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Journal articles on the topic 'Marché du Film'

Author: Grafiati

Published: 18 April 2022

Last updated: 30 July 2025

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1

Benghozi, Pierre-Jean, and Claire Nénert. "Création de valeur artistique ou économique : Du Festival International du film de Cannes au marché du film." Recherche et Applications en Marketing (French Edition) 10, no. 4 (1995): 65–76. http://dx.doi.org/10.1177/076737019501000404.

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Cet article montre comment le festival de Cannes a évolué, dans son organisation et sa stratégie, pour répondre à la multiplication des acteurs impliqués dans le cinéma, l'ampleur des enjeux économiques, la diversité des marchés et des publics. En multipliant les sections et les activités, en organisant un véritable «marché du film», le festival a opéré une différenciation de l'offre et une segmentation de la demande.

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CAILLÉ, Patricia. "La « condition des femmes » au Maghreb fait recette sur le marché du film européen ! 1990-2019." Regards, no. 24 (October 31, 2020): 17–33. https://doi.org/10.70898/regards.v0i24.481.

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Cet article examine le processus de valorisation commerciale et symbolique des films maghrébins sur le marché européen à la lumière des chiffres du box-office, du discours critique et des savoirs académiques. Il interroge la place et l’enjeu des films réalisés avec des financements maghrébins en Europe en particulier ceux dont les protagonistes sont des femmes, et les films par des réalisatrices. Comparant la circulation des films tunisiens et des films marocains, il décrit les motifs récurrents des films sur « la condition des femmes » et met en lumière la façon dont ils sont le produit phare

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3

Paillard, Jérôme. "Le Marché du Film du festival de Cannes, événement majeur de l'industrie cinématographique." Géoéconomie 58, no. 3 (2011): 77. http://dx.doi.org/10.3917/geoec.058.0077.

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4

Sojcher, Fréderic. "The Economics of Cinema: History, Strategic Choices and Cultural Policy." Contemporary European History 11, no. 2 (2002): 305–16. http://dx.doi.org/10.1017/s0960777302002084.

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Pierre-Jean Benghozi and Christian Delage, eds., Une histoire économique du cinéma français (1895–1995): Regards croisés franco-américains (Paris: L'Harmattan, 1997), 364pp., €28.97, ISBN 2-7384-5852-1. Laurent Creton, Economie du cinéma: perspectives stratégiques (Paris: Nathan, collection ‘Nathan Université’, 1994), 288 pp., €21.19, ISBN 209-190-219-5. Laurent Creton, Cinéma et marché (Paris: Armand Colin, collection ‘U’, 1997), 254 pp., €20.58, ISBN 2-200-01769-3. Eric Dubet, Economie du cinéma européen: de l'interventionnisme à l'action entrepreneuriale Paris: L'Harmattan, 2000), 286 pp.,

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Adobati, Mario. "Simon le mage : de la réalité économique au fantasme esthétique." Voix Plurielles 12, no. 2 (2015): 222–33. http://dx.doi.org/10.26522/vp.v12i2.1283.

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La transition du communisme vers le capitalisme dans les années 1990 en Hongrie dans le secteur de l’industrie cinématographique n’a pas été la rupture brutale qu’elle a pu être politiquement. Elle n’a pas non plus eu pour conséquence la facilité accrue en matière de production du film qu’on eût été en droit d’imaginer. Dans le présent article, je saisis le cas de Simon le mage, un film franco-hongrois de la réalisatrice Enyedi Ildikó sorti en 1998, pour analyser les modalités de cette transition et les nouvelles possibilités qui s’imposent pour les cinéastes afin de produire leurs œuvres. Dan

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Uricchio, William, and Ester Rutten. "Le film de non-fiction français et le marché néerlandais. Étude de cas préliminaire des films importés en 1912 par Jean Desmet." 1895 Mille huit cent quatre-vingt-quinze 18, no. 1 (1995): 222–33. http://dx.doi.org/10.3406/1895.1995.1120.

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Affagnon, Qemal. "L’édifice Filmique Russe: Laboratoire d’Un Autre Futur en Afrique." European Scientific Journal, ESJ 19, no. 7 (2023): 104. http://dx.doi.org/10.19044/esj.2023.v19n7p104.

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Au tournant de la décennie 80, l’Afrique subsaharienne francophone a connu une période pendant laquelle, la production cinématographique locale inondait les petits écrans. Depuis deux décennies, ce constat n’est cependant plus actuel . Si la montée en puissance des productions de l’audiovisuel d’Afrique francophone est réelle, le secteur se caractérise tout autant par un environnement artistique concurrentiel. C’est dans ce cadre que des groupes étrangers, développent des programmes pour une diffusion principalement locale. Tous les genres et formats sont proposés, à l’instar du documentaire r

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MACDONALD, SCOTT. "Up Close and Political: THREE SHORT RUMINATIONS ON IDEOLOGY IN THE NATURE FILM." Film Quarterly 59, no. 3 (2006): 4–21. http://dx.doi.org/10.1525/fq.2006.59.3.4.

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ABSTRACT Why is nature filmmaking generally absent from histories and theorizations of cinema, and why do films like March of the Penguins receive such grudging attention from serious critics? By exploring ideological dimensions of two formative influences (Jean Painlevéé and the Disney True-Life Adventures), along with a recent National Geographic special on the Sonoran desert and the film Microcosmos, MacDonald demonstrates why nature film should be taken seriously.

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Bałdyga, Katarzyna. "Marzec ’68 w polskim kinie – o „Różyczce” Jana Kidawy-Błońskiego." Załącznik Kulturoznawczy, no. 1 (2014): 242–58. http://dx.doi.org/10.21697/zk.2014.1.11.

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The article refers to March events in Polish cinema. Little Rose, film by Jan Kidawa-Błoński, becomes the main material of the analysis. The first part of the article relates to two documentary films by Maria ZmarzKoczanowicz which help to interpret many key scenes in the film of KidawaBłoński. Gdanski Railway Station sheds some light on the final scene of the Little Rose. It also shows how dramatically March events affected the privacy of Polish people. An Ordinary March presents the struggle of Polish intelligentsia with the system – so it demonstrates what is official. Little Rose connects

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10

Monica, Debbarma, Sutradhar Prasanta, and Saha Mitali. "Synthesis of ZnO nanocomposites for photovoltaic applications." Journal of Indian Chemical Society Vol. 92, Oct 2015 (2015): 1487–90. https://doi.org/10.5281/zenodo.5700938.

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Department of Chemistry, National Institute of Technology, Agartala-799 046, Tripura, India <em>E-mail</em> : mitalisah@gmail.com <em>Manuscript received online 24 February 2015, revised 02 March 2015, accepted 13 March 2015</em> Nano structured zinc oxide (ZnO) have received considerable attention due to their distinguished performance in the electronic, optical and photonic devices. In this paper, we have prepared thin film of nanocomposites using different ratios of ZnO, TiO<sub>2</sub> and GO by simple mechanical stirring and ultra sonication. The single zinc oxide nanostructured particle

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11

Domke, Radosław. "The Image of the Uniformed Services in the Cinema of the People’s Republic of Poland (1968–1990)." Annales Universitatis Mariae Curie-Skłodowska, sectio F – Historia 78 (December 22, 2023): 229–65. http://dx.doi.org/10.17951/f.2023.78.229-265.

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The article discusses film motifs focused on the image of a militiaman, a Security Service agent, a prison guard, a soldier, a border guard, and a fireman in Polish television and cinema films. In order to capture the image of the uniformed services of the Polish People’s Republic as broadly as possible, all such motifs available to the Polish viewer were analyzed, but film genres were not distinguished as a separate criterion. In a chronological sense, the author focuses on films shot after March ’68, only mentioning earlier ones. This caesura seems important because after the brutal actions

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Nirlipta, Mallick, Pal Dharm, Agrawal Manisha, and B. Soni A. "Effect of different plasticizers on mechanical, thermal, and barrier properties of corn starch/polyvinyl alcohol/rice husk flour based bio-composite films." Journal of Indian Chemical Society Vol. 97, Jul 2020 (2020): 1094–98. https://doi.org/10.5281/zenodo.5668184.

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Department of Chemical Engineering, National Institute of Technology Raipur, Raipur-492 010, Chhattisgarh, India Department of Chemistry, Rungta College of Engineering and Technology, Bhilai-490 020, Chhattisgarh, India <em>E-mail</em>: nirlipta.nitu@gmail.com, dpsingh.che@nitrr.ac.in <em>Manuscript received online 30 March 2020, accepted 12 June 2020</em> The current research is intended to correlate the impact of glycerol, sorbitol, fructose as a plasticizer with different concentration (10, 20, 30, and 40%) on the properties of biodegradable corn-starch (CS)/polyvinyl alcohol (PVA)/rice hus

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13

Wildermuth, David. "Unsere Mütter, Unsere Väter: War, Genocide and “Condensed Reality”." German Politics and Society 34, no. 2 (2016): 64–83. http://dx.doi.org/10.3167/gps.2016.340204.

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By most accounts, the March 2013 television event Unsere Mütter, Unsere Väter (UMUV) marks an important milestone in the evolving cinematic treatment of the Third Reich, World War II, and the Holocaust. Winner of the Goldene Kamera for best television film of 2013, UMUV could boast such positive reviews and sensational viewer ratings as few other television films in the almost seventy-year existence of the Federal Republic. Frank Schirrmacher, co-editor of the Frankfurter Allgemeine Zeitung, credited the film with ushering in “a new phase of the cinematic-historic treatment of National Social

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14

Emelonye, Obi, and Françoise Ugochukwu. "Exploring the diasporan dimension of Nollywood – a conversation with Obi Emelonye." Issue 1 1, no. 1 (2018): 41–51. http://dx.doi.org/10.31920/2516-2713/2018/v1n1a3.

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Obi Emelonye, born on March 24, 1967 in Port-Harcourt (Nigeria), settled in London in the 1990s. A prolific film producer and director with a passion for excellence, he has greatly contributed to the professionalization of the Nigerian cinema in diaspora. A graduate of Theatre Arts from the University of Nigeria, Nsukka, with a Law degree from the British University of Wolverhampton, he turned to film production and direction after a short spell as a lawyer. He has since secured international distribution for most of his films, which treat a variety of contemporary subjects, and is now recogni

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15

MacDonald, Scott. "The Filmmaker as Visionary: Excerpts from an Interview with Stan Brakhage." Film Quarterly 56, no. 3 (2003): 2–11. http://dx.doi.org/10.1525/fq.2003.56.3.2.

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After providing a brief introduction to Brakhage's prolific career, MacDonald interviews the legendary avant-garde filmmaker about four pivotal films: Anticipation of the Night (1958), the controversial film that established Brakhage's commitment to a new form of cinematic sight and threw the avant-garde film world into an uproar; the four-part Scenes from Under Childhood (1969-1970), one of Brakhage's most elaborate evocations of how the freedom of a baby's vision is lost as the child is acculturated into language; The Loom (1986), Brakhage's requiem for his remarkable marriage with Jane Coll

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16

Chapman, James. "British Quota Production and Film Costs in the Early 1930s." Journal of British Cinema and Television 21, no. 2 (2024): 153–92. http://dx.doi.org/10.3366/jbctv.2024.0712.

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This article explores the economic contexts of British film production in the early 1930s through an analysis of the cost data provided in a ledger compiled by the Board of Trade documenting the statutory costs of all British ‘long’ films registered for renters’ quota during the quota year 1 April 1932 to 31 March 1933. This is the most comprehensive source for British film costs in the early 1930s. The evidence provided by the ledger suggests a more nuanced overall picture of the costs of British film-making than the standard narrative of ‘quality or quota’ would allow. It highlights the diff

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Morra, Luigi, Maurizio Bilotto, Emiliana Mignoli, et al. "New Mater-Bi, Biodegradable Mulching Film for Strawberry (Fragaria × Ananassa Duch.): Effects on Film Duration, Crop Yields, Qualitative, and Nutraceutical Traits of Fruits." Plants 11, no. 13 (2022): 1726. http://dx.doi.org/10.3390/plants11131726.

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In the main strawberry areas of Southern Italy, cultivation is carried out by transplanting plants on raised beds (30–40 cm from ground level), mulched with black polyethylene (PE). This technique has becoming increasingly expensive due to the growing prices of plastic mulches, the cost to remove them at the end of crop cycle, and the difficulty to dispose of black, dirty plastic films. The main objective of this research was the replacement of PE mulch with a new biodegradable mulching film Mater-Bi®-based (Novamont), characterized by an increased permanence in the field designed for long cro

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18

R., K. Pathak, Sharma P., Sankwa Sandhya, and Yadav J. "Electrosynthesis and characterisation of CdSeHgTI thin films." Journal of Indian Chemical Society Vol. 84, May 2007 (2007): 407–10. https://doi.org/10.5281/zenodo.5819433.

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Department of Chemistry, Govt. Holkar Science College, Indore-452 001, Madhya Pradesh, India Jawaharlal Institute of Technology, Bora wan, Khargone, Madhya Pradesh, India <em>Manuscript received 3 July 2006, revised 6 March 2007, accepted 14 March 2007</em> Thallium containing CdSeHg films have been electrosynthesised at -0.600 V vs SCE on titanium substrate from the aqueous solution. Electrochemical properties of the films were investigated in 1<sub>2</sub>/I-redox solution. Films were found to be <em>p</em>-type conductor with charge carrier level 10<sup>25</sup>• The carrier concentrat

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19

Crowther, R. A., and A. G. W. Leslie. "Ulrich Wolfgang Arndt. 23 April 1924 — 24 March 2006." Biographical Memoirs of Fellows of the Royal Society 60 (January 2014): 39–55. http://dx.doi.org/10.1098/rsbm.2014.0003.

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Ulrich (Uli) Arndt was a physicist and engineer whose contributions to the development of a wide range of instrumentation for X-ray crystallography played an important part in our ability to solve the atomic structure of large biological molecules. Such detailed information about protein structures has for the past 50 years underpinned the huge advances in the field of molecular biology. His innovations spanned all aspects of data generation and collection, from improvements in X-ray tubes, through novel designs for diffractometers and cameras to film scanners and more direct methods of X-ray

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Judson, E. A., D. N. Hill, R. A. Young, et al. "An analysis of preferred orientation in YBa2Cu3O7–x superconducting films deposited by CVD on single-crystal and polycrystalline substrates." Powder Diffraction 9, no. 4 (1994): 250–59. http://dx.doi.org/10.1017/s0885715600018960.

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YBa2Cu3O7–x films were deposited by chemical vapor deposition (CVD) onto single-crystal MgO, single-crystal Al2O3, and polycrystalline Al2O3 substrates, characterized before and after annealing, and tested for their superconducting properties. The preferred orientation in the films was analyzed (i) with pole figures and (ii) by comparison of experimental x-ray powder diffraction patterns with those calculated for the material using the March–Dollase function to model the degree of preferred orientation. Preferred orientation was significant in as-deposited films, with March coefficients rangin

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Yilmaz, Mehmet, Maria Luisa Grilli, and Guven Turgut. "A Bibliometric Analysis of the Publications on In Doped ZnO to be a Guide for Future Studies." Metals 10, no. 5 (2020): 598. http://dx.doi.org/10.3390/met10050598.

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This study aims to examine the studies regarding In doped ZnO published in the Web of Science database. A total of 777 articles were reached (31 March 2020). The articles were downloaded for the bibliometric analysis and collected in a file. The file was uploaded to VOSViewer programme in order to reveal the most used keywords, words in the abstracts, citation analyses, co-citation and co-authorship and countries analyses of the articles. The results showed that the most used keywords were “ZnO”, “photoluminescence”, “optical properties”, “thin films” and “doping”. These results indicate that

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Nurul Aini, Riska, and Wiwid Adiyanto. "Resepsi Maskulinitas Perempuan Di Film Raya And The Last Dragon." Linimasa : Jurnal Ilmu Komunikasi 8, no. 1 (2025): 74–90. https://doi.org/10.23969/linimasa.v8i1.13173.

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Earlier Disney films tended to portray women as weak or cunning. Disney has also been criticized for its depiction of mental health in the animation. Raya and The Last Dragon is the latest film from Walt Disney Animation Studios with an action adventure genre released on March 3, 2021. Raya and The Last Dragon is the first film that focuses on Southeast Asian culture. This study aims to describe audience reception related to female masculinity in the film Raya and the Last Dragon. This research refers to the interpretive paradigm. This study places the reception method proposed by Stuart Hall

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Qureshi, Bilal. "Elsewhere." Film Quarterly 73, no. 1 (2019): 73–76. http://dx.doi.org/10.1525/fq.2019.73.1.73.

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FQ Columnist Bilal Qureshi discusses the new Netflix film, The Burial of Kojo, released in March 2019 as part of the platform's slate of high-profile films. The debut feature film by the Ghanaian-born and Brooklyn-based artist Samuel “Blitz” Bazawule (known by his stage name, Blitz the Ambassador), Kojo weaves together urgent questions of pollution, corruption, urbanization, and Chinese expansion into West Africa, but places them in the background of a deeply felt story of one daughter's search for her missing father. Qureshi discusses the film in the broader context of the crisis of represent

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Strivay, Lucienne. "Taxidermies." Anthropologie et Sociétés 39, no. 1-2 (2015): 251–68. http://dx.doi.org/10.7202/1030848ar.

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La taxidermie est une pratique d’entre-mondes. Au service d’une perspective « simple » d’identification et de monstration des espèces en collections dans les muséums ou les cabinets, témoignage de la preuve dans le monde des chasseurs à travers l’alignement des trophées, à l’oeuvre pour la mémoire toujours déçue des compagnons disparus chez les particuliers ou les soigneurs, elle s’élabore toujours à l’interface de plusieurs attentes que le vivant seul pourrait concilier : la vérité du type, la justesse individuée, la grâce d’une rencontre. Qu’elle serve à la reconstitution d’espèces disparues

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Milanti, Ajeng Ayu. "ANALISIS FILM “THE BATMAN”: ISU SOSIAL DAN PEMERINTAHAN DI KOTA GOTHAM." LAYAR: Jurnal Ilmiah Seni Media Rekam 10, no. 1 (2024): 35. http://dx.doi.org/10.26742/layar.v10i1.3104.

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Abstract This article examines social and governmental issues in the film "The Batman". The film "The Batman" which will be released on March 2 2022 tells the story of Batman who becomes a reliable vigilante and detective in uncovering criminals in Gotham City. The method used in analyzing this film is a descriptive qualitative method. At the analysis stage, first the short story/synopsis, plot and characters in the film are examined. Next, the story in the film is analyzed in the form of issues of a dilapidated government system, issues of social inequality, rampant crime, and officials

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Prananda, Moh Namiraz, Sarkadi Sarkadi, and Nurzengky Ibrahim. "Efektivitas Sumber Pembelajaran Sejarah." Jurnal Pendidikan Sejarah 7, no. 2 (2018): 67–84. http://dx.doi.org/10.21009/jps.072.04.

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Abstrac: This study aims to describe the effectiveness of learning resources in history learning by using documentary films to foster interest in learning history and nationalism of students. This study uses descriptive qualitative methods. The time for this study began from March to July 2018. At SMAN 61 Jakarta and SMAN 103 Jakarta. Data collection techniques by observation, interviewing informants were students who took history learning with the documentary film media and key informants, subject teachers who used the Opinion expert documentary. This study describes some of the findings and

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Tunc, Aysegul Ozbebek, Esra Kilicarslan Toplu Toplu, and Selim Yazici. "Understanding the Behavioral Paradox of the Companies’ by Using "The Corporation" Documentary." International Business Research 10, no. 5 (2017): 169. http://dx.doi.org/10.5539/ibr.v10n5p169.

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Films are widely used in business education to illuminate management concepts. Since films can provide a version of how theories and concepts can actually be put into practice, they have more lasting impression. On the other hand; ethical issue are complicated and they involve many processes and influences that are diverse and interlinked. That’s why it is difficult for students to understand potential conflicts of interest if they lack business experience or frame of reference. In this study, “The Corporation”, a documentary film by March Achbar, Jennifer Abbott and Joel Bakan, which has rece

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Morra, Luigi, Maurizio Bilotto, Domenico Cerrato, et al. "The Mater-Bi® biodegradable film for strawberry (Fragaria x ananassa Duch.) mulching: effects on fruit yield and quality." Italian Journal of Agronomy 11, no. 3 (2016): 203. http://dx.doi.org/10.4081/ija.2016.731.

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Two trials in different agricultural farms were carried out from October 2014 to June 2015 with the aim to assess the advantages linked to the substitution of the low density polyethylene (LDPE) films for soil mulching with the Mater-Bi<sup>®</sup> biodegradable films in the strawberry cultivation under tunnel in Campania. Lifetime of biodegradable mulch and influence of type of mulch on the yield and the quality of cvs Sabrina and Fortuna were evaluated. Plants were cultivated on mulched, raised beds, high 40 cm from bottom soil. Mater-Bi<sup>®</sup> film was 20 <sp

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Ding, Zichen. "Exploring the Development of Soft Science Fiction Films in the Chinese Film Market: Taking Dune 2 as an Example." Advances in Economics, Management and Political Sciences 102, no. 1 (2024): 238–43. http://dx.doi.org/10.54254/2754-1169/102/2024ed0070.

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Following the cessation of the COVID-19 pandemic, the Chinese film industry has experienced a resurgence, leading to fresh prospects for the Chinese science fiction film market. On March 8, 2024, the Chinese mainland will host the release of Dune 2, which has garnered significant popularity in the Chinese science fiction cinema market. The goal of this study was to investigate whether the popularity of the Dune series of movies in the Chinese film market persists. The objective of this study was to investigate the potential influence of the Dune series of movies on the Chinese science fiction

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Adnan, Mohammed Ahmed Khan. "Literature and Hindi Cinema." Aksharasurya Journal 05, no. 05 (2025): 108 to 113. https://doi.org/10.5281/zenodo.14619614.

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Hindi cinema has a history of more than 100 years old. Dadasaheb Phalke after understanding the audience’s interest, screened a speechless film named “Raja Harishchandra” on 3 May 1913 at the Coronation Cinema House in Bombay. This is how the foundation of Indian cinema was laid. This was the first film to be fully recognized as the first Indian feature film. On March 14, 1931, Ardeshar Irani made the first spoken film in Hindi titled ‘Alam Ara’ through engineering cinema. The first talkie film presented by Prabhat Film was ‘Ayodhya Ka Raja’ which was

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Petrić, Mina A. "WHO’S AFRAID OF LOUISA MAY ALCOTT?" Detinjstvo L, no. 4 (2024): 55–69. https://doi.org/10.46793/childhood24.4.55p.

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This paper analyzes four film adaptations of Little Women (Cukor 1933; Le Roy 1949; Armstrong 1994; Gerwig 2019), to determine to what extent the shifting of the moral premise in otherwise quite similar plots creates a deviation from the original story, and how it affects the classification of the film as a faithful adaptation. The term “moral premise” was coined by Stanley D. Williams in his book of the same name (2006). Williams presents the form of a moral premise throgh four components: virtue, vice, desirable consequences (success) and undesirable consequences (defeat) as follows: “/Vice/

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Kory, Beate Petra. "Perspectives on Mental Ilness in Heinar Kipphardt's Novel March." Kronstädter Beiträge zur germanistischen Forschung 23 (June 1, 2023): 117–33. http://dx.doi.org/10.31926/kbzgf.2023.23.06.

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"Enttäuscht von seinem vergeblichen Bemühen durch seine Theaterstücke Einfluss auf die Gesellschaft zu nehmen, kehrte Kipphardt in seiner letzten Schaffensphase zu seiner Faszination von der Psychiatrie zurück, die ihn in seiner Jugend dazu bewogen hatte, Medizin zu studieren.1966 zeigt sich Kipphardt tief beeindruckt von Gedichten des schizophrenen Patienten Ernst Herbeck, die der österreichische Psychiater Leo Navratil in seinem Buch Schizophrenie und Sprache veröffentlicht hat. Ausgehend davon beginnt sich Kipphardt der März-Thematik zu widmen, die er in der Form des Films und auch in den d

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Chepelyk, Oksana. "Creative documentaries and films about art within the International Human Rights Film Festival Docudays UA." Art Research of Ukraine, no. 21 (November 29, 2021): 95–107. http://dx.doi.org/10.31500/2309-8155.21.2021.254678.

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The documentary films presented at the Docudays UA film festival, which took place on March 26 — April 4, 2021, are analyzed with the question — what is the role of art in the age of the coronavirus crisis and worsening of social inequalities? The aim of the article is to research the documentaries in various programs of the film festival to include them into the national art discourse to explore the role of art in the life of modern individuals and society as a whole. Philosophical ideas that help to understand the urgency of changes that resonate with nowadays challenges are considered in th

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Kapka, Alexandra. "‘Cuts are not a viable option’: The British Board of Film Classification, Hate Crime and Censorship for Adults in the Digital Age." Journal of British Cinema and Television 14, no. 1 (2017): 77–97. http://dx.doi.org/10.3366/jbctv.2017.0353.

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In March 2015 the British Board of Film Classification (BBFC) refused to classify James Cullen Bressack's independent film, Hate Crime (2012). This was the Board's first explicit rejection of a film since 2011, and undermines their attempts to portray themselves as increasingly lenient, in favour of free choice for adults and open about their processes. This case is of particular interest as the film was to be distributed solely via an online video-on-demand platform. Hate Crime has the dubious honour of being the first film to be refused an eighteen certificate under revised regulations perta

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Riki Bastian, Muchammad Abdul Ghofur, and Herru Prasetya Widodo. "Memaknai Nilai Spiritualitas dalam Film The Unholy." Lenvari: Journal of Social Science 1, no. 1 (2023): 1–8. http://dx.doi.org/10.61105/jss.v1i1.2.

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Films can affect social life, lifestyle and morals. One of them is human spirituality. The purpose of this research is to find out how spiritual values are expressed in the film The Unholy. Spiritual values are according to Roland Barthes' semiotic theory which includes denotation, connotation and myth. This research uses descriptive qualitative method and Roland Barthes semiotic analysis method. The subject of research is the film The Unholy which was released on March 31, 2021, produced by Screen Gems and Ghost House Pictures, and directed by Evan Spiliotopoulos. These spiritual values

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Jain, Rupali. "CLASSICAL EXPERIMENTS IN CINE MUSIC: IN THE CONTEXT OF ASAVARI THAT." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (2015): 1–4. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3431.

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We should consider the beginning of film music with the advent of speaking films. In the era of silent films, there used to be an orchestra near the screen in big cities, playing music suited to the changing emotions of the on-screen story, but the lyrics also came as an integral part of the film along with the speaking films and musicians Also has a separate identity. So the first cine music and its composer, we will consider Feroz Shah Mistry, the composer of the first speaking film "Alamara", released on 14 March 1931 at the Majestic Cinema in Mumbai and the first cine song "De De Khuda Ke

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Narcis, Stéphane. "‘C’est Madame La France que tu préfères?’: The representation of gender inequality in Douce France." International Journal of Francophone Studies 25, no. 3 (2022): 173–92. http://dx.doi.org/10.1386/ijfs_00049_1.

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Douce France is a 1995 banlieue film that touches on issues of interracial friendship, exclusion versus integration, gender identity and the relationship that the second generation of immigrants have with France as their homeland. The work, written and directed by Malik Chibane, focuses on a Blanc-Beur friendship, Moussa (Hakim Sarahoui) and his friend Jean-Luc (Frédéric Diefenthal). The film also focuses heavily on French-Algerian sisters Souad (Seloua Hamse) and Farida (Fadila Belkebla) and the character of Myssad (Nadia Kaci). In this review article, the film is examined and discussed regar

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Jobbágy, Bernadett. "Somatic Composition and Embodied Filmmaking." Journal of Somaesthetics 10, no. 2 (2025): 162–77. https://doi.org/10.54337/ojs.jos.v10i2.8600.

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How do we film from the body, and how do we embody (moving)images? How do we make film, when we invite a somatic approach into filmmaking? What do we film, when we film with and from not only our exteroception but invite as well our interoception into the process? What do we film, when we film bodies in motion or in stillness? How can we transmit the quality of space around and within the body? Among others, these questions were the starting points for the Creative Lab[1] in Tallinn, entitled Somatic Composition and Embodied Film, which I facilitated in March 2024, in partnership with Somaatik

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Heineman, Elizabeth. "Gender, Sexuality, and Coming to Terms with the Nazi Past." Central European History 38, no. 1 (2005): 41–74. http://dx.doi.org/10.1163/1569161053623679.

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In the years leading to the sixtieth anniversary of the end of the Second World War, popular books and films have sparked lively discussions about the ways Germans use gender and sexuality to interpret the Nazi past. July 2003 saw the re-release of Eine Frau in Berlin, the anonymous diary of a woman who experienced the mass rapes surrounding the Battle for Berlin. In October of that year, the film Das Wunder von Bern (The Miracle of Bern) told a sentimental tale of a late-returning POW's relationship with his son. Coming on the heels of renewed discussions of German suffering, the popular film

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Grosoli, Marco. "Motion/Performance Capture and The Afterlife of The Index. A Reconsideration of André Bazin’s “Myth of Total Cinema”." Recherches sémiotiques 31, no. 1-2-3 (2014): 153–73. http://dx.doi.org/10.7202/1027446ar.

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The history of film technology is not a progressive and linear march towards the future : it is rather a discontinuous, irregular process where the past returns more often than not. Motion capture and performance capture technologies are particularly indicative examples of this dynamic, as their digital nature is far from opposed to the indexical bias of photography that (according to a widespread doxa) the digital is supposed to gradually supplant. On the contrary, they integrate the index in their own functioning. Moreover, some of the films making use of these devices (for instance Robert Z

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Spring, Katherine. "Toronto Film Seminar Inaugural Meeting, 27 March 2008." Film International 6, no. 6 (2008): 96–97. http://dx.doi.org/10.1386/fiin.6.6.96.

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Porter, Vincent. "The Revaluation of Associated British Films: ABPC’s Film Production Account for the Year ending 31 March 1942." Historical Journal of Film, Radio and Television 33, no. 4 (2013): 612–20. http://dx.doi.org/10.1080/01439685.2013.798091.

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Tarr, Carrie. "'Films de femmes' Report on the 15th International Women's Film Festival Créteil, 26 March - 4 April 1993." French Cultural Studies 4, no. 11 (1993): 197–99. http://dx.doi.org/10.1177/095715589300401108.

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Kichelewski, Audrey. "Poland's Postwar Trauma and Identity in Pawel Pawlikowski's Films: Reflections on Ida and Cold War." Central European History 53, no. 3 (2020): 652–56. http://dx.doi.org/10.1017/s0008938920000473.

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Does homecoming epitomize Polish filmmaker Pawel Pawlikowski's last two films, Ida (2013) and Cold War (Zimna wojna, 2018)? Considering the box office, the awards won, and the film critics’ response, it seems that the transition from documentaries to feature films meant a turn to Polish history and identity for the director. (Pawlikowski was born in Warsaw but has spent most of his life abroad after his parents left Poland in the wake of the anti-Zionist campaign of March 1968, while he was still a teenager.) As Jerry White put it, analyzing Cold War in the light of Pawlikowski's earlier caree

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Huzelmi, Melza, Meri Erwati, and Refni Yulia. "PERFILMAN DI INDONESIA TAHUN 1950-1965." Puteri Hijau : Jurnal Pendidikan Sejarah 7, no. 2 (2022): 257. http://dx.doi.org/10.24114/ph.v7i2.37676.

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Penelitian ini membahas tentang Perkembangan Perfilman di Indonesia dari tahun 1950-1965. Penelitian ini masuk kedalam kajian studi kepustakaan, yang bersumber dari buku-buku, baik itu buku online dan buku diperpustakaan, dan dibantu dengan jurnal dan situs internet lainnya. Adapun rumusan masalah dari penelitian ini yaitu : 1).Apa yang dimaksud dengan The Long March Of Siliwangi sebagai tonggak baru film nasional dan munculnya film-film nasional lainnya, 2).Bagaimana arus film impor ke pasar film Indonesia, 3). Bagaimana kebijakan Soekarno menutup akses film impor yang mendominasi dunia film

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Ashraf, Abida. "Emerging Discourses, Changing Perspectives: Iraq in Oscar Documentary Films." CINEJ Cinema Journal 8, no. 2 (2020): 195–216. http://dx.doi.org/10.5195/cinej.2020.247.

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Documentary film has become an important tool to seek information. This study shows how documentaries are projecting skepticism and sarcasm of Iraqi people due to volatile, uncertain complex, and ambiguous (VUCA) conditions. The fims discussed in this study consists of Oscar-winning and Oscar-nominated documentary films from 2003 to 2011 with a total of 45 films. The year 2003 is selected for its demarcation of U.S.-led invasion of Iraq which started in March 2003 and toppled over the government of Saddam Hussein. The year 2011 denotes the end with the departure of US troops in 2011. Through t

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Parker, Q. A., S. Phillipps, D. H. Morgan, et al. "Use of Kodak Tech-Pan Film at the Ukstu." Symposium - International Astronomical Union 161 (1994): 129–39. http://dx.doi.org/10.1017/s0074180900047203.

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Kodak Technical Pan (Tech Pan) emulsion is an extremely fine grained, high resolution, panchromatic negative film with extended red sensitivity. It has been produced under this name since about 1980 (Kodak P–255, 1981) and is available on Kodak's Estar base in a number of thicknesses and sizes. The thick ∗∗base Tech Pan is designated 4415 and has been used with great success by the amateur astronomical community for many years (e.g. Martys 1991). Its astronomical potential was recognised early by Everhart (1981). However, tests at professional telescopes (e.g. West et al. 1981) and early sensi

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Febrianti, Desy, Mahaldika Cesrany, and Siluh Putu Sri Dia Utari. "Kelayakan Finansial Dan Analisis Nilai Tambah (Value Added) Produk Non Pangan Berbahan Mangrove." Forum Agribisnis 15, no. 1 (2025): 177–85. https://doi.org/10.29244/fagb.15.1.177-185.

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The use mangrove for non-consumable products. including for natural dyes and making edible films (food product preservatives). The aim of this research is to analyze business feasibility and analyze the added value of non-consumable processed products from mangrove forests. This research is a quantitative research using primary and secondary data obtained by observation and interview techniques at non-consumable mangrove forest product processors. The research was conducted from September 2022 to March 2023. The business feasibility analysis method is determined by calculating income, profits,

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Rao, Sudeep M., Joshua Samuel, Sai S. Prakash, and C. Jeffrey Brinker. "Environmental microscopy of capillary stress-induced strain behavior in ambient-pressure aerogels." Proceedings, annual meeting, Electron Microscopy Society of America 54 (August 11, 1996): 850–51. http://dx.doi.org/10.1017/s0424820100166713.

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Ambient pressure silica aerogel thin films have recently been prepared by exploiting reversible drying shrinkage caused by derivatization of the internal gel surface. Aerogels have porosities of upto 99.9% and due to the small size of the pores (few nanometers), large capillary stresses are produced in gels that are partially saturated with a wetting liquid. As a result of these capillary stresses, the flexible silica network undergoes strain which has been observed using environmental microscopy. This technique allows variation of the equilibrium vapor pressure and temperature, and a simultan

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West, Joel. "The ontology of Yentl: Umberto Eco, semiosis, mimesis, closets and existence, and how to read “Yentl the Yeshiva Boy”." Semiotica 2019, no. 226 (2019): 209–24. http://dx.doi.org/10.1515/sem-2017-0122.

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AbstractIsaac Bashevis Singer’s short story “Yentl the Yeshiva Boy” (Singer, I. B. 1962. Yentl the yeshiva boy. Commentary Magazine. https://www.commentarymagazine.com/articles/yentl-the-yeshiva-boy-a-story/ (accessed 25 March 2017).) needs to be read in the light of traditional Jewish sources. The question is, how does it stand up to modern hypotheses of gender construction? Yentl was originally published in Yiddish and was translated to English in the latter half of the twentieth century. We will see that the context within which to understand the story properly is encoded in the story itsel

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