Relevant bibliographies by topics / Maqamah

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Maqamah'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Maqamah"

1

Maghfur, Ahmad Ali. "Al-Muḥassināt al-Lafẓiyyah wa al-Maʽnawiyyah fī Maqāmāt al-Zamakhsyarī: Dirāsah Balāgiyah." JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) 4, no. 1 (January 21, 2022): 48–70. http://dx.doi.org/10.15642/jilsa.2020.4.1.48-70.

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Maqamat adalah salah satu genre sastra Arab prosa yang biasa berisi tentang pesan-pesan moral, sosial keagamaan. Di antara sastrawan Arab yang menulis karya sastra dengan genre ini adalah al-Zamakhsyari. Di dalam maqamat-nya, terdapat 50 tema, di antaranya adalah: Maqamah al-Marashid, Maqamah al-Ridwan, Maqamah al-Taslim, Maqamah al-Tha’ah, Maqamah al-Tauhid, Maqamah al-Ibadah, dan lain sebagainya. Sebagai sebuah karya sastra, tentu di dalam maqamat karya al-Zamakhsyari ini terdapat banyak unsur-unsur keindahan sastra yang bisa memberikan efek terhadap siapa saja yang berinteraksi dengannya. Dengan metode deskriptif kualitatif, artikel ini mengkaji tentang keindahan-keindahan lafaz dan makna (al-muhassinat al-lafdziyah wal ma’nawiyah) yang terkandung di dalam maqamat karya al-Zamakhsyari dengan berlandaskan pada teori ilmu balaghah.
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Al-Haidari, Abdulfattah Ahmed Abdo. "The Achievement Act in Al-Zabidiyah Maqamah of Al-Hariri deliberative study." مجلة قضايا لغوية | Linguistic Issues Journal 4, no. 3 (December 15, 2023): 84–98. http://dx.doi.org/10.61850/lij.v4i3.116.

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This research seeks to study the act of achievement in Al-Zabidiyah Maqama of al-Hariri. Because it represents a linguistic characteristic worthy of study in the maqamat, as it is possible to separate the text of the maqamah, and to stand on the pragmatic purposes with different contextual dimensions that enhance the relationship between the speaker and the addressee. Proceeding from that, this study, titled “The Performing Verb in Al-Zabidiyah Maqama of al-Hariri: A Pragmatic Study,” examined its linguistic structures that work to accomplish verbs when they are pronounced, and demonstrates their active impact in enriching the maqamah text in the light of a pragmatic analysis that takes into account the social and cultural influences surrounding the text. And other than what is required by the deliberative lesson approach adopted by this study. The importance of this study lies in the fact that it seeks to identify the performing acts in Al-Zabidiyah maqamah, and then to highlight the manner in which these actions were accomplished. The nature of the research necessitated that the researcher raise the following problem; - What are the performing verbs generated in the text of Al-Zabidiyah Maqama? How did you accomplish these actions? In this study, the researcher will follow Searle's five-fold classification. In order to reach a pragmatic approach based on the exploration of the structure of the Maqama text in the light of the communicative process and the performance norms that govern it; In order to decipher its verbal codes, and to apprehend its accomplishments that it achieved in the text of Al-Zabidiyah Maqamah. In conclusion, this research reached a number of results, the most important of which are: the diversity of news verbs in the text of the maqamah; It came either proven, or negative, or confirmed. The command, interrogative, and appeal methods were not limited to performing directive verbs only, but rather expanded their scope, and expressive verbs were accomplished according to the context and the appropriate situation.
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Al-Ghabban, Maryam. "The Philosophy of Humor and Laughter in Al-Hamāthani’s ‘Maqamat’ “The Mosul Maqamah”: An Applied Model." Arab World English Journal For Translation and Literary Studies 2, no. 1 (February 15, 2018): 197–217. http://dx.doi.org/10.24093/awejtls/vol2no1.15.

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Areej Saad Adnan Al - Hindawi. "The impact of Mesopotamian myths on the drawings of Al-Wasiti." Funon Al-Basrah Journal, no. 25 (May 30, 2023): 19–25. http://dx.doi.org/10.59767/bfj.5300.1981.

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Al-Wasiti's drawings are the first attempt to document the Arab landscape more than 778 years ago. These drawings were associated with a fine literary material, and the relationships between words and poetic sentences are matched by artistic, aesthetic and color relations in drawing, as they are all outputs of a sense that agreed in creativity and differed in the language of expression. Al-Wasiti was creative in drawing these events. Islamic painting has a goal that differs from the goals of the painting arts that preceded it or its contemporary, as it tends to “beautification” only. This is achieved by true copying from nature, just as it is achieved by drawing what is transmitted from nature, transforming and refining it. The shocking and ambiguous thing in these (Maqamah), especially in the thirty-ninth (Maqamah), He dared to draw a woman going through labor, revealing her body parts with a clear frontal drawing & we find that it exceeded what is expected of a Muslim painter. In another drawing from this (Maqamah), we notice the presence of strange beings that distort the human form and link it to some ancient Mesopotamian myths. After doing research to try to find the origin of these strange beings, the researcher reached the Mesopotamian origin of these figures (Ishtar and the Bird of Spirits), which go back to the Assyrian antiquities with ancient Babylonian roots.
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نصار, جهاد عبد القادر حسين. "التوازي في المقامة الجاحظية: أنساقه ودلالته." Ansaq journal 4, no. 1-2 (June 2020): 10–30. http://dx.doi.org/10.29117/ansaq.2020.0111.

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يعدُّ النصُّ بناءً متماسكًا متناسقًا، يرتكز على مقومات لغوية مؤَسَّسة، سواء كانت لفظية أم مقامية، تتضافر كل عناصره في صورة متسقة منسجمة، لتحقيق المراد والمقصود الدلالي. ويعد التوازي اللغوي مقومًا مُهِمًّا من تلك المقومات، تتفاوت النصوص في توظيفها وفق الوظيفة الإبلاغية التداولية المقصودة، وهي ظاهرة ماثلة بجلاء في المقامة الجاحظية للهمذاني، أراد منها بأسلوبه البلاغي الكشف عن بعض خصائص أسلوب الجاحظ المقتصر على النثر، لا الشعر. وانطلاقًا من البنى التركيبية المتوازية باعتبارها فضاءً حاضنًا للتوازيات الإيقاعية الصوتية والصرفية والدلالية، فقد صُنفت أنساق التوازي، وحُلِّلت نصيًّا وفق قيمها اللغوية: البنائية الشكلية الجمالية، والربطية التماسكية، والانسجامية الاتساقية الدلالية، وتمثلت أشكال التوازيات التركيبية الحاضنة في المركبات غير الإسنادية: الوصفية، والمجرورة بالحرف وبالإضافة، والمركبات الإسنادية: الاسمية، والفعلية، البسيط منها، والمركب، والممتد، والمتداخل. وقد تفاعلت في فضاء هذه المركبات توازنات صوتية، منها: الجناس والسجع والتكرار؛ وتوازنات صرفية تماثلت فيها صيغ للأفعال والأسماء؛ وتوازنات بلاغية كالتشبيه والاستعارة والكناية؛ وتوازيات دلالية رابطة للفقر المتوازية، تقوم على علاقات الترادف والطباق والمقابلة والاقتران والتناسب والتفسير.
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م. د. فيصل سلمان مناحي. "Pictures of naturalization in the Damascene Maqamah between pleasure and persuasion." Journal of the College of Basic Education 21, no. 90 (December 11, 2022): 85–100. http://dx.doi.org/10.35950/cbej.v21i90.6778.

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صور التجنيس :هو مصطلح بلاغي يقع ضمن علم البديع في البلاغة القديمة وضمن المستوى الصوتي في البلاغة الجديدة، والمقامة الدمشقية هي واحدة من مقامات الحريري التي يبلغ عددها خمسين مقامة وترتيبها الثاني عشر، وهي حكايات أدبية محورها موضوعة الكدية والاحتيال بأسلوب أدبي شيق ، لا يقدر عليه الا من كانت له دراية ومقدرة في تطويع الكلام ونسجه بسياق محكم يكون نافعا تعليميا ويشكل ثروة لفظية مؤثرة ممتعة، وهذا لا يكون لولا درجة الاقناع التي توصل اليها النص الادبي، وجمالية هذا الاقناع هو ما كشفه هذا البحث من وجود اقناع داخلي في عمق النص واخر خارجي يشد المتلقي .
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Berkman, Esra. "The originality of transposed maqams with few composed works: Examples from Ruhnevaz and Reng-i DilAz eser bestelenmiş şed makamların özgünlüğü: Ruhnevaz ve Reng-i Dil örnekleri." Journal of Human Sciences 13, no. 3 (December 12, 2016): 5362. http://dx.doi.org/10.14687/jhs.v13i3.4164.

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The Directorate General of Fine Arts of the Ministry of Culture and Tourism of the Republic of Turkey organized a “Competition for Compositions in Infrequently-Used Maqams and Usuls” with November 1, 2005 as the deadline of applications, and the competition ended with the awards ceremony in April 2006. Almost 500 composers applied with their compositions in 50 infrequently-used maqams determined by a board, and a total of 50 works from six groups received awards. The organizing institution emphasized that the objectives of the competition were to bring those 50 identified maqams to light, to encourage composers to compose works in these maqams, and to enrich the repertory of maqamic music.Grouped by their tonics and çeşni’s, only two of these 50 maqams were şed (transposed) maqams. One was Rûhnevâz, the transposed maqam of Bûselik, with the tonic in Hüseynîaşîran, and the other was Reng-i Dil, the transposed maqam of Neveser, with the tonic in Acemaşîran. This article seeks to explain why so few compositions have been made in the maqams Rûhnevâz and Reng-i Dil, which are compared for similarities and differences with other maqams that use the same scales in the context of maqamic analysis and transpositions, as well as the originality of these maqams. ÖzetT.C. Kültür ve Turizm Bakanlığı, Güzel Sanatlar Genel Müdürlüğü tarafından 2005 yılı 1 Kasım günü çağrılı “Az Kullanılan Makam ve Usûllerde Beste Yarışması” düzenlenir ve Nisan 2006’da bir ödül töreniyle sonlandırılır. Bir kurul tarafından belirlenen 50 az kullanılmış makamda yaklaşık 500 eser sahibi başvuru yapar ve altı gruptan toplam elli eser ödüllendirilir. Düzen­leyen kurumca, yarışma düzenleme amacının, belirlenen 50 makamın yeniden gün ışığına çıkarılması, bestecilerin bu makamlarda eser üretmelerini teşvik etmek ve makam müziği repertuarını zenginleştirme olduğu vurgulan­mıştır.Karar perdeleri ve karar çeşnileri üzerinden bir tabloda gruplandırılan bu 50 makamın sadece ikisinin şed makam olduğu görülmüştür. Bir tanesi Hüseynîaşîran perdesi kararlı Buselik makamı şeddi Rûhnevâz diğeri ise, Acemaşîran perdesi kararlı Neveser makamı şeddi olan Reng-i Dil’dir. Bu yazıda, makamsal analiz, göçürme uygulaması ve aynı dizileri kullanan diğer makamlarla arasındaki benzerlikler / farklılıklar bağlamında, bunlara ek olarak, özgünlük kavramı üzerinden irdelenmiş olan Rûhnevâz ve Reng-i Dil makamlarında, neden nicelik bakımdan az sayıda eser verilmiş olabileceği araştırılmıştır.
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Banat, Mohammed Yousef Ibrahim. "Yahuda Al-Kharizi of “Al-Maqamah Al-Baghdadiah” of Al-Hariri: An Analytic Study." Advances in Literary Study 12, no. 02 (2024): 63–87. http://dx.doi.org/10.4236/als.2024.122005.

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Priyanto, Aris. "Konsep Maqamat menurut Syekh Nawawi Al-Bantani dalam Kitab Salalim Al-Fudala." JOUSIP: Journal of Sufism and Psychotherapy 1, no. 1 (April 5, 2021): 32–50. http://dx.doi.org/10.28918/jousip.v1i1.3879.

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Maqamat adalah tingkatan seorang hamba dihadapan Allah dalam hal ibadah dan latihan-latihan (riyaḍah) jiwa yang dilakukannya. Maqamat juga terdapat dalam kitab Salalim Al-Fuḍala karya Syekh Nawawi Al-Bantani. Keberadaan maqamat sangat penting dalam perjalanan spiritual seorang salik untuk bisa sampai kepada Allah dan menjadi kekasih-Nya. Dengan latar belakang tersebut, maka penelitian ini bertujuan untuk: 1). mengetahui konsep maqamat Syekh Nawawi al Bantani dalam kitab Salalim Al-Fuḍala; 2). mengetahui maqam-maqam yang terdapat dalam Kitab Salalim Al-Fuḍala. Metode yang digunakan dalam penelitian ini adalah metode penelitian kualitatif dengan menggunakan analisis deskriptif. Hasil penelitian ini menunjukkan bahwa Syekh Nawawi Al-Bantani memahami maqamat sebagai sebuah wasiat yang harus dijaga dan diamalkan oleh seorang salik. Sedangkan maqamat menurut Syekh Nawawi Al-Bantani dalam kitab Salalim Al-Fuḍala’ adalah tahapan-tahapan yang harus dilalui oleh seorang salik untuk sampai kepada Allah dan menjadi kekasih-Nya dengan cara menjaga dan mengamalkan sembilan wasiat. Sembilan wasiat tersebut menurutnya adalah taubat, qana’ah, zuhud, belajar ilmu syari’at, menjaga ibadah sunnah, tawakal, ikhlas, uzlah, dan menjaga waktu. Selain itu, ada tiga macam maqam yang ditawarkan Syekh Nawawi Al-Bantani dalam kitab Salalim al-Fuḍala yang tidak terdapat dalam macam-macam maqam para tokoh sufi lainnya. Ketiga macam tersebut antara lain; belajar ilmu syari’at, menjaga ibadah sunnah, dan menjaga waktu. Sehingga ketiga tersebut akhirnya menambah jumlah maqamat yang ada dalam disiplin ilmu tasawuf, dimana ketiga maqam tersebut tidak ditemukan dalam konsep maqamat para tokoh sufi lainnya.
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Hidayat, Moh Wakhid. "SEJARAH PRA KEMUNCULAN NOVEL ARAB." Adabiyyāt: Jurnal Bahasa dan Sastra 10, no. 1 (July 31, 2011): 184. http://dx.doi.org/10.14421/ajbs.2011.10109.

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Novel (riwayah) is categorized as a genre of modern Arabic literature. The birth of this genre has something to do with the revival period of Arabic in general. Yet the pre-natal of this new genre in Arab world is left undiscussed. This research aims at disclosing the birth of Arabic novel. It is found that Egypt has been the center of the labor of this genre. Its pre-natal period is marked by the translation of the Western literature and the resurrection of the genre of maqamah. There are some arguments on the situation and condition of the pre-natal of the Arabic novel. First, it was imported from the west. The second argument is that novel is indigenous genre, and the third is that novel is rooted from both classical Arabic and modern Western world.
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Dissertations / Theses on the topic "Maqamah"

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ʻUkbarī, ʻAbd Allāh ibn al-Ḥusayn Dīb Muḥammad Rajab. "Kitāb Sharḥ gharīb al-Maqāmāt al-Ḥarīrīyah." Bayrūt : Dār al-Aḥbāb, 1992. http://books.google.com/books?id=s1k2AAAAMAAJ.

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Mohammad, Salah. "L'organisation mélodique et rythmique des Maqamat irakiens." Paris 4, 1986. http://www.theses.fr/1986PA040121.

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Cette recherche a pour but d'étudier et d'analyser le maqâm irakien et de le présenter comme la forme musicale-vocale la plus parfaite et la plus achevée du patrimoine musical irakien. Dans une première étape, elle expose: la définition du maqâm, son origine, ses circonstances sociales et la composition de ses concerts (fusul) et de son orchestre (al-djalghi al-baghdadi). Cet orchestre est composé d'un chanteur et de quatre musiciens-instrumentistes qui jouent respectivement de la cithare sur table, de la vièle à pique, du tambour-gobelet, du tambour sur cadre et des naqqara. . . Elle expose aussi les écoles des "maitres" du maqâm (les chanteurs et les musiciens), écoles qui couvrent six générations (1775-1985). Ensuite, nous avons analysé les tétracordes et les modes constitutifs de la musique arabe en général et la musique irakienne en particulier. Nous avons classé ces tétracordes en 3 groupes (diatonique, chromatique et enharmonique) et ces modes en six groupes (rast, bayat, nahawand, kurd, 'ajam et un groupe pour les modes "hors classification") cette analyse mélodique est complétée par l'analyse des rythmes qui accompagnent l'exécution du maqâm et celle des chansons complétives. Dans une dernière étape, nous avons analysé 6 maqamat principaux (rast, bayat, nahawand, saba, hujaz-diwan et 'awj) en nous basant sur 5 éléments fondamentaux (le mode, la succession des notes structurelles, le processus mélodique, la notation et les principaux types d'ornementation du chanteur). Nous y avons joint une liste analytique englobant tous les maqamat irakiens. Dans notre étude, nous avons présenté l'organisation mélodique et rythmique des maqamat irakiens en insistant sur le côté technique et non historique. Cette approche nous a permis d'aboutir, dans les trois derniers chapitres à l'analyse et à la classification, ci-dessus mentionnées, et qui constituent une nouvelle tentative analytique de la musique arabe en général et le maqâm irakien en particulier
This research aims at studying and analyzing the Iraqi maqam, and at presenting it as the most perfect, the most complete form in oral music of the musical heritage from Irak. In a first part, it sets out: the definition of the Iraqi maqam, its origin, its social background and the composition of its concerts and of its orchestra. This orchestra is composed of a singer and four musicians who respectively play the santur, the joza, the tabla, the riq and the naqqara. It also presents the schools of "masters" in Iraqi maqam (the singers and the musicians). Those schools developed for 6 generations (1775-1985). Then, we analyzed the tetrachords and the mods which are the constituent elements of Arab music as a whole and of Iraqi maqam in particular. We've classified these tetrachords in three groups (diatonic, chromatic and unharmonic) and these mods in six groups (rast, bayat, nahawand, kurd, 'ajam and one group for those out of classification). This melodic analysis is completed by that of the rhythms accompanying the performance of the Iraqi maqamat and that of the songs which complete them. In the last part, we've analyzed six main maqamat (rast, bayat, nahawand, saba, hujaz-diwan and 'awj); our analysis is founded on five basic elements (the mode, the successive constitutive notes, the melody process, the notation and the principal types of ornamentation of the singer). We joined an analytic list including all the Iraqi maqamat. In this study, we've presented the melodic and rhythmic organization of the Iraqi maqamat, laying the accent on the technical aspect of this music and not the historical one
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Abubakr, Mukryan. "Maqam - orientalisk improvisation : att utforska maqam-baserad improvisation på solocello." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4234.

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Zakharia, Katia. ""Les Maqamat" d'Al - Hariri : itinéraire d'un héros imposteur et mystique : Abu Zayd Al-Sarugi." Lyon 2, 1990. http://www.theses.fr/1990LYO20041.

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L'objectif de cette recherche est d'etablir que les differents recits rapportes dans les maqamat d'al-hariri (1055-1122) forment une structure coherente dans laquelle la conversion finale d'abu zayd al-sarugi trouve place et sens. En effet, abu zayd, mendiant errant, ecornifleur, menteur et remarquablement eloquent passe de l'imposture a la mystique de facon jusqu'ici inexpliquee. Pour mettre en lumiere l'itineraire du personnage nous proposons une etude informatisee des trames radicale et lexicale de l'ouvrage et une analyse semiologique d'inspiration psychanalytique de quelques-uns de ses aspects (itineraires, mensonges, intemperance etc. )
The present work aims to demonstrate that the different stories recounted in the maqamat of al-hariri (1055-1122) form a coherent structure in which the final conversion of abu zayd al-sarugi finds its place and its meaning. Indeed, abu zayd, a wandering beggar, scrounger and particularly eloquent liar, moves from imposture to mysticism in a way hitherto unexplained. In order to bring the character's itinerary to light we offer here a computerized study of the radical and lexica texture of the book and a semiological, psychoanalytically oriented study of some of its aspects (itineraries, lies, intemperance etc. )
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Baker, Colin Francis. "Abū al-Hasan Sa'īd's Maqālah fi K̳halq al-'insān." Thesis, University of Cambridge, 1991. https://www.repository.cam.ac.uk/handle/1810/283674.

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Ramirez-Nieves, Emmanuel. "Repenting Roguery: Penance in the Spanish Picaresque Novel and the Arabic and Hebrew Maqama." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467380.

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Repenting Roguery: Penance in the Spanish Picaresque Novel and the Arabic and Hebrew Maqāma, investigates the significance of conversion narratives and penitential elements in the Spanish picaresque novels Vida de Guzmán de Alfarache (1599 and 1604) by Mateo Alemán and El guitón Onofre (circa 1606) by Gregorio González as well as Juan Ruiz’s Libro de buen amor (1330 and 1343) and El lazarillo de Tormes (1554), the Arabic maqāmāt of al-Ḥarīrī of Basra (circa 1100), and Ibn al-Ashtarkūwī al-Saraqusṭī (1126-1138), and the Hebrew maqāmāt of Yehudah al-Ḥarizi (circa 1220) and Isaac Ibn Sahula (1281-1284). In exploring the ways in which Christian, Muslim, and Jewish authors from medieval and early modern Iberia represent the repentance of a rogue, my study not only sheds light on the important commonalities that these religious and literary traditions share, but also illuminates the particular questions that these picaresque and proto-picaresque texts raise within their respective religious, political and cultural milieux. The ambiguity that characterizes the conversion narrative of a seemingly irredeemable rogue, I argue, provides these medieval and early modern writers with an ideal framework to address pressing problems such as controversies regarding free will and predestination, the legitimacy of claims to religious and political authority, and the understanding of social and religious marginality.
Comparative Literature
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Al, Ani Marwan. "La représentation architecturale de l'habitation domestique (Maison) dans les miniatures d'Al Hariri (XIIIe siècle) : comparaisons aux données archéologiques et aux textes." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H207.

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L'étude est divisée en trois parties : La première partie est consacrée à un résumé historique de la Maqamat et de ses miniatures ainsi qu'un bref aperçu de l'art du livre arabe et de l'intérêt européen qu'il suscite. La deuxième partie présente les types de maisons trouvées suite aux fouilles archéologiques des sites de l'époque islamique. La troisième partie est consacrée aux différents types de maisons et d'aménagements intérieurs, décrits par les miniatures de Maqamat al Hariri
The purpose of this work is to study the shape of the houses at the end of the Abbasid period, after five illustrated manuscripts of the Maqamat al-Hariri, historically attributed to the last period of the reign of the Abbasids . The images are in miniatures, containing details of various parts of the house, we have exploited in an attempt to configure and visualize the shape of the house that dates back to this period. The study is divided into three parts. The first part is devoted to a historical summary of the Maqamat and miniatures, as well as a brief overview of the Arabic art of the book, and the European interest.The second part is devoted to types of houses found in the excavations of various Islamic archaeological sites. The third part is devoted to various forms and portions of the house, shown by the miniatures of the Maqamat of al Hariri
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8

Guthrie, Shirley. "Everyday life in the Near East : the evidence of the 7th/13th-century illustrations of Al-Hariri's Maqamat." Thesis, University of Edinburgh, 1991. http://hdl.handle.net/1842/30239.

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Six 7th/13th-century illustrated manuscripts of al-Hariri's Maqamat are the subject of this thesis. The Maqamat or 'Assemblies' are justly viewed, after the Qur'an itself, as 'the chief treasure of the Arabic tongue'. There is a terminus ad quem of 1310 for the London B.L. or 9718 manuscript, because its artist/scribe lived to eighty years of age, and the possibility exists that it properly belongs to the second half of the 7th/13th century. This is an interesting manuscript; unfortunately, its poor state precludes detailed study. The Maqamat comprise 50 tales of a gifted hero, Abu Zayd, who delights in duping his fellow men from all walks of life and in a variety of lands by masterly displays of erudition; they occur in the lawcourt, the governor's palace, the butling sug, the mosque, the city or in more rustic surroundings. It is proposed that the illustrations offer an unparalleled insight into the life of the period. Some 100 photographic reproductions from the 7th/13th-century manuscripts are included, the majority of them in colour. Individual illustrations appear in the body of the thesis, with a translation of the surrounding text in bold typeface; a further selection of miniatures is interspersed in the catalogues. The main reason for their choice was the desire to give as varied a selection as possible, and to reflect the actual material of the thesis.
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9

Gammash, Marwan. "The Pre-Islamic Qasida: Mu'allaqat, Sa'alik and the Rihla (The Missing Link) and other Influences on Hamadhani's Maqama." Thesis, University of Manchester, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.493426.

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This thesis argues that Hamadhani's maqamas have been influenced by the poetry of the pre-Islamic era, in particular the rihla (journey) in the mu'allaqat (hung poems) and su'luk (brigand) poems. The literature of the maqama genre is well established, yet no single study has attested that a link between Hamadhani's maqamas and pre-Islamic poetry exists or substantiated that Hamadhani was conscious of the interconnections of the narrative within the qaslda construct.
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Ulmer, Sean Matthew. "The Maqamat of Al-Hariri: A Critical Study of the Typologies in al-Wasiti's Version (Bibliotheque nationale Ms. Arabe 5847)." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406816935.

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Books on the topic "Maqamah"

1

Eleazar, Jacob ben. Sipure ahavah shel Yaʻaḳov ben Elʻazar (1170-1233?): Yotsʾim le-or ʻal pi ketav-yad yaḥid ba-ʻolam, be-tseruf mavo, beʾurim u-bibliyografyah. Tel-Aviv: Ramot, Universiṭat Tel-Aviv, 1992.

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Orland, Yaʻaḳov. Simṭat ha-Ḥabashim: Meḳamah Yerushalmit. Yerushalayim: Keter, 1986.

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Orland, Yaʻaḳov. Simṭat ha-Ḥabashim: Meḳamah Yerushalmit. Yerushalayim: Keter, 1986.

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ʻAlī ʻAbd al-Munʻim ʻAbd al-Ḥamīd Kabīr. al- Namūdhaj al-insāni fī adab al-maqāmah. al-Duqqī, al-Jīzah: al-Sharikah al-Miṣrīyah al-ʻĀlamīyah lil-Nashr, Lūnjmān, 1994.

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ʻAbd Allāh Ḥusayn ʻAlī Sulaymān. al- Maqāmah bayna al-qiṣṣah wa-al-maqālah: Dirāsah adabīyah taḥlīlīyah naqdīyah muwāzanah. [Cairo]: al-Dār al-Andalusīyah, 1987.

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Hefer, Hayim. Af milah raʻah (ki-meʻaṭ). Tel-Aviv: Zemorah-Bitan, 1998.

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Qandīl, ʻAbd al-Rāziq Aḥmad. al-Maqāmah al-ʻIbrīyah bayna al-taʼaththur wa-al-taʼthīr. [Giza]: Markaz al-Dirāsāt al-Sharqīyah, Jāmiʻat al-Qāhirah, 2005.

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Ḥamīd, Ṭabībiyān, ed. Maqāmāt-i Badīʻ al-Zamān Hamadānī. Tihrān: Muʼassasah-i Intishārāt-i Amīr Kabīr, 2008.

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Baṣarī, Yaḥyá ibn Saʻīd. Maqāmāt Ibn Mārī: Nasabuh - ḥayātuh - makānatuh, T 589 H/1193 M. Bayrūt: al-Dār al-ʻArabīyah lil-Mawsūʻāt, 2019.

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Israeli, Shimon. ha- Goʻal ṿeha-nefesh: Maḳamot humorisṭiyot. Tel-Aviv: Yaron Golan, 2001.

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Book chapters on the topic "Maqamah"

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Thoegersen, Peter Alexander. "Polytempic Polymicrotonal Music, and Freedom." In Maqam Melodies, 117–31. New York: Jenny Stanford Publishing, 2024. http://dx.doi.org/10.1201/9781003492856-6.

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Thoegersen, Peter Alexander. "Bachian Modality." In Maqam Melodies, 39–77. New York: Jenny Stanford Publishing, 2024. http://dx.doi.org/10.1201/9781003492856-2.

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Thoegersen, Peter Alexander. "Quartertones Are Not Out of Tune: You Are!" In Maqam Melodies, 101–10. New York: Jenny Stanford Publishing, 2024. http://dx.doi.org/10.1201/9781003492856-4.

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Thoegersen, Peter Alexander. "Hypercube." In Maqam Melodies, 79–100. New York: Jenny Stanford Publishing, 2024. http://dx.doi.org/10.1201/9781003492856-3.

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Thoegersen, Peter Alexander. "Charles Ives's Use of Quartertones: Are They Structural or Expressive?" In Maqam Melodies, 111–15. New York: Jenny Stanford Publishing, 2024. http://dx.doi.org/10.1201/9781003492856-5.

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Thoegersen, Peter Alexander. "Microtonal Modes and Scales in the Middle East and Central Asia." In Maqam Melodies, 1–37. New York: Jenny Stanford Publishing, 2024. http://dx.doi.org/10.1201/9781003492856-1.

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Grabar, Oleg. "A Newly Discovered Illustrated Manuscript of the Maqamat of Hariri*." In Islamic Visual Culture, 1100-1800, 93–150. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003554882-8.

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Pomerantz, Maurice A. "CHASING AFTER A TRICKSTER: THE MAQAMAT BETWEEN PHILOLOGY AND WORLD LITERATURE." In Studying the Near and Middle East at the Institute for Advanced Study, Princeton, 1935–2018, edited by Sabine Schmidtke, 228–42. Piscataway, NJ, USA: Gorgias Press, 2018. http://dx.doi.org/10.31826/9781463240035-030.

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Grabar, Oleg. "Pictures or Commentaries: The Illustrations of the Maqamat of al-Hariri*." In Islamic Visual Culture, 1100-1800, 187–205. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003554882-11.

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Ahmed, Suneela. "Importance of the notion of maqamiat for Karachi." In Urban Architecture and Local Spaces in Pakistan, 149–68. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003246275-7.

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Conference papers on the topic "Maqamah"

1

Saydumarova, M., and M. G. Saydumarov. "Qur’anic Quotes in Al-Hariri’s Maqamats." In The First Pamir Transboundary Conference for Sustainable Societies- | PAMIR. SCITEPRESS - Science and Technology Publications, 2023. http://dx.doi.org/10.5220/0012483700003792.

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Zoubairi, Rida, Zahi Jarir, and Mohammed Erradi. "Quality of service in MAQAME Architecture." In 2009 Mediterranean Microwave Symposium (MMS). IEEE, 2009. http://dx.doi.org/10.1109/mms.2009.5409836.

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Simsek, Berrak Ozturk, and Aydin Akan. "Audio Melody Extraction from Monophonic Turkish Maqam Music." In 2020 28th Signal Processing and Communications Applications Conference (SIU). IEEE, 2020. http://dx.doi.org/10.1109/siu49456.2020.9302166.

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Ozturk Simsek, Berrak, and Aydin Akan. "Audio Melody Extraction from Heterophonic Turkish Maqam Music." In 2021 29th Signal Processing and Communications Applications Conference (SIU). IEEE, 2021. http://dx.doi.org/10.1109/siu53274.2021.9477983.

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Tanyer, Suleyman Gokhun. "Just-37 interval system — A complete set of natural harmonics for Turkish maqams." In 2014 22nd Signal Processing and Communications Applications Conference (SIU). IEEE, 2014. http://dx.doi.org/10.1109/siu.2014.6830218.

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Othman, Roslina, Mohamad Fauzan Noordin, Tengku Mohd Tengku Sembok, Akrarn M. Z. M. Kheder, Emma Nuraihan Mior Ibrahim, Sadia Hamid Kazi, and Siti Raudah Abdul Karim. "Personal learning environment framework for a self-help Maqam-based search system." In 2014 5th International Conference on Information and Communication Technology for The Muslim World (ICT4M). IEEE, 2014. http://dx.doi.org/10.1109/ict4m.2014.7020621.

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Kalayci, Ilker, and Serdar Korukoglu. "Classification of Turkish Maqam music using k-means algorithm and artificial neural networks." In 2012 20th Signal Processing and Communications Applications Conference (SIU). IEEE, 2012. http://dx.doi.org/10.1109/siu.2012.6204675.

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Saibi, Hakim, Amir Gabr, Amar Alali*, Eiji Ishioka, Akira Hoshino, Katsuhisa Kamishita, and Muhammad Fadhli. "Gravity, GPR and ERT surveys at Al-Maqam campus of United Arab Emirates University (Al-Ain, UAE)." In Fifth International Conference on Engineering Geophysics (ICEG), 21–24 October 2019, Al Ain, UAE. Society of Exploration Geophysicists, 2020. http://dx.doi.org/10.1190/iceg2019-020.1.

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