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Books on the topic 'Maoist and post-Maoist art'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

1934-, Kondō Kuniyasu, and Wada Haruki, eds. Peresutoroika to kaikaku, kaihō: Chū-So hikaku bunseki = Reforms in post-Maoist China and perestroika : a comparison. Tōkyō Daigaku Shuppankai, 1993.

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2

Zhu, Ping, Zhuoyi Wang, and Jason McGrath, eds. Maoist Laughter. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888528011.001.0001.

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This volume aims to restore laughter to its proper position in the Mao-era culture. The Mao era was actually a period when laughter was bonded with political culture to an unprecedented degree. Spurred by dynamic political exigencies, many cultural products sought to utilize laughter as a more pliable form of political expression. Laughter was used to highlight antagonisms or downplay differences, to expose and ridicule the class enemy, or to meliorate and conceal contradictions; it could be ritualistic or heartfelt, didactic or cathartic, communal or utopic. In Maoist culture, laughter became

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3

Barnes, Amy Jane. Museum Representations of Maoist China: From Cultural Revolution to Commie Kitsch. Taylor & Francis Group, 2017.

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4

Museum Representations of Maoist China: From Cultural Revolution to Commie Kitsch. Taylor & Francis Group, 2014.

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5

Barnes, Amy Jane. Museum Representations of Maoist China: From Cultural Revolution to Commie Kitsch. Taylor & Francis Group, 2016.

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6

Barnes, Amy Jane. Museum Representations of Maoist China: From Cultural Revolution to Commie Kitsch. Taylor & Francis Group, 2016.

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7

Shen, Kuiyi. Shaping the “Red Classics” of Chinese Art in Early Socialist China. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888390892.003.0005.

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Traditional Chinese art was tied closely to the ruling elites of imperial China and therefore presented a particular challenge to the new communist regime seeking to establish a new proletarian culture in the 1950s. This chapter throws light on the way established traditional painters and artists were managed and their art reshaped through the application of principles set down in the Yan’an Talks and a deliberate “modernization” of traditional Chinese painting. It argues that in the case of guohua the tension between old forms and new content was not just resolved but led to invigoration and

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8

Maoist Laughter. Hong Kong University Press, 2019.

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9

Giri, Keshab. War through an Intersectional Lens. Oxford University Press, 2025. https://doi.org/10.1093/oso/9780197758106.001.0001.

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Abstract The exponential growth in literature on female combatants in rebel groups so far has explored “why” women rebel, “where” women rebel, and “when” women rebel. Yet, existing literature largely assume women combatants as homogenous universal category having similar experiences of war and “post-war.” In this milieu, this book focuses on “how” women rebel given their multiple intersecting identities and social subjectivities. It looks how female combatants experience war and “post-war” in public and private spheres by using intersectionality both as a theoretical framework and a methodolog

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10

Maoist people's war in post-Vietnam Asia. White Lotus Press, 2007.

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11

McDougal, Topher L. Trade Networks and the Management of the Combat Frontier. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198792598.003.0007.

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This chapter fleshes out the causal mechanisms motivating the results of Chapter 5 with interviews of traders who cross the Maoist territorial border. It contends the hierarchical form of the caste-based Indian society gives rise to trade networks in which a caste-based division of labor arises: lower-castes engage in local trade, higher-castes in long-distance trade. By enforcing the caste bar on tribal people in long-distance trade, long-distance traders ensure that trade taking place between Maoist-held hinterlands and government-controlled cities remains in the hands of an elite few. Those

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12

Ho, Alfred K. China's Reforms and Reformers. Greenwood Publishing Group, Inc., 2004. http://dx.doi.org/10.5040/9798400625763.

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Ever since the death of Mao, China has undergone a transformation almost as radical as the Communist Revolution that Mao instigated. This book tells the stories of the many difficult economic, political, and social struggles that have taken place in post-Maoist China. Using both Chinese and non-Chinese sources, Alfred K. Ho unravels the complexities of life in China during the past generation. As Ho explains, contemporary Chinese are seeking to find solutions to their problems that reflect their own cultural values. As such, reform in China cannot be seen solely as an effort to emulate the Wes

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13

Blanchette, Jude. China's New Red Guards. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197577554.001.0001.

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Abstract China’s New Red Guards details two worrying trends in contemporary China that point to the revival of Maoism. First, an increasingly popular hard-edged form of nationalism that is reflexively anti-Western has taken root. The second is an unapologetic embrace of extreme authoritarianism that draws inspiration from the Maoist era. China’s assertive stance in the South China Sea and anti-Japanese rhetoric represents the former, and the massive crackdown on liberal thought since Xi Jinping assumed the presidency represents the latter. The result is plain to see: a more authoritarian and m

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14

Guard, Black Red. Blood Red River: Writings of a Black Maoist in Saint Louis Post 2014. Independently Published, 2018.

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15

Lin, Jenny. Above Sea. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526132604.001.0001.

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Shanghai, long known as mainland China’s most cosmopolitan metropolis, has recently re-emerged as a global capital. Above sea: Contemporary art, urban culture, and the fashioning of global Shanghai offers the first in-depth examination of turn of the twenty-first century Shanghai-based art and design – from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. This book offers a counter-touristic view of one of the world’s fastest developing megacities that penetrates the contradictions and buried layers of specific locales and artifacts of visu

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16

Peresutoroika to kaikaku, kaiho: Chu-So hikaku bunseki = Reforms in post-Maoist China and perestroika : A comparison. Tokyo Daigaku Shuppankai, 1993.

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17

Li, Jie. “Are our drawers empty?”. Edited by Carlos Rojas and Andrea Bachner. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199383313.013.14.

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Borrowing from literature scholar Chen Sihe’s concept of “drawer literature,” referring to literature written during the Maoist period but which could not be published until years later (if at all), this chapter proposes a related concept of “dossier literature.” Rather than looking at literary works that have been stuffed away into figurative drawers because they could not be openly published, this chapter instead looks at the writings that may be found in the dossiers maintained by the state on individual writers and intellectuals. The analysis focuses in particular on writings in the dossie

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18

McDougal, Topher L. The Political Economy of Rural-Urban Conflict. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198792598.001.0001.

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In some cases of insurgency, the combat frontier is contested and erratic, as rebels target cities as their economic prey. In other cases, it is tidy and stable, seemingly representing an equilibrium in which cities are effectively protected from violent non-state actors. What factors account for these differences in the interface urban-based states and rural-based challengers? To explore this question, this book examines two regions representing two dramatically different outcomes. In West Africa (Liberia and Sierra Leone), capital cities became economic targets for rebels, who posed dire thr

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19

Kolb, Alexandra. Dance and Politics in China. Edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.57.

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This chapter contextualizes stage dance developments in China in the twentieth and twenty-first centuries (through Republican, Maoist, and reformist periods) against the backdrop of the country’s changing sociopolitical conditions and relationships with the Western world. It explores, in historical terms, the interface between Chinese dance and politics to suggest that Westernizing impulses lay behind many of China’s attempts at modernization, leading to hybrid performance practices that are quite unique. The chapter then focuses on the intercultural ArtsCross initiative (2009–2013), a series

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20

Adhikari, Prakash, and Lisa A. Bryant. Sampling Hard-to-Locate Populations. Edited by Lonna Rae Atkeson and R. Michael Alvarez. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190213299.013.2.

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This chapter discusses the challenges that researchers face when conducting surveys on hard-to-survey populations. It begins with an overview of the various conditions that can make it difficult to include some populations in studies or surveys. This includes the population’s being hard to identify and locate or hard to persuade or interview and even difficulty in defining a sampling frame. The chapter then suggests various sampling approaches that may help researchers overcome challenges when studying hard-to-survey populations. It uses internally displaced persons (IDPs) in Nepal as an examp

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21

Corbridge, Stuart. Economic Growth and Poverty Reduction in Contemporary India. Edited by Gordon L. Clark, Maryann P. Feldman, Meric S. Gertler, and Dariusz Wójcik. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198755609.013.40.

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India is an exception to many so-called rules in social science. This chapter considers why accounts of long-term economic growth, which assume that either institutional quality or geography is a foundational driver of change, are confounded by India. Attention is directed instead to consistency of economic policymaking, competition between provinces, and the stability of underlying political settlements. The chapter also considers why India’s growth success has been so much less efficient at reducing extreme income poverty than is the case in most East Asian countries. Poverty reduction in th

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22

Koen, N., T. Amos, J. Ipser, and D. Stein. Antidepressants in Post-Traumatic Stress Disorder. Edited by Charles B. Nemeroff and Charles R. Marmar. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190259440.003.0034.

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This chapter discusses the use of antidepressants in treating symptoms of posttraumatic stress disorder (PTSD). Tricyclic antidepressants were the first psychotropic agents to be studied systematically and rigorously for the treatment of PTSD. While early studies focused both on the tricyclics and monoamine oxidase inhibitors (MAOIs), more recent work has centered on the selective serotonin reuptake inhibitors (SSRIs); and paroxetine and sertraline are currently approved by the U.S. Food and Drug Administration (FDA) for use in this disorder. However, given the relatively small effect sizes in

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23

Coderre, Laurence. Newborn Socialist Things. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021612.

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Contemporary China is seen as a place of widespread commodification and consumerism, while the preceeding Maoist Cultural Revolution is typically understood as a time when goods were scarce and the state criticized what little consumption was possible. Indeed, with the exception of the likeness and words of Mao Zedong, both the media and material culture of the Cultural Revolution are often characterized as a void out of which the postsocialist world of commodity consumption miraculously sprang fully formed. In Newborn Socialist Things, Laurence Coderre explores the material culture of the Cul

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24

Roberts, Rosemary. The Making and Remaking of China’s “Red Classics". Edited by Li Li. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888390892.001.0001.

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This book brings together research on China’s “red classics” across the entire Maoist period through to their re-emergence in the reform era. It critically investigates the changing nature and significance of China’s “red classics” at each point of their (re/)emergence in three key areas: their socio-political and ideological import, their aesthetic significance and their function as a mass cultural phenomenon. The book is organised in two parts in chronological order covering the Maoist period and post-Cultural Revolution respectively, and includes a representative range of genres including n

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25

Song, Weijie. The Aesthetic versus the Political. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190200671.003.0004.

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This chapter addresses how Lin Huiyin, a female poet and architect, carries out modernist, impressionist, and urbanist mappings of Beijing’s everyday objects, imperial relics, and socialist sites from the post-Warlord Era to the high Cold War years. In her literary writings of the 1930s and her failed project of urban planning of the socialist capital in the 1950s (against Maoist and Stalinist propaganda), Lin deliberately juxtaposes the pastoral and the counterpastoral, the threatening and disturbing images of modern industrial civilization and the lyrical and aesthetic items in everyday life

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26

Bloxham, Donald, and A. Dirk Moses, eds. The Oxford Handbook of Genocide Studies. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199232116.001.0001.

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The Oxford Handbook of Genocide Studies subjects both genocide and the discipline it has spawned to systematic, in-depth investigation. Genocide has scarred human societies since Antiquity. In the modern era, genocide has been a global phenomenon: from massacres in colonial America, Africa, and Australia to the Holocaust of European Jewry and mass death in Maoist China. In recent years, the discipline of genocide studies has developed to offer analysis and comprehension. Thirty-four articles chart genocide through the ages by taking regional, thematic, and disciplinary-specific approaches. Art

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27

Cragin, R. Kim, and Sara A. Daly. Women as Terrorists. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798216036968.

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Two international policy analysts scrutinize the increasingly important operative and support roles women play in various terrorist organizations around the world. Women as Terrorists: Mothers, Recruiters, and Martyrs is the first post-September 11 book to examine women’s multifarious roles in terrorist organizations of all stripes around the world. It covers political, religious, ethno-separatist, and Maoist groups in countries as diverse as Iraq, Palestine, Chechnya, Sri Lanka, Colombia, South Africa, the Philippines, and Northern Ireland. Modeling terrorist organizations as purposive organi

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28

Israel, John. Finding China's Lost Generation. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9798881813390.

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In December 1968 Mao Zedong proclaimed that China’s educated urban youth should move to the countryside to be reeducated by the poor and lower middle peasants. Some seventeen million who responded to his call spent the better part of a decade laboring in remote and impoverished regions. Returning to the cities in the late 1970s, undereducated, unemployed, and manifestly unprepared to contribute to China’s post-Maoist future, the rusticated youth were dubbed the “Lost Generation”. How then, could China transform itself into an economic and military behemoth without the support of an entire gene

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29

Wang, Xiaoxuan. Maoism and Grassroots Religion. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190069384.001.0001.

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This book explores grassroots religious life under and after Mao in Rui’an County, Wenzhou, in southeastern China, a region widely known for its religious vitality. Drawing on hitherto unexplored local state archives, records of religious institutions, memoirs, and interviews, it tells the story of local communities’ encounters with the Communist revolution, and their consequences, especially the competitions and struggles for religious property and ritual space. It demonstrates that, rather than being totally disrupted, religious life under Mao was characterized by remarkable variance and une

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30

Pickowicz, Paul G. China on Film. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc., 2011. https://doi.org/10.5040/9798881815615.

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Leading scholar Paul G. Pickowicz traces the dynamic history of Chinese filmmaking and discusses its course of development from the early days to the present. Moving decade by decade, he explores such key themes as the ever-shifting definitions of modern marriage in 1920s silent features, East-West cultural conflict in the movies of the 1930s, the strong appeal of the powerful melodramatic mode of the 1930s and 1940s, the polarizing political controversies surrounding Chinese filmmaking under the Japanese occupation of Shanghai in the 1940s, and the critical role of cinema during the bloody ci

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31

Johansen, Bruce, and Adebowale Akande, eds. Nationalism: Past as Prologue. Nova Science Publishers, Inc., 2021. http://dx.doi.org/10.52305/aief3847.

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Nationalism: Past as Prologue began as a single volume being compiled by Ad Akande, a scholar from South Africa, who proposed it to me as co-author about two years ago. The original idea was to examine how the damaging roots of nationalism have been corroding political systems around the world, and creating dangerous obstacles for necessary international cooperation. Since I (Bruce E. Johansen) has written profusely about climate change (global warming, a.k.a. infrared forcing), I suggested a concerted effort in that direction. This is a worldwide existential threat that affects every living t

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