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Relevant bibliographies by topics / Manzano, Juan Francisco

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Academic literature on the topic 'Manzano, Juan Francisco'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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Journal articles on the topic "Manzano, Juan Francisco"

1

Bicalho, Gustavo De Oliveira. "MANZANO, Juan Francisco. A autobiografia do poeta-escravo. Organização e tradução de Alex Castro. São Paulo: Hedra, 2015." Em Tese 22, no. 3 (2017): 330. http://dx.doi.org/10.17851/1982-0739.22.3.330-336.

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Ellis, Robert Richmond. "Reading through the Veil of Juan Francisco Manzano: From Homoerotic Violence to the Dream of a Homoracial Bond." PMLA/Publications of the Modern Language Association of America 113, no. 3 (1998): 422–35. http://dx.doi.org/10.2307/463350.

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The Autobiografía of the Cuban slave poet Juan Francisco Manzano is the only Spanish American slave narrative written by a person living in slavery. In this text Manzano recounts his corporal punishments in graphic detail but explicitly veils certain key episodes of abuse. I contend that this veil is a marker of sexual assault and that the Autobiografía bears silent testimony to the rape of male slaves. Manzano, however, was not only a victim of homoerotic violence; in one of his poems, “Un sueño” (“A Dream”), he reconfigures homoerotic desire in a way that tentatively reconstitutes his self-integrity and establishes a bond of reciprocity with his enslaved brother. In Manzano's writing, then, homoeroticism is transformed from an instrument of oppression into an act of resistance that challenges the racist and masculinist violence of the colonial slave system.

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Da Silva, Liliam Ramos. "A autobiografia do poeta-escravo, de Juan Francisco Manzano." Revista Mulemba 8, no. 15 (2016): 145–48. http://dx.doi.org/10.35520/mulemba.2016.v8n15a5340.

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Molloy, Sylvia. "From Serf to Self: The Autobiography of Juan Francisco Manzano." MLN 104, no. 2 (1989): 393. http://dx.doi.org/10.2307/2905146.

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Macchi, Fernanda. "Juan Francisco Manzano y el discurso abolicionista: una lectura enmarcada." Revista Iberoamericana 73, no. 218 (2007): 63–77. http://dx.doi.org/10.5195/reviberoamer.2007.5361.

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Miller, Marilyn. "Rebeldía narrativa, resistencia poética y expresión "libre" en Juan Francisco Manzano." Revista Iberoamericana 71, no. 211 (2005): 417–36. http://dx.doi.org/10.5195/reviberoamer.2005.5443.

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Miller, Marilyn Grace. "Reading Juan Francisco Manzano in the wake of Alexander von Humboldt." Atlantic Studies 7, no. 2 (2010): 163–89. http://dx.doi.org/10.1080/14788811003700316.

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8

Price, Rachel. "Enemigo Suelo: Manzano Rewrites Cuban Romanticism." Revista Canadiense de Estudios Hispánicos 38, no. 3 (2014): 529–54. http://dx.doi.org/10.18192/rceh.v38i3.1693.

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Este artículo rescata, desde la esclavitud, un contradiscurso del romanticismo. Se enfoca en cómo la poesía de Juan Francisco Manzano, escritor cubano y ex-esclavo, reescribe el afecto típico del romanticismo cubano. Para Manzano, es la esclavitud la que se interpone entre los amantes y la que engendra, lejos de una patria anhelada desde afuera, la fantasía de escaparse de la isla y de los terrores asociados con el terreno cubano. Por ende, este ensayo reflexiona más detenidamente sobre la figura - poética, jurídica y ecológica - del “suelo” en varias obras. En particular, se compara un poema de José María Heredia de 1835 con otro de Manzano, publicado en 1838, en el que éste parece retomar y resignificar unas palabras del primero:la frase de Heredia “Huyamos pues, este suelo delicioso” deviene en Manzano “Huyamos pues, ... nuestro enemigo suelo”. Como conclusión, el ensayo destaca las implicaciones de tal reescritura para repensar la ecología y el afecto durante el apogeo de la esclavitud cubana.

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9

Hommel, Maggie. "The Poet Slave of Cuba: A Biography of Juan Francisco Manzano (review)." Bulletin of the Center for Children's Books 59, no. 11 (2006): 485–86. http://dx.doi.org/10.1353/bcc.2006.0499.

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10

Draper, Susana. "Voluntad de Intelectual: Juan Francisco Manzano Entre Las Redes de Un Humanismo Sin Derechos." Chasqui 30, no. 2 (2001): 102. http://dx.doi.org/10.2307/29741687.

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Dissertations / Theses on the topic "Manzano, Juan Francisco"

1

Cosme, Puntiel Carmen Luz. "La narrativa en la autobiografia de un esclavo de Juan Francisco Manzano." Connect to this title, 2008. http://scholarworks.umass.edu/theses/198/.

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2

Burton, Gera. "Ambivalence in the colonized subject : the counter-discourse of Richard Robert Madden and Juan Francisco Manzano /." free to MU campus, to others for purchase, 2002. http://wwwlib.umi.com/cr/mo/fullcit?p3052156.

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3

Chavez-Rivera, Armando. "Cuerpos en disputa, mujer e imaginarios de nación en Hispanoamérica: Juan Francisco Manzano, Eva Perón y Reinaldo Arenas." Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/205177.

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Cuerpos en disputa, mujer e imaginarios de nación en Hispanoamérica: Juan Francisco Manzano, Eva Perón y Reinaldo Arenas begins with the premise that the values and requirements of a patriarchal society focuses on female icons of symbolic strength and weight. As icons, women are associated as being the center of the monogamous, heterosexual family and therefore, the image of Nation. In Latin America each hegemonic national project has elevated female icons that are a compact synthesis of that nation's essential and defining values. From that idea our research expands to examine how those hegemonic national discourses and imageries are refuted in the nineteenth century through other antagonistic discourses, each in turn putting forward other paradigms of women or other bodies on the literary plane. These test gender issues, sexuality and morality, and the authorized bodies of Woman/Nation are contrasted with other discordant, subversive, fictional faces. Our objective is to discover these images of rebellion, and evaluate the literary, political and ideological dialogue that has been established through these hegemonic female icons.In this sense, the discourses related to Manzano, Evita, and Arenas, three representative figures of diverse successive historical stages within the region throughout the nineteenth and twentieth centuries --from colonial slavery, populism and communism, to the postmodern-- corroborate that, in effect: Protests and revolutions have presented their own icons of woman or other subversive or discordant bodies in the face of female paradigms set by those in power.The theoretical and critical apparatus is based on the contributions of feminist criticism on women in literature, art and Latin American politics (Helena Araújo, Hélène Cixous, Lucía Guerra-Cunningham, Josefina Ludmer, Francine Masiello and Elaine Showalter), and studies on the links between sexuality, power and society (Judith Butler, bell hook, Michael Foucault, Edward Said and G. Ch. Spivak), as well as research on the formation of societies and national imagery in Latin America since the early nineteenth century (Mabel Moraña, Walter Mignolo and Ángel Rama), all of which is framed in the context of literary and aesthetic movements from neoclassicism to post-modernity.

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4

Cosme, Carmen L. "La narrativa en la Autobiografía de un esclavo de Juan Francisco Manzano." 2008. https://scholarworks.umass.edu/theses/198.

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5

Oleen, Garrett Alan. "19th century plantation counter-discourses in Juan Francisco Manzano, Gabriel de la Concepción Valdés (Plácido), and Eleuterio Derkes." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-12-2429.

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My purpose in writing this dissertation is to re-evaluate the works of three influential Spanish-Caribbean authors who seem to be remembered more as exceptional historical characters rather than for their literature itself. Although often considered to be important contributors to the Spanish-Caribbean literary canon, these writers have also suffered a measure of marginalization as scholars have relegated them to the status of discursive subjects rather than evaluate them as authorial agents. As a consequence, the majority of their works have not been fully recognized as important factors in nineteenth, twentieth, and twenty first century literary production. I show how in their writings – many of which have been misunderstood, under-evaluated, and/or forgotten altogether – these writers narrated their own precarious situations and lifted their voice in protest against slavery, racism and economic oppression at a time when the dominant discourses and heavy-handed controls of the Spanish colonial government strictly forbid them to do so. These authors are Juan Francisco Manzano, Gabriel de la Concepción Valdés (Plácido) and Eleuterio Derkes. Because these authors lived in Cuba (Manzano and Plácido) and Puerto Rico (Derkes) as colonial subjects underneath the oppressive structures of their respective plantation and hacienda economies based on sugar production and slave labor, they experienced difficult colonial conditions and as such are able to narrate this life through a unique perspective that other writers associated with the dominant discourses of the time could not. While these brands of hegemony were indeed forced upon them as writers and artists, it did not stop them from narrating and communicating their unique Spanish Caribbean perspective. I show how these authors, as marginalized figures of nineteenth century plantation society, engineered their own discourses around these hegemonic institutions – writing between the lines of hegemony and concurrent with it at the same time – in order to create an alternative image of nineteenth century Spanish Caribbean society that requires further critical consideration and perspective.<br>text

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Books on the topic "Manzano, Juan Francisco"

1

Abdeslam, Azougarh, ed. Juan Francisco Manzano, esclavo poeta en la isla de Cuba. Ediciones Episteme, 2000.

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2

(Illustrator), Sean Qualls, ed. The Poet-Slave of Cuba: A Biography of Juan Francisco Manzano. Henry Holt, 2006.

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3

Engle, Margarita. The poet slave of Cuba: A biography of Juan Francisco Manzano. Henry Holt, 2006.

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4

Itinéraires d'un esclave poète à Cuba: Juan Francisco Manzano (1797-1854), entre littérature et histoire. L'Harmattan, 2012.

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5

Ambivalence and the postcolonial subject: The strategic alliance of Juan Francisco Manzano and Richard Robert Madden. Peter Lang, 2004.

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6

Manzano, Juan Francisco. Un esclave-poète à Cuba au temps du péril noir: Autobiographie de Juan Francisco Manzano, 1797-1851. Karthala, 2004.

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Manzano, Juan Francisco. Un esclave-poète à Cuba au temps du péril noir: Autobiographie de Juan Francisco Manzano, 1797-1851. Karthala, 2004.

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8

Manzano, Juan Francisco. The autobiography of a slave. Wayne State University Press, 1996.

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9

The Poet Slave of Cuba: A Biography of Juan Francisco Manzano. Square Fish, 2011.

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10

Manzano, J., and E. Mullen. The Life and Poems of a Cuban Slave: Juan Francisco Manzano 1797–1854. Palgrave Macmillan, 2015.

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Book chapters on the topic "Manzano, Juan Francisco"

1

Pettway, Matthew. "Present but Unseen." In Cuban Literature in the Age of Black Insurrection. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496824967.003.0004.

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This chapter discusses how Juan Francisco Manzano created two apparently contradictory freedom narratives: the first grounded in Enlightenment ideals of liberty and the second one premised on the secret powers of African-inspired ritual.By privileging Manzano’s slave narrative and his unpublished poetry, this chapter deciphers the way he wrote about spirit presence, the sacred wilderness and the ritual of escape.Poems such as “A Dream: For My Second Brother,” “The Poet’s Vision Composed on a Sugar Plantation,” “Poesies,” and “Desperation” explore African ideas of spirit and cosmos as part of a larger antislavery philosophy.The dream motif, the mountain wilderness, transfiguration, anachronism and magical flight emerges as Romantic tropes that created space for an African-Cuban religious persona in Manzano’s poetry and prose.In this way, the notion that Manzano assimilated to Spanish Catholicism unproblematically is contested and disproven.

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2

"From serf to self: the autobiography of Juan Francisco Manzano." In At Face Value. Cambridge University Press, 1991. http://dx.doi.org/10.1017/cbo9780511553844.004.

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3

Grace Miller, Marilyn. "Reading Juan Francisco Manzano in the wake of Alexander von Humboldt." In Alexander von Humboldt’s Translantic Personae. Routledge, 2014. http://dx.doi.org/10.4324/9781315872025-5.

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4

"Chapter 7. Disidentification as Identity: Juan Francisco Manzano and the Flight from Blackness." In Black Cosmopolitanism. University of Pennsylvania Press, 2005. http://dx.doi.org/10.9783/9780812292121.187.

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"«Tengo de árabes noble descendencia»: orientalismo y el retorno al país natal en Zafira de Juan Francisco Manzano." In Moros en la costa. Vervuert Verlagsgesellschaft, 2008. http://dx.doi.org/10.31819/9783964566065-006.

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6

"V. El esclavo es un ser muerto ante su señor. Autobiografía del esclavo Juan Francisco Manzano (Cuba 1835)." In Disidentes, rebeldes, insurgentes. Vervuert Verlagsgesellschaft, 2008. http://dx.doi.org/10.31819/9783865278203-009.

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7

Ocasio, Rafael. "Juan Francisco Manzano's Autobiografía de un esclavo." In Afro-Cuban Costumbrismo. University Press of Florida, 2012. http://dx.doi.org/10.5744/florida/9780813041643.003.0003.

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