Academic literature on the topic 'Manx Museum and National Trust'

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Journal articles on the topic "Manx Museum and National Trust"

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Brooks, Ken. "Brennan & Geraghty, Maryborough Nurserymen, 1875–1900." Queensland Review 19, no. 1 (2012): 89–96. http://dx.doi.org/10.1017/qre.2012.8.

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Brennan & Geraghty's Store Museum, owned by the National Trust, is a museum about itself, interpreting its own place within the community of Maryborough from 1871 to 1972. The museum exhibits its own collection of over 100,000 items, including business letters and trading records from the 1870s, curry powder from the 1890s, soap from the 1920s, and advertising material and other commercial items – all of which are provenanced to the store.
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Murawska, Agnieszka, Jarosław M. Fraś, Ewa Frąckowiak, and Andrzej Rybicki. "PROFESSION OF A ‘MUSEUM CURATOR’. ON LEGAL CHANGES IN THE CONTEXT OF THE EROSION OF THE ROLE PLAYED BY MUSEUM CURATORS." Muzealnictwo 61 (July 24, 2020): 145–53. http://dx.doi.org/10.5604/01.3001.0014.3323.

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Changes in the legislation related to museum curators and museology, introduced with small steps in harmony with the Overton Window concept, are discussed; they are leading away from the letter and spirit of the Act on Museums of 21 Nov 1996 and the traditions of Polish museology based on creating collections of museum objects and working on them in various manners. Regulations and legal opinions on the museum curator profession are presented, pointing to the fact that the initially cohesive definitions and provisions are becoming blurred, to the extent of losing their initial sense, and threa
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MacANDREW, RICHARD. "Robert McAndrew FRS (1802–1873) – a family perspective." Archives of Natural History 35, no. 1 (2008): 71–75. http://dx.doi.org/10.3366/e0260954108000065.

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A brief biographical account is given of the nineteenth-century marine dredger, naturalist and shell collector, Robert McAndrew, based on a hitherto unavailable family memoir written in 1915 by his youngest son, George. Robert McAndrew's extensive shell collection is kept in the University of Cambridge Museum of Zoology. George's own residence was at Juniper Hall in Surrey, a property sold to the National Trust in 1945 and now leased to the Field Studies Council as a field study centre.
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Lithgow, K. "Delivering the National Trust's preservation purpose: mission, strategy and structure." Insight - Non-Destructive Testing and Condition Monitoring 62, no. 3 (2020): 152–59. http://dx.doi.org/10.1784/insi.2020.62.3.152.

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Whilst reporting on numerical-based activities such as income versus expenditure is relatively straightforward for organisations seeking to understand their progress in meeting their objectives, it is more difficult to present nonnumerical-based activities such as conservation and preservation in similar terms. However, without numerical key performance indicators (KPIs) conservation activities risk becoming invisible in organisational reporting, compared to activities that are easier to measure, such as, in heritage organisations that open their assets to the public, visitor numbers and incom
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Edwards, B. J. N. "A Viking Scabbard Chape from Chatburn, Lancashire." Antiquaries Journal 82 (September 2002): 321–28. http://dx.doi.org/10.1017/s0003581500073844.

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A copper-alloy scabbard chape of Viking-period type and date was found by a metal-detector user at Chatburn, Lancashire, in 1993. It has been acquired, through the good offices of the finder, Mr Steve Owen, and the landowners, the Trustees of The Hon R C Assheton's Settlement, by Blackburn Museum, where its registration number is 1995.14. Assistance is acknowledged from the following bodies with the costs of acquisition and conservation: the MGC/V&A Purchase Grant Fund, the National Art Collections Fund and the North West Museums Service. Conservation has been carried out by the York Archa
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Gray, Clive, and Vikki McCall. "Analysing the Adjectival Museum: Exploring the bureaucratic nature of museums and the implications for researchers and the research process." Museum and Society 16, no. 2 (2018): 124–37. http://dx.doi.org/10.29311/mas.v16i2.2809.

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The proliferation of titles for types of museum has resulted in an adjectival explosion in recent years (with museums being engaging, relevant, professional, adaptive, community, national, universal, local, independent, people’s, children’s, scientific, natural history, labour, virtual, symbolic, connected, trust and charitable, amongst many other labels). This paper argues that the adoption of an organizational focus on bureaucratic features such as hierarchical authority, centralisation of power, functional specialisation and research processes can show commonalities in the understandings an
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Anggraeni, Vidya, and Rina Astini. "The Influence of Motivation, Destination Image & Destination Trust which had an Impact on Millennials' Visit Decision to The National Museum." Saudi Journal of Business and Management Studies 5, no. 10 (2020): 506–11. http://dx.doi.org/10.36348/sjbms.2020.v05i10.001.

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Anggraeni, Vidya, and Rina Astini. "The Influence of Motivation, Destination Image & Destination Trust which had an Impact on Millennials' Visit Decision to The National Museum." Saudi Journal of Business and Management Studies 5, no. 10 (2020): 506–11. http://dx.doi.org/10.36348/sjbms.2020.v05i10.001.

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Galloway, Sheila, and Julian Stanley. "Thinking outside the box: galleries, museums and evaluation." Museum and Society 2, no. 2 (2015): 125–46. http://dx.doi.org/10.29311/mas.v2i2.45.

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Museums and galleries in the UK increasingly engage with educational and social concerns; this article refers to research to evaluate two such initiatives. Evaluation of the Museum and Gallery Education Programme Phase 2, funded by the Department for Education and Skills, ends in August 2004. The research partnership to evaluate the ‘En-vision’ pilot action research programme, established by Engage (the national association for gallery education) with support from the Calouste Gulbenkian Foundation, the Carnegie UK Trust and three Arts Council regional offices, will complete in 2005. The artic
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MacKillop, Andrew. "History and Heritage: National Trust for Scotland Guidebooks House of the Binns; Hugh Miller Museum and Birthplace Cottage; Newhailes, edited by Hilary Horrocks." Northern Scotland 27 (First Serie, no. 1 (2007): 212–15. http://dx.doi.org/10.3366/nor.2007.0017.

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Books on the topic "Manx Museum and National Trust"

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Norman Lindsay Gallery & Museum. Norman Lindsay Gallery & Museum, Springwood: A National Trust property. National Trust of Australia (N.S.W.), 1988.

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1908-, Rogers Dick, ed. Castle, coast, and cottage: The National Trust in Northern Ireland. Blackstaff Press, 1986.

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Museum, Australian National Maritime. Painted ships, painted oceans: Art and artefacts from the Australian National Maritime Museum : SH Ervin Gallery, National Trust Centre, Observatory Hill, Sydney, 14 September-14 October 1990. The Museum, 1990.

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Aga Khan Trust for Culture. Sustainable landscape design in arid climates: Proceedings of a symposium jointly organized by the Aga Khan Trust for Agriculture, the Center for Advanced Study in the Visual Arts/National Gallery of art, Studies in Landscape Architecture, Dumbarton Oaks, the Lemelson Center for Innovation at the Smithsonian Institution's National Museum for American History, Graduate School of Design, Harvard University, and the National Building Museum. The Aga Khan Trust for Culture, 1996.

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5

S, Harrison, and Reed Dennis, eds. 100 years of heritage: The work of the Manx Museum and National Trust. A.H. Jolly, 1994.

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6

1954-, Harrison S., and Manx Museum and National Trust., eds. 100 years of heritage: The work of theManx Museum and National Trust. Manx Museum and National Trust, 1986.

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7

Trust, National. Overbeck's Museum and Garden: National Trust Guidebook. The National Trust, 2010.

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Tomlin, Maurice. Ham House: A National Trust Property Administered by the Victoria and Albert Museum. Faber & Faber, 1987.

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9

Rogers, Dick, and Lyn Gallagher. Castle, Coast, and Cottage: The National Trust in Northern Ireland. Blackstaff Pr, 1987.

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10

British ships in China seas: 1700 to the present day : papers presented at a confrence held at the Merseyside Maritime Museum in September 2002, organised jointly by the Society for Nautical Research and National Museums on Merseyside with the support of the P. H. Holt Charitable Trust and the Swire Charitable Trust. National Museums Liverpool, 2004.

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Book chapters on the topic "Manx Museum and National Trust"

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Rathouse, William. "Contemporary Pagans and the Study of the Ancestors." In Archaeologists and the Dead. Oxford University Press, 2016. http://dx.doi.org/10.1093/oso/9780198753537.003.0024.

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In 2007, English Heritage and the National Trust initiated a public consultation process regarding the display of human remains at the Alexander Keiller Museum at Avebury. This was a response to contemporary Pagan calls for reburial of a child’s skeleton displayed there (BBC News 2007; Jenkins 2011 and this volume; Tatham this volume; Thackray and Payne 2009; Historic England 2015). This chapter derives from ethnographic research (semistructured interviews and participant observation fieldwork) undertaken between April 2008 and March 2012 for a doctoral research project as well as nearly twenty years of personal engagement with the British Pagan community. This project was designed to provide qualitative analysis of relations between heritage and archaeological professionals and contemporary Pagans and did not attempt to establish any quantitative data on the proportions of people in these groups who hold particular views. It focused on the arguments and ideas behind contestation of sites and human remains. This chapter examines how the archaeology of ancient human remains aids contemporary Pagans to reinvent beliefs and emulate practices of the pre-Christian past. It also explores how excavation and display of human remains provides an arena for counter-cultural elements of contemporary Paganism to contest the authority of the heritage establishment. The sheer diversity of values, practices, and expression make it challenging to define contemporary Paganism. Pagans usually conceptualize the divine as immanent in nature either as pantheism (the divine permeates reality) or panentheism (the divine permeates reality but also exists beyond it). The divine may be seen as unified (monotheism), gendered polarities of the God and the Goddess (duotheism), or multi-faceted (polytheism). Additionally, some Pagans may be animists, which Harvey (2005: xi) defines as the belief that the world is inhabited by many persons, only some of whom are human, or even be atheists. Harvey (2005: 28, 2013: 206–10) suggests that religions may be better defined by their practices and behaviours rather than their beliefs. This is slightly harder to do with Paganism since most Wiccans and Druids tend to practice their rites by standing in circles of fellow Pagans and invoking elemental spirits at the four cardinal directions, while many Shamans, Heathens, and other reconstructionists do not.
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Elizondo Griest, Stephanie. "The War." In All the Agents and Saints. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469631592.003.0014.

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This chapter explores the history and modern-day ramifications of the so-called “Casino War” at Akwesasne. In the mid-1980s, some free-wheeling Mohawks who’d made a mint trading tobacco started opening up casinos without the consent of any government, tribal or federal. Their opponents (who came to be known as “the Antis”) protested that casinos would not only increase drug-trafficking, prostitution, corruption, and overall lawlessness at Akwesasne but also weaken Mohawk identity by bringing so many outsiders into their community. The casino-owners and their supporters (who branded themselves “the Warriors”) countered that the tribe would grow so rich from gambling, they could fund cultural institutions like language schools and museums that would help preserve their identity. Both sides considered their line of thought “traditional” and the truest way to sovereignty. From the late 1980s through spring of 1990, they battled with increasing ferocity that included street barricades and checkpoints, car chases, fire bombings, the forced evacuation of over half the Nation, and—before New York state troopers finally marched in—bloodshed. After re-establishing control, the tribal government shuttered all of the casinos and in 1999 opened the “official” one today known as the Akwesasne Mohawk Casino. A quarter century later, however, tensions still linger.
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