Relevant bibliographies by topics / Manors – Slovenia

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Academic literature on the topic 'Manors – Slovenia'

Author: Grafiati
Published: 26 July 2024
Last updated: 27 July 2024

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Journal articles on the topic "Manors – Slovenia"

1

Komič Marn, Renata. "Saint Joseph and Baby Jesus by Valentin Metzinger and Other Paintings from the Strahl Collection in the Museum of Arts and Crafts in Zagreb." Radovi Instituta za povijest umjetnosti, no. 42 (January 2019): 141–52. http://dx.doi.org/10.31664/ripu.2018.42.10.

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Karl Ritter von Strahl (1850−1929) was the last owner of the renowned collection of paintings and art objects kept in his castle of Stara Loka (Altenlack) near Škofja Loka in Carniola. In 1929, Strahl sold 32 paintings to Stanko Senečić, an antique dealer from Nova Ves in Zagreb. In the Museum of Arts and Crafts in Zagreb, there are five paintings of hitherto unknown provenance, which undoubtedly originate from the Strahl Collection. The paper discusses the circumstances of Senečić’ s purchase and the earlier provenance of the five paintings. Furthermore, different paths by which the paintings came to the museum in Zagreb are analyzed. As previous research of the interwar art market in the Kingdom of Serbs, Croats, and Slovenes (later Kingdom of Yugoslavia) has shown that Croatian private buyers and professional antique dealers visited regularly the sales of castle and manor furnishings in interwar Slovenia, we can assume that there are more art heritage items originating from Slovenia in present-day Croatian public and private collections, awaiting an analysis of their provenance.
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2

Unković, Nina. "Matej Sternen as a Restorer: Selected examples in Slovenia and Croatia." Ars & Humanitas 11, no. 1 (July 31, 2017): 204–23. http://dx.doi.org/10.4312/ah.11.1.204-223.

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Matej Sternen (1870–1949) is better known as an impressionist painter rather than for his restoration work, even though in his impressive career he discovered and restored a considerable number of works, especially frescos in Slovenia and Dalmatia (Croatia). His strong interest in restoration can be seen in the numerous notes he wrote about painting technologies, restoration and conservation techniques. This enriched his entire opus, as it stimulated him to try numerous painting techniques and genres, such as frescoes. Sternen was a painter who constructed his paintings very carefully, and a master in the preparation of the painting’s surface, or “the ground,” and always considered the laws of colours and their relationships and proportions to the white painted surface.In his restoration practice, working together with his close colleagues the art historians France Stele (1886–1972) and Ljubo Karaman (1886–1971), Matej Sternen actualized the principle “conserve instead of restore” that was the rule in his day. This paper is based on fieldwork data and archive sources, kept in Ljubljana, Celje, Split and Zagreb, and focuses on two important monuments — the painted ceiling in the Old Manor House in Celje (Slovenia), and a wall painting in the church of St Michael in Ston (Croatia). These two cases, which are different from both technical and methodological approaches to monument protection, clearly show Sternen’s professional expertise and practical realization of “conserve instead of restore,” which speaks in favour of preserving the original work as opposed to aggressive restoration interventions.
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3

Unković, Nina. "Matej Sternen as a Restorer: Selected examples in Slovenia and Croatia." Ars & Humanitas 11, no. 1 (July 31, 2017): 204–23. http://dx.doi.org/10.4312/ars.11.1.204-223.

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Matej Sternen (1870–1949) is better known as an impressionist painter rather than for his restoration work, even though in his impressive career he discovered and restored a considerable number of works, especially frescos in Slovenia and Dalmatia (Croatia). His strong interest in restoration can be seen in the numerous notes he wrote about painting technologies, restoration and conservation techniques. This enriched his entire opus, as it stimulated him to try numerous painting techniques and genres, such as frescoes. Sternen was a painter who constructed his paintings very carefully, and a master in the preparation of the painting’s surface, or “the ground,” and always considered the laws of colours and their relationships and proportions to the white painted surface.In his restoration practice, working together with his close colleagues the art historians France Stele (1886–1972) and Ljubo Karaman (1886–1971), Matej Sternen actualized the principle “conserve instead of restore” that was the rule in his day. This paper is based on fieldwork data and archive sources, kept in Ljubljana, Celje, Split and Zagreb, and focuses on two important monuments — the painted ceiling in the Old Manor House in Celje (Slovenia), and a wall painting in the church of St Michael in Ston (Croatia). These two cases, which are different from both technical and methodological approaches to monument protection, clearly show Sternen’s professional expertise and practical realization of “conserve instead of restore,” which speaks in favour of preserving the original work as opposed to aggressive restoration interventions.
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Books on the topic "Manors – Slovenia"

1

Viktor, Berk, ed. Gradovi na Slovenskem. 2nd ed. [Ljubljana]: Cankarjeva zal., 1987.

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2

Slovenia. London: Evans, 2006.

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3

Slovenia. Philadelphia: Mason Crest Publishers, 2006.

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4

Stopar, Ivan. Dvorec Jelše pri Šmarju. Ljubljana: Ministrstvo Republike Slovenije za kulturo, Uprava za kulturno dediščino, 1998.

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5

Stopar, Ivan. Grajske stavbe v osrednji Sloveniji. Ljubljana: Viharnik, 1996.

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6

Stopar, Ivan. Dvorec Novo Celje. Ljubljana: Ministrstvo za kulturo, Uprava Republike Slovenije za kulturno dediščino, 1998.

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7

Sapač, Igor. Grajske stavbe v zahodni Sloveniji: Območje Nove Gorice in Gorice. Ljubljana: Viharnik, 2010.

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8

Jurjavčič, Katarina. Nikoli jim ni bilo bolje?: Modernizacija vsakdanjega življenja v socialistični Sloveniji. Ljubljana: Muzej novejše zgodovine Slovenije, zanj dr. Kaja Širok, 2016.

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9

Telban, Monika Kropej, Ingrid Slavec Gradišnik, and Alenka Novak. Avstro-ogrska monarhija v besedi in podobi. Ljubljana: Založba ZRC, ZRC SAZU, 2016.

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10

Gradovi na Slovenskem. Ljubljana: Cankarjeva zal., 1986.

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Book chapters on the topic "Manors – Slovenia"

1

Bjelčevič, Aleksander. "Podoba meščanov pri Ivanu Tavčarju." In 60. seminar slovenskega jezika, literature in kulture: podoba v slovenskem jeziku, literaturi in kulturi, 41–51. Založba Univerze v Ljubljani (University of Ljubljana Press), 2024. http://dx.doi.org/10.4312/ssjlk.60.41-51.

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Being disconnected from the natural environment and rural labor, townspeople are mostly presented negatively: as physically weak, with indecent and strutting looks and manners; shallow, inauthentic, unrelia­ble, and adulterous in love; bragging, greedy, impious; and not committed to Slovenian identity. In nearly all cases the narrators of these stories are also participants in the stories (reporting either about themselves or others), and so the question of whether this was also a view that Tavčar himself held deserves consideration.
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Conference papers on the topic "Manors – Slovenia"

1

Tominc, Bernarda, and Andrej Sotlar. "Varnostno samoorganiziranje državljanov – med teoretičnim konceptom in slovensko deklarativno prakso." In Varnost v ruralnih in urbanih okoljih: konferenčni zbornik. Univerzitetna založba Univerze v Mariboru, 2020. http://dx.doi.org/10.18690/978-961-286-404-0.7.

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Security self-organization is a natural right of an individual and a social group. Still, this right is, in conditions of a high degree of institutionalization of security systems, (partially) regulated by the states – both in declarative and legal manners. In Slovenia, this right has been explicitly provided in the resolutions of the national security strategy (1993, 2001, 2010, 2019), as well as in some key legislation from the field of the internal security system, the defence system, and the system of protection against natural and other disasters. Given that there has been no excessive interest in security self-organization in the last three decades in practice, it seems that also the state did not put many interests in the development of this area, neither in terms of support nor in terms of restrictions. However, the sudden appearance of the paramilitary guards (slov. varde) has initiated a vigorous debate in the professional and lay public, showing that a fair share of civil society and security professionals are unwilling to tolerate security self-organization that tries – self-proclaimed and self-assessed – to fill the security deficit of state organizations.
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