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Relevant bibliographies by topics / Manning Gallery (London, England)

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Journal articles

Academic literature on the topic 'Manning Gallery (London, England)'

Author: Grafiati

Published: 27 February 2023

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Journal articles on the topic "Manning Gallery (London, England)"

1

Mark, Emily. "London: 'Conquering England' at the National Portrait Gallery." Circa, no. 113 (2005): 88. http://dx.doi.org/10.2307/25564351.

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2

TALLACK, DOUGLAS. "Reflections on The American Scene: Prints from Hopper to Pollock, British Museum, London; Djanogly Art Gallery, Nottingham; Brighton Museum and Art Gallery; Whitworth Art Gallery, Manchester, April 2008–December 2009." Journal of American Studies 44, no. 3 (2010): 613–25. http://dx.doi.org/10.1017/s0021875810001556.

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It is tempting to regard the remarkable success of this exhibition of works from the British Museum's American prints collection, as it toured England, as a response to the demise of the Bush Administration and the election of Barack Obama. However, George W. Bush was in the White House throughout the period when these prints were on display at the British Museum from April to September 2008.

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3

SHEPARD, ALEXANDRA. "VIOLENCE AND CIVILITY IN EARLY MODERN EUROPE." Historical Journal 49, no. 2 (2006): 593–603. http://dx.doi.org/10.1017/s0018246x06005358.

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Violence in early modern Europe, 1500–1800. By Julius R. Ruff. Cambridge: Cambridge University Press, 2001. Pp. xii+269. ISBN 0-521-59119-8. £13.95.The London mob: violence and disorder in eighteenth-century England. By Robert Shoemaker. London: Hambledon and London, 2004. Pp. xvi+393. ISBN 1-85285-389-1. £25.00.Outlaws and highwaymen: the cult of the robber in England from the middle ages to the nineteenth century. By Gillian Spraggs. London: Pimlico, 2001. Pp. x+372. ISBN 0-7126-6479-3. £12.50.The duel in early modern England: civility, politeness and honour. By Markku Peltonen. Cambridge: C

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4

BROWN, CHRISTOPHER. "The Renaissance of Museums in Britain." European Review 13, no. 4 (2005): 617–36. http://dx.doi.org/10.1017/s1062798705000840.

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In this paper – given as a lecture at Netherlands Institute for Advanced Study in the summer of 2003 – I survey the remarkable renaissance of museums – national and regional, public and private – in Britain in recent years, largely made possible with the financial support of the Heritage Lottery Fund. I look in detail at four non-national museum projects of particular interest: the Horniman Museum in South London, a remarkable and idiosyncratic collection of anthropological, natural history and musical material which has recently been re-housed and redisplayed; secondly, the nearby Dulwich Pic

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5

Barber, Fionna. "Fintan Cullen and R.F. Foster, ‘Conquering England’: Ireland in Victorian London. London: The National Portrait Gallery. 2005. 80pp. Illus. £12.50. Fintan Cullen, The Irish Face: Rede.ning the Irish Portrait 1700–2000. London: The National Portrait Gallery. 2004. 240 pp. Illus. £30.00." Urban History 34, no. 01 (2007): 158–60. http://dx.doi.org/10.1017/s096392680727453x.

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6

King, Peter. "Legal Change, Customary Right, and Social Conflict in Late Eighteenth-Century England: The Origins of the Great Gleaning Case of 1788." Law and History Review 10, no. 1 (1992): 1–31. http://dx.doi.org/10.2307/743812.

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In 1788 the Court of Common Pleas, after lengthy deliberations, came to a judgment in Steel v. Houghton et Uxor, concluding that “no person has, at common law, a right to glean in the harvest field.” Gleaning was of considerable importance to many laboring families in the eighteenth century; therefore, both the provincial and the London-based newspapers reported the 1788 judgment at length, as well as covering the 1786 case of Worlledge v. Manning on which it was partly based. The 1788 case not only stimulated a widespread public debate over the gleaners' rights, but also established an import

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7

Ricketson, Matthew. "REVIEW: Julian Assange: Persecuted and abused for exposing dirty secrets of the powerful." Pacific Journalism Review : Te Koakoa 28, no. 1 & 2 (2022): 247–51. http://dx.doi.org/10.24135/pjr.v28i1and2.1260.

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The Trial of Julian Assange: A Story of Persecution, by Nils Melzer. Brooklyn, NY: Verso. 2022, 368 pages. ISBN 9781839766220 IT IS easy to forget why Julian Assange has been on trial in England for, well, seemingly forever. Didn’t he allegedly sexually assault two women in Sweden? Isn’t that why he holed up for years in the Ecuadorian embassy in London to avoid facing charges? When the bobbies finally dragged him out of the embassy, didn’t his dishevelled appearance confirm all those stories about his lousy personal hygiene? Didn’t he persuade Chelsea (formerly Bradley) Manning to hack

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8

Bock, Carol A. "AUTHORSHIP, THE BRONTËS, AND FRASER’S MAGAZINE: “COMING FORWARD” AS AN AUTHOR IN EARLY VICTORIAN ENGLAND." Victorian Literature and Culture 29, no. 2 (2001): 241–66. http://dx.doi.org/10.1017/s1060150301002017.

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UNDER THE DIRECTION OF ITS FIRST EDITOR, William Maginn, Fraser’s Magazine purveyed popular images of literary life in the 1830s through its Gallery of Illustrious Literary Characters — Daniel Maclise’s engravings of contemporary literary figures accompanied by Maginn’s irreverent textual commentary — and through humorous depictions of the supposed staff meetings of “The Fraserians” themselves (figure 1), whom Miriam Thrall described as “care-free scholars, who laughed so heartily, and drank so deeply, and wrote so vehemently around their famous editorial table” (16). Composed by Maginn in imi

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9

Mitjans, Frank. "Non sum Oedipus, sed Morus." Moreana 43 & 44 (Number, no. 4 & 1-2 (2007): 12–67. http://dx.doi.org/10.3366/more.2007.43-44.4_1-2.4.

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Frank Mitjans is an architect who has worked in London since 1976. He was introduced to the significance of the figure of St. Thomas More by Andrés Vázquez de Prada (1923-2005), author of the biography, Sir Tomás Moro, Lord Canciller de Inglaterra (Madrid, 1962). In 1977 Vázquez de Prada invited Mitjans to visit with him the Thomas More Exhibition at the National Portrait Gallery, which stimulated his interest in representations of More, his family and his friends. Since August 2002 he has given many presentations and talks on the topography of More’s London to groups of students and other int

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10

Johl, S. S. "Italian Psychiatry." Bulletin of the Royal College of Psychiatrists 9, no. 4 (1985): 73–74. http://dx.doi.org/10.1192/s0140078900001681.

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The dramatic changes in Italian psychiatry since 1978 when the practice of Democratic Psychiatry was officially started has had a controversial response from both inside and outside Italy. In an attempt to know more about the system that made sweeping changes in Italian psychiatry, five Italian psychiatrists and psychologists were invited to Sheffield for a two-week exposition of films, paintings, photographs, lectures and meetings on the art of Democratic Psychiatry from Italy. This was the final leg of the visit to England, after London and Manchester. The events were organized in a truly va

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