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Journal articles on the topic 'Manuscris'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Mihai, COSTEA. "Teoria și practica actuală a expertizei scrisului de mână și a semnăturii: probleme și soluții." Studii Juridice Universitare 3-4 2018 (December 5, 2018): 155–64. https://doi.org/10.5281/zenodo.3643645.

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În lucrare autorul supune analizei unele probleme teoretice și practice actuale cu privire la expertiza judiciară a manuscriselor folosită în activitatea de descoperire și cercetare a infracțiunilor. Se propun precizări cu privire la teoria identificării grafoscopice, dar și soluții practice în domeniul cercetării documentelor care urmează a fi luate în considerare de către experții grafoscopiști în activitatea lor cotidiană.

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Oberländer -Târnoveanu, Ernest. "UN MANUSCRIS NUMISMATIC INEDIT AL LUI CONSTANTIN MOISIL DIN COLECŢIA MUZEULUI NAŢIONAL DE ISTORIE A ROMÂNIEI (PARTEA I - TEXTUL)." Cercetări Numismatice 26 (2020): 247–307. https://doi.org/10.46535/ca.26.13.

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Oberländer -Târnoveanu, Ernest. "UN MANUSCRIS NUMISMATIC INEDIT AL LUI CONSTANTIN MOISIL DIN COLECŢIA MUZEULUI NAŢIONAL DE ISTORIE A ROMÂNIEI (PARTEA I - TEXTUL)." Cercetări Numismatice 26 (2020): 247–307. https://doi.org/10.46535/cn.26.13.

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4

Movileanu, Ala. "Pasărea Alkonost – Simbol şi mit la ruşii lipoveni/Alkonost Bird – Sybmol and Myth at Lippovan Russians." Hiperboreea 1, no. 1 (2014): 176–86. http://dx.doi.org/10.5325/hiperboreea.1.1.0176.

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Abstract Articolul este o scurtă descriere al unui mit popular din mitologia slavă, Alkonost – pasărea raiului. Alkonost se întâlneşte frecvent în legendele medievale bizantine şi ruse, ca fiind pasărea raiului; jumătate femeie, jumătate pasăre, aducătoare de noroc. Legenda păsării Alkonost a fost adusă, de peste mări şi ţări, de către negustori şi repede a prins rădăcini pe pământul vechii Rusii. Simbolul păsării Alkonost este des întâlnit în letopiseţele ruse, iar reprezentările ilustrate ale acestei făpturi pe cărţile-manuscris, pe bijuteriile Rusiei Kievene, în sculptura bisericilor din pi

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5

Lanz, Juan José. "Del manuscrito al texto: algunas calas en la génesis textual de Rapsodia, de Pere Gimferrer." Prosemas 4 (February 19, 2020): 241. http://dx.doi.org/10.17811/prep.4.2019.241-270.

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Resumen: A partir de los planteamientos desarrollados por la genética textual y la crítica genética, atendiendo a sus últimas aportaciones y considerando otras perspectivas complementarias, como las de la filología de autor o la filología de los textos modernos, entre otras, se lleva a cabo en este artículo un análisis de la génesis textual de Rapsodia (2011), de Pere Gimferrer, realizando unas calas en el manuscrito original, que revelan ciertos rasgos del «taller del poeta». En función de dicho análisis, se establecen una serie de conclusiones generales válidas para el estudio de los manuscr

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6

BENÍTEZ GUERRERO, Carmen. "La "Crónica de Fernando IV" en el siglo XVI: una compilación inédita de Pedro Barrantes Maldonado." Medievalismo, no. 29 (December 18, 2019): 71–96. http://dx.doi.org/10.6018/medievalismo.406801.

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El manuscrito II/2457 del Palacio Real de Madrid conserva la compilación de una Crónica de Fernando IV que permanece prácticamente desconocida hasta la fecha aunque su encabezamiento dice que fue realizada por Pedro Barrantes Maldonado. Este trabajo pretende llamar la atención sobre la obra, ofrecer una breve presentación tanto del testimonio, como del texto que transmite, y acercarse a las principales diferencias que éste presenta con respecto a su homónima medieval. En este sentido, y para terminar, resultará esencial valorar su relación con los testimonios manuscritos que conocemos de la cr

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Tahkokallio, Jaakko Kalervo. "Fragments Re-Connected. Identifications of leaves stemming from the same twelfth-century or early thirteenth-century missals now divided between the collections of the National Library of Finland and the National Archives of Sweden." Mirator 23 (June 21, 2023): 1–29. https://doi.org/10.54334/mirator.v23i1.125301.

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The large fragment collections of the National Archives of Sweden and National Library of Finland share the same early modern history of recycling. Because of this, leaves from one medieval manuscript are often divided between these two collections. This article establishes a series of new inter-archival connections between fragments stemming from the same book. It focuses on missal fragments dated to the twelfth or early thirteenth century. In addition, it presents preliminary observations on how the recycling history helps us to contextualise the fragments preserved in Finland as historical

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8

Rodríguez, Pedro. "El manuscrito original." Scripta Theologica 17, no. 2 (2018): 487–552. http://dx.doi.org/10.15581/006.17.18547.

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SUMARIO: I. PEQUEÑA HISTORIA DE UN DESCUBRIMIENTO. II. EL CODICE VAT. LAT. 4994: 1. Situación del Códice en la Biblioteca Vaticana. 2. Las dos grandes unidades redaccionales del códice: el manuscrito definitivo y la primera redacción o borrador del Catecismo Romano. 3. Características redaccionales del manuscrito definitivo. 4. Características redaccionales del borrador del Catecismo Romano. III. COMPARACIÓN CRITICA DE AMBOS MANUSCRITOS: 1. La compartimentación del texto en los manuscritos. 2. Estudios de los «marginalia» de ambos manuscritos. IV. LUZ SOBRE TRES CUESTIONES DISCUTIDAS: 1. El pr

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Musto, Marcello. "OS MANUSCRITOS ECONOMICO-FILOSÓFICOS DE 1844 DE KARL MARX: dificuldades para publicação e interpretações críticas." Caderno CRH 32, no. 86 (2019): 399. http://dx.doi.org/10.9771/ccrh.v32i86.25803.

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<div><p class="trans-title"><span>Os Manuscritos econômico-filosóficos de 1844 constituem um dos escritos de Karl Marx mais célebres e difundidos em todo o mundo. Todavia, este texto, tão debatido e tão presente nos debates marxistas permaneceu desconhecido por muito tempo. As leituras instrumentais, que um e outro grupo fizeram sobre os Manuscritos econômico-filosóficos de 1844, são um claro exemplo de como a obra de Marx tenha sido constantemente objeto de conflitos teórico-políticos. Para melhor evidenciar tal realidade, o segundo e o terceiro parágrafo deste artigo recons

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Novitasari, Delima, and Asep Yudha Wirajaya. "Kesejarahan Teks pada Naskah Syair Kupu-Kupu." Jumantara: Jurnal Manuskrip Nusantara 12, no. 1 (2021): 21. http://dx.doi.org/10.37014/jumantara.v12i1.1114.

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Manuscript Syair Kupu-Kupu (hereinafter referred to as SKK) is one of the manuscripts that fall into the category of symbolic poetry. This manuscript stored at Staatsbibliothek zu Berlin with the Schoemann V 40 manuscript code. SKK has three version of texts. This manuscript does not have a colophon containing information about the manuscript. SKK manuscripts is included in the category of symbolic poetry because the contents of the SKK text are assumed to represent past events written using animal and plant symbols as character names. This characteristic of symbolic poetry described by GL Kos

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Cillleruelo, Álvaro Cancela. "A Munich fragment of the Ilias Latina (Clm 14843)." Scriptorium 71, no. 1 (2017): 99–114. http://dx.doi.org/10.3406/scrip.2017.4429.

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Cet article présente un bifolio inconnu qui transmet les vers 416-496 de l’Ilias latina, conservé comme dernier feuillet de garde du manuscrit Munich, BSB, Clm 14843 ; daté de manière hypothétique de la deuxième moitié du XIe siècle, il était le bifolio interne d’un cahier, vraisemblablement un quaternion. Bien que quelques indices puissent suggérer un lien avec Regensburg, Bischöf. ZentralB., Frag. I. 1.6, le manuscrit était un jumeau stemmatique du manuscrit Erfurt, BU, CA. 12 º 20. Aux arguments textuels on peut ajouter un argument tiré de leur mise en page : le fragment munichois, le témoi

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Abduzhemilev, Refat R. ""The summary of the Crimea`s history" from its origins, under the Abbasids, to Mengli Geray (870/1465). Part 2." Crimean Historical Review, no. 2 (October 28, 2021): 199–210. http://dx.doi.org/10.22378/kio.2021.2.199-210.

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Recently, a new source on the history of Crimean Khanate and the Golden Horde has received open access for the scientific world. The digitized manuscript is dated 1701 and has the title “Résumé de l’histoire de Crimée” des origines, sous les Abbassides, à Mengli Giray (870/1465) (“The summary of the Crimea’s history” from its origins, under the Abbasids, to Mengli Geray, 870/1465). The location of the manuscript is the University Library of Languages and Civilizations (Bibliothèque universitaire des langues et civilizations). The source is presented in the collection of the Ottoman Turkish m

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Abduzhemilev, Refat R. "The summary of the Crimea`s history from its origins, under the Abbasids, to Mengli Geray (870/1465). Part 1." Crimean Historical Review, no. 1 (June 2021): 220–27. http://dx.doi.org/10.22378/kio.2021.1.220-227.

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Recently, a new source on the history of Crimean Khanate and the Golden Horde has received open access for the scientific world. The digitized manuscript is dated 1701 and has the title “Résumé de l’histoire de Crimée” des origines, sous les Abbassides, à Mengli Giray (870/1465) (“The summary of the Crimea’s history” from its origins, under the Abbasids, to Mengli Geray, 870/1465). The location of the manuscript is the University Library of Languages and Civilizations (Bibliothèque universitaire des langues et civilizations). The source is presented in the collection of the Ottoman Turkish m

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Nabovi, Majid, Gholamreza Fadaei, and Nader Naqshineh. "Examining the standards used in the description of manuscripts in continuous databases of Islamic manuscripts." National studies of librarianship and information organization 25, no. 2 (2013): 22–33. https://doi.org/10.5281/zenodo.14036283.

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Purpose: The purpose of this article is to investigate the level of uniformity in the description of manuscripts in Islamic manuscript databases from the three perspectives of cataloging, the uniformity of titles, subjects and names of authors and scribes, as well as metadata standards. Research method/approach: to reach For the aforementioned purpose, the descriptive survey method was used in such a way that at first the databases of Islamic manuscripts were identified and then through correspondence with knowledgeable people in these databases, as well as the review of reports and articles p

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15

Castaño Trias, Marta. "Les giletes de Francesc Fontanella com a model d’una literatura catalana culta." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 10 (December 6, 2017): 87. http://dx.doi.org/10.7203/scripta.10.10368.

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Resum: Francesc Fontanella va escriure un total de 77 poemes amorosos dirigits a Gileta. El conjunt poètic de les giletes (denominat així pel criptònim de la dama) conforma un dels blocs de la seva producció literària que compta amb una transmissió manuscrita i impresa més àmplia; en alguns dels manuscrits unitaris fins i tot tenen una portada pròpia. Una altra prova del ressò cultural dels poemes a Gileta són les mostres d’imitacions d’autors anònims que s’inspiren específicament del conjunt fontanellà que s’han conservat en diversos manuscrits i que representen, des de perspectives molt dife

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16

Eylazov, Fakhraddin. "Arabic manuscripts and manuscript tradition." Scientific Works, no. 01 (2025): 214. https://doi.org/10.59849/2218-4783.2025.1.214.

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Rodado Ruiz, Ana M. "«Variantes, variaciones e imprenta: SA10A y 11CG»." Revista de Literatura Medieval 29 (December 21, 2018): 197–223. http://dx.doi.org/10.37536/rpm.2017.29.0.69401.

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Resumen: El ms. 2763 de la Biblioteca Universitaria de Salamanca es un códice que contiene dos cancioneros colectivos independientes. El códice consta de 163 folios y su primera parte –SA10a, según el sistema de siglas de Brian Dutton (El cancionero del siglo XV, c. 1300-1520, Salamanca, Universidad de Salamanca, 1990-91)– ocupa los folios 1-93 y contiene 75 composiciones. De ellas, solo siete llegaron a la imprenta, cuando fueron publicadas por Hernando del Castillo en el Cancionero General de 1511 (11CG). El objetivo de este artículo es analizar el proceso de transmisión de esas obras desde

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18

Lose, Alícia Duha, and Vanilda Salignac Mazzoni. "O Patrimônio documental baiano: descrição material de documentos do século 19." Herança 3, no. 1 (2020): 124–44. http://dx.doi.org/10.52152/heranca.v3i1.211.

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Resumo Este artigo trata da identificação de manuscritos antigos com status de documentos históricos a partir do olhar da prática cotidiana do Ateliê de Conservação e Restauração Memória e Arte, localizado na cidade do Salvador, Bahia, Brasil. A intenção é mostrar a importância da inventariação a partir da descrição do suporte partindo de elementos presentes nos documentos e que não nos deixam dúvidas de sua importância e da necessidade de conservá-los e protegê-los enquanto patrimônio documental. Utilizou-se como referência documentos manuscritos tratados pelo referido Ateliê e que fora

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19

Mafra, Adriano. "Edição Genética de uma Tradução Imperial: o livro do Hitopadeça por D. Pedro II." Manuscrítica: Revista de Crítica Genética, no. 36 (December 21, 2018): 43–59. http://dx.doi.org/10.11606/issn.2596-2477.i36p43-59.

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Este artigo visa a demonstrar o processo que culminou na edição genética dos manuscritos tradutórios do monarca D. Pedro II da coletânea em sânscrito denominada Hitopadeça. Da tradução do texto em sânscrito, o montante chega a 88 páginas manuscritas que passaram a compor 45 fólios editados. O método empregado para a edição do material selecionado foi a transcrição diplomática e a proposta se enquadra naquilo que Biasi (2010) considera uma edição horizontal, já que as muitas campanhas de escritura dividem o espaço de uma única versão em manuscrito. O estudo apresenta ainda algumas considerações

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Mirza, Sana. "A Red Sea Style ? The Early Eighteenth Century Qur’an Manuscripts of Harar." Annales d'Ethiopie 34, no. 1 (2022): 73–98. http://dx.doi.org/10.3406/ethio.2022.1712.

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L’important corpus de manuscrits coraniques produits dans la ville de Harar, dans l’actuelle Éthiopie orientale, fournit un riche matériel permettant d’étudier les circuits diachroniques d’échanges artistiques dans la mer Rouge. Centre majeur de production de manuscrits dans la Corne de l’Afrique, Harar a produit des centaines de codex entre la fin du XVIIe et le XIXe siècle. Les manuscrits du Coran et les textes poétiques religieux du début du XVIIIe siècle à Harar utilisent des styles décoratifs associés aux Mamelouks, qui ont régné sur l’Égypte, la Syrie et l’Arabie de 1250 à 1517. Les form

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21

Anderson, Kirsteen H. R., and Louis Hay. "Le Manuscrit inacheve: Ecriture, creation, communication. Textes et manuscrits." Modern Language Review 84, no. 3 (1989): 742. http://dx.doi.org/10.2307/3732476.

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22

Honeyman-Buck, Janice C. "Editorial: Reviewing Manuscripts with Manuscript Central." Journal of Digital Imaging 16, no. 4 (2003): 319–23. http://dx.doi.org/10.1007/s10278-003-2502-9.

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23

Zaragoza, Verònica. "Escriure poesia al convent: entre la devoció i l’obediència. Primera aproximació a un manuscrit femení del segle XVIII." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 1, no. 1 (2013): 333. http://dx.doi.org/10.7203/scripta.1.2590.

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Resum: El manuscrit que ens disposem a donar a conèixer és un tresor documental interessantíssim per abordar l’estudi dels usos poètics de les dones d’època moderna als territoris de parla catalana, no només pel nombre de composicions recuperades d’una mateixa autora (un total de 53 poesies espirituals, no catalogades i desconegudes fins ara) sinó perquè es tracta d’un dels pocs autògrafs femenins accessibles per a la recerca. La inexistència de treballs dedicats exclusivament a la poesia femenina d’època moderna al panorama català, ens obliga necessàriament a iniciar el treball amb una primer

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Duplessis, Frédéric. "Le manuscrit d’origine de la correspondance de Frothaire de Toul identifié." Scriptorium 70, no. 2 (2016): 320–30. http://dx.doi.org/10.3406/scrip.2016.4412.

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Les notes prises, entre 1639 et 1647, par Anselme Le Michel sur quelques manuscrits de la bibliothèque de Saint-Père de Chartres nous permettent d’identifier le manuscrit d’origine de la correspondance de l’évêque carolingien Frothaire de Toul, aujourd’hui conservée dans le recueil composite Paris, BNF, lat. 13090 (f. 80-91). Il s’agissait du manuscrit Chartres, Bibliothèque municipale, 80 (90), qui a brûlé en 1944. L’étude des différents catalogues des manuscrits de Saint-Père permet de reconstituer l’histoire et le contenu de ce manuscrit scolaire. Il est probable que les feuillets contenant

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25

Calma, Dragos. "AL-ʿAQL DANS LA TRADITION LATINE DU LIBER DE CAUSIS". Arabic Sciences and Philosophy 31, № 1 (2021): 127–48. http://dx.doi.org/10.1017/s0957423920000107.

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RésuméL'article propose une première approche systématique de la tradition manuscrite du Liber de causis, en étudiant à la fois les variantes manuscrites et les difficultés doctrinales suscitées par la translittération de l'arabe al-ʿaql conservée dans la traduction latine. Certains médiévaux (tel Albert le Grand) l'entendent comme un concept sans équivalent en latin, forgé par des philosophes arabes dont on ignore tout. D'autres médiévaux (tels Thomas d'Aquin et Gilles de Rome), qui ont probablement connu une branche différente de la tradition manuscrite du Liber de causis, n'en font aucune m

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Putriani, Rizki. "MANUSKRIP AL-QUR’AN DI KABUPATEN SINTANG (Sebuah Deskripsi Awal Atas Manuskrip Al-Qur`an Koleksi Istana Al-Mukarramah Kabupaten Sintang)." Mafatih 1, no. 1 (2021): 74–83. http://dx.doi.org/10.24260/mafatih.v1i1.388.

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 Abstract The Qur'an manuscript collection from the Al-Mukarramah Palace, Sintang Regency, West Kalimantan has interesting characteristics, namely it has a fairly complete qiraat record. However, in this study, researchers only focused on descriptive studies as an initial effort to introduce the Qur'anic manuscripts collected by the Al-Mukarramah Palace to the public, especially in the academic world. This study uses a descriptive method, with the main source of the Qur'an manuscript collection of the Palace of Al-Mukarramah Sintang. The conclusion of this article is to describe –

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Barber, Kirk. "My First Hundred Manuscripts / Mes 100 premiers manuscrits." Journal of Cutaneous Medicine and Surgery 20, no. 2 (2016): 97–98. http://dx.doi.org/10.1177/1203475416631730.

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Prats Oliván, Arturo. "Las dos versiones del poema de las preguntas sobre la Biblia y la naturaleza atribuido a Abraham ibn Ezra." Miscelánea de Estudios Árabes y Hebraicos. Sección Hebreo 73 (November 13, 2024): 141–86. http://dx.doi.org/10.30827/meahhebreo.v73.30778.

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Los textos que se editan aquí corresponden a un poema atribuido a Abraham ibn Ezra que fue editado a finales del siglo XIX. El presente trabajo cuestiona la antigua edición proponiendo una nueva de dos distintas versiones del poema a partir de las fuentes manuscritas disponibles, la primera elaborada a partir de múltiples testimonios textuales conservados en manuscritos orientales datados entre los siglos XVII y XIX y en los que el poema se atribuye a Abraham ibn Ezra, y la otra versión elaborada a partir de un único manuscrito de Alfonso de Zamora (s. XVI), converso y profesor de hebreo de la

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Marnette, Sophie. "La ponctuation du discours rapporté dans quelques manuscrits de romans en prose médiévaux." Verbum 28, no. 1 (2006): 47–66. https://doi.org/10.3406/verbu.2006.1823.

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Le présent article se penche sur la signalisation des discours rapportés dans les romans en prose médiévaux. Après un bref passage en revue des marques morphosyntaxiques, énonciatives et lexicales, on envisagera surtout le marquage graphique du discours rapporté, et plus précisément l’emploi des points et points virgules, et des capitales (simples ou bien historiées), qui semblent varier de manuscrit à manuscrit et parfois même à l’intérieur d’un même texte. On examinera ici quatre extraits de romans en prose tirés de quatre manuscrits différents. Il s’agira d’une part de porter une réflexion

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Muzakir, Ali. "QUO VADIS KAJIAN MANUSKRIP JAMBI." Nazharat: Jurnal Kebudayaan 25, no. 1 (2019): 72–80. http://dx.doi.org/10.30631/nazharat.v25i1.14.

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This paper discusses Jambi’s manuscripts and their potential for study. The manuscripts are not huge. The seminal manuscript has produced since the early Jambi Sultanate in the mid-17th century. Using historical and codicology perspective, this writing analyzes the origins, sources and usingthe manuscript. This research presented that Jambi’s manuscript was emerging along with the dissemination of Islam. The close link that existed between Palembang and Jambi during sultanate had influenced manuscript production.A number of Palembang manuscripts had influenced Jambi. 

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Syaukani, Syaukani. "Kashf al-Gharā’ib: Terjemahan atas Kitab Munfarijah Karya Imām Muḥaqqiq Abī Yaḥyā Zayn al-Dīn Zakarīyā". Teosofi: Jurnal Tasawuf dan Pemikiran Islam 7, № 1 (2017): 96–118. http://dx.doi.org/10.15642/teosofi.2017.7.1.96-118.

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An effort to preserve and utilize manuscripts in this archipelago, especially religious manuscripts, is very important due to, at least, two reasons. Firstly, there has been abundant important information pertinent to religious phenomena in the manuscripts. Secondly, physical condition of the manuscripts has been increasingly fragile. Following the process of choosing the manuscript, the author has selected one of the manuscripts preserved in the State Museum of North Sumatra. This study employs the theory of philology, literature and history in analyzing the manuscript. Analyses are focused o

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TAKAHASHI, Takanobu. "Discovery of Old Manuscripts and Manuscript Brokers." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 50, no. 2 (2002): 529–37. http://dx.doi.org/10.4259/ibk.50.529.

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Weber, Priscila. "obra de Oliveira de Cadornega na Biblioteca Nacional de Portugal." Locus: Revista de História 28, no. 1 (2022): 206–28. http://dx.doi.org/10.34019/2594-8296.2022.v28.34935.

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O objetivo deste trabalho é analisar o manuscrito da obra História Geral das Guerras Angolanas, cuja autoria é atrelada a António de Oliveira de Cadornega, e que compõe o acervo da Biblioteca Nacional de Portugal. Através de características textuais e paleográficas do documento, podemos observar que se trata de uma cópia datada de meados do século XVIII, um século depois da escrita da versão manuscrita a próprio punho por Cadornega, e que hoje encontra-se no acervo da Academia das Ciências de Portugal. Ao contextualizar a feitura desta cópia manuscrita, observamos que ela foi mandada fazer pel

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Malik, Sophia Mairaj, and Asna Mubashra. "The Majnūn of Laylā: A Visual Analysis of the Illustrations in the Manuscripts on Laylā Majnūn By Hatifi." Human Nature Journal of Social Sciences 5, no. 2 (2024): 193–210. https://doi.org/10.71016/hnjss/9ddyx930.

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Aim of the Study: The current research is inspired by the Laylā Majnūn, manuscripts in the permanent collection of the Lahore Museum and the Punjab library respectively. By researching these manuscripts, the researchers aim to find out visual disparities as well as connections between these two manuscripts. The aim of this study is to explore the visual narrative within the manuscripts. Methodology: The research is a visual analysis of the illustration in the manuscript Layla and Majnun by the poet Hatifi. Both manuscripts are the nuskha by the poet Hatifi in Persian. The illustrations in both

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True, Micah. "British, but also French: Paul Mascarene’s Translation of Molière’s Le Misanthrope in Colonial Nova Scotia." Quebec Studies 71, no. 1 (2021): 133–50. http://dx.doi.org/10.3828/qs.2021.10.

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This article examines a little-studied manuscript translation of Molière’s Le Misanthrope, made in eighteenth-century British Nova Scotia by a military officer named Paul Mascarene, for what it can tell us about the complicated assimilation of Huguenots in the global refuge. It argues that the undated manuscript shows the surprising extent to which Mascarene, a Huguenot who fled France in childhood, remained culturally French even as he was a perfectly assimilated Briton, and that he can be seen as a cultural ambassador between his homelands new and old. The manuscript here is closely scrutini

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Hanafi, Ahmad. "Preservasi dan Konservasi Delapan Naskah Keislaman." Moderasi : Journal of Islamic Studies 2, no. 2 (2022): 160–207. http://dx.doi.org/10.54471/moderasi.v2i2.31.

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Manuscripts is the result of handwriting which contains various things such as thoughts, community culture, history of one's life journey and customs in the past. Religious texts are related to the spread of religion in Jember, such as there are Islamic boarding school texts for the spread of Islam and there are Bible texts for the spread of Christianity in Jember.. The research was conducted using a philological research method with a codicological approach. There are several steps in this research method. First, tracing the manuscripts obtained from the people who inherited the manuscripts.

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Tang, Minli, Shaomin Xie, Mu He, and Xiangrong Liu. "Character Recognition in Endangered Archives: Shui Manuscripts Dataset, Detection and Application Realization." Applied Sciences 12, no. 11 (2022): 5361. http://dx.doi.org/10.3390/app12115361.

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Shui manuscripts provide a historical testimony of the national identity and spirit of the Shui people. In response to the lack of a high-quality Shui manuscripts dataset, we collected Shui manuscript images in the Shui area and used various methods to enhance them. Through our efforts, we created a well-labeled and sizable Shui manuscripts dataset, named Shuishu_T, which is the largest of its kind. Then, we applied target detection technology for Shui manuscript characters recognition. Specifically, we compared the advantages and disadvantages of Faster R-CNN, you only look once (YOLO), and s

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Fakhriati, Fakhriati, Mu’jizah Mu’jizah, Munawar Holil, and Tedi Permadi. "Don’t Leave Indonesian Manuscripts in Danger: An Analysis of Digitalization and Preservation." Preservation, Digital Technology & Culture 51, no. 1 (2022): 3–15. http://dx.doi.org/10.1515/pdtc-2021-0017.

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Abstract Although manuscript digitalization helps to safeguard old manuscripts, the challenges of old manuscripts’ preservation remain present. Old manuscripts are increasingly neglected and hard to access. This study aims to shed light on the preservation of manuscript contents as it is being done through various digitalization programs by a variety of national and international institutions in Indonesia. This study found that, paradoxically, the availability of many digital manuscripts does not enhance the study of their contents. Similarly, attention to the physical preservation of these ma

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González-Muñoz, Fernando. "Juan de Segobia y los manuscritos de la traducción latina del Corán de Robert de Ketton." Al-Qanṭara 42, no. 1 (2021): e07. http://dx.doi.org/10.3989/alqantara.2021.007.

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El objetivo de este estudio es demostrar la estrecha relación que media entre dos de los manuscritos que actualmente se conservan de la traducción latina del Corán de Robert de Ketton (1142-1143), y la figura de Juan de Segobia (1390/5-1458), quien desde 1437 había estudiado esta versión del Corán hasta que él mismo, con la colaboración de un alfaquí hispano, elaboró una nueva traducción. Tras exponer las noticias que Juan de Segobia ofrece sobre los ejemplares del Corán latino que poseyó, se esboza una ordenación general de la tradición manuscrita del Alchoran de Robert de Ketton, que s

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Bodi, Idham Khalid. "RELIGIOUS ANCIENT MANUSCRIPT IN THE CITY OF TIDORE ISLAND, NORTH MALUKU PROVINCE." Al-Qalam 23, no. 1 (2017): 61. http://dx.doi.org/10.31969/alq.v23i1.380.

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<pre>The research of mapping, inventory, and digitalization of the religious ancient manuscript conducted in City of Tidore Island, requiring the search of hand written manuscript that is still kept in the society as an affort to preserve the ancient manuscript in the form of transfering to textual media into digital form, and can provide an general overview about the manuscripts that is still exist around the society area, through the manuscript codicology approach. This research found 106 religious manuscript consist of seven owner of manuscripts spreading in Tidore Island and Maitara

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De Kesel, Lieve. "Use and Reuse of Manuscripts and Miniatures." Bulletin du bibliophile N° 353, no. 1 (2011): 64–101. http://dx.doi.org/10.3917/bubib.353.0074.

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De nombreux manuscrits médiévaux sont, dans leur état actuel, le résultat de différentes étapes de réalisation, d’éléments ajoutés et de fragments enlevés. Ainsi quatre manuscrits démontrent parfaitement ces pratiques. Ils constituent le sujet principal de cette contribution. Les manuscrits en question sont liés par une pratique singulière : des miniatures découpées ont notamment été insérées dans ces manuscrits en les appliquant sur des feuillets dans lesquels on a préalablement découpé une partie du parchemin, laissant un vide légèrement inférieur au format de la miniature. Au cours des temp

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Zaragoza Gómez, Verònica. "Poesia, ritual i cant per a la festa: l’univers creatiu i festiu dels poemes de vesticions i professions al convent de carmelites descalces de Barcelona (segle XVII)." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 7, no. 7 (2016): 160. http://dx.doi.org/10.7203/scripta.7.8475.

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Resum: En aquest treball analitzem les composicions escrites per a les cerimònies de presa d’hàbit i vel i la professió solemne al convent de la Immaculada Concepció de Barcelona. Aquests poemes amb què les religioses deixaven enrere la seva vida seglar i inauguraven un nou camí com a esposa de Jesucrist, amb una nova identitat construïda en la clausura, formen part d’un dels “subgèneres” poètics més importants i amb una presència més arrelada en la tradició poètica carmelitana femenina. Per a estudiar-los, en primer lloc, oferim una caracterització general necessària dels usos i funcions de l

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Giannini, Gabriele. "Poser les fondements : lieu, date et contexte." Études françaises 48, no. 3 (2013): 11–31. http://dx.doi.org/10.7202/1015388ar.

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Lorsqu’on s’attache à un corpus de manuscrits pour dégager le sens de la présence et de la distribution des représentants d’un genre narratif, il convient, au préalable, de situer précisément dans le temps et dans l’espace, ainsi que dans le contexte socioculturel, chaque élément du corpus. À cette fin, le chercheur est amené à battre plusieurs pistes, suivant les cas. L’exemple du manuscrit L.II.14 de la Biblioteca Nazionale Universitaria deTurin — un recueil attachant, qui soude avec désinvolture quelques cycles épiques majeurs à l’histoire sacrée — montre que la lecture des textes, l’explor

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Nurdin, Nasrullah. "Apresiasi Intelektual Islam terhadap Naskah Klasik Keagamaan." Jurnal Lektur Keagamaan 13, no. 2 (2015): 497. http://dx.doi.org/10.31291/jlk.v13i2.237.

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Manuscripts of the archipelago is one of the important Indonesian cultural treasures which are mostly neglected and only being paid attention by limited intellectual communities who are expert in their field so that its existence is threatened with the passage of time. The existence of this manuscript is similar with that of other cultural legacies such as temples,palaces, places of worships, museums, etc. The number of manuscript is even more than these cultural heritages. Islamic manuscript of the archipelago is one of the invaluable Islamic heritages of this country. These large number of m

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Asna, Hanifatul. "Characteristics of the Qur'anic Manuscript from Menoreh Magelang." Wawasan: Jurnal Ilmiah Agama dan Sosial Budaya 4, no. 2 (2019): 202–13. http://dx.doi.org/10.15575/jw.v4i2.5957.

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This article focuses on Quranic manuscripts that are believed to be attributed to Prince Diponegoro. This Quranic manuscript stored in Magelang and was brought by Prince Diponegoro during the Java War (1825-1830 AD), which he led. Previous researchers have studied Prince Diponegoro’as a religious figure, but no one has examined Quranic manuscripts that credited to his legacy. Through the Philology approach, this paper shows authentic Quranic manuscripts originating from the time of Prince Diponegoro's life. Illumination with Javanese floral style in the manuscript has similarities with the Qur

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Baskar, K., and B. Ramesh Babu. "Manuscripts Collection Development in Mahamahopadhyaya Dr.U.V.Swaminatha Iyer Library: A Case Study." Asian Journal of Information Science and Technology 3, no. 1 (2013): 11–17. http://dx.doi.org/10.51983/ajist-2013.3.1.2598.

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Mahamahopadhyaya Dr. U. V.Swaminatha Iyer Library is one of the oldest Manuscript Libraries having palm leaf and paper manuscripts amongst its collection which provides authentic records for tracing the cultural, social, political and economic history of people in Tamil speaking regions as such. This paper elicits the quantum of manuscript collections in this library. It recognizes the availability of access of manuscripts in different languages together with relevant information about the various subjects contained in these manuscripts housed in this library. This paper states the different a

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Olszowy-Schlanger, Judith. "Manuscrits hébreux et judéo-arabes médiévaux." École pratique des hautes études. Section des sciences historiques et philologiques. Livret-Annuaire 156 (2025): 37–38. https://doi.org/10.4000/13msk.

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Programme de l’année 2023-2024 : I. Manuscrits hébreux et judéo-arabes médiévaux. — II. Introduction à la paléographie hébraïque. Dans le cadre du projet Manuscrits hébreux à l’ère numérique (Hebrew Manuscripts in the Digital Ages).

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Nur Aisyah, Sofia, and Ike Iswary Lawanda. "Katalogisasi Naskah Kuno Sebagai Pelestarian Informasi Naskah." Media Pustakawan 31, no. 2 (2024): 114–25. https://doi.org/10.37014/medpus.v31i2.5166.

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There is a need to preserve manuscript information in an effort to save it, one of which is cataloging, which will make it easier for users to access manuscript searches. This article will discuss the techniques used in the process of cataloging ancient manuscripts, the contributions made to the cataloging of ancient manuscripts, and the challenges faced in the process of cataloging ancient manuscripts for the preservation of their information. The method used in this research is a systematic literature review (SLR) using publication citation limits from the period 2018–2023, or the last 6 yea

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Khanizadeh, Mehrbod. "Zoroastrian ritual and exegetical traditions: the case of the Iranian Pahlavi Yasna." Bulletin of the School of Oriental and African Studies 84, no. 3 (2021): 469–504. http://dx.doi.org/10.1017/s0041977x21000781.

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AbstractThe manuscripts of the Iranian Pahlavi Yasna contain two consecutive colophons, the second of which relates the story of how their common ancestor manuscript, which combines the Avestan text of the Yasna with its Pahlavi version, was created. It is argued that Rōstahm Dād-Ohrmazd produced the first Pahlavi Yasna manuscript by taking the Avestan text from one manuscript and the Pahlavi text of a manuscript by Farrbay Srōšayār. Furthermore, it is argued that Rōstahm Dād-Ohrmazd wrote this manuscript both for himself and for Mahayār Farroxzād, who was from the province of Bīšāpuhr. The ma

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Fauzan Ahmad, Nur, and Ilham Ibnul Hakim. "Saving the Nusantara's Ulama Scientific Treasures with Digitization." E3S Web of Conferences 359 (2022): 05009. http://dx.doi.org/10.1051/e3sconf/202235905009.

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This study aims to preserve and save the scientific treasures of the scholars of the archipelago in the form of coastal ancient manuscripts at the Jami' Lasem Mosque Library, Rembang. The condition of the ancient manuscripts is now damaged, weathered due to age. If not saved immediately, the contents of the manuscript will be damaged and unreadable. Though the contents are very useful for today's life. The effort that needs to be done is to digitize the manuscript, while the original manuscript can be preserved by means of preservation. Digitization is not only to preserve the contents of the

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