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Dissertations / Theses on the topic 'Manuscripts, Medieval'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2024

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1

Semper, Philippa Judith. "Diagrams in English medieval manuscripts." Thesis, University of Exeter, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261166.

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This thesis examines diagrams found in English medieval manuscripts dating from the ninth to the fourteenth century. It is based upon a survey of diagrammatic material, the results of which are presented in the catalogue raisonnee (Appendix A). The lack of adequate terms to define diagrams is addressed, as is the lack of a consistent and coherent treatment of diagrams in existing literature. A close critique of diagrams can be an aid in dating manuscripts and tracing textual recensions, and therefore a well-defined yet flexible framework must be established in order to further future research.

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2

Stansfield, M. "Revision and development in two witnesses of a late medieval recension of the Middle English Brut." Thesis, University of Wales Trinity Saint David, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683240.

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3

White, Thomas. "Potential lives : the matter of late medieval manuscripts." Thesis, Birkbeck (University of London), 2016. http://bbktheses.da.ulcc.ac.uk/222/.

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Late medieval vernacular literary texts frequently reflect on their physical existence; they establish a poetics of material composition that is productively ambivalent about the contingencies of literary making in a manuscript culture. This thesis traces the ‘potential life’ of a late medieval manuscript. Four keywords (blankness, palimpsests, textiles, and fragments) provide the impetus for a discussion that connects a wide range of literary, codicological, and theoretical materials, in a mode that is iterative and additive. Manuscripts are not simply containers or substrates for literary te

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4

O'Driscoll, Joshua. "Image and Inscription in the Painterly Manuscripts From Ottonian Cologne." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467286.

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Focusing on a small number of richly illuminated manuscripts produced in Cologne around the year 1000—and known to scholars since the early twentieth century as the so-called "painterly" group of manuscripts—this dissertation takes the close study of a well-defined group of objects as the starting point for an examination of issues central to broader histories of medieval art. A diptych-like pairing of miniatures with inscriptions, each of which is given a full page, constitutes a characteristic feature of these manuscripts. Because these inscriptions were written specifically to accompany the

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5

Morcos, Hannah. "Dynamic compilations : reading story collections in medieval Francophone manuscripts." Thesis, King's College London (University of London), 2015. https://kclpure.kcl.ac.uk/portal/en/theses/dynamic-compilations(b5c36afd-babc-40f5-a34f-e6b661124d7b).html.

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This thesis examines the compilatory dynamics of manuscripts containing francophone story collections in verse. It investigates how the hermeneutic, textual and paratextual frameworks of story collections, as ‘models’ of compilation, were conceived and read in multi-text codices, analysing in particular how paratext shapes textual boundaries, and how ideological agendas are established. The corpus comprises the manuscripts of three different story collections in order to illustrate common compilatory processes (modification, interpolation, extension, continuation, etc.) as well as the extent t

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6

David, Sumithra J. "Looking East and West : the reception and dissemination of the Topographia Hibernica and the Itinerarium ad partes Orientales in England [1185-c.1500]." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/725.

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In this study the manuscript transmission, dissemination and reception of Gerald of Wales’ Topographia Hibernica (TH) and William of Rubruck’s Itinerarium ad partes Orientales (Itinerary) in England c.1185-1500 have been explored. The TH and the Itinerary are well known texts and have been carefully examined by modern scholars. Nevertheless, the afterlives of these two medieval texts have largely been neglected. Similarities in the authors’ approach and interests alongside the obvious difference in subject matter, i.e. the focus on two opposing ends of the believed peripheries of the world, ha

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7

DeLuca, Dominique. "Ab Umbra Ad Umbram: Shadows in Late Medieval Secular Manuscripts." Case Western Reserve University School of Graduate Studies / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1575545731721228.

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8

Bullock, Alison Julia. "The musical readings of the Machaut manuscripts." Thesis, University of Southampton, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284572.

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9

Ryley, Hannah. "Sustainability and recycling in fifteenth-century manuscripts." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:84a73526-0daa-4dad-9b10-554e56b1e48a.

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This thesis examines the sustainability of fifteenth-century manuscripts. It analyses the durability of manuscripts, and the ways in which people recycled and reused their books. During the long fifteenth-century (here, 1375-1530), book production in England flourished, driven by increased demand for books. Yet while the fast-developing commercial book trade produced new books in great quantity, significantly, older books were also sustained, recycled and reused. Although there is awareness within medieval scholarship of recycled manuscript components, such as flyleaves, no sustained study has

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10

Pallipurath, Anuradha Radhakrishnan. "Non-invasive spectroscopic study of simulated medieval paints : method development and their use in medieval manuscripts." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648357.

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11

Havens, Jill C. "Instruction, devotion, meditation, sermon : a critical edition of selected English religious texts in Oxford, University College 97 with a codological examination of some related manuscripts." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282111.

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12

Blanchfield, Lynne Sandra. "An idiosyncratic scribe : a study of the Practice and Purpose of Rate, the Scribe of Bodleian Library MS Ashmole 61." Thesis, Cardiff University, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387378.

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13

Day, Stephanie Margaret. "A critical edition of The Privity of the Passion and The Lyrical Meditations." Thesis, University of York, 1991. http://etheses.whiterose.ac.uk/14023/.

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14

Lewis, Flora May. "Devotional images and their dissemination in English manuscripts, c.1350-1470." Thesis, Courtauld Institute of Art (University of London), 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307357.

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15

Öberg, Strådal Sara. "Depictions of physical order : diagrams in late Medieval English medical manuscripts." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6484/.

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Diagrams and schemas included in medieval medical manuscripts are understudied within art historical scholarship. This thesis discusses the multivalence of meanings — medical, social and theological — generated within schemas included in sixteen different medical codices, produced in England in the fourteenth and fifteenth centuries. Through text-image analysis, by considering the diagrams in relationship to the texts that immediately surround them and the other texts included within the same codex, the following chapters show that diagrams, through different means, emphasised or legitimized t

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16

Iacobellis, Lisa Daugherty. "“Grant peine et grant diligence:” Visualizing the Author in Late Medieval Manuscripts." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500504999935605.

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17

Naughton, Joan Margaret. "Manuscripts from the Dominican monastery of Saint-Louis de Poissy /." Connect to thesis, 1995. http://eprints.unimelb.edu.au/archive/00000680.

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18

Cahill, James. "The marks of many hands : textual identity in early medieval scribal culture /." View online version; access limited to Brown University users, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3174580.

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19

Sneddon, Shelagh Anne. "The lyrical poetry unique to the Las Huelgas Codex : an edition of the text with translation and commentary." Thesis, University of Cambridge, 1993. https://www.repository.cam.ac.uk/handle/1810/251646.

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20

Melick, Elizabeth H. "Four Middle English Roland Romances: An Edition of Poems Drawn from Medieval Manuscripts." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1523367850331762.

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21

Gray, Jeremy Peter. "The iconography of the illuminated medieval manuscripts of Gregory's 'Moralia in Job'." Thesis, Courtauld Institute of Art (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283997.

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22

Dow, Anna Elizabeth. "Reading narrative images : visual literacy in medieval romance texts and illuminated manuscripts." Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12113/.

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This study examines the instructive aspects of visual material in medieval romance texts and their illuminated manuscripts. Medieval romance contains an extensive array of visual references, and the present discussion focuses on the phenomenology of these episodes: depictions of the aesthetic and intellectual aftereffects of sight, and the imagination at work. Such instances are often related within the text to the act of reading itself, and through them the author encourages correct and effective practices of reading. In romance texts the characters often struggle to interpret such signs, som

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23

Zeiser, Sarah Elizabeth. "Latinity, Manuscripts, and the Rhetoric of Conquest in Late-Eleventh-Century Wales." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10481.

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This dissertation explores the complex interactions among written text, language choice, and political context in Wales in the late-eleventh and early-twelfth centuries. I argue that writers in medieval Wales created in both their literary compositions and their manuscripts intricate layers of protest and subversion in direct opposition to the authority of the Anglo-Norman political hegemony and the aggrandizing spread of the Canterbury-led church. These medieval literati exploited language and script as tools of definition. They privileged Welsh or Latin when their audience shifted, and they

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24

Eddy, Nicole. "Marginal annotation in medieval romance manuscripts| Understanding the contemporary reception of the genre." University of Notre Dame, 2013.

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25

Campbell, Jeffrey. ""The Ars Moriendi": An examination, translation, and collation of the manuscripts of the shorter Latin version." Thesis, University of Ottawa (Canada), 1995. http://hdl.handle.net/10393/10313.

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The Ars Moriendi is a Mediaeval Christian death manual that appeared around the middle of the fifteenth century. Though no-one is certain who the author was, there is no doubt that Jean Gerson was the major inspiration through his Opusculum Tripartitum. The general consensus is that the text was written by a member of the mendicant orders, probably a Dominican, and it was through them that the text spread so rapidly across Europe. The text was originally written in Latin with translations into the various vernaculars coming later. The Ars Moriendi appears in almost every major European languag

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26

Jones, M. Claire. "Vernacular literacy in late-medieval England the example of East Anglian medical manuscripts /." Connect to e-thesis, 2000. http://theses.gla.ac.uk/633/.

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Thesis (Ph.D.) - University of Glasgow, 2000.<br>Ph.D. thesis submitted to the Department of English Language, Faculty of Arts, University of Glasgow, 2000. Includes bibliographical references. Print version also available.

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27

Marshall, K. "Iconographical evidence for the late-medieval organ on French, Flemish and English manuscripts." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375897.

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28

Jones, Marie Claire. "Vernacular literacy in late-medieval England: the example of East Anglian medical manuscripts." Thesis, University of Glasgow, 2000. http://theses.gla.ac.uk/633/.

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This thesis is an examination of vernacular literacy in late-medieval East Anglia, using the evidence supplied by English medical texts datable to between 1350-1500- It addresses not only the texts, but also the manuscripts in which they survive and the people who wrote, owned and read them. By this means I have been able to examine the literacy of a group of readers in a specific region. This thesis is divided into three main parts. The first describes the spproach taken, and critically assesses the field of historical literacy before examining the value to the study of modern theories of lit

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29

Law-Turner, Frederica C. E. "Artists, patrons and the sequence of production in the Ormesby Psalter : (Oxford, Bodleian Library MS Douce 366)." Thesis, Courtauld Institute of Art (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300899.

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30

Botin-Sanz, de Sautuola Carolina. "The Spanish additions to the Avila Bible : a mid c12th giant Italian Bible in Madrid, (Bib.Nac.,Vitr.15-1)." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307160.

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31

Brown, Karen Grace Hanks Dorrel Thomas. "E-textuality, e-medieval, e-Malory the rebirth of Le morte Darthur on the web /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5226.

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32

Hansen, Kelli Bruce. "The Cross of Oviedo in medieval Spanish art /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p1418028.

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33

Francisco, Edson de Faria. "Masora Parva Comparada: Comparação entre as Anotações Massoréticas em Textos da Bíblia Hebraica de tradição Ben Asher em Isaías, capítulos de 1 a 10." Universidade de São Paulo, 2002. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-12062003-225729/.

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A atividade massorética surgiu aproximadamente no século VII na Babilônia e chegou ao seu auge por volta do século X, com os trabalhos dos massoretas de Tiberíades, Israel, principalmente com o último massoreta da família Ben Asher, Aarão ben Moisés ben Asher. A tradição tiberiense do ramo Ben Asher, entre outras tradições, nunca conheceu uma forma absolutamente uniforme e fixa que não pudesse apresentar algum tipo de divergência ou contradição, seja na vocalização ou na acentuação. A Massorá também apresentava suas próprias diferenças e contradições. Esta pesquisa pretende analisar notas mass

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34

Lehman, Jennifer Shootman. "Haimo's book : rhetorical pedagogy in a medieval clerical miscellany (Munich, Bayerische Staatsbibliothek CLM 14062, ff. 56r-119v) /." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037517.

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35

Tullis, Sarah. "Glanvill after Glanvill." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:fa9bd1af-8c8d-48ba-95ba-1894c450a28c.

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This thesis provides a new consideration of the late twelfth-century legal treatise commonly known as Glanvill. Detailed analysis of the extant Glanvill manuscripts has enabled a number of important new conclusions about the nature of the treatise itself and its textual history and development over time relative to the changing common law. The function and ongoing usage of the treatise are discussed in detail and conclusions are drawn about how, when and why the treatise continued to be copied and/or engaged with and what this may reveal about the history of the English common law. Some tradit

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36

Hope, Henry. "Constructing Minnesang musically." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:1fe51d00-5f31-4a6f-8420-9533a3a07ed6.

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While troubadour and trouvère repertoires have recently received fresh attention from music scholars, the study of medieval German vernacular song—Minnesang—continues to be located firmly outside the canon(s) of musicology. The present thesis seeks to re-insert Minnesang into musicological discourse by demonstrating the ways in which the repertoire has been constructed as musical, both by the creators of medieval manuscript sources and by modern scholars. The modern ontology of music as defined by notation and performance has prevented scholars from understanding manuscripts such as the Codex

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37

Maschke, Eva. "Notre Dame manuscripts and their history case-studies on reception and reuse." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/381803/.

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This dissertation focuses on fragments of Notre Dame manuscripts that made their way to German speaking Europe during the medieval period. The first chapter focuses on their contexts of reuse. Dominican, Cistercian as well as Franciscan bookbinders played a role in these processes of medieval and early modern recycling. The potential for fragments to elucidate bookbinders’ techniques will be explored, and existing hypotheses as to the circulation of Notre Dame manuscripts will be critically reviewed. Furthermore, an emphasis is placed on the importance of the reconstruction of medieval book co

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38

Pérez, Pons Idan. "Edició i estudi filològic d’un manuscrit aljamiat trilingüe (MS. 122 de l’Arxiu del Regne de Mallorca) del segle XIV." Doctoral thesis, Universitat de Barcelona, 2011. http://hdl.handle.net/10803/52563.

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Aquesta tesi presenta l'edició i l'estudi filològic del còdex 122 de l'arxiu del Regne de Mallorca (ARM). El manuscrit és un llibre de comptes o pinqàs d'un jueu prestamista mallorquí de la segona meitat del segle XIV. Es tracta del registre personal d'aquest jueu on hi ha anotats préstecs realitzats majorment a cristians tot i que s'hi registren també préstecs a jueus i a moros. Consta de 137 folis dels quals 180 planes contenen alguna anotació. La llengua del manuscrit és el judeoàrab tot i que els noms de lloc, de persona, els mesos de l'any, mesures i algunes festivitats cristianes apareix

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39

Ransom, Carol Lynn. "Cultivating the orchard a Franciscan program of devotion and penance in the Verger de soulas (Paris, Bibliothèque nationale de France, fr. 9220) /." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3040641.

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40

Johnston, Michael R. "The sociology of middle English romance: three late medieval compilers." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1186773637.

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41

Moffat, Ralph Dominic. "The medieval tournament : chivalry, heraldry and reality : an edition and analysis of three fifteenth-century tournament manuscripts." Thesis, University of Leeds, 2010. http://etheses.whiterose.ac.uk/1430/.

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In the Royal Armouries collection is a codex comprising three fifteenth-century manuscripts in French. The codex is not only unpublished, it has never been transcribed or translated. The content is a primary source for the study of the medieval tournament as well as many other aspects of the elite culture of late-medieval Burgundy, England, and France. It is composed of fourteen different texts called items. This edition comprises a transcription of over 50,000 words of text in three different hands and a translation from the medieval French into English. The commentary is tripartite. The firs

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42

Van, Renterghem A. M. S. "The written rune : alphabets and rune-rows in medieval manuscripts from the Continent and the British Isles." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/49713/.

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This thesis aims to create a fundamental historical and geographical framework for the study of runes written in medieval manuscripts. It does so by examining the transmission of Anglo-Saxon and Scandinavian rune-rows and runic alphabets within the wider context of contemporary medieval scholarship. The focal points of this study are the questions of the origin of the phenomenon, and how it developed between the eighth and the twelfth centuries, as evidenced by manuscripts currently held by continental and English libraries. In order to contextualise this study, a brief introduction is dedicat

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43

Leverett, Emily Lavin. "Holy bloodshed violence and Christian piety in the romances of the London Thornton manuscript /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1164741527.

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44

Cooper, Charlotte. "A re-assessment of text-image relationships in Christine de Pizan's didactic works." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:af782645-9647-4d02-ae89-5a7a1d28e302.

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Although the works of Christine de Pizan have been of interest to scholars for some time, technological advances and initiatives to make digital copies of manuscripts available online have only recently enabled close comparisons between the visual programmes of her works to be made. This thesis demonstrates that detail usually considered secondary or 'paratextual' in Christine's manuscripts actually formed a carefully-constructed part of the work itself that Christine explicitly asks her audience to read. Through 'reading' the text and image simultaneously, the visual programme proves to compr

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45

Cochrane, Laura E. "'Where there is no time' the quadrivium and images of eternity in three eleventh-century Anglo-Saxon manuscripts /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 250 p, 2009. http://proquest.umi.com/pqdweb?did=1818417331&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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46

Rose-Steel, Tamsyn. "French Ars nova motets and their manuscripts : citational play and material context." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3313.

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The discussion of citation and allusion has become an important area of research in Medieval Studies. The application of postmodern intertextual theories has brought scholars to a deeper understanding of the reuse of borrowed material, shedding new light on a culture of music and literature that was once dismissed as dully repetitive. This thesis builds on this work by examining in depth the manner in which citation and allusion was deployed in the fourteenth-century motet. Motets are a particularly fertile ground for discussion of the reuse of material, drawing as they do on a range of citati

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47

David, Sumithra J. "Looking East and West : the reception and dissemination of the Topographia Hibernica and the Itinerarium ad partes Orientales in England [1185-c.1500] /." St Andrews, 2008. http://hdl.handle.net/10023/725.

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48

Salvadori, Carlotta <1991&gt. "Non-Invasive Techniques applied to Cultural Heritage: Raman Spectroscopy and X-Ray Fluorescence for the Study of Medieval Manuscripts." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7757.

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Nowadays, in the cultural heritage field, non-invasive analysis are more and more widespread, in order to interact as less as possible with the art objects. In fact, the growing demand of the use of instruments directly transportable in loco, is accompanied with the increasing demand of their minimum impact on the constituent materials. First, to better understand the importance in the choice of the most appropriate analysis for a particular art object is useful to distinguish between two categories of analyses: destructive/non-destructive and invasive/non-invasive. Destructive analysis are d

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49

Arioli, Emanuele. "Un roman arthurien retrouvé : Ségurant ou le Chevalier au Dragon (XIIIe-XVe siècles)." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040122.

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Ségurant ou le Chevalier au Dragon est le titre que nous avons attribué à un ensemble romanesque médiéval ignoré de l’histoire littéraire et dispersé dans une tradition manuscrite abondante. Ce roman arthurien en prose, en langue française, qui a sans doute vu le jour entre 1240 et 1279 en Italie du Nord, ne subsiste qu’à l’état lacunaire dans des compilations et des sommes romanesques postérieures. C’est à partir de tous les manuscrits qui en ont conservé des fragments que nous proposons une reconstitution de ses diverses versions, qui s’échelonnent du XIIIe au XVe siècle. Cette thèse compren

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50

Liles, Linda Kathleen. "Guide to the pilgrim churches at Rome a late 15th century manuscript in Yale University's Beinecke Rare Book and Manuscript Library /." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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