National Museum of Australia in Canberra records and interprets Australian social, Aboriginal and environmental history. As a curator and environmental historian employed by the Museum, my role is to foster understandings of hu-man lives within the contexts of dynamic ecological systems. The National Museum is responsible for making sense of interactions between people and the rest of nature, and has a significant role to play in helping Australians grapple with the meanings of the profound climatic and ecological chang-es that define our time, the Anthropocene. What historically and cultu
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"Section V. Aboca and the Materia Medica Between Past and Future." In Gardens and Medicinal Virtues Health and Beauty Between Past and Present. Fondazione Università Ca’ Foscari, 2023. http://dx.doi.org/10.30687/978-88-6969-719-7/005.

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Two showcases displayed a selection of books and objects from the collection of the Aboca Museum (the museum of Aboca, a pharmacological firm in Sansepolcro), and from its Bibliotheca Antiqua, showing the thousand-year history of the relationship between man and medicinal plants. Hieronymus Bock’s Kräuterbuch represents the first comprehensive description of central European materia medica – plants and their therapeutic properties. This is followed by some of the most important Renaissance editions of Dioscorides’ De materia medica: the works of Jean Ruel, author of the first Latin translation
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Van de Noort, Robert. "Socializing coastal landscapes." In North Sea Archaeologies. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780199566204.003.0010.

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For many decades, archaeologists have studied the ways in which past people have made the landscapes they inhabited their own, through the construction of paths and roads, monuments, settlements, and field systems, leading to what has been termed ‘cultural landscapes’. Such approaches have great validity on land. Archaeologists’ interest in constructed monuments, for example, enables the analysis of social structures and social changes over centuries, and nowhere is this approach more vigorously pursued than for the monument-rich Wessex region in the Neolithic and Bronze Age (e.g. Renfrew 1973
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Wypustek, Andrzej. "Bestie seksualne? Gemma z Lejdy i wizerunek kobiecej homoerotyki w kulturze grecko-rzymskiej." In Fantastyczne stwory i bestie w dziejach i kulturze od antyku po czasy najnowsze. Ksiegarnia Akademicka Publishing, 2025. https://doi.org/10.12797/9788383682266.02.

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SEXUAL BEASTS? THE GEM FROM LEIDEN AND THE IMAGE OF FEMALE HOMOEROTICISM IN GRECO-ROMAN CULTURE The concept of a tribade, specific to Greco-Roman culture and literature, meant a woman who usurped an active role in the domain of sex, a role reserved for men and which did not correspond to her “nature”. In the scholarly literature on the history of sexuality in antiquity, the view is often presented that in Rome such women were considered truly terrifying monsters, sexual beasts who, waving artificial phalluses or exposing large clitorises, chased men and women. Their relations with men were tan
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Conference papers on the topic "Manitoba Museum of Man and Nature"

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Поршунова, Л. С. "A museum in a multicultural region." In Социально-гуманитарные исследования: векторы развития науки и образования: материалы IX научно-практической конференции с международным участием, г. Москва, МПГУ, 25–26 апреля 2024 г. Crossref, 2024. https://doi.org/10.37492/isgo.2024.076.

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музей Природы и Человека в Ханты-Мансийском автономном округе – Югре известен в регионе и за его пределами своей активной деятельностью в сфере поликультурного диалога. Югра – один из самых поликультурных регионов России. Жители округа идентифицируют себя как представителей различных этнических общностей, говорят на разных языках, исповедуют разные религии, но все они называют себя югорчанами и объединяются для решения задач благополучия и процветания своего региона. Программы и специальные мероприятия музея для различных категорий посетителей позволяют выстраивать взаимообогащающие отношения
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Gridnev, Yu, Anna Tsaralunga, and A. Gridneva. "NIKITSKY BOTANICAL GARDEN – A UNIQUE PEARL OF THE SOUTH BORE." In LANDSCAPE ARCHITECTURE – FROM THE SOURCE TO INNOVATION. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2024. https://doi.org/10.58168/landscape2024_183-187.

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Nature is amazing and diverse. Nature is called the fifth Gospel. Nature teaches, heals, inspires. Natural diversity depends on geophysical, climatic, environmental, and anthropogenic factors. Man has always tried to conquer and tame the elements, decorate the surrounding space, and cultivate the original biological species. The desire for beauty in union with nature is very useful and saving for humanity. Forests and forests, gardens and parks, squares and groves, front gardens and arboretums, alleys and nurseries, rose gardens and lawns, flower beds and flower beds - the abundance of flora w
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