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Journal articles on the topic 'Manzoni'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Отахонова, Мунисхон. "Italyan yozuvchisi Alessandro Manzoni ijodida sotsiolingvistik birliklarning ifodalanishi." Арабский язык в эпоху глобализации: инновационные подходы и методы обучения 1, no. 1 (December 29, 2023): 540–43. http://dx.doi.org/10.47689/atgd:iyom-vol1-iss1-pp540-543-id28643.

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Mazkur maqolada italiyalik yozuvchi Alessandro Manzoning hayoti va ijodi, uning qator asarlari va o'sha davrda tutgan o'rni haqida so'z boradi. Manzoni tarixiy haqiqatlarni o'z asarlarida ommaga ochib beradi. Unung ijodi XVII asr Italiyasining ijtimoiy va ma'daniy voqeligini ochib beradi. Manzoning asarlari chuqur insoniylik ruhi, kuchli ahloqiy tuyg'u va tarixiy voqealiklar bilan xarakterlanadi. Uning asarlari sodda, ammo ayni paytda nafis hamdir. Manzoni barcha davrlarning eng buyuk italyan yozuvchilaridan hisoblanadi va uning bekatror asarlari ilmiy tafakkurni shakllantirishgayordam beradi

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2

Grgić Maroević, Iva, and Sandra Milanko. "MATE ZORIĆ ON ALESSANDRO MANZONI." Folia linguistica et litteraria XI, no. 33 (2020): 161–76. http://dx.doi.org/10.31902/fll.33.2020.8.

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The article focuses on Mate Zorić’s scientific production dedicated to Manzoni and to the reception of The Betrothed among Croatian writers and readership. His critical interest is due to Manzoni’s close ties to Marko Kažotić and Niccolò Tommaseo, writers amply studied by Zorić since the 1950s. A third reason of his critical interest, discussed in this article, is Manzoni’s popularity among the Croatian readership through the translations of his works. The merit of Zorić is not only that of having identified the first attempt at translating Manzoni’s masterpiece in the archives of the National and University Library in Zagreb, but also of having applied the results of the studies of Croatian and Comparative Literature to the studied material. Attributing (along with the literary critic Emil Štampar) the translation published in 1875-1876 to the Croatian writer and translator Josip Eugen Tomić, Zorić also illustrates “the echoes of Manzoni” in the formation and flourishing of the Croatian historical novel. Mate Zorić’s work continues to stimulate further research on the subject from the perspectives of Comparative Literature and Translation Studies.

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3

Grgić Maroević, Iva, and Sandra Milanko. "MATE ZORIĆ ON ALESSANDRO MANZONI." Folia linguistica et litteraria XI, no. 33 (2020): 161–76. http://dx.doi.org/10.31902/fll.33.2020.8.

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The article focuses on Mate Zorić’s scientific production dedicated to Manzoni and to the reception of The Betrothed among Croatian writers and readership. His critical interest is due to Manzoni’s close ties to Marko Kažotić and Niccolò Tommaseo, writers amply studied by Zorić since the 1950s. A third reason of his critical interest, discussed in this article, is Manzoni’s popularity among the Croatian readership through the translations of his works. The merit of Zorić is not only that of having identified the first attempt at translating Manzoni’s masterpiece in the archives of the National and University Library in Zagreb, but also of having applied the results of the studies of Croatian and Comparative Literature to the studied material. Attributing (along with the literary critic Emil Štampar) the translation published in 1875-1876 to the Croatian writer and translator Josip Eugen Tomić, Zorić also illustrates “the echoes of Manzoni” in the formation and flourishing of the Croatian historical novel. Mate Zorić’s work continues to stimulate further research on the subject from the perspectives of Comparative Literature and Translation Studies.

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4

Lollini, Massimo. "Re-reading Manzoni at the time of COVID-19: Contagion, ethics and justice." Forum Italicum: A Journal of Italian Studies 56, no. 1 (April 6, 2022): 38–75. http://dx.doi.org/10.1177/00145858221081889.

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The article contributes to the rediscovery of the depth and complexity of Manzoni's thought, which too often has been reduced to an uncritical expression of Catholicism. Narrating the plague that struck Milan in 1630 in The Betrothed and the History of the Column of Infamy Manzoni reveals political, social, and cultural mechanisms remarkably similar to ours while struggling with the Coronavirus pandemic. The essay analyzes the apparatuses of contagion, the crucial importance of language, the devices of alienation favoring the loss of the sense of objectivity during the 1628 plague, and the pandemic of our time. For Manzoni, the recovery of reality in its bare complexity is possible, to a certain extent, by referring to the two fundamental lines of his thought. On the one hand, the philosophical irony with deep roots in Friedrich Schlegel, European Romanticism, and the reaction to Kantian philosophy. Romantic irony triggers the ethics of writing that runs through Manzoni's novel. On the other hand is the religious direction that Manzoni finds expressed in the Gospels, human conscience, and the idea of “eternal justice”. It emerges in crucial moments of the novel and its appendix, in what Emmanuel Levinas called the “epiphany of the face” which is considered in intersection with Paul Ricoeur's idea of “oneself as another”. Manzoni sees all the problems inherent in both reason and religion. In trying to keep them united, he participates in the most advanced Romantic view of religion and politics, what Frederick Beiser has defined as “one of the most creative and interesting attempts in the history of philosophy to surmount the classical dilemma between humanism and religion.”

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5

Mariani (book author), Umberto, and Massimo Verdicchio (review author). "Il solito Manzoni e il Manzoni vero." Quaderni d'italianistica 29, no. 1 (January 1, 2008): 195–98. http://dx.doi.org/10.33137/q.i..v29i1.8505.

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6

DI BENEDETTO, Arnaldo. "Manzoni politico." Giornale storico della letteratura italiana 188, no. 621 (January 2011): 22–43. http://dx.doi.org/10.1484/j.gsli.5.129034.

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7

Santacatterina, Stella. "Piero Manzoni." Third Text 13, no. 45 (December 1998): 23–28. http://dx.doi.org/10.1080/09528829808576762.

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8

Varieschi, Osvaldo. "Manzoni online." Italica 100, no. 2 (June 1, 2023): 299–301. http://dx.doi.org/10.5406/23256672.100.2.19.

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9

Parisi (book author), Luciano, and Alexandre L. Amprimoz (review author). "Manzoni e Bosstuet." Quaderni d'italianistica 26, no. 2 (June 1, 2005): 135–37. http://dx.doi.org/10.33137/q.i..v26i2.9007.

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10

Parisi, Luciano. "Borgese e Manzoni." MLN 112, no. 1 (1997): 38–56. http://dx.doi.org/10.1353/mln.1997.0010.

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11

Ginzburg, Natalia. "La famille Manzoni." Les Lettres Romanes 39, no. 4 (November 1985): 351–59. http://dx.doi.org/10.1484/j.llr.4.00428.

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12

Bermann, Sandra L. "Annali d'Italianistica: Manzoni." Italica 65, no. 2 (1988): 154. http://dx.doi.org/10.2307/479191.

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13

Parisi, Luciano. "L'UMORISMO DI MANZONI." Italian Studies 57, no. 1 (January 2002): 75–96. http://dx.doi.org/10.1179/its.2002.57.1.75.

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14

Peterson, Thomas E. "Fortini’s Literary Debt to Manzoni and Leopardi." L'ospite ingrato 14, no. II (December 22, 2023): 263–83. http://dx.doi.org/10.36253/oi-15581.

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From his earliest publications until his final works, Franco Fortini was inspired by the models of Manzoni and Leopardi. Drawing on Manzoni’s philosophical-historical essays, narrative works and Inni sacri, Fortini revitalized our understanding of the Milanese poet, whose sublime vocabulary penetrated into Fortini’s late verse. In a contrasting but complementary way, Fortini embraced Leopardi, especially the poet of the Canti, elevating our understanding of the poet’s final, Neapolitan period. Assisted by studies of Lenzini, Diaco, Bonavita and others, the essay establishes the intellectual and poetic counterpoint represented in Fortini’s thought and poetry by these two giants of the Ottocento.

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15

Ribao Pereira, Montserrat. "Menéndez Pelayo y Manzoni." BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO 88, no. 1 (September 15, 2022): 385–404. http://dx.doi.org/10.55422/bbmp.200.

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En este artículo, se expone el estudio que hizo Menéndez Pelayo acerca del escritor italiano Manzoni. El erudito cántabro tiene un gran interés por esta figura y su obra. Del trabajo de Manzoni, destaca: los inicios poéticos del lombardo, la importancia de los Himnos sacros y la perfección de Pentecostés y La Pasión. Aparte de las consideraciones estéticas y genéricas, Menéndez Pelayo también rastrea similitudes entre autores decimonónicos hispanos y el lombardo para profundizar en sus estudios. Pelayo estudió a Manzoni como poeta lírico, como autor dramático, como novelista y como crítico, por lo que defiende y avala la pertinencia de Manzoni en el horizonte estético del siglo XIX.

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16

Tesini, Mario, and Lorenzo Zambernardi. "Anarchy, People and Terror: Alessandro Manzoni on the French Revolution." History of Political Thought 44, no. 3 (August 31, 2023): 555–76. http://dx.doi.org/10.53765/20512988.44.3.555.

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Alessandro Manzoni is chiefly known for The Betrothed. What is less well-known is Manzoni's interest in writing history which in later life would bend his literary talent to reconstructing and analysing the French Revolution. Incomplete and published posthumously in 1889, Manzoni's last text appeared as The French Revolution of 1789 and the Italian Revolution of 1859: Comparative Observations. While Manzoni's literary and poetic works won him the reputation of being among the greatest writers of the nineteenth century, the posthumous book on the French Revolution sank rapidly into oblivion. This article, while pointing out certain shortcomings in Manzoni's interpretation, argues that his analysis is to be taken seriously by all scholars interested in the thorny history of the French Revolution. In particular, Manzoni's narration concentrates on unveiling the political mechanics that link delegitimization of the old monarchical order with the ensuing power vacuum and, eventually, with anarchy and the Terror. In his opinion the latter was no accident of history, but the outcome of previous events, especially the political void created by destroying the government without managing to set up a new political order. Finally, the article presents Manzoni's analysis of the relationship between the people and the Terror, focusing on mass society with its collective delirium, and how it fared under a new dread form of despotism.

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17

Palumbo, Matteo. "Manzoni lettore di Tasso." Cahiers d'études romanes, no. 13 (January 15, 2005): 85–95. http://dx.doi.org/10.4000/etudesromanes.2344.

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18

Manzoni, Alessandro, and Joseph Luzzi. "Letter on Romanticism." Publications of the Modern Language Association of America 119, no. 2 (March 2004): 299–316. http://dx.doi.org/10.1632/003081204x22747.

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It was a foreign critic, ironically, who grasped the insurmountable national challenge that alessandro Manzoni posed to himself and to Italy's future authors with his monumental novel I promessi sposi (The Betrothed [1827, rev. ed. 1840]). Manzoni's basic theme, Georg Lukács writes, is “much less a given, concrete, historical crisis of national history” than it is “the tragedy of the Italian people as a whole” (70). This eternal plight—distilled into the story of the courtship and separation of two peasants in seventeenth-century Lombardy during plague, riots, and Spanish occupation—encompassed Italy's perpetual struggle against foreign rule, its lack of a unifying language and polity, and its reticent modernity, especially its tensions between religious tradition and secular progress. According to Lukács, the universality of the text combined with the abiding, unchanging nature of the problems it fictionalized essentially exhausted the genre of the historical novel that it introduced to Italy. Posterity has vindicated this assessment. Manzoni abandoned the genre soon after I promessi sposi to dedicate himself to historical writing proper, and his novel remains ensconced in the Italian public imaginary, just behind Dante's Commedia, as the towering, mythic work that helped occasion Italy's belated unification in 1861.

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19

Pallotta (author, first book), Augustus, Luciano Parisi (author, second book), and Anne Urbancic (review author). "Alessandro Manzoni. A Critical Bibliography. 1950-2000; Come abbiamo letto Manzoni. Interpreti novecenteschi." Quaderni d'italianistica 30, no. 2 (June 1, 2009): 164–66. http://dx.doi.org/10.33137/q.i..v30i2.11913.

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20

Crosta (book author), Alice, and Patrizia Bettella (review author). "Alessandro Manzoni nei paesi anglosassoni." Quaderni d'italianistica 35, no. 2 (July 22, 2015): 284–87. http://dx.doi.org/10.33137/q.i..v35i2.23631.

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21

Mariani (book author), Umberto, and Guido Pugliese (review author). "Per un Manzoni più vero." Quaderni d'italianistica 19, no. 1 (April 1, 1998): 148–50. http://dx.doi.org/10.33137/q.i..v19i1.9621.

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22

Squarotti (book author), Giorgio Bárberi, and S. Bernard Chandler (review author). "Manzoni: le delusioni della letteratura." Quaderni d'italianistica 12, no. 1 (April 1, 1991): 152–55. http://dx.doi.org/10.33137/q.i..v12i1.10521.

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23

Lindon, John, and Sergio Romagnoli. "Manzoni e i suoi colleghi." Modern Language Review 82, no. 3 (July 1987): 758. http://dx.doi.org/10.2307/3730483.

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24

BANI, Luca. "Cesare Cantù e Alessandro Manzoni." Giornale storico della letteratura italiana 190, no. 629 (January 2013): 94–109. http://dx.doi.org/10.1484/j.gsli.5.129311.

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25

Renard, Marie-France. "Sur le commentaire chez Manzoni." Les Lettres Romanes 39, no. 4 (November 1985): 301–11. http://dx.doi.org/10.1484/j.llr.4.00425.

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26

Vettore, Enrico. "Book Review: Manzoni e Bossuet." Journal of European Studies 36, no. 3 (September 2006): 355–57. http://dx.doi.org/10.1177/0047244106067499.

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27

Cacciaglia, Norberto. "ALESSANDRO MANZONI E L'IMPRESA FAMILIARE." Forum Italicum: A Journal of Italian Studies 33, no. 1 (March 1999): 61–72. http://dx.doi.org/10.1177/001458589903300107.

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28

Camilletti, Fabio. "Alessandro Manzoni nei paesi anglosassoni." Modern Italy 20, no. 3 (June 8, 2015): 320–21. http://dx.doi.org/10.1080/13532944.2015.1051859.

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29

Ghirardi, Pedro Garcez. "Manzoni e Kafka: Un Parallelo." Língua e Literatura 15 (December 19, 1986): 147. http://dx.doi.org/10.11606/issn.2594-5963.lilit.1986.113996.

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30

Chandler, S. Bernard, and Maurizio Vitale. "La lingua di Alessandro Manzoni." Italica 70, no. 3 (1993): 414. http://dx.doi.org/10.2307/479574.

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31

Pierce, Glenn, and Andrea Ciccarelli. "Manzoni: la coscienza della letteratura." Italica 75, no. 3 (1998): 472. http://dx.doi.org/10.2307/480070.

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32

Coletta, Cristina Della, and Umberto Mariani. "Per un Manzoni piu vero." Italica 75, no. 2 (1998): 262. http://dx.doi.org/10.2307/480138.

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33

Insolera, Gaetano. "Alessandro Manzoni und das Strafrecht." Jahrbuch der Juristischen Zeitgeschichte 23, no. 1 (November 29, 2023): 393–428. http://dx.doi.org/10.1515/jajuz-2023-0019.

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34

Rizzo, Dino. "Manzoni e Verdi consolatori dell'Umanità." IL RISORGIMENTO, no. 2 (November 2023): 162–75. http://dx.doi.org/10.3280/riso2023-002008.

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35

Badini Confalonieri, Luca. "Manzoni e Molière. Tre occorrenze." Studi Francesi, no. 200 (LXVII | II) (August 1, 2023): 286–97. http://dx.doi.org/10.4000/studifrancesi.53545.

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36

Sgroi, Alfredo. "Redenzione e perdizione tra Manzoni e Pirandello." Italogramma, no. 19 (May 25, 2021): 1–15. http://dx.doi.org/10.58849/italog.2021.sgr.

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In this essay, a parallel reading of the works of Manzoni and Pirandello is carried out, placing the theme of redemption at the center of attention. The two writers, the first Catholic, the second nihilist and skeptical, start from the common observation that theworld of men is dominated by evil. Thus it was born the need for a confrontation with the divine. In the Promessi Sposi, in Lazzaro, in many short stories, Manzoni and Pirandello describe the path of redemption that can transform the life of men.

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37

Scrivano (book author), Riccardo, and Antonio Franceschetti (review author). "Strutture narrative da Manzoni a Verga." Quaderni d'italianistica 16, no. 2 (October 1, 1995): 332–33. http://dx.doi.org/10.33137/q.i..v16i2.10373.

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38

Davie, Mark. "Manzoni after 1848: An "Irresolute Utopian"?" Modern Language Review 87, no. 4 (October 1992): 847. http://dx.doi.org/10.2307/3731423.

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39

Bisconti, Fabrizio. "L’ipogeo degli Aureli in viale Manzoni." Augustinianum 25, no. 3 (1985): 889–903. http://dx.doi.org/10.5840/agstm198525348.

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40

Bonadeo, Alfredo A. "MANZONI E IL VALORE DELLA NULLITÀ." Forum Italicum: A Journal of Italian Studies 43, no. 1 (March 2009): 47–79. http://dx.doi.org/10.1177/001458580904300103.

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41

Albertocchi, Giovanni. "Isabella Becherucci, "Imprimatur: Si stampi Manzoni"." Quaderns d’Italià 25 (October 31, 2020): 267. http://dx.doi.org/10.5565/rev/qdi.487.

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42

Quaglioni, Diego. "Alessandro Manzoni et la Révolution française." Laboratoire italien, no. 9 (February 1, 2009): 211–32. http://dx.doi.org/10.4000/laboratoireitalien.556.

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43

Parisi, Luciano. "Il tema della Provvidenza in Manzoni." MLN 114, no. 1 (1999): 83–105. http://dx.doi.org/10.1353/mln.1999.0013.

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44

Caesar, Michael. "Manzoni and Leopardi?Kenelm Foster's Interpretation." New Blackfriars 67, no. 798 (October 1986): 432–35. http://dx.doi.org/10.1111/j.1741-2005.1986.tb07044.x.

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45

Letessier, Fernand. "Alphonse de Lamartine et Alessandro Manzoni." Bulletin de l'Association Guillaume Budé 1, no. 1 (1988): 86–93. http://dx.doi.org/10.3406/bude.1988.1352.

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46

Vanvolsem, Serge. "Alessandro Manzoni et la langue italienne." Les Lettres Romanes 39, no. 4 (November 1985): 263–81. http://dx.doi.org/10.1484/j.llr.4.00423.

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47

Petrochhi, Giorgia. "MANZONI E IL DE VULGARI ELOQUENTIA." Forum Italicum: A Journal of Italian Studies 19, no. 2 (September 1985): 273–83. http://dx.doi.org/10.1177/001458588501900205.

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48

Chandler, S. Bernard. "The Concept of Confinement in Manzoni." Italica 62, no. 4 (1985): 285. http://dx.doi.org/10.2307/479108.

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49

Parisi, Luciano. "Manzoni E La Controversia Sul Quietismo." Italian Culture 12, no. 1 (January 1994): 153–62. http://dx.doi.org/10.1179/itc.1994.12.1.153.

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50

Sghirlanzoni, A. "The last days of Alessandro Manzoni." Italian Journal of Neurological Sciences 16, no. 3 (April 1995): 199–202. http://dx.doi.org/10.1007/bf02282988.

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