Academic literature on the topic 'Manutius'

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Journal articles on the topic "Manutius"

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Gramaccini, Norberto. "Petrucci, Manutius und Campagnola." troja. Jahrbuch für Renaissancemusik 9 (November 25, 2020): 15–33. http://dx.doi.org/10.25371/troja.v20102938.

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Sachet, Paolo. "The Manutius Network 2015." Library 17, no. 3 (2016): 336–40. http://dx.doi.org/10.1093/library/17.3.336.

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Tamaru, Angela Harumi. "Polia - feminino de Polifilo." ETD - Educação Temática Digital 9, no. 1 (2008): 218. http://dx.doi.org/10.20396/etd.v9i1.747.

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Ahačič, Kozma. "Izročilo latinskega slovničarstva pred prvo slovensko slovnico Adama Bohoriča kot (ne)posredni vir zanjo." Keria: Studia Latina et Graeca 8, no. 1 (2006): 7. http://dx.doi.org/10.4312/keria.8.1.7-28.

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Prispevek opisuje možne neposredne in posredne vire prve slovnice slovensekga jezika, ki jo je leta 1584 napisal Adam Bohorič. natančneje določi neposredne vire (Melanchthon, Donat) in opiše možne posredne vire, pri čemer se omeji na latinske humanistične slovnice (Valla, Perotti, Perger, Sulpicij, Nebrija, Manutius, Despauterius, Linacre, Alvarus, Scaliger, Ramus).
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Stewering, Roswitha. "Architectural Representations in the "Hypnerotomachia Poliphili" (Aldus Manutius, 1499)." Journal of the Society of Architectural Historians 59, no. 1 (2000): 6–25. http://dx.doi.org/10.2307/991560.

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In December 1499 the Hypnerotomachia Poliphili appeared in Venice under the imprint of Aldus Manutius, in an edition whose woodcuts and typography make it one of the masterpieces of Italian printing. The enigmatic dream recounted in the book describes Poliphilo's struggle to win his love and his final happy union with his beloved Polia. The study focuses on the group of architectural representations in the book. Free from a slavish attempt to illustrate, they follow the course of the love story within the framework of an inner visual logic. A second part analyzes the section of the Temple of V
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Carlsmith, Christopher. ":Aldus Manutius: The Invention of the Publisher." Sixteenth Century Journal 55, no. 1-2 (2024): 465–67. http://dx.doi.org/10.1086/731174.

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Vignoli, Flávio. "Impressão cega e viva." DAT Journal 1, no. 1 (2016): 3–9. http://dx.doi.org/10.29147/2526-1789.dat.2016v1i1p3-9.

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A impressão experimental na tipografia é uma surpreendente experiência. Entre a composição e a técnica dos processos tipográficos, uma performance gráfica de um impressor brincante no prelo manual. Mas com um único papel para imprimir! Todas as relações entre os elementos da impressão são visualizados entre os gestos do tipógrafo e do impressor sempre com resultados inesperados. Para este ensaio visual foram escolhidas frases que, para mim, definem esta divertida tentativa de descobrir a tipografia: tarefas infinitas; impressões táteis; biblioteca de babel; balé mecânico; h. faber a. manutius
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Ra, Youngsoon. "The World of Aldus Manutius, Business and Scholarship in Renaissance Venice." Western History Review 150 (September 30, 2021): 240–45. http://dx.doi.org/10.46259/whr.150.8.

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Margolis, Oren. "Hercules in Venice: Aldus Manutius and the Making of Erasmian Humanism." Journal of the Warburg and Courtauld Institutes 81, no. 1 (2018): 97–126. http://dx.doi.org/10.1086/jwci26614765.

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Cariou, Morgane. "À propos d’un manuscrit de Nicolò Leonico Tomeo, le modèle de l’édition princeps du Lapidaire orphique." Scriptorium 68, no. 1 (2014): 49–77. http://dx.doi.org/10.3406/scrip.2014.4293.

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Numerous links exist between manuscripts that belonged to the Paduan philosopher Nicola Leonico Tomeo and the editions published by Aldus Manutius and his heirs. This article investigates the case of MS Paris, BNF, Greek 2764. As is demonstrated by discreet markings made with dry point, MS 2764 provided the copy-text for the edition of the Orphic Lithica published by Gian Francesco d’Asola in 1517. It was also used for the first edition of Colluthus, prepared by Aldus Manutius in 1504. Contrary to what might be thought on the basis of both marginal branches and a dedication to a woman named Fo
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Dissertations / Theses on the topic "Manutius"

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Le, Goff Raichel A. "Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture." Thesis, 2012. http://hdl.handle.net/1959.13/933486.

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Research Doctorate - Doctor of Philosophy (PhD)<br>The 'Imagines' of Philostratus the Elder and his grandson Philostratus the Younger, is the only book surviving from antiquity that deals solely with the appreciation of painting. The thesis describes and analyses the ways in which the 'Imagines' has been rediscovered, translated, read and interpreted by humanists, artists and their patrons, from the time of the first printed edition in 1503 to the beginning of the seventeenth century when its popularity with artists diminished.
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Kahl, Hannes. "Form und Formalisierung." 2021. https://ul.qucosa.de/id/qucosa%3A74204.

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Frühdrucke des Aldus Manutius und seiner Zeitgenossen in Hinsicht auf die Druckpraxis und zur Software gestützten Erfassung und Verarbeitung (optische Layout Erfassung).:1 Einleitung S. 1 2 Die Druckerei Aldus Manutius, das Drucken früh und spät S. 5 2.1 Das Drucken des Griechischen in Venedig S.5 2.2 Das Druckwesen nimmt seinen Ausgang im 15 Jh. / Medientheorie S. 22 2.2.1 Definition Autor S. 22 2.2.2 Definition Proportion und Formulierung der Hypothese S. 29 2.3 Lagen, Kustoden, Zeilen zählen S. 45 2.4 Die Aldinen Druckerei, ihre Arbeitsweise, ihre Ziele S. 78 2.5 Zur Bedeutung des Aldus M
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Books on the topic "Manutius"

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Lowry, Martin. Facing the responsibility of Paulus Manutius. Dept. of Special Collections, University Research Library, University of California, 1995.

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Barker, Nicolas. Aldus Manutius: Mercantile empire of the intellect. Department of Special Collections, University Research Library, University of California, Los Angeles, 1989.

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Barker, Nicolas. Aldus Manutius: Mercantile empire of the intellect. Dept. of Special Collections, University Research Library, University of California, Los Angeles, 1989.

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Barker, Nicolas. Aldus Manutius: Mercantile empire of the intellect. Dept. of Special Collections, University Research Library, University of California, 1989.

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Manuzio, Aldo, 1449 or 50-1515., Pierpont Morgan Library, and University of California, Los Angeles. Library. Dept. of Special Collections., eds. In praise of Aldus Manutius: A quincentenary exhibition. Pierpont Morgan Library, 1995.

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Catherine. Epistole devotissime: Venice, Aldus Manutius, 1500 : five letters. [Smith College Library], 1987.

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7

Martin, Davies. Aldus Manutius: Printer and publisher of Renaissance Venice. British Library, 1995.

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Maxwell, Mary Ann Addy, 1960-, Maxwell Robert L. 1957-, Barrios Pamela, and Harold B. Lee Library, eds. In aedibus Aldi: The legacy of Aldus Manutius and his press. Friends of the Harold B. Lee Library, Brigham Young University, 1995.

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Barker, Nicolas. Aldus Manutius and the development of Greek script & type in the fifteenth century. Chiswick Book Shop Press, 1985.

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Italy) Aldo Manuzio e la costruzione del mito (Conference) (2015 Venice. Aldo Manuzio: La costruzione del mito = Aldus Manutius : the making of the myth. Marsilio, 2016.

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Book chapters on the topic "Manutius"

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Graheli, Shanti. "Manutius, Aldus." In Encyclopedia of Renaissance Philosophy. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_738.

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Graheli, Shanti. "Manutius, Aldus." In Encyclopedia of Renaissance Philosophy. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-02848-4_738-1.

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Oosterhoff, Richard J. "Printerly Ingenuity and Mathematical Books in the Early Estienne Workshop." In Publishing Sacrobosco’s De sphaera in Early Modern Europe. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-86600-6_2.

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AbstractEven though the first press in Paris was set up in 1469, in rooms owned by the Collège de la Sorbonne, it took some time before the University's cursus ordinarius was regularly set in print. One of the first concerted efforts to reconfigure textbooks using print was carried out by Wolfgang Hopyland Johann Higman, beginning in the late 1480s. Their press—and their collaboration with the circle of Jacques Lefèvre d'Étaples—was taken up by the elder Henri Estienne and then Simon de Colines, who transformed the press into one of the most illustrious cases of the printing art in Europe, alo
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"Lobwasser - Manutius." In Katalog der Graphischen Porträts in der Herzog August Bibliothek Wolfenbüttel: 1500-1850. Reihe A, Band 40, Supplement 3: Abbildungen. DE GRUYTER SAUR, 2006. http://dx.doi.org/10.1515/9783110955392.2.

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"Paulus Manutius (including Academia Veneta, Antonius Manutius and Roman imprints)." In The Aldine Press. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8501032.7.

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"3. Erasmus and Aldus Manutius." In Erasmus, Utopia, and the Jesuits. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823295449-006.

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Della Rocca de Candal, Geri. "Printing in Greek before Aldus Manutius." In Printing R-Evolution and Society 1450-1500. Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-332-8/007.

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The present paper examines the history, circulation and use of the earliest Greek books ever printed (1471-1488). In particular, it focuses on the publishing enterprises of Bonus Accursius in Milan, who issued the first complete set of books to learn Greek, and of Laonicus &amp; Alexander, the first Greeks to actively engage with the art of printing, who operated out of Venice but clearly had a double readership in mind: Westerners and, for the first time, the Greek communities of Venice and elsewhere.
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de Candal, Geri Della Rocca. "MANUS MANUTII." In Printing and Misprinting. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198863045.003.0008.

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Abstract Aldus Manutius (c. 1450–1515), arguably the best-known Renaissance printer, was eager to offer the highest editorial and typographical standards in his editions. Not even Aldus, however, was immune to typographical errors and occasional disasters. This chapter provides a checklist of all known in-house corrections found in the first five years of his printed production (1495–1500), examining various approaches to deal with errors, and addressing the question of how typographical flaws help us understand early printing practices. The sheer number of misprints, alterations, and interven
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"PAULUS MANUTIUS 1533- 74 ENTRIES 257 -861." In The Aldine Press. University of California Press, 2001. http://dx.doi.org/10.1525/9780520328563-004.

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Kurowsky, Sylvia, and Hannes Kahl. "Zum Dissens über die griechischen Typen des Aldus Manutius." In 2022. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110766844-008.

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