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Books on the topic 'Marc de café'

Author: Grafiati

Published: 16 February 2024

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1

Salazar, Marco Tulio. El Café de las 5: Conversaciones con Don Marco Tulio Salazar. Fundacion UNA, 2000.

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2

Human Rights Act and Healthcare (Conference) (2001 London, England). The Human Rights Act and healthcare: Thursday 15th March 2001, Cafe Royal, London. IBC UK Conferences, 2001.

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3

Conference on Magneto Optical Data Storage and Recording (1989 Cafe Royal, London). The 1989 Conference on Magneto Optical Data Storage and Recording: 13th March 1989, Cafe Royal, London. IBC Technical Services, 1989.

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4

Pacifica blue plates. Ten Speed Press, 1992.

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5

United, States Congress Senate Committee on Commerce Science and Transportation. Oversight of the Corporate Average Fuel Economy (CAFE) Program: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred Tenth Congress, first session, March 6, 2007. U.S. Government Printing Office, 2013.

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6

Café, Marc. Marc de Cafe: Mon Carnet Pour M'entrainer a Lire le Futur Dans le Marc de Café - Cafédomancie. Independently Published, 2021.

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7

Café, Marc. Marc de Cafe: Mon Carnet Pour M'entrainer a Lire le Futur Dans le Marc de Café - Cafédomancie. Independently Published, 2021.

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8

Daubier, Jean. Initiation à la voyance par le marc de café. Trajectoire Editions, 1999.

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9

KARINE, Poyet. Lire le Marc de CafÈ la CafÈdomancie. Independently Published, 2017.

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10

Wiles, Mary M. An Interview with Jacques Rivette*. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036651.003.0002.

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Café de la Bastille, Paris, June 1999 (Translated by Yolanda Broad and Mary Wiles.)MW:How did you come to make films?JR:It was Cocteau, le coupable [the guilty one].1 It was while reading Cocteau’s La belle et la bête [his journal written between 1945–1946 as he was filming ...

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11

Crossley, Mark, and James Yarker. Devising Theatre with Stan’s Cafe. Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781474267083.

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Since it was founded in 1991, British theatre company Stan’s Cafe has garnered an international reputation for artistic innovation, and prolific, eclectic performance projects. Their work has toured nationally and internationally, with 2003's Of All The People In All The World having been performed in over fifty cities around the world. Embracing site-specific, immersive, durational, non-text-based as well as scripted work, Stan's Cafe's portfolio defies simple categorization. Running through all their work however is a collaborative devising process that champions a playful experimentation wi

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12

Bermeo-Andrade, Helga Patricia, Nelson Tovar-Perilla, Yarmel Beltrán Parga, and Jenny Lorena Agredo Bríñez. Innovación en procesos poscosecha para la diferenciación de cafés especiales en el Tolima. Ediciones Unibagué, 2021. http://dx.doi.org/10.35707/9789587543803.

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El presente documento contiene el último de los cuatro informes previstos para consolidar la sistematización del proyecto Implementación de innovación de procesos a nivel de poscosecha para la incorporación de valor agregado en la diferenciación de cafés especiales del Tolima, de aquí en adelante referido como proyecto ce-t, radicado con código BPIN: 2016000100049. En esta labor, se entiende la sistematización como un proceso que se desarrolló en un periodo determinado, en el que intervinieron diferentes actores, en un contexto económico y social, y en el marco de una institución determinada (

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13

Eschenhagen Durán, María Luisa. Saberes locales sobre caña panelera, café y pequeña ganadería como estrategias de adaptación al cambio climático en la cuenca media y baja del Río Negro, Cundinamarca. Editorial Universidad Pontificia Bolivariana, 2021. http://dx.doi.org/10.18566/978-958-764-937-6.

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Este libro es resultado del proyecto: “Valoración y apropiación de los recursos naturales como estrategias de adaptación al cambio climático - Cundinamarca”. La investigación se desarrolló en cinco municipios de este departamento: Útica, Caparrapí, Quebrada Negra, Guaduas y Puerto Salgar. Fue financiado con recursos del Sistema General de Regalías y desarrollado en Convenio entre la Gobernación de Cundinamarca y el Centro Internacional de Física (CIF), como entidad ejecutora. En el marco de este proceso han intervenido otras universidades, es el caso de la Universidad Pontificia Bolivariana (U

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14

Bauman, Thomas. The New Pekin. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038365.003.0003.

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This chapter focuses on Robert T. Motts's conversion of the Pekin Theater to New Pekin after it was damaged by fire in January 1910. At the time of the fire the Pekin Temple of Music had already established itself as “a credit to the Negro race.” Motts saw rebuilding not only as necessary to “get under way again” but also as an opportunity to aim for something even higher. There were no more comparisons of the Pekin with beer gardens, cabarets, or cafés chantants, but rather with the best legitimate theaters that Chicago had to offer. At the New Pekin, Motts himself took over Will H. Smith's d

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15

Stuart, Neil. Pacifica Blue Plates. Ten Speed Pr, 1995.

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16

Sepúlveda, Jovanny, ed. Un análisis de los campos de la ingeniería usos y aplicaciones. CUA - Medellin, 2020. http://dx.doi.org/10.52441/ing202005.

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Las actividades de investigación tienen varios propósitos generales en las universidades, el principal, es ampliar el conocimiento generado y enlazarlo con el currículo para enriquecer el contenido de los cursos y ofrecer una formación de calidad. En la misma línea, con la difusión de los resultados de investigación, es posible la apropiación de conocimiento y tecnología no solo de los estudiantes sino también por parte de la sociedad. Para la institución académica, esto último representa un factor diferenciador entre las universidades, además de brindar soluciones a las problemáticas empresar

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17

Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2004.

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18

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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19

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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20

Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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21

Pilchak, Angela M. Contemporary Musicians: Profiles Of The People In Music (Contemporary Musicians). Thomson Gale, 2005.

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22

Contemporary Musicians: Profiles Of The People In Music (Contemporary Musicians). Thomson Gale, 2005.

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23

Pilchak, Angela M. Contemporary Musicians: Profiles Of The People In Music (Contemporary Musicians). Thomson Gale, 2005.

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24

Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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25

Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2006.

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26

Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2006.

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27

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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28

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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29

Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2007.

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30

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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