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1

George, Lily (L M. ). "Tradition, invention, and innovation : multiple reflections of an urban marae : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Social Anthropology at Massey University, Auckland, New Zealand." Massey University, 2010. http://hdl.handle.net/10179/1251.

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Marae have a place in contemporary Aotearoa New Zealand that is vital to Maori culture, as well as for all peoples of this land. Maori cultural precepts intrinsically abound with notions of the importance of marae for the transmission of that culture. Marae are places of refuge and learning where the active expression of Maori culture is most obvious. Tendrils of tradition incorporated with contemporary nuances reach out to enfold those whom these places and spaces nurture and embrace. While these ideals may not always find articulation in reality, their presence at the least provides a foundation centuries old on which to build pathways in the present and into the future. Awataha Marae is an urban marae based on Auckland?s North Shore. The history of Awataha is situated within the latest of three Renaissance Periods in which there was an upsurge in Maori culture. These Renaissance Periods were about resistance to the impositions of another culture, reclamation of part of what had been lost through colonisation, and rejuvenation of people and culture. Renaissance Period Three, in which Awataha arose, also has connections to the efforts of indigenous peoples worldwide in their endeavours to forge self determining processes for themselves, including those of conducting research that was for their benefit and purposes, rather than for those of others. Following the development of marae from pre-contact to the present day also illuminates the context within which Awataha was formed. From its beginnings as the space in front of the chief?s house where the village members gathered and where relationships were negotiated, marae today are complexes of buildings that reflect the necessities of the society that surrounds them, as well as the desire of the people to retain Maori culture in its most fundamental form. Urban marae have arisen to fulfil those desires for Maori in urban contexts, often separated from their rural homelands and for many, from their cultural heritage. Following changes in the ways in which wharenui were decorated and embellished also provides evidence of the ways in which Maori consciously innovated culture in order to endure in the new world.
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Bennett, Adrian John Te Piki Kotuku. "Marae : a whakapapa of the Maori marae : a thesis submitted [in fulfilment of the requirements] for the degree of Doctor of Philosophy in [Cultural Studies] at the University of Canterbury /." Thesis, University of Canterbury. Culture, Literature and Society, 2007. http://hdl.handle.net/10092/1027.

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A whakapapa of the marae Whakapapa, a Maori word, is often abstracted to the English language as the word genealogy. Whakapapa however has a more subtle and comprehensive meaning in Maori. In that language it has complex connotations of genealogical lines, yes, but also the history of the people involved and perhaps most importantly, the inter-relationships between those people. Degrees of consanguinity are all important when establishing relationships within Te Ao Maori - the Maori world. Marae, the basis of this thesis, is another Maori word. A marae, at its simplest, might be referred to as an agglomeration of separated, functional buildings on an area of reserved land, usually deemed to be sacral to some extent. Marae have an ancient history both in New Zealand Maori culture, but really originating at least in part, in the older cultures from which our Maori culture was eventually derived, from other, earlier settled, Pacific Islands. This thesis then is a genealogy, a sort of cultural history of marae, but is based on the idea and Maori sense of the whakapapa and so partakes of the nuances involved. It is these additional complexities that are referred to by the use of the word whakapapa in the title of this thesis. This thesis investigates the lineage of the marae, tracing it back to legendary roots, but it also examines the relationships between the components of the marae and also the place the marae has established within Maori (and other) communities. Beyond the historical forms of the marae that this thesis investigates are the other aspects that delineate what a marae really is. It is not simply a group of buildings at all, although this is a common non-Maori understanding of its disposition. A marae is a tapu or sacred space, and within or nearby that space are buildings whose form, function and meaning have only come to their present conjunction in (written) historic times. What makes the marae is the combination of the people and the ritual that is involved on a marae, the marae space and lastly, the physical buildings. The buildings, particularly carved houses, have additional meaning that they lend to the thread of the story. They themselves represent the whakapapa of the marae, and specifically of the hapu (or sub-tribe) who inhabit that marae. They do this by direct representation, but also by analogy and by spiritual means that are little dealt with in most literature. Ancestors in Te Ao Maori are deemed to exist within the very fabric of the building and have a renewed or continuing existence that is created in the first instance by a melange of ritual and belief. This thesis discusses both the usage of ritual to create such physical interjacence, utilised in modern times within whare (houses), and the continued use of regular ritual on marae for human functions. It is only together that a complete modern marae is created. With any of these elements missing the marae form is truncated or lessened and diminished in some ways. So, marae which have been recreated in preserved forms, such as those in museums, are discussed at length in this thesis, by contrast with marae in regular usage for 'traditional' purposes. In essence then, this is an investigation of the marae, but in terms, manners and ways, which have not always been fully or comprehensively dealt with before.
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Wallin, Paul. "Ceremonial stone structures the archaeology and ethnohistory of the Marae Complex in the Society Islands, French Polynesia /." Uppsala : Societas Archaeologica Upsaliensis : Distributed by Dept. of Archaeology, Uppsala University, 1993. http://catalog.hathitrust.org/api/volumes/oclc/30760808.html.

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4

Harwood, Haupuru. "Characteristics of traditional and contemporary art and design on Auckland urban marae a thesis submitted in partial fulfilment of the requirements for the degree M.A [Master of Arts] (Art and Design), Auckland University of Technology, Te Waananga Aronui o Tamaki Makau Rau, 2003." Full thesis. Abstract, 2003. http://puka2.aut.ac.nz/ait/theses/HarwoodH.pdf.

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5

Collins, Adelaide. "Te Papa-o-Rotu Marae Management and Administration at the End of the Twentieth Century: Negotiating Bureaucratisation." The University of Waikato, 2005. http://hdl.handle.net/10289/2557.

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Te Papa-o-Rotu Marae is a Māori community settlement located in the Waikato region of New Zealand. Its hapu (sub-tribe) community was one of 33 hapu that formed the Tainui confederation claiming compensation from the Crown for land confiscated in the nineteenth century. The claim was settled in 1995 and it was within this context that research for this study was conducted at the marae from August 1997 to December 1999. This ethnographic study examines the way that the community at Te Papa-o-Rotu Marae managed its affairs through its two management bodies, the Marae Committee and the Trustees. It is argued in this thesis that the marae's mode of management is in transition from an informal to formal mode, and from an inward to outward looking focus. Bureaucratic administration, it is argued, has been the major catalyst for the transition and has been introduced into marae operations through an accumulation of state legislation affecting Māori land and communities. Furthermore, some aspects of bureaucratic administration have been legitimated and appropriated by the iwi authority, which has passed this on to the Marae Committee. The community have been complicit in the adoption of bureaucratic administration by accommodating the requirements of both the state and the iwi authority. However, a persistent question was whether the marae could maintain its own rangatiratanga (authority, self-determination, control) and separate identity in the face of increasing pressure to conform to a bureaucratic management style. The community managed the marae communally by way of hui (gatherings) and meetings, which were observed using a combined methodological approach of Kaupapa Māori research and ethnography, as described in Chapter 2. The philosophy of kotahitanga (solidarity) underpinned the social organisation of the Tainui tribal confederation, so understanding the place of the marae in its wider socio-political environment has helped in comprehending the nature of the pressure on the community to increase its scale of operations and is explained in Chapter 3. Chapter 4 introduces the accumulation of influences that have brought about a change of managerial style from informal to formal organising. The practical effect of these influences are demonstrated in the management structure and administrative systems that the community used. These are described phenomenologically in Chapters 5 and 6 respectively. The management plan, compiled since 1995, had a strong emphasis on management structural review and participation in tribal development initiatives and is discussed in Chapter 7. The implementation of a collaborative development project between the iwi authority and Marae Committee is described in Chapter 8. The final chapter reflects on the impact of bureaucratic administration on marae management as well as the dynamism of the community and how the rangatiratanga of the marae has thus far been maintained.
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Lewis, Roger Brian. "A criterion referenced analysis and evaluation of the processes involved in formulating a Māori language regeneration strategy for Whakamārama marae." The University of Waikato, 2007. http://hdl.handle.net/10289/2303.

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The quality of the processes involved in language regeneration strategy formation is critical to the creation of an effective language regeneration strategy and this, in turn, is critical to the achievement of successful language regeneration outcomes. The overall aim of this research project was to evaluate, using a range of effectiveness criteria, the processes involved in the creation of a marae-based te reo Māori regeneration strategy in the hope that others involved in similar projects in the future would benefit and in the hope that the Whakamārama whānau will themselves derive benefit from it in reviewing what has already been achieved. In Chapter 1, the background to the research project and its rationale are outlined and the research questions and research methods are introduced. Chapter 2 provides a critical review of selected literature in the area of strategic planning aspects of language regeneration and relevant aspects of mātauranga Māori. Using an ethnographic approach, the processes and immediate outcomes (in terms of a survey report and a regeneration plan for Whakamārama marae) of the language regeneration project are outlined in Chapter 3. In Chapter 4, effectiveness criteria are derived on the basis of the literature review in Chapter 2. These include criteria relating to leadership, participation, Kaupapa Māori values, environmental analysis and outcomes. The criteria are then applied to the analysis and evaluation of the processes and outcomes outlined in Chapter 3 in order to identify their strengths and weaknesses. The overall conclusion is that Whakamārama's language regeneration activities to date can be regarded as successful in many ways, including the fact that they have resulted in the production of high quality documentation that is widely appreciated by the whānau in the form of a maraebased language survey and a marae-based te reo Māori regeneration plan. Working voluntarily and often under difficult circumstances, core group members demonstrated that they possessed the essential characteristics of commitment, motivation and determination, in addition to the willingness and ability to use existing skills and knowledge effectively and to develop further skills and knowledge as the project proceeded. Perhaps most important, they developed a caring and effective working culture. However, the weaknesses of the project included a lack of preparation and planning prior to the commencement of the project which resulted in a build up of work at a number of stages. This, in turn, lead to delays in producing outcomes and some loss of momentum. It also led, indirectly, to the views of two or three members of the core group being overrepresented in the reo plan goals. The information and analysis provided here have relevance to any language community involved in micro-level language regeneration activities of a similar type. It is hoped therefore that this thesis may help others to not only avoid the problems experienced by the Whakamārama whānau but also to benefit from their successes.
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Thyne, Debbi. "Walls that speak creative multivocality within Tangatarua : a thesis submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Master of Philosophy (MPhil), 2009 /." Click here to access this resource online, 2009. http://hdl.handle.net/10292/781.

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This research posits art as an encounter, an encounter between the conceptual worlds of artists and of viewers. It acclaims the respective art skills within the marae (communal meeting place) named Tangatarua at Waiariki Institute of Technology, Rotorua. Tangatarua Marae is a place of bicultural encounter. This writing includes readers in the social relations of this encounter. This is a qualitative study that uses an interpretive epistemology to examine some of the art forms of Tangatarua. My focus is on micronarratives - that is, on intimate, improvised meanings generated by some of the small artworks. These reference and affirm the symbolism of the carvings but are less visible due to their lesser scale and interstitial placement within the interior architecture. They are rendered more visible through the phenomenological detail of participant accounts as well as the positivism of a formalist critique. I posit art as a dialogical activity, inseparable from the phenomenological conditions that precede and inform it, and inseparable from the emergent meaning that is forged at its encounter. I contend that the collaborative mode of art production within Tangatarua embodies this dialogical model. I amplify some of the tangible art forms of Tangatarua by dismantling the intangible discursive forms that have impinged on them. These include aspects of the political context of the establishment of the marae, Waiariki Institute of Technology’s bicultural framework, and the pedagogy of its Art School. My writing is underpinned by a participatory paradigm acknowledging my situatedness as an artist participant within Tangatarua, a woman of Ngai Tahu descent, and art tutor at Waiariki Institute of Technology. This study similarly acknowledges the multifaceted, experiential transactions between those artists whose small collective gestures have informed and transformed the interior of Tangatarua.
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Cabana, Marie. "Calcul direct acoustique et analyse des mécanismes de génération de bruit des écoulements cisaillés libres." Poitiers, 2008. http://theses.edel.univ-poitiers.fr/theses/2008/Cabana-Marie/2008-Cabana-Marie-These.pdf.

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La connaissance des mécanismes physiques responsables de la production sonore par les écoulements turbulents est indispensable pour permettre l’élaboration des techniques de réduction et de contrôle du bruit d’origine aérodynamique. Dans ce travail, nous avons développé une méthodologie d’analyse s’appuyant sur une décomposition du terme source de l’analogie de Lighthill, qui fait apparaître explicitement la dilatation et la vorticité, et sur un filtrage en nombre d’ondes. Associé à des bases de données obtenues par calcul direct acoustique, qui offrent un accès simultané à toutes les quantités dynamiques et acoustiques, cet outil permet d’identifier le rôle acoustique des différents termes. L’application de notre méthodologie à l’analyse des sources acoustiques dans une couche de mélange, permet d’interpréter le rayonnement sonore comme le résultat de subtils déséquilibres spatio-temporels entre les termes. Une nouvelle version du code de calcul direct acoustique a ensuite été développée, afin d’obtenir des bases de données en configuration 3D pour un coût de calcul raisonnable. Nous avons choisi d’implanter des schémas compacts décentrés d’ordre élevé pour la discrétisation spatiale, et de tester leur aptitude au calcul direct acoustique sur un cas test. Les résultats obtenus montrent la capacité de ces schémas à contrôler les oscillations numériques à résolution marginale et soulignent leur robustesse. Deux simulations de jets 3D chaud et froid ont été réalisées, dont nous présentons des résultats dynamiques et acoustiques préliminaires
Identifying the mechanisms responsible for the production of sound in free-shear flows is a challenging task due to our poor understanding of the underlying physics, in particular concerning the flow acoustic interactions. A new analysis methodology based on a decomposition of the Lighthill aerodynamic sources term is proposed, aimed at understanding the respective roles of the subsequent subterms and extracting their radiating components using a filtering in wavenumber space. This analysis is performed on a temporal mixing-layer database obtained from a direct computation of sound and the essence of sound production mechanism is found to comprise sublte imbalances which disrupt inherent space-time symmetries between the various subterms. To enable direct computation of sound in three-dimensional configurations and constitute aerodynamic and acoustic databases amenable to this analysis methodology, a specific numerical treatment using high-order upwind compact schemes is developed. Their ability to direct computation of sound is evaluated on the test case of a mixing layer for which a reference solution is available. These schemes have proved their efficiency to damp spurious oscillations and their robustness faced with a marginal resolution or a Reynolds number increase. Thanks to this development, two simulations of a round jet are performed, an isothermal and an anisothermal ones. Preliminary results are presented on both the aerodynamic and acoustic fields, and temperature effects are investigated
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Suhrcke, Lisbeth [Verfasser]. "Marie Lipsius alias La Mara (1837-1927) : Biographisches Schreiben als Teil der Musikforschung und Musikvermittlung / Lisbeth Suhrcke." Göttingen : Böhlau Verlag Köln, 2020. http://www.v-r.de/.

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Ballouard, Jean-Marie. "Espèces charismatiques, espèces locales et serpents en éducation à l'environnement : évaluation sur dix pays de la perception des enfants à protéger la faune et importance de l'expérience de terrain." Poitiers, 2010. http://theses.edel.univ-poitiers.fr/theses/2010/Ballouard-Jean-Marie/2010-Ballouard-Jean-Marie-These.pdf.

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L'éducation à l'environnement est indispensable pour pallier l'érosion de la biodiversité. Les médias et l'école ont une place importante dans la sensibilisation du public, mais ils diffusent presque exclusivement des images et des messages basés sur une biodiversité spectaculaire, exotique et lointaine (ours polaire, baleinzs. . . ). L'éducation scolaire a donc un rôle important pour étendre la connaissance des enfants vers une gamme étendue d'organismes. Grâce à des questionnaires écrits diffusés dans dix pays en Europe (7), Afrique (1), et Asie (2), nous avons sondé chez des écoliers (âgés de 7 à 14 ans) leur perception des animaux. Le constat est alarmant : les enfants sont déconnectés de leur environnement local. Miroirs des médias, les enfants ont une vision restreinte de la biodiversité à protéger, limitée à quelques animaux qu'ils ont vu sur des écrans de TV ou d'ordinateur. Mais l'enquête réalisée sur la perception des serpents pour les enfants montre que ceux-ci ont une aversion modérée et que la plupart expriment leur envie de les protéger, ce qui est très encourageant. Nous avons emmené près de 600 élèves découvrir sur le terrain les espèces locales de serpents. Grâce à l'activation du canal affectif, la grande majorité des enfants sont prêts à protéger préférentiellement les serpents, au même titre que les pandas. L'ensemble de ces résultats montre tout d'abord une nette défaillance du système éducatif qui favorise l'information dogmatique et virtuelle au détriment des sorties de terrain et des expériences concrètes avec la nature. Celles-ci sont pourtant essentielles pour connecter les enfants avec l'environnement local et favoriser des comportement positifs nécessaires à la préservation de la biodiversité. Pour faire des progrès et étendre l'intérêt des enfants pour un maximum d'espèces, il est essentiel de travailler avec des espèces soit disant impopulaires telles que les serpents, que les enfants adoptent très vite
Environmental education is one of the main tools to overcome the current loss of biodiversity. Media and school occupy a central place to educate public, but they broadcast almost exclusively messages based on few spectacular and exotic animals (polar bear, whales…). Scholar education has a crucial role to promote knowledge, awareness, of schoolchildren and thus their willingness to protect a wide range of organisms, including less popular species. Using written questionnaires, we surveyed in ten different countries on Europe 7, Africa 1, and Asia 2, the perceptions of schoolchildren aged from 6 to 14 years for animals. The outcome is alarming: schoolchildren are disconnected from their local environment. Mirroring media, schoolchildren can list very few animal species requiring protection which they watched on TV screens. However, a survey of the perception of schoolchildren for snakes showed a moderate aversion level and a clear willingness to protect them, a surprising and encouraging result. We brought almost 600 children to discover native snakes through field experiences. Via the activation of the affective channel, almost all the children expressed their willingness to protect snakes, at the same level than panda and other loveable species. This study reveals the failure of the scholar educational system that focuses on dogmatic message, virtual information and intellectual approach to the detriment of field trips and physical contact with wildlife. A concrete approach of biodiversity is however essential and urgent to reconnect children with their local environment. Our results reinforce the (so far) fruitless message that schoolchildren should be bring into the field to generate positive attitude and behaviour toward the protection of the biodiversity. Environmental education should not neglect unpopular organisms declared. To progress, significant efforts must be produced to not limit conservation messages and actions to few iconic species
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Danniel-Grognier, Marie Menegaldo Gilles. "Formes et manifestations de la subjectivité dans le cinéma documentaire personnel américain (1960-1990)." [Poitiers] : [I-médias], 2008. http://theses.edel.univ-poitiers.fr/theses/2008/Danniel-Grognier-Marie/2009-Danniel-Grognier-Marie-These.pdf.

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Danniel-Grognier, Marie. "Formes et manifestations de la subjectivité dans le cinéma documentaire personnel américain (1960-1990)." Poitiers, 2008. http://theses.edel.univ-poitiers.fr/theses/2008/Danniel-Grognier-Marie/2009-Danniel-Grognier-Marie-These.pdf.

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Cette thèse est née d'un long travail de recherche consacré aux diverses formes de l'approche documentaire du cinéma américain, dans ses aspects ontologiques et épistémologiques. Le constat est aujourd'hui quasi unanime pour reconnaître l'investissement subjectif du cinéaste documentariste dans son film, de l'énonciation à l'énoncé. À ceci s'ajoute le fait que la culture américaine s'est depuis toujours fondée sur la notion de l'individu - perceptions et volontés individuelles. Il s'agit de s'immerger dans les films de type essai de cinéastes ayant une expérience filmique personnelle, dans la saisie des images du monde réel, leur agencement dans le film, montage, archives, sons, commentaire, musique, dans un mouvement double consistant à documenter le monde pour se documenter soi-même. Afin d'éviter les écueils d'une généralisation aporétique, la méthode retenue est celle, privilégiée par les film studies américaines, du « close reading », sans négliger pour autant le processus créatif, la genèse de certaines œuvres. Ce n'est qu'en proposant une analyse textuelle et esthétique précise de certains aspects significatifs d'un film, qu'on pourra en identifier les manifestations subjectives. Le corpus, circonscrit aux années 1960-1990, présente des œuvres de cinéastes qui ont tous une démarche singulière, tels Stan Brakhage, Jonas Mekas, Robert Kramer, Emile de Antonio, Su Friedrich et Shirley Clarke, ainsi que quelques exemples isolés mais déterminants pour l'avenir de cette forme problématique d'auto-inscription filmique
This thesis is dedicated to a filmic expression that is often underestimated in film studies, since this long-term work deals with contemporary issues in American personal documentary film. The 60's represent an epistemological break in the history of documentary cinema, in that the filmmaker began to involve himself in the filmic process, both before and behind the camera. What's more, he now assumes that his visions and images of the external world are no longer objective but seen through the prism of his subjectivity, which helps him discover who he really is. Documenting the world, the other, while documenting himself – or herself. This approach, based on close reading and film aesthetic analysis, eschews aporetic generalization to root itself in issues raised by specific films and filmmakers, such as voice over commentary, music and sounds, editing, found footage, fictionalisation or metaphorical images. The films selected for study belong to idiosyncratic bodies of works of filmmakers like Stan Brakhage, Jonas Mekas, Robert Kramer, Emile de Antonio, Su Friedrich, Shirley Clarke or the Maysles Brothers, among others. They all engage themselves in a process of self-inscription to tell their experiences of birth, childhood, exile, memory, nostalgia, loss, death or legacy
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Wille, Marie-Luise. "Ultrasound transit time spectral analysis of complex porous media." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/82290/1/Marie%20Luise_Wille_Thesis.pdf.

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This thesis describes a new concept to explain ultrasound wave propagation through complex porous media with the aim of accurately estimating bone volume fraction. Excellent agreement is reported between computer-simulated predictions and experimental measurements in bone replica models and natural tissue samples. Bone volume fraction is the primary indicator of osteoporosis. Transit Time Spectroscopy has the potential to offer for the first time using ultrasound, a diagnostic and monitoring tool for osteoporosis that is cost-effective, non-ionising, portable, and implementable into an integrated healthcare service.
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Balanant, Marie-Anne. "Experimental studies of red blood cells during storage." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/119221/1/Marie-Anne_Balanant_Thesis.pdf.

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This project used mechanical testing and imaging techniques to understand how red blood cells age in an in vitro environment, and identified markers of red blood cell product quality. The damage caused to the cells by cold storage could lead to a reduced transfusion efficiency and potential improvements to current storage protocols were proposed as a result of this research.
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Marie-Anne, Danielle. "Endophtalmies après opération de la cataracte /." [S.l.] : [s.n.], 2003. http://www.unige.ch/cyberdocuments/theses2003/Marie-AnneD/these.pdf.

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Gentil, Marie-Véronique Hagège Daniel Maury Stéphane. "Contrôle épigénétique du risque de montaison chez une plante de grande culture." S. l. : S. n, 2009. ftp://ftp.univ-orleans.fr/theses/marie-veronique.gentil_1673.pdf.

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Beaudouin, Sandie. "La banlieue nautique : urbanisation, loisirs et sports sur les bords de Marne, 1850-1910. (Bry-sur-Marne, Nogent-sur-Marne, Le Perreux-sur-Marne, Joinville-le-Pont, Champigny-sur-Marne)." Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC0007.

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L'objectif sera, par delà l'analyse des représentations, de mesurer la façon dont l'engouement pour la pratique nautique et les activités de loisirs s'inscrivent dans une urbanisation progressive des bords de marne et inversement
The objective will be, by the analysis of the representation, to measure the craze for the nautical practice and the activities of leisure activities join in a progressive urbanization of the river banks and conversely
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Hussenet, Jacques. "Le Peuplement de la Marne sous la Révolution et le Consulat : critique des sources et résultats /." [S.l.] : [s.n.], 1989. http://catalogue.bnf.fr/ark:/12148/cb35058705p.

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Berly, Cécile. "Marie-Antoinette et ses biographes : histoire d'une écriture de la Révolution française /." Paris ; Budapest ; Kinshasa [etc.] : l'Harmattan, 2006. http://catalogue.bnf.fr/ark:/12148/cb402436915.

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Stel, Jan Hendrik. "Mare nostrum, Mare liberum, Mare sit aeternum duurzaam gebruik van de oceanische ruimte /." Maastricht : Maastricht : Universiteit Maastricht ; University Library, Maastricht University [Host], 2002. http://arno.unimaas.nl/show.cgi?fid=12717.

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Gruson, Sebastian. "Die verwässerungsschutzwürdige Marke /." Bern : Stämpfli, 2003. http://www.gbv.de/dms/ilmenau/toc/364523271.PDF.

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Riehl, Christian. "Les Organismes d'aménagement de l'espace urbain l'exemple de Reims, 1958-1977." Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb37594369t.

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Troll, Thomas. "Marke und Firma im Spannungsverhältnis? Gegenüberstellung der Kennzeichen Marke und Firma." Saarbrücken VDM Verlag Dr. Müller, 2006. http://d-nb.info/99000354X/04.

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Viviers, Isabelle. "Collages et jeux poétiques dans Tombeau de René Crevel de Paul-Marie Lapointe /." Trois-Rivières : Université du Québec à Trois-Rivières, 2002. http://www.uqtr.ca/biblio/notice/tablemat/17551532TM.html.

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Noguez, Xavier. "Documentos guadalupanos : un estudio sobre las fuentes de información tempranas en torno a las mariofanías en el Tepeyac /." Toluca : México : el Colegio mexiquense, A.C. ; Fondo de cultura económica, 1995. http://catalogue.bnf.fr/ark:/12148/cb36970620g.

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Beaudin, Bernard. "Marie, figure de l'Église." Mémoire, Université de Sherbrooke, 1995. http://hdl.handle.net/11143/7741.

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Yen, Hui Ying Josyane. "L'Univers de Marie Redonnet." Aix-Marseille 1, 2001. http://www.theses.fr/2001AIX10002.

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Ce travail intitule << l'univers de marie redonnet >> regroupe les recits de l'auteur publies avant 1993, il s'attache a analyser l'univers fictionnel de marie redonnet et s'interesse surtout a son projet litteraire et a sa relation au nouveau roman comme a la question d'une ecriture feminine. Cette etude est composee de quatre parties. La premiere partie, une vision du monde, aborde les problemes de la narration, du temps, de l'espace et de la relation de parente des personnages. La deuxieme partie, le sens de la fatalite, presente l'emprise de destin sur les personnages et leur errance qui les conduit implacablement a la mort. L'univers de marie redonnet est domine par une atmosphere de conte, la deuxieme etape de ce travail tente d'analyser la relation entre le recit romanesque et le conte, a voir comment l'auteur cree un genre original. La troisieme partie. Des contes modernes, met en evidence la simplicite et la nudite de langage, l'appropriation des themes et des motifs traditionnels, le jeu de la repetition et du double, tous ces elements qui transfigurent le monde du conte. La quatrieme partie porte sur l'ecriture poetique de marie redonnet. Toujours dans la perspective du conte, nous examinons la fonction du contraste, de l'ironie et du symbole, les aspects qui rendent poetique cette ecriture. Cet univers clos et froid est impregne d'une atmosphere mysterieuse, voile par un brouillard. L'impression de malaise, d'incertitude, de bizarrerie remplace le merveilleux ou le fantastique proprement dit marie redonnet montre des jeunes femmes precocement ecrasees et perdues dans des reves d'enfance, le recours au conte permet de donner une voix litteraire a cet univers personnel.
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Roets, Elmeret. "Marie Curie : a psychobiography." Thesis, Rhodes University, 2016. http://hdl.handle.net/10962/d1020326.

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While researchers debate the value of psychobiographical research, interest in this area is growing on a national and international basis. Every year, the number of psychobiographical studies at universities in South Africa is growing. Psychobiographical research is qualitative research that utilises psychological theory to explore and describe the lives of extraordinary individuals. The primary aim of this psychobiography was to examine the life of Marie Curie (1867–1934) by employing developmental psychologist and psychoanalyst Erik Erikson’s (1959) theory of psychosocial personality development. Marie Curie was chosen as the research subject because of the researcher’s personal interest and the subject’s prominence as a female scientist. She was a Polish-born and naturalised French scientist who conducted pioneering research on radioactivity. Marie Curie’s ground-breaking discoveries changed the way scientists think about matter and energy and introduced a new era in medical knowledge and the treatment of disease. Her life exemplifies a love of science, commitment, and perseverance. Data were collected from several primary and secondary sources on Marie Curie’s life. The researcher developed a data-collection and analysis matrix to facilitate the systematic collection of data and analysis according to Erikson’s stage theory of psychosocial personality development. This psychobiography suggests that unresolved infantile and early childhood crises gave rise to personality traits that eventually contributed to Curie’s extraordinariness. In the case of Curie, personality traits that are often regarded as atypical or malignant, ironically encouraged perseverance, creativity, and productivity. This study complements the psychobiographical studies done in South Africa on extraordinary individuals. It demonstrated the value of psychobiographical research as a teaching instrument, revealed the usefulness of Erikson’s theory, and illustrated the uniqueness of individuals.
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Thiemann, Christian. "Rechtsprobleme der Marke Sparkasse /." Stuttgart : Stuttgart : Kohlhammer, Dt. Gemeindeverl, 2008. http://d-nb.info/991386868/04.

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Kemmis, Kim Leslie. "Marie Collier: a life." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17873.

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The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family.
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Brückmann, Björn. "Der Weg zu einer erfolgreichen Marke ein Leitfaden, der die notwendigen Bestandteile zum Aufbau einer erfolgreichen Marke beinhaltet /." [S.l. : s.n.], 2004. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB11380480.

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Hüllemann, Niko M. O. "Vertrauen ist gut - Marke ist besser eine Einführung in die Systemtheorie der Marke." Heidelberg Verl. für Systemische Forschung im Carl-Auer-Verl, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2872724&prov=M&dok_var=1&dok_ext=htm.

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Hüllemann, Niko M. O. "Vertrauen ist gut - Marke ist besser : eine Einführung in die Systemtheorie der Marke /." Heidelberg : Verl. für Systemische Forschung im Carl-Auer-Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2872724&prov=M&dok_var=1&dok_ext=htm.

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Fouché, Marietjie. "Se construire en lisant : les petits hřos ordinaires de Marie Desplechin /." Link to the online version, 2008. http://hdl.handle.net/10019/837.

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Thesis (MA)--University of Stellenbosch, 2008.
On title page: Magister Artium (Frans). Includes bibliographical references. Bibliography of Marie Desplechin's works. Also available via the Internet.
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Ezquerro, Ezquerro Teófilo. "La virginidad perpetua de María : ¿qué sentido tiene? : estudio teológico /." Madrid : Ed. personal, 2006. http://catalogue.bnf.fr/ark:/12148/cb410464229.

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36

Barrotta, Sara. "AL MARE! AL MARE! La nuova passeggiata sull'arenile di Milano Marittima." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/22078/.

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Come spesso accade, il tempo e le circostanze cambiano, e quella che fu ideata come città ideale, la città giardino all’italiana dove ville e villini si perdevano nella pineta, si troverà a fare i conti con le due guerre mondiali e con una società che cambia, dove gli abitanti stagionali di élite per i quali era stata ideata convivranno con i nuovi cittadini-turisti con hotel ed edifici multipiano. Di fronte al mare, un’infinita distesa di stabilimenti balneari realizzati in pochissimi anni senza alcuna regola se non quella di saturare al massimo la porzione di concessione data loro dall’Amministrazione Comunale inibiscono quasi completamente la visione del mare. Un piccolo spazio di risulta si frastaglia tra la netta recinzione delle strutture alberghiere e il caotico bordo creato dall’accostamento delle varie concessioni marittime con vuoti e pieni in costante disallineamento gli uni dagli altri. Da queste osservazioni, dalla necessità di ristabilire un contatto con il mare, quello che un tempo era un luogo di passeggiate, pubblico ed accessibile a tutti, nasce l’idea di questo progetto di tesi. Al di là del canalino, la prima parte del secondo arenile vede il costituirsi di una fascia tra città consolidata e spiaggia configurando uno spazio pubblico sopraelevato, una passeggiata lungomare, al di sotto della quale poter ripensare e ricollocare gli spazi per gli stabilimenti balneari. In connessione con la passeggiata, un anello infinito, una piazza circolare, inclinata fino a permetterci di arrivare a toccare l’acqua, configura un nuovo spazio per accogliere attività temporanee per la comunità. Nella seconda parte del secondo arenile, laddove l’erosione marina minaccia fortemente la porzione litoranea, viene proposta una rinaturalizzazione ristabilendo il sistema dunale, partendo dalla porzione ancora esistente in corrispondenza della ex Colonia Varese.
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37

Saugues, Sylviane. "L'œuvre romanesque de Lucette Desvignes : une écriture en marge, marge et paysage d'une écriture." Lyon 3, 2006. https://scd-resnum.univ-lyon3.fr/in/theses/2006_in_saugues_s.pdf.

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L'objectif de cette thèse est de mettre en valeur l'œuvre romanesque de Lucette Desvignes. Il s'agira d'abord de démontrer comment cette écriture s'inscrit en marge : comment elle prend source en marge d'une carrière universitaire, se démarque d'un cloisonnement générique restrictif et est tenue à l'écart d'une certaine reconnaissance littéraire, en particulier en France. L'écriture de la marge pourra alors s'appliquer à une poétique du paysage dans l'originalité de sa mise en œuvre : à travers l'analyse de la structure spatiale et d'entrées thématiques, il faudra interroger comment et pourquoi l'écriture dans ses variations vient infléchir le sens du paysage comme fonction. Passer du paysage dans la page au paysage de la page autorisera enfin à envisager la marge de l'écriture, la marge au sens propre (son utilisation, sa fonction, à partir d'une approche génétique sur les manuscrits) et figuré (l'étude des frontières entre le texte littéraire et ses marges critiques, esthétiques. . . )
The object of this doctoral thesis is to enhance the quality of Lucette DESVIGNES's works of fiction. The first step will be to show how this writing is in keeping with the notion of the margin: how it arises out of a university career, breaks free from the strict divisions in the literary genres, and is kept on the fringe of a certain literary recognition, specially in France. This margin writing can then be studied as the poetics of landscape writing through the originality of its engineering: through the analysis of the spatial structures and thematic entries, we propose to examine how and why this writing in its variations succeeds in modifying the significance of landscape as a function. Thus proceeding from the landscape in the page to the page as a landscape, a third step will finally be devoted to examining the margin in the proper sense (its use, its function, from the angle of a genetic approach on the manuscripts) and in the figurative meaning as well, i. E. The study of the border lines between the literary text itself and its critical or esthetical margins
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38

Blarez, Emmanuel. "La Marge continentale de Côte d'Ivoire-Ghana structure et évolution d'une marge continentale transformante." Grenoble 2 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37596087d.

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Saugues, Sylviane Longre Jean-Pierre. "L'œuvre romanesque de Lucette Desvignes une écriture en marge, marge et paysage d'une écriture /." Lyon : Université Lyon 3, 2007. http://thesesbrain.univ-lyon3.fr/sdx/theses/lyon3/2006/saugues_s.

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Grau, Ingeborg, and Walter Schicho. "In memoriam Irmi Maral-Hanak." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-90295.

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41

Wesener, Tim Alexander. "Vertrauen und Marke bei Kaufentscheidungen /." Hamburg : Kovač, 2006. http://www.verlagdrkovac.de/3-8300-2478-9.htm.

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Wesener, Tim Alexander. "Vertrauen und Marke bei Kaufentscheidungen." Hamburg Kovač, 2005. http://www.verlagdrkovac.de/3-8300-2478-9.htm.

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43

Alphand, Véronique. "L'univers imaginaire de Marie Noël." Clermont-Ferrand 2, 1988. http://www.theses.fr/1988CLF20017.

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L'univers imaginaire noelien se constitue autour de quatre axes principaux, quatre themes obsessionnels: l'enfance, l'amour, l'espace et le temps. L'enfance evoquee a plusieurs reprises permet de reconstituer, dans une certaine mesure, l'enfance meme de l'auteur et de deceler les premiers signes de ses dons artistiques. Marie noel suit largement la tradition quand elle s'attache a peindre le sentiment amoureux; cependant elle tente souvent de rompre cette tradition, surtout quand elle adjoint a ce theme sa vision chretienne. L'oeuvre noelienne elabore, petit a petit, un espace original ou s'affrontent inexorablement les lieux propices au bonheur et les lieux ou le malheur regne en maitre. Tout un aspect tragique apparait dans l'oeuvre noelienne lorsqu'elle evoque le temps: celui-ci est envisage douloureusement; il apporte, ineluctablement, le malheur. L'image du fleuve heracliteen trahit cette obsession du malheur lie au temps, l'obsession de la precarite de la condition humaine. L'etre noelien, denue de tout sentiment de securite, s'interroge, plein d'apprehension: "qui suisje dans ce monde ou tout passe?" en outre le temps conduit a la mort et l'auteur, des ses premieres oeuvres, les chansons et les heures, s'insurge contre l'ultime obstacle. Son cri de revolte assombrit tout cet univers imaginaire
Marie noel's imaginary universe lies upon four main axes, four obsessive themes: childhood, love, space and time. Childhood mentioned on several occasions allows to bring to mind marie noel's own childhood and to perceive the first signs of her artistic gifts. Marie noel follows tradition when she describes love; however she often attempts to part from that tradition, for example when she joins her christian outlook to the theme. Marie noel's works gradually build up an original space, in which the places fit for happiness and the places in which unhappiness prevails inexorably face each other. A tragic note appears in marie noel's works when she comes to write about time : it is always thought of tragically; it always brings misfortune. The vision of heraclitean stream betrays this obsession of unhappiness linked to time, the obsession of the precarous human condition. The "noelian" being, deprived of any feeling of safety, wonders apprehensively: "who am i in this world in which all things pass away?" moreover, time leads to death and the author, in her very first works, rebels against fate. Her cry of revolt darkens her universe
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44

Paccalin, Margherita. "La spiritualité de Marie Noël." Rouen, 1990. http://www.theses.fr/1990ROUEL102.

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La spiritualité de Marie Noël a été marquée par la piété sentimentale et janséniste de son milieu; par l'éducation rationaliste de son père et par son complexe d'abandon. Sa relation avec dieu fut perturbée par ses insatisfactions ainsi que par le problème du mal, qui provoqua chez elle plusieurs crises spirituelles. L'issue heureuse de son drame religieux tient à de nombreux facteurs, en particulier l'influence de l'Abbé Brémond et de l'Abbé Mugnier, son esprit d'enfance et ses réflexions métaphysiques, son attachement à l'eucharistie et à l'amour vécu comme renoncement à soi-même. Cette spiritualité, conforme dans l'ensemble à l'orthodoxie catholique, est à la fois moderne et proche de celle du Moyen-Âge ou du dix-neuvième siècle. Sa spécificité tient à l'importance de la création littéraire et de l'amour humain, qui distingue Marie Noël des mystiques
Marie Noël's spirituality was strongly influenced by the sentimental and jansenistic style of worship in her environment, by the rationalistic education she received from her father and by her desertion syndrom. Her relationship to God was troubled by her own frustrations, as well as by her questions about the problem of evil, which led her to experience several spiritual crises. The happy outcome of her religious drama can be attributed to various factors, in particular the influence of Father Brémond and Father Mugnier, her childlike mind and her metaphysical thougts, her devotion to the eucharist and the belief that love is to be understood as self-abnegation. That spirituality, which conforms on the whole with sound roman catholic orthodoxy, is both modern and akin to that of the Middle Ages or of the nineteenth century. Its specificity lies in the prevalence given by Marie Noël to literary creation and human love; in that respect, she differs from the mystics
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45

Mougenot, Denis. "Géologie de la marge portugaise." Paris 6, 1988. http://www.theses.fr/1988PA066429.

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Engler, Carolin Marie [Verfasser]. "Private Regelsetzung. / Carolin Marie Engler." Berlin : Duncker & Humblot, 2017. http://d-nb.info/1238440207/34.

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Mougenot, Denis. "Géologie de la marge portugaise." Grenoble 2 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37616697w.

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48

Terrasse, Véronique. "Provins : une commune du comté de Champagne et de Brie, 1152-1355 /." Paris ; Budapest ; Torino : l'Harmattan, 2005. http://catalogue.bnf.fr/ark:/12148/cb399811606.

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Texte remanié de: Th. doct.--Hist. médiévale--Paris--EHESS, 2000. Titre de soutenance : La commune de Provins, 1152-1355 : histoire institutionnelle, administrative et sociale.
Bibliogr. p. 315-321. Notes bibliogr.
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49

Hehn, Patrick. "Emotionale Markenführung mit Duft : Duftwirkungen auf die Wahrnehmung und Beurteilung von Marken /." Göttingen-Rosdorf : ForschungsForum, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014992253&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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50

Kiessling, Karoline. "Die Leistungsfähigkeit von brand scorecards im Rahmen des brand monitoring state of the art und kritische Würdigung." München FGM-Verl, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2925854&prov=M&dok_var=1&dok_ext=htm.

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