Relevant bibliographies by topics / Manuscrit de Namur

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Academic literature on the topic 'Manuscrit de Namur'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Manuscrit de Namur"

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Séginger, Gisèle. "Nerval Michel Brix et Jacques Clémens, Genèse de « Pandora » . Le manuscrit de l’édition de 1854 , Namur, Presses universitaires de Namur, 2005,79 p." Romantisme 137, no. 3 (2007): X. http://dx.doi.org/10.3917/rom.137.0141j.

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Sunliensyar, Hafiful Hadi. "Warisan Budaya Pantun dalam Manuskrip Surat Incung." Manuskripta 12, no. 2 (2022): 251. http://dx.doi.org/10.33656/manuskripta.v12i2.218.

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Pantun is one of the ancient poetry that is the cultural heritage of the society in the archipelago. At first, the Pantun tradition is an oral tradition that functioned for various purposes. However, Pantuns are also transformed into written form after. The text entity of the Pantun is inserted in various Hikayat Melayu and in local literary manuscripts, such as the Ulu manuscript and the Incung Kerinci manuscript. This study aims to identify Pantuns in the Incung manuscripts that have been translated. The result of this research shows that 14 Incung manuscripts containing the texts of Pantun.
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Andersen, Svend. "“Den guddommeligt skønne natur”." Dansk Teologisk Tidsskrift 84, no. 1 (2021): 25–47. http://dx.doi.org/10.7146/dtt.v84i1.128069.

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Abstract: The article offers a contribution to the understanding of K.E. Løgstrup’s metaphysics focusing on his reading of Friedrich Hölderlin’s poetry and Martin Heidegger’s interpretation thereof. Heideggerian ontology plays a crucial role in Løgstrup’s theology as a philosophical explication of the pre-understanding of Christian faith. At first, existential ontology was essential in this respect, but later Løgstrup realized the necessity of broadening the view to being in general, which equals the movement towards metaphysics. In this movement, Hölderlin as interpreted by Heidegger is pivot
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Rosa, Elfira, Novizal Wendry, and Muhammad Hanif. "Kaidah Rasm Dalam Manuskrip Mushaf Al-Qur'an Nagari Tuo Pariangan." Al-Qudwah 1, no. 2 (2023): 108. http://dx.doi.org/10.24014/alqudwah.v1i2.25446.

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West Sumatra is one of the regions that has a substantial collection of Quranic manuscript in the Nusantara. One notable location is Nagari Tuo Pariangan, which houses a number of Quranic manuscript that have been handed down through generations. This article investigates the scriptural aspects (rasm) of the Quranic manuscript preserved by Aswardi, specifically with the identification numbers or codes No. 019 NM and No. 029 NM. The analysis focuses on the origin of the manuscripts and the consistency of the rasm copying in utilizing the script. This research employs a qualitative method, speci
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Sunliensyar, Hafiful Hadi. "KISAH NABI ADAM DI DALAM NASKAH INCUNG INI ASAN PULUNG DARI KERINCI." Jurnal Lektur Keagamaan 19, no. 2 (2021): 583–806. http://dx.doi.org/10.31291/jlka.v19i2.901.

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The religious manuscripts found in Kerinci were written using Jawi script (Arab-Melayu) generally. However, the Incung manuscript that was found as the sacred heirloom collection of Depati Anum Muncak Alam from Dusun Sungai Tutung, indicated something different. This Incung manus­cript is a religious manuscript that narrates the Adam prophet’s story. This Incung manuscript is titled Ini Asan Pulung with code EAP117-44-1-6. The problem in this study is how the narration of Adam prophet's story in the Incung manuscript Ini Asan Pulung? The purpose of this study is to understand the narration of
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Widiyanarti, Tantry, Sarwititi Sarwoprasodjo, Ahmad Sihabudin, and Rilus A. Kinseng. "Intercultural Communication in Manuscript Digitization (Study in the Village of Legok Indramayu)." Nyimak: Journal of Communication 5, no. 1 (2021): 59. http://dx.doi.org/10.31000/nyimak.v5i1.3122.

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Manuscript digitization is an effort to preserve the content of the manuscript from damage. The content of the manuscript which contain local wisdom must be saved, because the manuscript is old and is in a concerning condition, damaged, destroyed, or even lost. Therefore, digitalization needs to be done. However, digitalization cannot be done easily, because there are cultural differences that underlie it. This study wants to see how intercultural communication is carried out during the process of digitizing a manuscript so that digitization can be carried out. This study uses a qualitative me
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Sulaiman, Annas Marzuki, and Henry Bastian. "REVITALISASI DESAIN ILUMINASI PADA NASKAH JAWA KUNO DI MUSEUM RADYA PUSTAKA SURAKARTA." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 5, no. 02 (2019): 240–50. http://dx.doi.org/10.33633/andharupa.v5i2.2059.

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AbstrakSalah satu bentuk seni yang paling menarik dari budaya visual klasik nusantara adalah seni dekorasi dalam bentuk desain iluminasi yang dapat ditemukan dalam naskah kuno yang tersebar di nusantara. Di Jawa Tengah, desain iluminasi dapat ditemui dalam koleksi naskah kuno Jawa yang disimpan di perpustakaan istana Mangkunegaran dan perpustakaan museum Radya Pustaka Surakarta. Namun keindahan dan keunikan desain iluminasi yang ada dalam naskah Jawa kuno tersebut hanya tersimpan di perpustakaan dan museum, sehingga belum bisa digunakan selain sebagai obyek penelitian dan kepentingan pendidika
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Iswanto, Agus, Nurhata Nurhata, and Asep Saefullah. "Narasi Moderasi Beragama dalam Naskah Serat Carub Kandha." Jurnal Lektur Keagamaan 19, no. 1 (2021): 37–68. http://dx.doi.org/10.31291/jlka.v19i1.910.

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A number of traditional historiographies are narrated in manuscripts from Cirebon, not a few that mention religious moderation. However, the babad manuscripts tend to change their perspective when it enters the Colonialism era. The narrative of tolerance between ethnic groups or between religions was experiencing serious friction. There is a manuscript that comes from the Cirebon tradition, which narrates implicitly about religious moderation in the early eras of the development of Islam and the port cities, namely Serat Carub Kandha. This article discusses three issues related to religious mo
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Hermand, Xavier. "Notes sur deux manuscrits de la correspondance d'Yves de Chartres provenant de l'abbaye de Floreffe [Namur, fonds de la ville, manuscrits 91 et 118]." Scriptorium 51, no. 2 (1997): 329–36. http://dx.doi.org/10.3406/scrip.1997.1812.

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Hastuti, Qona’ah Dwi, and Moh Abdul Kholiq Hasan. "MANUSKRIP MUSHAF AL-QUR‘AN DAUN LONTAR KOLEKSI KIAI ABDURROCHIM (KAJIAN PEMAKAIAN RASM DAN QIRA`AT)." Profetika: Jurnal Studi Islam 21, no. 1 (2020): 57–76. http://dx.doi.org/10.23917/profetika.v21i1.11060.

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Tulisan ini mengkaji manuskrip mushaf Al-Qur‘an daun lontar koleksi Kiai Abdurrochim dari Tarub, Jawa Tengah. Hanya ada satu naskah yang menjadi obyek kajian. Fokus yang akan dibahas pada penelitian ini adalah bagaimana penggunaan rasm dan qira`at pada naskah koleksi Kiai Abdurrochim tersebut. Hasil penelitian menemukan bahwa mushaf tersebut dalam penulisan rasm menggunakan kaidah rasm usmani, meskipun ada beberapa kesalahan dalam penulisan namun tidak mempengaruhi tulisan tersebut. Sedangkan pada aspek qira`at mushaf tersebut menggunakan qira`at Imam Ashim riwayat Hafs dalam menyalin teksnya.
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Dissertations / Theses on the topic "Manuscrit de Namur"

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Spyra, Ulrike. "Das "Buch der Natur" Konrads von Megenberg die illustrierten Handschriften und Inkunabeln /." Köln : Böhlau, 2005. http://books.google.com/books?id=LuXaAAAAMAAJ.

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Books on the topic "Manuscrit de Namur"

1

Rochette, Joël. Lueurs d'Apocalypse: Imaginaire et recherches autour du Manuscrit de Namur (XIVe siècle). Éditions Jésuites, 2017.

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Rochette, Joël. Lueurs et tremblements: Un commentaire de l'Apocalypse de Jean illustré par le Manuscrit de Namur (XIVe siècle). Fidélité, 2016.

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Derolez, Albert. Provinces of Liege, Luxemburg and Namur. WLSK, 1994.

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4

Schröer, Johannes, and Ulrike Surmann. Trotz Natur und Augenschein: Eucharistie : Wandlung und Weltsicht. Greven, 2013.

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5

Auer, Alfred. Natur und Kunst: Handschriften und Alben aus der AmbraserSammlung Erzherzog Ferdinands II. (1529-1595). Kunsthistorisches Museum, 1995.

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6

Armin, Zweite, and Kunstsammlung Nordrhein-Westfalen (Germany), eds. Joseph Beuys: Natur, Materie, Form. Schirmer/Mosel, 1991.

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7

Johannes, Rathofer, ed. Faksimile-Ausstellung, Mensch und Natur im Spiegel mittelalterlicher Buchmalerei: 5. September bis 19. November 1990 im Foyer der Universitäts- und Stadtbibliothek Köln. Die Bibliothek, 1990.

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Auer, Alfred. Natur und Kunst: Handschriften und Alben aus der Ambraser Sammlung Erzherzog Ferdinands II. (1529-1595) : Ausstellung des Kunsthistorischen Museums und der Österreichischen Nationalbibliothek, Schloss Ambras, Innsbruck, 23. Juni-24. September 1995. Kunsthistorisches Museum Wien, 1995.

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9

Sandkaulen, Birgit, and Michael Quante, eds. Hegel-Studien Band 55. Felix Meiner Verlag, 2021. http://dx.doi.org/10.28937/978-3-7873-4120-7.

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Aus dem Inhalt: Hegels Moral- und Handlungsphilosophie Armando Manchisi: Die Idee des Guten bei Hegel: Eine metaethische Untersuchung Giulia Battistoni/Thomas Meyer: Handlung, Vorsatz, Schuld: Karl Ludwig Michelet als Interpret der hegelschen Handlungstheorie Stephan Zimmermann: Die „allgemeine Handlungsweise“: Zu Hegels Begriff der Sitte. Der objektive Geist im Kontext von Hegels Philosophie des Geistes Eduardo Assalone: Ethical Mediation in Hegel’s Philosophy of Right Jean-Baptiste Vuillerod: La dialectique de l’homme maître et de la femme esclave: La Phénoménologie de l’esprit à l’aune des
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10

Parrish, Randall. Wolves of the Sea Being a Tale of the Colonies from the Manuscript of One Geoffry Carlyle, Seaman, Narrating Certain Strange Adventures Which Befell Him Aboard the Pirate Craft "Namur". Hard Press, 2006.

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Book chapters on the topic "Manuscrit de Namur"

1

Gronemann, Simona. "The Sephardic Meshal ha-kadmoni as an Ashkenazic German Manuscript (MS. Heb. 107, Munich, Bayerische Staatsbibliothek)." In Fables in Jewish Culture. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501775833.003.0007.

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This chapter focuses on the Hebrew text of the 13th-century Sephardic fable book Meshal ha-kadmoni, which is known from five extant Ashkenazic illuminated manuscripts and one incunabulum. The fable book is written in the form of a maqama and is comprised of dialogs between its protagonists, who are alternately humans and animals. The chapter mentions that the Munich copy of Meshal ha-kadmoni has the most complete text and is considered to have textually guided later copies of the book. From a brief stylistic analysis of the drawings, Robert Suckale concluded that the artist of Munich came from
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"79 Artasidan nomun qaγan-u namtur." In A Catalogue of the Mongolian Manuscripts and Xylographs of the Ernst-Collection. Bern Open Publishing (BOP), 2025. https://doi.org/10.36950/kat-mon-2025.79.

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Baums, Stefan. "Wine in the Gandhāran Epigraphic Corpus." In Wine Cultures Gandhāra and Beyond. Fondazione Università Ca’ Foscari, 2024. http://dx.doi.org/10.30687/978-88-6969-816-3/011.

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The wine culture of ancient Gandhāra, so richly attested in its art history and reflected in the accounts of outside observers, has left only modest traces in the epigraphic and manuscript record of Gandhāra itself. In this article, I collect the available material and consider the information that can be extracted from it. A number of inscribed drinking vessels preserve information about their owners, while objects from monastic contexts provide only suggestions for a possible engagement of Buddhist communities with wine-related activities. Recent research on the Bactrian and Gāndhārī inscrip
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