Journal articles: 'Manuscripts, Renaissance'

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KRISTELLER, PAUL OSKAR. "In Search of Renaissance Manuscripts." Library s6-X, no. 4 (1988): 291–303. http://dx.doi.org/10.1093/library/s6-x.4.291.

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Rakic, Tanja. "The material and synopsis for Rastko Petrovic’s historical novel on the renaissance." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 87 (2021): 53–70. http://dx.doi.org/10.2298/pkjif2187053r.

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Rastko Petrovic?s last manuscripts, related to his work on a historical novel about the Renaissance, are kept at the Endowment of Ljubica Lukovic, home to the Rastko and Nadezda Petrovic Collection. The preserved synopsis is of special importance as it reveals the author?s creative idea and poetic assumptions. The author?s oeuvre is marked by a continued interest in the Renaissance, which is central to the last phase of his creative work as an ?migr? in the USA. The examination of the manuscript and synopsis reveals Petrovic?s thoughts on the Renaissance as he endeavoured to become an American author.

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KINNAMON, NOEL J. "Recent Studies in Renaissance English Manuscripts." English Literary Renaissance 27, no. 2 (March 1997): 281–326. http://dx.doi.org/10.1111/j.1475-6757.1997.tb01109.x.

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McManamon, John M. "Res nauticae: Mediterranean Seafaring and Written Culture in the Renaissance." Traditio 70 (2015): 307–67. http://dx.doi.org/10.1017/s0362152900012411.

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In characteristic fashion, the Iter Italicum of Paul Oskar Kristeller reveals the richness of Renaissance thought on seafaring. The literature on seafaring conserved in manuscripts cataloged in the Iter Italicum ranges from commentary on ancient seafaring to eulogies of contemporary heroes to works on mechanics and engineering with unusual proposals for naval weaponry. Those manuscripts likewise highlight the Renaissance conceptualization of seafaring as an art and a creative tension in Renaissance scholarship between looking back to the past and looking forward to the future.

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Gneuss, Helmut. "Addenda and corrigenda to the Handlist of Anglo-Saxon Manuscripts." Anglo-Saxon England 32 (December 2003): 293–305. http://dx.doi.org/10.1017/s0263675103000139.

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The ‘Preliminary List of Manuscripts Written or Owned in England up to 1100’, which appeared twenty years ago in vol. 9 of this periodical, was a first attempt to bring together, in a concise inventory, what was then known about surviving manuscripts and manuscript fragments written in, or imported into, England from the end of the sixth to the end of the eleventh century. This has now been superseded by the Handlist of Anglo-Saxon Manuscripts, published as vol. 241 in the Medieval and Renaissance Texts and Studies series in 2001. Like the ‘Preliminary List’, the Handlist cannot possibly claim to be perfect or complete, but it is hoped that it may serve some useful purposes as a reference work and, once again, as a searchlist.

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Orth, Myra D. "French Renaissance Manuscripts and L'Histoire du Livre." Viator 32 (January 2001): 245–78. http://dx.doi.org/10.1484/j.viator.2.300738.

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Pass, Gregory A. "Electrifying Research in Medieval and Renaissance Manuscripts." Papers of the Bibliographical Society of America 94, no. 4 (December 2000): 507–30. http://dx.doi.org/10.1086/pbsa.94.4.24304271.

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Cifarelli, Paola. "Myra Orth, Renaissance Manuscripts. The Sixteenth Century." Studi Francesi, no. 184 (LXII | I) (April 1, 2018): 119–20. http://dx.doi.org/10.4000/studifrancesi.11687.

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Burrows, Toby. "Collecting Medieval and Renaissance Manuscripts in Twentieth-Century Great Britain and North America." Museum Worlds 7, no. 1 (July 1, 2019): 45–57. http://dx.doi.org/10.3167/armw.2019.070104.

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Medieval and Renaissance manuscripts were a significant commodity in the antiquarian sales market throughout the twentieth century, sought out by very wealthy collectors and small-scale buyers. The history of this manuscript market has not been analyzed systematically. This article is a first attempt to identify themes and trends across the century, beginning with the dominance of the great American Gilded Age collectors like Henry Huntington and the Morgans and their need to memorialize themselves. It argues that future research needs to assemble comprehensive data on prices and buyers in order to make possible more systematic analyses of trends and activities, and a more sophisticated understanding of the different reasons for which collectors collected and of the changing nature of manuscripts as objects with their own biographical trajectories and their own agency.

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Gwara, Scott. "Collections, Compilations, and Convolutes of Medieval and Renaissance Manuscript Fragments in North America before ca. 1900." Fragmentology, no. 3 (December 2020): 73–139. http://dx.doi.org/10.24446/dlll.

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Using evidence drawn from S. de Ricci and W. J. Wilson’s Census of Medieval and Renaissance Manuscripts in the United States and Canada, American auction records, private library catalogues, public exhibition catalogues, and manuscript fragments surviving in American institutional libraries, this article documents nineteenth-century collections of medieval and Renaissance manuscript fragments in North America before ca. 1900. Surprisingly few fragments can be identified, and most of the private collections have disappeared. The manuscript constituents are found in multiple private libraries, two universities (New York University and Cornell University), and one Learned Society (Massachusetts Historical Society). The fragment collections reflect the collecting genres documented in England in the same period, including albums of discrete fragments, grangerized books, and individual miniatures or “cuttings” (sometimes framed). A distinction is drawn between undecorated text fragments and illuminated ones, explained by aesthetic and scholarly collecting motivations. An interest in text fragments, often from binding waste, can be documented from the 1880s.

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Oosterhoff, Richard J. "Apprenticeship in the Renaissance University: Student authorship and craft knowledge." Science in Context 32, no. 2 (June 2019): 119–36. http://dx.doi.org/10.1017/s0269889719000140.

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ArgumentStudents entered Renaissance universities as apprentices in the craft of books. In the decades around 1500, such university training began to involve not only manuscript circulation, but also the production and the use of books in the new medium of print. Through their role in the crafting of books, I show how a circle of students around Jacques Lefèvre d’Étaples gained the experience needed to become bookmen. Students took classroom manuscripts and brought them into print – the new print shop offered students a place in which to exchange labor for credibility as joint authors.

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Buchelt, Lisabeth C. "Manuscripta Illuminata: Approaches to Understanding Medieval and Renaissance Manuscripts, edited by Hourihane, Colum." Religion and the Arts 21, no. 5 (2017): 669–71. http://dx.doi.org/10.1163/15685292-02105007.

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Maddocks, Hilary. "Manuscripta Illuminata: Approaches to Understanding Medieval and Renaissance Manuscripts ed. by Colum Hourihane." Parergon 32, no. 1 (2015): 245–46. http://dx.doi.org/10.1353/pgn.2015.0060.

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Skemer, Don C. "Medieval and Renaissance Manuscripts at Princeton University Library." Gazette du livre médiéval 37, no. 1 (2000): 43–46. http://dx.doi.org/10.3406/galim.2000.1499.

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Ress, Owen. "Newly identified holograph manuscripts from late-Renaissance Portugal." Early Music XXII, no. 2 (May 1994): 261–78. http://dx.doi.org/10.1093/earlyj/xxii.2.261.

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Kinnamon, NoelJ. "Recent Studies in Renaissance English Manuscripts (1996–2006)." English Literary Renaissance 38, no. 2 (March 2008): 356–83. http://dx.doi.org/10.1111/j.1475-6757.2008.00128.x.

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van Leeuwen, Joyce. "Thinking and Learning from Diagrams in the Aristotelian Mechanics." Nuncius 29, no. 1 (2014): 53–87. http://dx.doi.org/10.1163/18253911-02901003.

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This paper examines the diagrams in the Greek manuscripts of the Aristotelian Mechanics. I argue that the diagrams are significant for a reconstruction of the authentic text as many readings can be recovered by means of the diagrams. Furthermore, critical assessment of the diagrams contributes to our understanding of the mechanical principles described in the text. A comparison between the diagrams in the Greek manuscripts and the ones contained in the Latin translation of the Mechanics by Niccolò Leonico Tomeo shows altered diagrammatic practices in the Renaissance. A study of the diagrams from the Renaissance further plays an important role in understanding the processes of transmission and transformation of mechanical knowledge.

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Lohr, Charles H. "Aristotelica Berolinensia." Traditio 54 (1999): 353–423. http://dx.doi.org/10.1017/s0362152900012290.

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These pages on the Aristotelica preserved in the Handschriften-Abteilung of the Staatsbibliothek-Preußischer Kulturbesitz, Berlin, supplement various publications concerned with the Latin tradition of Aristotle's works. The manuscripts of the medieval translations of Aristotle's works have been catalogued in Aristoteles latinus (Codices I–II–Suppl., Rome, 1939; Cambridge, 1955; Bruges-Paris, 1961); of the manuscripts included there only cross-references are supplied here. Several manuscripts containing Renaissance Latin translations of Aristotle's works — not included in the Aristoteles latinus — have been described completely.

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Torné Teixidó, Ramón. "Aportaciones y notas sobre la difusión de la épica animalesca en manuscritos de la Batracomiomaquia hasta el siglo XVI." Lectura y Signo, no. 11 (December 20, 2016): 47. http://dx.doi.org/10.18002/lys.v0i11.4752.

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La difusión de la épica animalesca representada por la Batracomiomaquia se puede estudiar a partir de la proliferación de manuscritos en los que el poema aparece copiado junto a las fábulas esópicas y buena parte del corpus escolar al uso. Estos códices contienen ricos y variados escolios (algunos incluso en latín) que constituían una ayuda al lector no siempre avezado a la lengua griega. Los datos nos confirman la suposición de que el poema entraba en el canon de lectura del que se nutrían hombres cultos, literatos y personajes de la corte ya en el Prerrenacimiento. Fue a partir de ahí que nuestro poema reforzaría su significado político que había de perdurar dos siglos más. palabras clave: Batracomiomaquia, manuscritos, tradición clásica, Prerrenacimiento, Alfonso de Palencia. The spreading of epic with animals represented by the Batrachomyomachia can be studied from the proliferation of manuscripts where the poem appears alongside Aesopic fables and much of the corpus at use in schools. These manuscripts also contain rich and assorted scholia (some of them in Latin) to help the reader not connoisseur of Ancient Greek. The data confirms us in the assumption that the poem was a part of the canon of readings for educated men, writers and members of the court in the Pre- Renaissance. It was from there that our poem would reinforce its political significance at least for two more centuries. key words: Batrachomyomachia, manuscripts, classical tradition, Pre-Renaissance, Alfonso de Palencia.

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Bruzzone, Raffaella. "A vernacular late Renaissance manuscript herbal from the eastern Ligurian Apennines." Archives of Natural History 46, no. 2 (October 2019): 318–31. http://dx.doi.org/10.3366/anh.2019.0593.

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In 1982, in the course of transferring the archive of the De Paoli family of Porciorasco to the Museo Contadino di Cassego (eastern Ligurian Apennines), a manuscript herbal dated about 1598 was discovered. The document is analysed here in all its aspect: the materials (paper, inks and pigments), the plants represented, the iconographical models, and the archival context. The result is a hypothesis about the circulation of knowledge about natural history in the area where it was found and used between the late sixteenth and the nineteenth centuries. As for the iconographical sources, models were found in both manuscripts and printed books from the medico-botanical tradition, including Hortus sanitatis and Tractatus de virtutibus herbarum.

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Broomhall, Susan. "Renaissance Manuscripts. The Sixteenth Century by Myra D. Orth." Parergon 35, no. 2 (2018): 231–33. http://dx.doi.org/10.1353/pgn.2018.0098.

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McRae, Andrew. "Manuscripts and their Makers in the English Renaissance (review)." Parergon 22, no. 2 (2005): 192–93. http://dx.doi.org/10.1353/pgn.2006.0027.

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Petersen, Erik. "Om Kilderne til kilderne. Birger Munk Olsen og studiet af de latinske klassikere indtil år 1200." Fund og Forskning i Det Kongelige Biblioteks Samlinger 54 (March 3, 2015): 167. http://dx.doi.org/10.7146/fof.v54i0.118880.

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Erik Petersen: Fontes Fontium. Birger Munk Olsen and the Study of the Latin Classical Authors up to 1200 In this presentation, the basic intentions, definitions and overwhelmingly rich results of professor Birger Munk Olsen’s magisterial opus magnum L’Étude des auteurs classiques latins aux XIe et XIIe siècles are briefly described. The first volume of L’Étude was published in 1982, the sixth and latest volume (= tome IV. 2) in 2014. BMO includes 57 authors from the end of the third century B.C. to the beginning of the fourth A.D. in his catalogue of Latin classical manuscripts copied in the 9th to the 12th centuries. The rationale for including the 9th and 10th centuries is that readers in the 11th and 12th centuries were still using books copied in the previous centuries. BMO also makes references to manuscripts copied before 800, the period covered by E. A. Lowe in Codices Latini Antiquiores. Since Bernhard Bischoff’s Katalog der festländischen Handschriften des neunten Jahrhunderts, mit Ausnahme der wisigotischen had not yet been published, the truly pioneering effort of BMO is related to his meticulous descriptions of the huge number of classical manuscripts copied in the period from the Carolingian Renaissance to the Renaissance of the 12th Century. His catalogue of individual manuscripts is followed, in vol. III. 1, by an equally detailed catalogue of the Latin classics in the libraries of the Middle Ages, based primarily on information collected in individual manuscripts and in a variety of medieval book lists and inventories. The two most recent volumes, La réception de la littérature classique. Travaux philologiques (IV. 1), and La réception de la littérature classique. Manuscrits et textes (IV. 2) are dedicated to broader issues of copying, reading and using texts and manuscripts, in a more synthetic manner than in the previous volumes. Still they draw upon BMO’s myriads of observations of details in the manuscripts and the experience of a long life in the company of the people who produced the books and used them.Denmark’s role in preserving and promoting classical literature during the Middle Ages was of little significance and less glory. During the Carolingian Renaissance Vikings were known to steal or destroy books rather than to read them. In the 12th century they had become less belligerent, perhaps, but still not very adaptive to classical literature. Of the 33 codices in the Royal Library included in EACL, 32 arrived in Copenhagen in the Early Enlightenment or later and had not been copied or studied in Denmark in the Middle Ages. Saxo Grammaticus marks a turning point, well-read in and dependent on classical authors as he was, but he completed his Gesta Danorum in the early years of the 13th century. However, he is known to have used a Justinus codex copied before the turn of the century, preserved in the Royal Library as GKS 450 2º. It was probably brought to Denmark from France by Archbishop Absalon, who lent it to Saxo and bequeathed it to the Cistercian monastery at Sorø. It remains a remarkable fact that the Justinus codex is the only extant manuscript of a Latin classical author recorded as being in Denmark before 1200. With the results of years of concentrated, hardcore research assembled in his L’Étude des auteurs classiques latins aux XIe et XIIe siècles Birger Munk Olsen has more than amply compensated for the meagre attention paid to the classics in early medieval Denmark. To the immense benefit of the scholarly community he has laid a new foundation for the study of the Latin classical authors, their transmission, use and history, which will surely prove indispensable for generations.

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Piepho, Lee. "Mantuan and Religious Pastoral: Unprinted Versions of His Ninth and Tenth Eclogues." Renaissance Quarterly 39, no. 4 (1986): 644–72. http://dx.doi.org/10.2307/2862322.

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In the dedicatory letter to the first printed edition of his Adulescentia, Baptista Mantuanus (“Mantuan” in England since the Renaissance) asks all readers holding manuscript copies of the earlier, unprinted version of his collection to destroy them—a request in effect so discouraging that, despite publication in the twentieth century of several important works by Mantuan, no manuscript copies of early versions of his eclogues have ever come to light. We are therefore indebted to Paul Oskar Kristeller for recording six manuscripts—five in Italian libraries and one at the Bodleian Library, Oxford—containing copies of what I have discovered to be early versions of Mantuan's ninth and tenth eclogues. Examination of these manuscript copies reveals new information as to the date and circumstances of composition and initial publication of the two eclogues.

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Robichaud, Denis. "Fragments of Marsilio Ficino’s Translations and Use of Proclus’ Elements of Theology and Elements of Physics: Evidence and Study." Vivarium 54, no. 1 (January 25, 2016): 46–107. http://dx.doi.org/10.1163/15685349-12341312.

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The present paper discusses the question of Marsilio Ficino’s lost translations of Proclus’ Elements of Physics and Elements of Theology. It reviews all known evidence for Ficino’s work on the Elements of Physics and Elements of Theology, examines new references and fragments of these texts in Ficino’s manuscripts, especially in his personal manuscript of Plotinus’ Enneads, and studies how they fit within the Florentine’s philosophical oeuvre. The present case studies of manuscript evidence demonstrate how Proclus accompanied Ficino from his early ‘scholastic background’ through to his mastery of the Platonic tradition late in his career, especially, as is shown, in his study of Pseudo-Dionysius and Plotinus. Despite the fact that scholarship at times pits scholasticism and Renaissance Platonism against each other, in this sense Proclus—largely due to the Elements—bridges the two cultures.

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Reeve, M. D. "The Transmission of Florus and the Periochae Again." Classical Quarterly 41, no. 2 (December 1991): 453–83. http://dx.doi.org/10.1017/s0009838800004602.

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In a recent article I tried to disperse the fog in which modern editions envelop the transmission of the Livian Periochae and Floras' Epitoma de Tito Liuio. Working from editions and catalogues, and without looking at more than a few readily accessible manuscripts, I argued that the Periochae reached the Middle Ages in the company of Floras and nothing else; that the mainstream of the medieval tradition, which probably issued from the region south-west of Paris, derived first from a manuscript that presented Florus and only 1–7 of the 142 Periochae, Λ, and then from one that presented Florus alone, e; that after appearing for several centuries only in N (s. ix1) and P (s. xii2) the complete text of Florus and the Periochae saw a revival in the Italian Renaissance, probably thanks to Petrarch and Boccaccio; and that most Italian manuscripts contaminate the text of e with the complete text. Pending visits to libraries, I left open several questions: whether Λ derived from the source of NP; whether e derived from Λ; whether the Italian manuscripts of the complete text all derive from one source; whether, if so, it was P; whether any of them have escaped contamination in Florus; and whether contamination had already begun in France.

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Robinson, Pamela. "Medieval and Renaissance Manuscripts in the American South, 1798–1868." Library & Information History 33, no. 1 (January 2, 2017): 65. http://dx.doi.org/10.1080/17583489.2017.1264759.

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Webber, Philip E. "Guide to Medieval and Renaissance Manuscripts in the Huntington Library." Manuscripta 33, no. 2 (July 1989): 145–47. http://dx.doi.org/10.1484/j.mss.3.1310.

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Jewett, Margareth, and R. James Long. "A Newly Discovered Witness of Fishacre's Sentences-Commentary: University of Chicago MS 156." Traditio 50 (1995): 342–45. http://dx.doi.org/10.1017/s0362152900013301.

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A manuscript in the collection of the University of Chicago, which is labeled in the catalogue as Promptuarium homileticum, has turned out on closer inspection to be a partial copy of Richard Fishacre's Commentary on the Sentences of Peter Lombard, the first such commentary composed at Oxford. Bearing the eighteenth-century bookplate of Edward Browne and the 1792 bookplate of the executors of the estate of Thomas Eyre, the manuscript, now catalogued as University of Chicago MS 156, was purchased from Percy Dobell and Son by Shirley Farr, class of 1904, and donated to the university in 1926. The source of the title Promptuarium homileticum can be traced back at least as far as the dealer's listing, which was subsequently tipped into the manuscript and copied uncritically by Seymour De Ricci in his 1935 Census of Medieval and Renaissance Manuscripts in the United States and Canada.

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Yaylenko, E. V. "Portal to the Past: Depiction of Space in the Book Miniatures in the Renaissance Venice." Observatory of Culture 15, no. 3 (August 19, 2018): 309–20. http://dx.doi.org/10.25281/2072-3156-2018-15-3-309-320.

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This article investigates the painted miniatures of manuscripts and early printed books of the second half of the 15th century performed in the art workshops of the Renaissance Venice and Padua. The author determines the main development stages of the principles of space depicting in the picturesque design of manuscripts and printed books. The relevance of study of this topic is caused by the fact that it has been on the periphery of research attention for a long time, obscured by other historical and artistic problems. The scientifi c novelty of the research revealed the new principles of constructing spatial composition and formation of new typology of landscape in Venetian art. For the main research method, the author uses the formal-style analysis and structural analysis. It demonstrates how simultaneously with the change of the sheet decoration structure there appeared the new opportunities for the placement of spatial composition. At an early stage, the manuscript sheet decoration consisted of the depiction of painted architecture treated in the guise of triumphal arch or classical altar with inscription, which gradually has been getting form of imaginary façade with ornaments and fragments of text upon it (the so-called architectural frontispiece type). The next faze consists in the emergence of natural motifs near it and its progressive development in the form of autonomous landscape, which one can see in the works of leading Venetian illuminator in the time circa 1500 Benedetto Bordon. The author investigated the basic types of manuscript decoration that included the depiction of landscape as well as its basic iconographical formulae. The signifi cance of the study lies in that fact which helps to explore the new sources of Venetian mythological painting, going back to the stylistic features and compositional principles of the Late Quattrocento miniature.

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Burrows, Toby, Eero Hyvönen, Lynn Ransom, and Hanno Wijsman. "Mapping Manuscript Migrations: Digging into Data for the History and Provenance of Medieval and Renaissance Manuscripts." Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies 3, no. 1 (2018): 249–52. http://dx.doi.org/10.1353/mns.2018.0012.

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Moroz, Sara. "Les germanismes dans le manuscrit Gall. Fol. 220 conservé dans la collection berlinoise à la Bibliothèque Jagellonne de Cracovie." Językoznawstwo 15, no. 1 (December 2021): 325–35. http://dx.doi.org/10.25312/2391-5137.15/2021_21sm.

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Germanisms in the manuscript Gall. Fol. 220 preserved in the Berlin collection at the Jagiellonian Library of Cracow. The manuscript Gall. Fol. 220 is a collection of recipes, preserved in the Berlin collection at the Jagiellonian Library in Krakow. It is an anonymous book, which comes from the sixteenth century, written in French. It contains many dishes and products popular already in the Middle Ages, but also the recipes for dishes typical of the Renaissance. After analyzing the culinary terminology present in this collection, we can see that there are some Germanic terms. In this article, we intend to present the cooking terms that are of Germanic origin and explain why the words appear in this type of collection, which has the character of a reference book in the French language. Keywords: manuscripts, XVI century, Berlin collection, culinary terminology, French cuisine

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Classen, Albrecht. "Jeffrey F. Hamburger and Joshua O’Driscoll, Imperial Splendor: The Art of the Book in the Holy Roman Empire, 800‐1500. New York: The Morgan Library & Museum, 2021, 216 pp., 149 colored ill." Mediaevistik 34, no. 1 (January 1, 2021): 315–16. http://dx.doi.org/10.3726/med.2021.01.39.

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When a major library and museum such as The Morgan organizes an exhibition of some of its finest medieval manuscripts, and when a famous art historian such as Jeffrey F. Hamburger, together with the assistant curator of medieval and Renaissance manuscripts at the Morgen, Joshua O’Driscoll, authors the catalog accompanying the exhibit, we can be certain to receive a most bibliophile and at the same time scholarly erudite publication. This is certainly the case with Imperial Splendor. The purpose is to bring to light some of the most impressive manuscripts produced in the Holy Roman Empire between 800 and 1500, i.e., throughout the entire Middle Ages. The examples brought together come not only from the Morgan, but also from many other major North American collections.

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Izbicki, Thomas M. "Microfilm Collections of Medieval and Renaissance Manuscripts in the United States." Collection Management 15, no. 3-4 (July 21, 1992): 449–73. http://dx.doi.org/10.1300/j105v15n03_14.

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Steinhauser, Kenneth B. "A Catalogue of Medieval and Renaissance Manuscripts Located at Villanova University." Manuscripta 57, no. 2 (July 2013): 205–77. http://dx.doi.org/10.1484/j.mss.1.103704.

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Monks, Peter Rolfe. "Medieval and Renaissance manuscripts in New Zealand collections (review)." Parergon 8, no. 1 (1990): 161–63. http://dx.doi.org/10.1353/pgn.1990.0057.

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Biron, Johanne. "Enquête sur la provenance et les pérégrinations de deux livres d’Heures enluminés du XVe siècle conservés aux Archives des jésuites au Canada." Renaissance and Reformation 39, no. 4 (April 5, 2017): 19–72. http://dx.doi.org/10.33137/rr.v39i4.28159.

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Les Relations et le Journal des jésuites attestèrent la présence de livres d’Heures en Nouvelle-France au XVIIe siècle. À la même époque, les hospitalières de l’Hôtel-Dieu de Québec réclamaient des livres d’Heures auprès de leurs bienfaiteurs européens, perpétuant certaines pratiques de dévotion héritées du Moyen-Âge et de la Renaissance. Deux livres d’Heures du XVe siècle sont conservés aux Archives des jésuites au Canada. Cette enquête vise à retracer les routes que purent emprunter les deux manuscrits avant d’entrer dans les Archives du Collège Sainte-Marie fondées en 1844 par le père Félix Martin. À la fin du XIXe et au début XXe siècle, les deux livres furent mis en valeur par le père Arthur Edward Jones, dans le cadre d’expositions consacrées aux manuscrits des premiers missionnaires jésuites en Amérique du Nord. Cette enquête vise aussi à prendre la mesure de l’intérêt que ces Heures suscitèrent chez les bibliophiles jésuites et laïcs. The Jesuit Relations and the Journal des jésuites attest to the presence of Books of Hours in New France during the seventeenth century. At the same time, the Hospitallers of the Hôtel-Dieu in Quebec were demanding Books of Hours from their European benefactors, thus continuing certain devotional practices inherited from the Middle Ages and the Renaissance. Two Books of Hours from the fifteenth century are preserved at the Archive of the Jesuits in Canada. This inquiry is aimed at retracing the routes that the two manuscripts had taken before arriving at the Archive of the Collège Sainte-Marie, which was founded in 1844 by Father Felix Martin. At the end of the nineteenth and the beginning of the twentieth century, the two books were given pride of place by Father Arthur Edward Jones at the centre of expositions devoted to manuscripts of the first Jesuit missionaries in North America. This investigation is additionally aimed at assessing the interest taken in these Hours among Jesuit bibliophiles and the laity.

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Steimann, Ilona. "Jewish Scribes and Christian Patrons: The Hebraica Collection of Johann Jakob Fugger." Renaissance Quarterly 70, no. 4 (2017): 1235–81. http://dx.doi.org/10.1086/695344.

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AbstractAcquiring Hebrew books was a common practice among Christian humanists. More surprising, perhaps, is that a large group of Hebrew manuscripts was produced for a Christian library. A Jewish scribal workshop organized by Johann Jakob Fugger (1516–75) in Venice—here analyzed for the first time—is one of the rarest examples of this phenomenon that emerged out of Renaissance book culture. To understand Fugger’s extensive bibliophilic enterprise, this essay examines the circulation and dissemination of Hebrew texts from the Jewish bookshelf among Christians, the relationships between Christian patrons and Jewish scribes, and the role of manuscripts as agents of print and as objects of collecting.

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Gonzalez-Calderon, Juan Felipe. "Constantine Lascaris, his manuscripts and his ethical concerns." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 15, no. 2 (2021): 538–72. http://dx.doi.org/10.25205/1995-4328-2021-15-2-538-572.

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This article aims to examine Constantine Lascaris’s work on Aristoteles’ ethical corpus. We consider evidence from the textual witnesses of the Nicomachean Ethics, the Eudemian Ethics, the Magna Moralia, and some other minor ethical writings, which belonged to Lascaris, in order to reconstruct his working methods. We also explore Lascaris’ own statements about virtuous life; a life devoted to the service of the common good, to philosophy and to the study of texts. For him philosophy was a way of life, rather than simply a discourse. We look at the link between written culture and philosophical life and propose further research into how Byzantine and Renaissance scholars understood their own intellectual activities to be a special kind of spiritual exercise intended to promote moral improvement in both individuals and societies.

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Clement, Richard W. "Cataloging Medieval and Renaissance Manuscripts: A Review ArticleMedieval Manuscripts in British Libraries. Vol. 3: Lampeter-Oxford. N. R. KerCatalogue of Medieval and Renaissance Manuscripts in the Beinecke Rare Book and Manuscript Library, Yale University. Vol. 1: MSS 1-250. Barbara A. Shailor." Library Quarterly 55, no. 3 (July 1985): 316–26. http://dx.doi.org/10.1086/601616.

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Watt, David, Sharon Wright, and Paul Dyck. "The Study of Renaissance and Reformation Books on the Canadian Prairies." Renaissance and Reformation 37, no. 3 (March 5, 2015): 235–62. http://dx.doi.org/10.33137/rr.v37i3.22464.

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This article begins by providing a survey of collections holding Renaissance and Reformation books in Saskatchewan and Manitoba in order to draw attention to the range of resources across the prairies. The article’s second section focuses on the manuscripts and rare books at the University of Manitoba in order to highlight the research opportunities afforded by individual collections and the potential benefits of exploring them in aggregate. Taken together, the collections described here—from the bibles donated by Rev. Greatorex to St. John’s College in 1897 to the remarkable collection of early books at Notre Dame College in Wilcox, Saskatchewan—can help us to consider questions about the cultural and physical place of books in Reformation and Renaissance studies as well as questions about the significance of their place on the prairies. Cet article recense d’abord les collections incluant des livres de la Renaissance et de la Réforme en Saskatchewan et au Manitoba, afin d’attirer l’attention sur les ressources dans ce domaine présentes dans les prairies canadiennes. Dans un second temps, on s’y concentre sur les manuscrits et les livres rares conservés à l’Université du Manitoba dans le but de mettre en lumière les opportunités de recherches que représentent les collections individuelles ainsi que le potentiel de les examiner dans leur ensemble. En effet, prises dans leur ensemble, les collections décrites — des bibles données par le révérend Greatorex du collège St. John en 1897 à la remarquable collection de livres anciens et d’incunables du collège Notre-Dame de Wilcox en Saskatchewan — permettent d’approcher des questions au sujet de la culture et de la répartition géographique des livres relevant des études de la Renaissance et de la Réforme, et mieux comprendre les raisons et causes de leur répartition dans les prairies.

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Kristeller, Paul Oskar, and Margaret L. King. "Iter Kristellerianum: The European Journey (1905-1939)." Renaissance Quarterly 47, no. 4 (1994): 907–29. http://dx.doi.org/10.2307/2863219.

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At its Annual Meeting in April 1995, the Renaissance Society of America will be honoring the career of Paul Oskar Kristeller, whose international reputation as a Renaissance scholar is well known to this audience. We are all in debt to Kristeller for what he would proudly entitle his “contributions.” These include, among innumerable others, studies on Marsilio Ficino and the classical and scholastic origins of humanism, a multi-volumed catalogue of the uncatalogued manuscripts in European collections (more than a life work all by itself), and reminders in the form of essays, articles and lectures of the need to adjust our theories and our inclinations to what used to be called, in a simpler age, facts.

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Edwards, A. S. G. "Guide to Medieval and Renaissance Manuscripts in the Huntington Library. 2 vols.C. W. DutschkeMedieval and Renaissance Manuscripts in the Claremont Libraries. (University of California Publications: Catalogs and Bibliographies, 3.). C. W. Dutschke , R. H. RouseCatalogue of Medieval and Renaissance Manuscripts in the Beinecke Rare Book and Manuscript Library, Yale University. (Medieval and Renaissance Texts and Studies, 34, 48.). Barbara Shailor." Papers of the Bibliographical Society of America 83, no. 3 (September 1989): 385–90. http://dx.doi.org/10.1086/pbsa.83.3.24301421.

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May, Steven W. "All of the Above: The Importance of Multiple Editions of Renaissance Manuscripts." Literature Compass 7, no. 2 (February 2010): 95–101. http://dx.doi.org/10.1111/j.1741-4113.2009.00681.x.

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Kidd, Peter. "Supplement to theGuide to Medieval and Renaissance Manuscripts in the Huntington Library." Huntington Library Quarterly 72, no. 4 (December 2009): 1–101. http://dx.doi.org/10.1525/hlq.2009.72.4.1.

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Hudson, Hugh. "Solidarity, Betrayal, and Opportunism in the Commissioning of Two Florentine Renaissance Manuscripts." Parergon 30, no. 1 (2013): 91–119. http://dx.doi.org/10.1353/pgn.2013.0006.

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Lee-Chua, Queena N. "Mathematics in Tribal Philippines and Other Societies in the South Pacific." Mathematics Teacher 94, no. 1 (January 2001): 50–55. http://dx.doi.org/10.5951/mt.94.1.0050.

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Many history-of-mathematics textbooks begin with the four ancient centers of civilization: Egypt, with its pyramids and Rhind papyri; Babylon, with its cuneiform blocks and sexagesimal system; China, with its magic squares and arithmetic classics; and India, with its Sanskrit manuscripts and numeral system. The focus then shifts chronologically to Greek geometry, Arab algebra, Renaissance calculus, nineteenth-century specializations, and finally, the technologically aided wonders of our present age.

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Ros-Fábregas, Emilio. "THE CARDONA AND FERNÁNDEZ DE CÓRDOBA COATS OF ARMS IN THE CHIGI CODEX." Early Music History 21 (September 4, 2002): 223–58. http://dx.doi.org/10.1017/s0261127902002061.

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The Chigi Codex occupies a place of honour among music manuscripts of the Renaissance; thirteen masses by Ockeghem along with L'homme armé masses by Josquin, Busnoys, Brumel and Compère figure prominently among its contents. According to Herbert Kellman, it was copied between 1498 and 1503 for the Burgundian nobleman Philippe Bouton. Several coats of arms of the Spanish families Cardona and Fernández de Córdoba appear in different places in the manuscript and Kellman suggested that the transfer of the Chigi Codex to the Spaniards occurred after the death of its first owner in 1515. Seven works, the foliation in the upper right margin of the recto folios and a table of contents with a heading that reads Tabla de missas y motetes were added by a Spanish scribe. Since Mouton's motet Quis dabit oculis, written on the death of Anne of Brittany in 1514, is also among the added works, Kellman concluded that these additions to the Chigi Codex were made after that date. The assumption that the manuscript travelled to Spain is further supported by a seventeenth-century inscription written in Italian on the flyleaf of the manuscript, which affirms that the book was used in Spain.

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Savino, Christina. "Manus, quae supplevit, inscripsit scholia Theophili Protospatharii. Galien, Théophile et le commentaire mélange aux Aphorismes d’Hippocrate." Byzantinische Zeitschrift 113, no. 3 (August 1, 2020): 1025–40. http://dx.doi.org/10.1515/bz-2020-0043.

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AbstractGalen’s commentary on the Hippocratic Aphorisms is transmitted by a large amount of Medieval and Renaissance manuscripts. Some of them remarkably display a “mixed” text, in which Galen’s commentary is combined with passages from the later commentator Theophilus. Most important among these is the Marc. gr. V 9 (coll. 1017), which inserts two large passages by Theophilus into the Galenic commentary (i. e. VI 1-38; VII 12-73). Both of them were copied by the late physician and student of John Argyropoulos in Constantinople, Demetrios Angelos, who was not primarly involved in the production, but purchased the manuscript after completion and restored its text using another commentary on the Aphorisms, which he had at his disposal. This paper aims at investigating codicological, paleographical and philological aspects of the Marc. gr. V 9, in order to retrace the origin of its mixed commentary and place it in its historical-cultural context.

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Saenger, Paul. "Catalogue of Medieval and Renaissance Manuscripts in the Beinecke Rare Book and Manuscript Library, Yale University, v1 (Book Review)." College & Research Libraries 47, no. 5 (September 1, 1986): 518–20. http://dx.doi.org/10.5860/crl_47_05_518.

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Journal articles on the topic 'Manuscripts, Renaissance'

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