Relevant bibliographies by topics / Manors in fiction

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Manors in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Manors in fiction"

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Gonzalez, Angelo. "Mysteriously Murderous Manors of Crime Fiction." Digital Literature Review 10, no. 1 (2023): 75–84. http://dx.doi.org/10.33043/dlr.10.1.75-84.

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Crime fiction has many common tropes often associated with its setting, including large houses with wealthy families, isolated homes in vast expanses of forest, and technological deserts, in which everyday things like cell phones are all but useless. These characteristics assist with the plot, and oftentimes are key contributors to the facts of the case. The manor in the 2019 film Knives Out, directed by Rian Johnson, displays these tropes outrightly, as it is in a large expanse of woods, and the family living in the house is built upon a family legacy of vast amounts of wealth. In many cases
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Janusz, Joanna. "Brickwork and the wall as metaphors in Carlo Emilio Gadda’s fiction." Acta Universitatis Lodziensis. Folia Litteraria Polonica 57, no. 2 (2020): 65–79. http://dx.doi.org/10.18778/1505-9057.57.04.

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The article analyses the topical motifs of the brickwork, the wall, and the house in the works of Carlo Emilio Gadda, one of the greatest Italian writers of the 20th century. These motifs were part of the writer’s broader writing project, the aim of which was to depict and catalogue the entire material reality. These elements appear as parts of a bigger whole: a safe house and a private impenetrable space, but also as a symbol of limitations, petite bourgeois conventions, and a place of suffering and sacrifice. In utilising architectural elements, Gadda indicated the minutest of details and fu
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Romanovska, Alina. "Regional Identity and Multiculturalism: the Baltic Germans of Latgale in the Early 20th Century Latvian Literature." Respectus Philologicus 40, no. 45 (2021): 74–85. http://dx.doi.org/10.15388/respectus.2021.40.45.93.

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In the studies of Latvian culture and history, there is a number of investigations dedicated to the influence of Baltic German culture on Latvian culture. Hence the Latgale region was not given due attention in this regard. The role of the Baltic Germans in this region is peculiar due to its specific history, and it is important to study how the Baltic German culture influences the multicultural identity of Latgale. A project of the Latvian Science Council The Baltic Germans of Latgale in the context of socio-ethnic relations from the 17th until the beginning of the 20th century (2020–2021) is
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Griškaitė, Reda. "The Intellectual Games of Teodor Narbutt: Šiauriai as the Museum of the Lithuanian Antiquities." Knygotyra 75 (December 28, 2020): 259–326. http://dx.doi.org/10.15388/knygotyra.2020.75.68.

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The article analyses a particular 19th century manor, classed among the category of the so-called intellectual manors – Teodor Narbutt’s (or Teodor Mateusz Ostyk-Narbutt, 1784–1864) Šiauriai manor (Pol. Szawry; Grodno Province, since 1843 – Vilnius Province, Lyda County). All the texts by Narbutt – fictional as well as the scientific works, including the famous Dzieje narodu litewskiego (The History of the Lithuanian Nation, vol. 1–9, Vilnius, 1835–1841) – were collected in this place. Throughout the years, the manor became a unique workshop for the historian in which one could find a rich lib
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Griškaitė, Reda. "The Intellectual Games of Teodor Narbutt: Šiauriai as the Museum of the Lithuanian Antiquities." Knygotyra 75 (December 28, 2020): 259–326. http://dx.doi.org/10.15388/knygotyra.2020.75.68.

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The article analyses a particular 19th century manor, classed among the category of the so-called intellectual manors – Teodor Narbutt’s (or Teodor Mateusz Ostyk-Narbutt, 1784–1864) Šiauriai manor (Pol. Szawry; Grodno Province, since 1843 – Vilnius Province, Lyda County). All the texts by Narbutt – fictional as well as the scientific works, including the famous Dzieje narodu litewskiego (The History of the Lithuanian Nation, vol. 1–9, Vilnius, 1835–1841) – were collected in this place. Throughout the years, the manor became a unique workshop for the historian in which one could find a rich lib
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Noad, Benjamin. "'His Madness Held No Affinity': Reimagining Arkham Asylum." Studies in Gothic Fiction 7 (November 15, 2021): 41–50. https://doi.org/10.18573/sgf.51.

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The Gothic madhouse present in H. P. Lovecraft’s fiction is not a dimly lit padded cell situated in a former manor house. Rather, Lovecraft gives little description to his mental hospitals, which is curious given the many narrators who end up in such institutions. Twenty-first century popular culture, on the other hand, enjoys a fascination with the madhouse as a physical space associated with criminality, monstrosity, and themes of imprisonment. Though the figures encountered within Batman’s Arkham may be inspired by the horror of Lovecraft’s Weird tales, it is striking that the solitary name
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Weikert, Katherine. "Medieval Everydays: A Creative Microhistory." Medieval People 37 (2022): 89–114. http://dx.doi.org/10.32773/wdnz5460.

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This article explores the medieval ‘everyday’ through archaeological, microhistorical and creative techniques. Following one day in the lives of a medieval lady of the manor and her family and servants in Faccombe Netherton, Hampshire, in 1198, the article uses excavation, material culture and contemporary texts to find the intersections between the quotidian and the extraordinary. As a result, we see lives of the less well-known in the period and explore the many lived experiences of a manor house. Ultimately the article weaves together the multiplicity of ‘everyday’ experiences and demonstra
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Weigel, François. "The “Cultural Archipelago” of Urban Representation in Contemporary Brazilian Novels." Journal of Foreign Languages and Cultures 5, no. 2 (2021): 103–12. http://dx.doi.org/10.53397/hunnu.jflc.202102010.

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The dialectic of localism and cosmopolitanism, with the opposition between nationalists and cosmopolitans, since independence and perhaps even before, is an element that structured the spiritual life and the literature of a country such as Brazil, as it was pointed out by Antonio Candido. This dialectic in a globalized country which had been transformed by an extremely rapid urbanization, nowadays is perhaps stronger than ever. That could be seen in contemporary literature, on the level of the imaginary but also on the level of the representation of cities such as Manaus in the north of the co
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Villavicencio, Cristian, and Mónica Garcés Ruiz. "Proyecto Myco Resilience Fiction. Especulaciones sobre arte, microbiología y micorrizas." Ñawi 7, no. 2 (2023): 141–57. http://dx.doi.org/10.37785/nw.v7n2.a8.

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Este artículo aborda la relación entre arte, ciencia y tecnología a través de una escritura híbrida entre los tres campos, y contextualiza el proyecto Myco Resilience Fiction como caso de estudio. Este trabajo, desarrollado en colaboración entre los investigadores del laboratorio de micología de la Universidad Católica de Lovaina y artistas docentes de la Universidad de las Artes, examina la simbiosis, una estrecha relación entre dos o más organismos que se caracteriza por presentar un beneficio mutuo. El proyecto presenta a los hongos micorrízicos arbusculares (HMA), que son simbiontes obliga
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Rivadeneira, Blas Gabriel. "Un policial contra el crimen de lo trascendente: Mario Levrero y un programa para la subversión del género." Catedral Tomada. Revista de crítica literaria latinoamericana 10, no. 18 (2022): 152–87. http://dx.doi.org/10.5195/ct/2022.544.

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We propose a critical reading of the novels Nick Carter se divierte mientras el lector es asesinado y yo agonizo (1975), La banda del ciempiés (2010) and Dejen todo en mis manos (1996), which make up the crime trilogy, by Mario Levrero. The Uruguayan builds his figure as a "rare" author from the use of marginalized materials and disciplines, among them, the crime fiction that goes through his writing project. However, in a strategy of dissimulation, he points out it as a type of closed and commercial literature that closes the transformation of the reader. We argue that, through parody, displa
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Dissertations / Theses on the topic "Manors in fiction"

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Chandler, Jennifer Frances. "No Man's Land : representations of masculinities in Iran-Iraq war fiction." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/no-mans-land-representations-of-masculinities-in-iraniraq-war-fiction(dc41fbf5-07cf-40d6-9b26-398f06087011).html.

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This study offers an exploration of masculinity in both Iraqi and Iranian fiction which holds the Iran-Iraq War (1980-1988) as its major theme. Representations of masculinities in Iran-Iraq War fiction present a deep, and at times, confounding paradox. Whilst this corpus of war fiction at times deeply challenges hegemony and completely reformulates its own definitions of normative codes of manliness, at other times it strictly conforms to chauvinistic and often profoundly oppressive patterns of male behaviour. By relating these works of fiction to their wider social and political context, the
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Simonpieri, Julien. "Réception du dessin animé japonais en France de 1971 à nos jours." Paris 10, 2009. http://www.theses.fr/2009PA100118.

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L'animation japonaise est présente en France depuis 1971. Mais c'est en 1978, avec la diffusion de la série Goldorak à la télévision française et son succès retentissant, qu'elle a percée chez nous. Une première génération a découvert l'anime et s'est passionnée à des fictions animés souvent inspirées de la culture occidentale : science-fiction (Albator), histoire (Lady Oscar), adaptation de romans célèbres (Heidi). Ces fictions sont devenues de plus en plus nombreuses après 1987 avec l'apparition de nouvelles chaînes télévisées. Deux générations se côtoient alors et s'imprègnent progressiveme
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Denieul, Séverine. "Casanova, instituteur de morale ? : science des moeurs et fiction de soi dans l'Histoire de ma vie." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100094.

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Cette thèse se propose d'étudier l'interaction existant entre connaissance de soi, des autres et du monde dans l'Histoire de ma vie de Casanova. Souvent considérée comme un immense « tableau de mœurs » de la société du dix-huitième siècle, on a pourtant peu évalué ses dimensions historiques, sociologiques et philosophiques. Or, elle constitue une étape intéressante dans l'histoire littéraire, tout en occupant une place à part : en effet, le Vénitien n'est ni un moraliste au sens classique du terme, ni un théoricien des mœurs comme Voltaire. Son œuvre parvient pourtant peut-être mieux que ces d
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Capela, Carla. "Monomanias - auto-narrativas e auto-ficções: estudo sobre as manias do eu como sintoma civilizacional e seu reflexo nas artes plásticas : Monomanias - auto narratives and auto-fictions: study on the manias of the self as a civilizational symptom and their reflection in contemporay art." Master's thesis, Universidade de Évora, 2009. http://hdl.handle.net/10174/19421.

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A palavra monomania provém do grego monos que se traduz por "um" e mania que significa "mania". O emprego do termo em psiquiatria deve-se a Esquirol e mais tarde a Pierre Janet. Contudo, o uso da palavra não se circunscreve ao campo da psiquiatria, o conceito de monomania é também usado para definir as denominadas "manias do eu". Nos dias de hoje, a subjectividade, a particularidade de cada indivíduo apartou-se da noção de Homem como um todo objectivo. A massificação gerou a sociedade do narcisismo. A World Wide Web permitiu ao sujeito dar a conhecer ao mundo a sua individualidade. O sujeito é
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Pillay, Selvarani. "Fictional reconstructions of Cato Manor : In at the edge and other Cato Manor stories and Song of the Atman by Ronnie Govender." Thesis, 2014. http://hdl.handle.net/10413/11332.

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Chigwedere, Yuleth. "Head of darkness : representations of "madness" in postcolonial Zimbabwean literature." Thesis, 2015. http://hdl.handle.net/10500/20981.

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This study critically explores the numerous strains of “madness” that Zimbabwean authors represent in their postcolonial literature. My focus is on their reflection of “madness” as either an individual state of being, or as symptomatic of the socio-political and economic condition in the country. I have adopted insights from an existential psychoanalytic framework in my literary analysis in order to bring in an innovative dimension to this investigation of the phenomenon. I consider this an appropriate stance for this study as it has enriched my reading of the literary texts under study, as we
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Books on the topic "Manors in fiction"

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Wendy, Holden. Farm fatale: A comedy of country manors. Sourcebooks Landmark, 2010.

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Willcott, Paul. A Franklin Manor Christmas. Wordstruck Press, 2008.

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Grange, Amanda. Marriage at the manor. Chivers Press, 2003.

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Henry, Ehrenpreis Anne, ed. The old manor house. Oxford University Press, 1989.

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Ross, Marilyn. Cauldron of evil. Five Star, 2004.

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Cameron, Dana. Past malice: An Emma Fielding mystery. Avon Books, 2003.

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Cameron, Dana. Past Malice. HarperCollins, 2007.

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Cameron, Dana. Past malice: An Emma Fielding mystery. Avon Books, 2003.

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Bennett, Sara. The Rose and the Shield. HarperCollins, 2006.

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Ingah, Mikhaʼeli, ред. Sifre ha-zekhukhit shel zolele ha-ḥalomot. Maṭar, 2009.

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Book chapters on the topic "Manors in fiction"

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Hughes, Keely. "From Exaltation to Abjection: Depictions of Subculture in Quadrophenia and Ill Manors." In Youth Subcultures in Fiction, Film and Other Media. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73189-6_14.

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"Himalayan Facebook Fiction." In The Trauma Mantras. Duke University Press, 2024. http://dx.doi.org/10.1515/9781478027706-034.

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"Himalayan Facebook Fiction." In The Trauma Mantras. Duke University Press, 2023. http://dx.doi.org/10.2307/jj.8618104.34.

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Djerassi, Carl. "Science-in-fiction is not science fiction. Is it autobiography?" In This Man’s Pill. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198508724.003.0007.

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Abstract The first half of 1985 started auspiciously: Diane and I were married on my son’s birthday, 21 June. The ceremony was followed by a glorious wedding feast at my ranch, attended by many of our Stanford University students and colleagues. Its artistic high point was the commissioned music for three flutes and soprano by John Adams set to lines by Wallace Stevens and the wedding dance created by Rhonda Martyn with her troupe of dancers. My scientific research at Stanford, with nearly two dozen graduate and postdoctoral collaborators, was going full steam. My health had recovered so compl
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Busse, Kristina. "Canon Compliance and Creative Analysis in Vorkosigan Saga Fan Fiction." In Biology and Manners. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621730.003.0015.

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This chapter examines different types of fan fiction based on the science fiction Vorkosigan novels by Lois McMaster Bujold. It explores the ways in which the source texts, or ‘canon’, are used as touchstone and tool not only to tell the stories that fan writers want to tell, but also to interpret specific characters and dynamics in the text, to interrogate the political and personal implications of the worlds of the books, and to explore how original characters can offer deeper insight into the characters and societies. The chapter examines canon-consistent stories, original characters, and s
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Lee, Regina Yung, and Una McCormack. "The Emergence of Bujold Studies." In Biology and Manners. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621730.003.0001.

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This introductory essay provides the context for the present volume, establishing Lois McMaster Bujold as a multiple award-winning writer of science fiction and fantasy worthy of scholarly attention; providing an overview of extant scholarship; and identifying the twin aims of the book, to extend scholarship on Bujold’s fantasy novels, and to account for the wealth of cultural production inspired by Bujold’s corpus (e.g. fan fiction, fan discussion or meta, and the GURPS: Vorkosigan role-playing game in depth). The essay concludes by identifying gaps that might be fruitfully explored in ‘Bujol
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Djerassi, Carl. "Behind the scrim of fiction." In This Man’s Pill. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198508724.003.0008.

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Abstract As far as I can remember, the last novel I read in German was Arthur Koestler’s The Gladiators; I was 18 or 19 years old at the time. Half a century passed until I read another novel in German, this one with an attention I had never before given a work of fiction. As I turned the pages of Ursula-Maria Mossner’s translation of my own novel, Cantor’s Dilemma, long-forgotten German idioms surfaced from some Viennese depth that I had assumed had long ago been covered by an impenetrable thicket of Americanisms.
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Kelso, Sylvia. "The Road and the River." In Biology and Manners. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621730.003.0007.

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This chapter provides a close reading of Lois McMaster Bujold’s later fantasy series The Sharing Knife to explore how the project reworks traditional narrative motifs and crosses genres to blur or mutate expectations and storylines. The chapter argues that the series is neither science fiction nor fantasy, but a hybrid based in fantasy whose setting fits early industrial society and the contours of the post-apocalypse. It draws on motifs of Western women’s writing, with a main female character, Fawn, in flight, but with settings (the road and the river) more commonly associated with the picare
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Busse, Kristina. "Canon Compliance and Creative Analysis in Vorkosigan Saga Fan Fiction." In Biology and Manners. Liverpool University Press, 2020. http://dx.doi.org/10.2307/j.ctv131btk0.19.

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Boes, Tobias. "Interlude III: The Tables of the Law (1943)." In Thomas Mann's War. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501744990.003.0008.

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The novella The Tables of the Law has always occupied a singular status among the works of Thomas Mann. It is his only mature work of fiction to have been written on commission, his only story to appear in English before it did in German. And it starkly divided both contemporary reviewers and later critics, some of whom dismissed it as a second-rate coda to the gargantuan ...
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Conference papers on the topic "Manors in fiction"

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Halvorsen, Magnus, Thomas Plagemann, and Matti Siekkinen. "Video Streaming Over MANETs: Reality or Fiction?" In 4th International ICST Mobile Multimedia Communications Conference. ICST, 2008. http://dx.doi.org/10.4108/icst.mobimedia2008.3912.

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Rongzhen, Guan, and Zhou Xiaoying. "Anonymous Characters, Function and Aesthetics: An Other Reading of Death in Venice." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8207.

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Thomas Mann’s Death in Venice is an intensely lyrical and aesthetic stream-of-consciousness about Aschenbach who despera-tely loves a young and handsome boy in his trip to recuperate in Venice and ends up in death. In the novel, except for the characters with name, there are the anonymous and nameless characters, who are always neglected in the readers’ expectation and researchers’ consideration. Yet, all the characters in the novel are designed for some reason. So, this paper tries to decode the function and aes-thetics construction of the anonymous and nameless characters in the novel to rev
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Solis Figueroa, Raúl Alejandro. "El Proyecto Experiencial: la titulación de arquitectos a través de proyectos no convencionales." In Jornadas sobre Innovación Docente en Arquitectura. Grup per a la Innovació i la Logística Docent en l'Arquitectura (GILDA), 2023. http://dx.doi.org/10.5821/jida.2023.12352.

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The communication presents a singular format of final studio work that has been carried out for some years. Along with make known a way of doing, its main objective is to establish lines of relationship between an academic practice that is certainly uncommon and somewhat diffuse, and the areas of performance where graduates later start in the profession. "El Proyecto Experiencial" consists of approaching an architectural problem from a theoretical-experiencial point of view, formulating an argument that includes a process of materialization which transcends into an architectural experience. At
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Manuel Figueiredo, Carlos, Ana Rafaela Diogo, and Joana André Leite. "Adapting Jane Austen to the screen: fashion and costume in Autumn de Wilde’s movie "Emma"." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001538.

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The visual and behavioral codes prevalent in society at any given moment are part of its social conventions and constitute a framework that rules everyone´s image, dress and the attitudes that society not only tolerates but expects from them. However, it is unquestionable that despite the rigidity and formality imposed on personal appearance and manners, it is still possible to find some room to play with the possibilities afforded to people, albeit conditioned by their social status, so as to manage to express their inner self, mood, and even outlook on life, at any point in time. What is mor
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Carrasco Gallegos, Brisa Violeta, and Glenda Yanes Ordiales. "Morfogénesis de una ciudad turística: los lenguajes arquitectónicos desde el imaginario internacional de lo mexicano." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2009. http://dx.doi.org/10.5821/ctv.7605.

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Las ciudades turísticas intentan recrear los imaginarios internacionales sobre culturas determinadas, adaptándose a las expectativas que se tengan sobre el sitio a visitar. Los imaginarios son la realidad social construida desde los ciudadanos. A través de ellos las personas aprehendemos y explicamos las percepciones que nos formamos sobre los otros, los eventos y relaciones, así como sobre las obras y objetos.
 En las ciudades del turismo emergentes, la construcción de los equipamientos turísticos, tanto públicos, como privados, hace tabula rasa de la ciudad preexistente, dejando de lado
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