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Journal articles on the topic 'Manzano, Juan Francisco'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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1

Bicalho, Gustavo De Oliveira. "MANZANO, Juan Francisco. A autobiografia do poeta-escravo. Organização e tradução de Alex Castro. São Paulo: Hedra, 2015." Em Tese 22, no. 3 (2017): 330. http://dx.doi.org/10.17851/1982-0739.22.3.330-336.

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2

Ellis, Robert Richmond. "Reading through the Veil of Juan Francisco Manzano: From Homoerotic Violence to the Dream of a Homoracial Bond." PMLA/Publications of the Modern Language Association of America 113, no. 3 (1998): 422–35. http://dx.doi.org/10.2307/463350.

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The Autobiografía of the Cuban slave poet Juan Francisco Manzano is the only Spanish American slave narrative written by a person living in slavery. In this text Manzano recounts his corporal punishments in graphic detail but explicitly veils certain key episodes of abuse. I contend that this veil is a marker of sexual assault and that the Autobiografía bears silent testimony to the rape of male slaves. Manzano, however, was not only a victim of homoerotic violence; in one of his poems, “Un sueño” (“A Dream”), he reconfigures homoerotic desire in a way that tentatively reconstitutes his self-integrity and establishes a bond of reciprocity with his enslaved brother. In Manzano's writing, then, homoeroticism is transformed from an instrument of oppression into an act of resistance that challenges the racist and masculinist violence of the colonial slave system.
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3

Da Silva, Liliam Ramos. "A autobiografia do poeta-escravo, de Juan Francisco Manzano." Revista Mulemba 8, no. 15 (2016): 145–48. http://dx.doi.org/10.35520/mulemba.2016.v8n15a5340.

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4

Molloy, Sylvia. "From Serf to Self: The Autobiography of Juan Francisco Manzano." MLN 104, no. 2 (1989): 393. http://dx.doi.org/10.2307/2905146.

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5

Macchi, Fernanda. "Juan Francisco Manzano y el discurso abolicionista: una lectura enmarcada." Revista Iberoamericana 73, no. 218 (2007): 63–77. http://dx.doi.org/10.5195/reviberoamer.2007.5361.

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6

Miller, Marilyn. "Rebeldía narrativa, resistencia poética y expresión "libre" en Juan Francisco Manzano." Revista Iberoamericana 71, no. 211 (2005): 417–36. http://dx.doi.org/10.5195/reviberoamer.2005.5443.

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7

Miller, Marilyn Grace. "Reading Juan Francisco Manzano in the wake of Alexander von Humboldt." Atlantic Studies 7, no. 2 (2010): 163–89. http://dx.doi.org/10.1080/14788811003700316.

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8

Price, Rachel. "Enemigo Suelo: Manzano Rewrites Cuban Romanticism." Revista Canadiense de Estudios Hispánicos 38, no. 3 (2014): 529–54. http://dx.doi.org/10.18192/rceh.v38i3.1693.

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Este artículo rescata, desde la esclavitud, un contradiscurso del romanticismo. Se enfoca en cómo la poesía de Juan Francisco Manzano, escritor cubano y ex-esclavo, reescribe el afecto típico del romanticismo cubano. Para Manzano, es la esclavitud la que se interpone entre los amantes y la que engendra, lejos de una patria anhelada desde afuera, la fantasía de escaparse de la isla y de los terrores asociados con el terreno cubano. Por ende, este ensayo reflexiona más detenidamente sobre la figura - poética, jurídica y ecológica - del “suelo” en varias obras. En particular, se compara un poema de José María Heredia de 1835 con otro de Manzano, publicado en 1838, en el que éste parece retomar y resignificar unas palabras del primero:la frase de Heredia “Huyamos pues, este suelo delicioso” deviene en Manzano “Huyamos pues, ... nuestro enemigo suelo”. Como conclusión, el ensayo destaca las implicaciones de tal reescritura para repensar la ecología y el afecto durante el apogeo de la esclavitud cubana.
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9

Hommel, Maggie. "The Poet Slave of Cuba: A Biography of Juan Francisco Manzano (review)." Bulletin of the Center for Children's Books 59, no. 11 (2006): 485–86. http://dx.doi.org/10.1353/bcc.2006.0499.

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10

Draper, Susana. "Voluntad de Intelectual: Juan Francisco Manzano Entre Las Redes de Un Humanismo Sin Derechos." Chasqui 30, no. 2 (2001): 102. http://dx.doi.org/10.2307/29741687.

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11

Draper, Susana. "Voluntad de Intelectual: Juan Francisco Manzano Entre Las Redes de Un Humanismo Sin Derechos." Chasqui 31, no. 1 (2002): 3. http://dx.doi.org/10.2307/29741721.

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12

Uxo, Carlos. "Sobre Juan Francisco Manzano, Autobiografía del esclavo poeta y otros escritos." Revista Iberoamericana 75, no. 229 (2010): 1293–96. http://dx.doi.org/10.5195/reviberoamer.2009.6637.

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13

Byeong Sun Song. "A Reading of Autobiography of Juan Francisco Manzano: The Meaning of Power Relation with Cuban Antislavery Intellectuals." Korean Journal of Hispanic Studies 7, no. 1 (2014): 251–74. http://dx.doi.org/10.18217/kjhs.7.1.201405.251.

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14

Sweeney, F. "Atlantic Counter Cultures and the Networked Text: Juan Francisco Manzano, R. R. Madden and the Cuban Slave Narrative." Forum for Modern Language Studies 40, no. 4 (2004): 401–14. http://dx.doi.org/10.1093/fmls/40.4.401.

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15

Escolano, Damián V. Solano. "En el umbral del horror: Técnicas y funciones del terror en Autobiografía de un esclavo de Juan Francisco Manzano." Latin American Research Review 56, no. 1 (2021): 113–25. http://dx.doi.org/10.25222/larr.747.

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16

Silva, Liliam Ramos da. "Estratégias cimarronas para narrar a negritude no século XIX em "Autobiografía" de Juan Francisco Manzano (Cuba, 1835) e "Úrsula" (Brasil, 1859)." Cadernos de Literatura Comparada, no. 43 (2020): 135–53. http://dx.doi.org/10.21747/21832242/litcomp43a9.

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This reflection will analyze the strategies used by two Latin American black writers to present the theme of blackness in the 19th century. On one side, the autobiography written by the cuban Juan Francisco Manzano (1835), the only autobiography text that shows one Latin American semiliterate slave black man that nar-rates your life in exchange for your liberty. On the other side the narrative written by Maria Firmina dos Reis, a free black woman considered the first female novelist in Brazil: Úrsula (1859), an abolitionist text whose main characters are white, surprises by giving voice to the slave people, who narrate their memories in Africa and are aware of their condition. Theoretical references will be used about the novel as a form of projection of an ideal future (Sommer, 2004), abolitionist texts as thesis novel (Jeffers, 2013), mask of speechlessness (Kilomba, 2019) and cimarronagem’s pedagogy (Mendes, 2019) intending to revise the Latin American literary canon in an inclusion proposal the two narratives to mandatory readings in the Litera-ture studies in the Latin American universities.
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17

Campuzano, Betina Sandra. "Revelations and Silences: The Autobiography of a Slave by Juan Francisco Manzano and Biography of a Cimarrón by Miguel Barnet." Mitologías hoy 12 (December 31, 2015): 147. http://dx.doi.org/10.5565/rev/mitologias.251.

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18

Alexandrine Sinapah, Marie-Claire. "La figure révolutionnaire du nègre à travers le personnage de l’esclave Noémi mis en scène par l’esclave cubain Juan Francisco Manzano (1797-1854) dans sa pièce de théâtre Zafira." Bulletin de la Société d'Histoire de la Guadeloupe, no. 145 (2006): 37. http://dx.doi.org/10.7202/1040670ar.

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19

Alexandrine Sinapah, Marie-Claire. "Écrire la domination à Cuba au cours de la première moitié du XIX siècle. Le combat de la reconnaissance à travers l’Autobiographie de l’esclave cubain Juan Francisco Manzano (1797-1854)." Bulletin de la Société d'Histoire de la Guadeloupe, no. 142 (2005): 41. http://dx.doi.org/10.7202/1040694ar.

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20

Chancé, Dominique. "YACOU Alain, Un esclave-poète à Cuba au temps du péril noir. Autobiographie de Juan Francisco Manzano (1797-1851). Paris, Karthala / CERC, 2004, 155 p. - ISBN 2-84586-560-0." Études littéraires africaines, no. 20 (2005): 93. http://dx.doi.org/10.7202/1041374ar.

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21

Paquette, Robert L. "The Autobiography of a Slave; Autobiografía de un esclavo. A Bilingual Edition. By Juan Francisco Manzano. Trans. Evelyn Picon Garfield. Introduction and modernized Spanish version by Ivan A. Schulman. (Detroit: Wayne State University Press, 1996. Pp. 135. Illustrations. Notes. Index. $34.95.)." Americas 53, no. 2 (1996): 317–19. http://dx.doi.org/10.2307/1007635.

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22

Branche, Jerome. "‘Mulato entre negros’(y blancos) : Writing, Race, the Antislavery Question, and Juan Francisco Manzano’s Autobiografía." Bulletin of Latin American Research 20, no. 1 (2001): 63–87. http://dx.doi.org/10.1111/1470-9856.00005.

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23

"Juan Manzano, Francisco Palacio Espasa, Adela Abella: Précis de technique psychanalytique avec son application à la psycho­thérapie." Swiss Archives of Neurology, Psychiatry and Psychotherapy 168, no. 04 (2017): 125. http://dx.doi.org/10.4414/sanp.2017.00473.

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24

MARTINS, DR JOSÉ ENDOENÇA. "Racial and Textual Translation Through Signifyin(G) and Eshu: The Case of Juan Francisco Manzano’s Personal Narrative Autobiography of A Slave." International Journal of Humanities and Social Science 10, no. 10 (2020). http://dx.doi.org/10.30845/ijhss.v10n10p7.

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