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Journal articles on the topic 'Marching bands'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Cumberledge, Jason P. "The Benefits of College Marching Bands for Students and Universities: A Review of the Literature." Update: Applications of Research in Music Education 36, no. 1 (2016): 44–50. http://dx.doi.org/10.1177/8755123316682819.

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College marching bands are a large and visible part of American music education. Institutions of higher learning have benefited from the existence of marching bands, as they serve as a powerful recruitment tool and an essential public relations vehicle for music departments and universities. The benefit students may receive from marching band participation is influenced by a variety of social and educational factors. This article is a review of literature on the benefits of marching bands and band participation for universities and college students. The review is organized as follows: (a) brie

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2

Keefe, Joseph. "Noise exposure in marching bands." Journal of the Acoustical Society of America 118, no. 3 (2005): 1979. http://dx.doi.org/10.1121/1.4782008.

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Gibiat, Vincent, Jerome Selmer, and Jonathan Cottier. "Saxophone acoustics and marching bands." Journal of the Acoustical Society of America 142, no. 4 (2017): 2509–10. http://dx.doi.org/10.1121/1.5014165.

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Suanmonta, Tawanchai. "The early age of national marching band contest." Linguistics and Culture Review 6 (November 25, 2021): 24–32. http://dx.doi.org/10.21744/lingcure.v6ns2.1893.

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This academic article aims to 1) study the history of the national marching band contest; 2) the development of the national marching band contest. The results showed that National Marching Band Contest has been held from 1982 until the present. The contest in the early age from 1982 to 1993 is divided into three categories: Category A, Men, Category B, Men and Women, Category C, Women. The winning marching band will receive a royal trophy. In addition, the marching band has to play three songs at the Supachalasai Stadium: royal song (Rama IX), Thai Thao song or Prelude song, and a selected so

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de Sousa, Aurelio Nogueira, Eliton Perpetuo Rosa Pereira, and Cristiano Aparecido da Costa. "Marching bands in Brazil: a historical and pedagogical approach." Arts & Humanities Open Access Journal 5, no. 2 (2023): 133–40. http://dx.doi.org/10.15406/ahoaj.2023.05.00198.

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In Brazil, school marching bands are responsible for training instrumentalists who make up the scene of music teaching institutions, professional groups, and orchestras. In Goiânia, capital of the state of Goiás (Brazil), there are thirty-five school bands, and those residing in civil and military schools have up to two hundred students each band, aged between eleven and seventeen years old. They have a staff of music teachers divided by instrument categories, which are: trumpet, trombone, tuba, horn, euphonium, percussion, and front commission (choreographic body). Collective musical teaching

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Silveira, Jason M., and Michael W. Hudson. "Hazing in the College Marching Band." Journal of Research in Music Education 63, no. 1 (2015): 5–27. http://dx.doi.org/10.1177/0022429415569064.

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The purpose of this study was to investigate hazing in collegiate marching bands. Specifically, the researchers were interested in marching band students’ experiences with hazing behaviors, to whom they were reported, attitudes toward hazing, and level of awareness of institutional hazing policies. Using a multistage cluster sampling approach, we distributed an online questionnaire to college marching band members attending National Collegiate Athletic Association Division I schools. Participants ( N = 1,215) were representative of 30 different states and included college freshmen, sophomores,

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Clark, Robert H. "A Narrative History of African American Marching Band: Toward A Historicultural Understanding." Journal of Historical Research in Music Education 41, no. 1 (2019): 5–32. http://dx.doi.org/10.1177/1536600619847933.

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The purpose of this study is to construct a concise historical narrative of the development and characteristics of African American styles of marching band. While some extant research studies have been published in this area of study, the focus has been primarily on individual exemplary teachers or university band programs. In this article, much of the available published and unpublished scholarly work was reviewed for synthesis into narrative form. Unique style characteristics of African American marching bands are identified and tied to historical developments. The author proposes that Afric

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Russell, Jeffrey A., and Moegi Yamaguchi. "Sound Exposure of Healthcare Professionals Working with a University Marching Band." Journal of the American Academy of Audiology 29, no. 01 (2018): 083–89. http://dx.doi.org/10.3766/jaaa.17018.

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AbstractMusic-induced hearing disorders are known to result from exposure to excessive levels of music of different genres. Marching band music, with its heavy emphasis on brass and percussion, is one type that is a likely contributor to music-induced hearing disorders, although specific data on sound pressure levels of marching bands have not been widely studied. Furthermore, if marching band music does lead to music-induced hearing disorders, the musicians may not be the only individuals at risk. Support personnel such as directors, equipment managers, and performing arts healthcare provider

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Cumberledge, Jason P., Brian A. Silvey, Christian M. Noon, and Faith Hall. "A Phenomenological Investigation of Student Leadership in College Marching Bands." Bulletin of the Council for Research in Music Education, no. 239 (January 1, 2024): 26–47. http://dx.doi.org/10.5406/21627223.239.02.

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Abstract The purpose of this phenomenological investigation was to examine the lived experiences of undergraduate students serving in leadership roles in college marching bands. Ten student leaders completed written responses to an open set of questions that were then discussed during two corresponding in-depth interviews. The following research questions were addressed: (1) How do student leaders describe their experiences in college marching band? (2) How do student leaders perceive their growth through these experiences? (3) How do students perceive these experiences in relation to their fu

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Sakakeeny, Matt. "Music Lessons as Life Lessons in New Orleans Marching Bands." Souls 17, no. 3-4 (2015): 279–302. http://dx.doi.org/10.1080/10999949.2015.1127106.

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11

Levy, Jacob J., Christopher M. Castille, and Justina A. Farley. "An Investigation of Musical Performance Anxiety in the Marching Arts." Medical Problems of Performing Artists 26, no. 1 (2011): 30–34. http://dx.doi.org/10.21091/mppa.2011.1004.

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The purpose of this study was to investigate the prevalence of musical performance anxiety (MPA) in marching artists. The marching arts include high school and college marching bands, drum and bugle corps, and indoor color guard and percussion ensembles. Drawing on a sample of 780 world class drum and bugle corps performers, we examined the prevalence of somatic and cognitive symptoms of MPA. We also examined differences in endorsement of symptoms by performing section (i.e., brass players, percussionists, and dancers/color guard) and gender. Results revealed a relatively low prevalence of MPA

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Amichay, Guy, Gil Ariel, and Amir Ayali. "The effect of changing topography on the coordinated marching of locust nymphs." PeerJ 4 (December 13, 2016): e2742. http://dx.doi.org/10.7717/peerj.2742.

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Collective motion has traditionally been studied in the lab in homogeneous, obstacle-free environments, with little work having been conducted with changing landscapes or topography. Here, the impact of spatial heterogeneity on the collective motion exhibited by marching desert locust nymphs was studied under controlled lab conditions. Our experimental circular arenas, incorporating a funnel-like narrowing followed by re-widening, did not constitute a major barrier to the locusts; but, rather, mimicked a changing topography in the natural environment. We examined its effects on macroscopic fea

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Beckett, Sarah, Lindsey Seidelman, William J. Hanney, Xinliang Liu, and Carey E. Rothschild. "Prevalence of Musculoskeletal Injury Among Collegiate Marching Band and Color Guard Members." Medical Problems of Performing Artists 30, no. 2 (2015): 106–10. http://dx.doi.org/10.21091/mppa.2015.2018.

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Objective: To investigate the prevalence of musculoskeletal injury (MSI) in collegiate marching band and color guard members and the associated factors. Methods: An electronic survey was developed and delivered via the Qualtrics survey platform to collegiate marching band and color guard members in the United States. Information collected included demographics; years of experience; training and performance characteristics; footwear worn; instrument played/equipment used; participation in stretching/strengthening programs; injury prevalence and type; treatment sought for injury; and participati

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Mahoney, Antron D. "Reclaiming the Beat: The Sweet Subversive Sounds of HBCU Marching Bands." Southern Cultures 27, no. 4 (2021): 78–97. http://dx.doi.org/10.1353/scu.2021.0059.

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Radford, Katy. "Drum rolls and gender roles in Protestant marching bands in Belfast." British Journal of Ethnomusicology 10, no. 2 (2001): 37–59. http://dx.doi.org/10.1080/09681220108567319.

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Veerbeek, Vincent. "A Dissonant Education: Marching Bands and Indigenous Musical Traditions at Sherman Institute, 1901–1940." American Indian Culture and Research Journal 44, no. 4 (2020): 41–58. http://dx.doi.org/10.17953/aicrj.44.4.veerbeek.

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At the end of the nineteenth century, the US government established a system of off-reservation boarding schools in an effort to assimilate Indigenous youth into the American nation-state. Music emerged as one of the most enduring strategies that these schools employed to reshape the cultural sensibilities of young Native Americans. A lively music culture could be found, for instance, at Sherman Institute in Riverside, California, which was home to a marching band and dozens of other music groups throughout its history. Although school officials created these institutions for the purposes of a

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Khoirunnisa, Noor Ayyuzia, and Ganang Dwi Asmoro. "Enhancing performance through music selection and thematic presentation in marching band competition: A case study in Pekan Olahraga Provinsi (PORPROV) XIV Jawa Barat." Interlude: Indonesian Journal of Music Research, Development, and Technology 3, no. 1 (2023): 22–51. http://dx.doi.org/10.17509/interlude.v3i1.71189.

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This study analyzes the performance of the West Bandung Regency contingent at the Pekan Olahraga Provinsi (PORPROV) XIV Jawa Barat. It specifically focuses on how the strategic integration of music selection and thematic presentation might improve the overall performance. The marching band sport involves teams competing in four competitions. The competitions include Lomba Baris Berbaris (LBB) Marching Competition, Lomba Unjuk Gelar (LUG), Lomba Berbaris Jarak Pendek / Short Distance Marching Competition (LBJP), and Lomba Ketahanan dan Ketepatan Berbaris (LKKB) / The Endurance and Accuracy Marc

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McKay, George. "‘A soundtrack to the insurrection’: street music, marching bands and popular protest." Parallax 13, no. 1 (2007): 20–31. http://dx.doi.org/10.1080/13534640601094817.

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Saidon, Zaharul Lailiddin, and Shahanum Mohamad Shah. "Assessment in Competition as a Tool for Developing High School Marching Bands." Procedia - Social and Behavioral Sciences 93 (October 2013): 1005–9. http://dx.doi.org/10.1016/j.sbspro.2013.09.319.

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GAROFALO, REEBEE. "Not your parents' marching bands: The history of HONK!, pedagogy and music education." International Journal of Community Music 4, no. 3 (2011): 221–36. http://dx.doi.org/10.1386/ijcm.4.3.221_1.

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Sakakeeny, Matt, and Abdul Aziz. ""We're Not Just Shooting the Breeze": Marching Bands and Black Masculinity in New Orleans." Southern Cultures 27, no. 4 (2021): 44–65. http://dx.doi.org/10.1353/scu.2021.0057.

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Gray, Lindsey J., Gregory A. Sword, Michael L. Anstey, Fiona J. Clissold, and Stephen J. Simpson. "Behavioural phase polyphenism in the Australian plague locust ( Chortoicetes terminifera )." Biology Letters 5, no. 3 (2009): 306–9. http://dx.doi.org/10.1098/rsbl.2008.0764.

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Swarming and the expression of phase polyphenism are defining characteristics of locust species. Increases in local population density mediate morphological, physiological and behavioural changes within individuals, which correlate with mass marching of juveniles in migratory bands and flying swarms of adults. The Australian plague locust ( Chortoicetes terminifera ) regularly forms migratory bands and swarms, but is claimed not to express phase polyphenism and has accordingly been used to argue against a central role for phase change in locust swarming. We demonstrate that juvenile C. termini

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23

Reynolds, Marie J. "Sharing Teaching Ideas: How Big Was That? Parade Prompts Turkey Talk." Mathematics Teacher 89, no. 8 (1996): 656–57. http://dx.doi.org/10.5951/mt.89.8.0656.

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Who would ever think that mathematics is alive and well in the minds and pens of the writers of the Macy's Thanksgiving Day Parade commentary? While the turkey was in the oven and its delicious aroma was wafting throughout the house, I settled down to watch some of the floats and bands appearing in the Macy's parade. I snapped my fingers to the catchy Broadway show tunes, tapped my feet to the rhythm of the bass drums in the marching bands, oohed and aahed as the brilliantly decorated floats passed on my television screen, and marveled at the size of the massive character balloons. Soon I reco

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MCCLUSKEY, JOHN MICHAEL. "“This Is Ghetto Row”: Musical Segregation in American College Football." Journal of the Society for American Music 14, no. 3 (2020): 337–63. http://dx.doi.org/10.1017/s175219632000022x.

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AbstractA historical overview of college football's participants exemplifies the diversification of mainstream American culture from the late nineteenth century to the twenty-first. The same cannot be said for the sport's audience, which remains largely white American. Gerald Gems maintains that football culture reinforces the construction of American identity as “an aggressive, commercial, white, Protestant, male society.” Ken McLeod echoes this perspective in his description of college football's musical soundscape, “white-dominated hard rock, heavy metal, and country music—in addition to ma

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Herbert, Trevor, and Margaret Sarkissian. "Victorian bands and their dissemination in the colonies." Popular Music 16, no. 2 (1997): 165–79. http://dx.doi.org/10.1017/s0261143000000350.

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This morning I unintentionally stumbled across the annual Cherry Blossom Parade in Washington, DC. It was probaly little different than any other American public parade, full of decorated floats and oversized balloons interspersed between uniformed marching bands from high schools all over the country. What caught my attention was the ‘foreign’ element in the parade – three groups that represented Japan, land of the cherry blossom. Two of these groups were local martial arts associations: one representing the Ryuku Islands, the other, Okinawa. The men and women of both contingents, obviously m

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Milburn, Claire. "The Development of Marching Band Traditions at Historically Black Colleges and Universities: The Human Jukebox versus the Sonic Boom of the South." Journal of Historical Research in Music Education 43, no. 2 (2022): 205–27. http://dx.doi.org/10.1177/15366006221081883.

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This study investigated the development of marching band traditions at Historically Black Colleges and Universities (HBCUs), as told through the rivalry between Southern University (SU) and Jackson State University (JSU). I interviewed directors from SU, including Lawrence Jackson, Nathan Haymer, and Kedric Taylor. Directors from JSU included Dowell Taylor, Lewis Liddell, and Lowell Hollinger. Paul Adams directed at both schools, David Ware is an HBCU bands researcher, and Julian White directed at Florida A&M University (FAMU). I found traditions established through the intense rivalry bet

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Nurhasanah, Septria, and Indra Yeni. "Gambaran Ekstrakurikuler di Taman Kanak-kanak Telkom School Padang." Indonesian Journal of Islamic Early Childhood Education 4, no. 1 (2019): 59–68. http://dx.doi.org/10.51529/ijiece.v4i1.149.

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This study aims to describe extracurricular activities at the Telkom School Kindergarten in Padang. This research uses descriptive method using qualitative. Informants from this study were principals, class teachers and extracurricular teachers. Data collection techniques in this study used observation techniques, interview techniques and documentation techniques. Data analysis techniques used are data triangulation techniques. There are five extracurricular activities carried out namely hafidz extracurricular activities, dancing, swimming, computer, and marching bands. The result of the study

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Zhang, Shuo. "Exploring the origins and early development of Chinese military bands." Культура и искусство, no. 5 (May 2024): 139–49. http://dx.doi.org/10.7256/2454-0625.2024.5.70749.

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Chinese military music plays a significant role in cultural and historical traditions, serving not only as a means of communication during war but also as a vital component of national identity. Studying military music reflects the changes in China's political structures, technological advancements, and international influences, providing deep insights into the socio-political history of China. By analyzing military music, we can trace the impact of cultural exchanges and interactions with other nations and cultures on Chinese musical traditions. This research explores the origins and early de

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Noviyanti, Putu Intan, Ni Luh Nopi Andayani, M. Widnyana, and Luh Made Indah Sri Handari Adiputra. "THE CORRELATION BETWEEN THE USE OF BATTERY PERCUSSION INSTRUMENTS WITH THE LOW BACK PAIN MYOGENIC COMPLAINT OF THE PERCUSSION DIVISION PLAYERS OF THE MARCHING BANDS IN DENPASAR AND BADUNG." Sport and Fitness Journal 8, no. 3 (2020): 196. http://dx.doi.org/10.24843/spj.2020.v08.i03.p12.

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Background: Low back pain (LBP) is a kind of complaint which is easily found in human’s daily life. An activity of carrying something can be one of factors causing the low back pain. Many people uphold some things more than the normal limit by using a wrong way and even doing it for a long duration. A battery percussion player is required to uphold and sustain a battery percussion instrument with an upright standing position and for quite a long time. It can cause the low back pain. Purpose: to find out the correlation between the use of battery percussion instruments with the low back pain my

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Malaret, Stacey, Elizabeth Allen, Germayne Graham, Corey Esquenazi, Desia Bacon, and Paul Whalen. "TEACHING STUDENT LEADERSHIP, ETHICS, AND GROUP RESPONSIBILITY FOR HAZING PREVENTION: AN EXPLORATORY STUDY." Journal of Campus Activities Practice and Scholarship 3, no. 1 (2021): 17–33. http://dx.doi.org/10.52499/2021012.

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Hazing is generally defined as any activity expected of someone joining or participating in a group that humiliates, degrades, abuses, or endangers them regardless of a person’s willingness to participate (Hoover, 1999) and has been documented among college students in groups ranging from athletics to marching bands to fraternities and sororities (Allen & Madden, 2008). This investigation examined attitudes and perceptions about hazing for students in a leadership development program compared to their peers. Both groups participated in an online hazing prevention education module and compl

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Miltiadou, M., M. A. Warren, M. Grant, and M. Brown. "ALIGNMENT OF HYPERSPECTRAL IMAGERY AND FULL-WAVEFORM LIDAR DATA FOR VISUALISATION AND CLASSIFICATION PURPOSES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-7/W3 (April 30, 2015): 1257–64. http://dx.doi.org/10.5194/isprsarchives-xl-7-w3-1257-2015.

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The overarching aim of this paper is to enhance the visualisations and classifications of airborne remote sensing data for remote forest surveys. A new open source tool is presented for aligning hyperspectral and full-waveform LiDAR data. The tool produces coloured polygon representations of the scanned areas and aligned metrics from both datasets. Using data provided by NERC ARSF, tree coverage maps are generated and projected into the polygons. The 3D polygon meshes show well-separated structures and are suitable for direct rendering with commodity 3D-accelerated hardware allowing smooth vis

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Auchter, Melissa, and Colleen G. Le Prell. "Hearing Loss Prevention Education Using Adopt-a-Band: Changes in Self-Reported Earplug Use in Two High School Marching Bands." American Journal of Audiology 23, no. 2 (2014): 211–26. http://dx.doi.org/10.1044/2014_aja-14-0001.

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PurposeHearing loss prevention has always been an important issue for audiologists. The importance of hearing loss prevention education for young musicians is now recognized by the National Association for Music Education as well as the National Association of Schools of Music. Adopt-a-Band is a commercial program designed to foster hearing loss prevention behavior in young musicians.MethodThis study assessed changes in earplug use, measured using self-report surveys, after Adopt-a-Band training. Participants were members of 2 high school marching bands who viewed an informational DVD and revi

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Owens, Gary. "‘A moral insurrection’: faction fighters, public demonstrations and the O’Connellite campaign, 1828." Irish Historical Studies 30, no. 120 (1997): 513–41. http://dx.doi.org/10.1017/s0021121400013432.

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During a twelve-week period in the late summer of 1828 upwards of a quarter of a million people participated in at least sixty mass demonstrations in the south-west of Ireland. Appearing to erupt spontaneously in response to Daniel O’Connell’s historic victory in the County Clare election in early July, these gatherings grew in size and complexity over the succeeding weeks; by late September jubilant but well-ordered assemblies of twenty and thirty thousand people — many marching in identical green uniforms and with military precision behind bands and colourful banners — were taking place simu

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Kratochvíl, Matěj. "Music as an Adaptation Strategy: The Hruby Family’s Voyage from Cehnice to Cleveland." Journal of Austrian-American History 6, no. 1 (2022): 1–13. http://dx.doi.org/10.5325/jaustamerhist.6.1.0001.

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Abstract This article looks at the history of the Hruby family as an example of how immigrants to the US adapted and acquired social status through music. The family originated in the village of Cehnice in South Bohemia. Frank Hruby, the family patriarch, started his career there as a musician playing in various circuses across Europe. During his travels, he visited Cleveland, Ohio, and in 1883 settled there with his wife and oldest son. Hruby joined several musical ensembles and gradually became an important personality in the local music scene. His children studied music as well and followed

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Pelosato, Florence. "Entre la rue et la band room : apprentissage de la musique et négociations identitaires chez les marching bands de La Nouvelle-Orléans." Parcours anthropologiques, no. 8 (October 31, 2012): 129–47. http://dx.doi.org/10.4000/pa.141.

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Thompson, Brian C. "Gordon Ramsey, Music, Emotion and Identity in Ulster Marching Bands: Flutes, Drums and Loyal Sons. Bern: Peter Lang, 2011, 334pp. £44.00 (pbk)." Nations and Nationalism 19, no. 3 (2013): 595–96. http://dx.doi.org/10.1111/nana.12033_3.

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Ramadhanty, Dwifa. "Special Service Management Analysis at Aisyiyah Bustanul Athfal Batusangkar Kindergarten." al-fikrah: Jurnal Manajemen Pendidikan 11, no. 2 (2023): 212. http://dx.doi.org/10.31958/jaf.v11i2.10025.

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The main problem in this article is that there are several special services carried out at TK Aisyiyah Bustanul Athfal Batusangkar. The implementation of special services is inseparable from the importance of the management of the special services themselves. The purpose of this study was to analyze the planning, implementation and control management of special services at TK Aisyiyah Bustanul Athfal Batusangkar. The type of research used is field research using qualitative descriptive methods, namely research that aims to describe phenomena that occur in the field and is expressed qualitative

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Cooper, J. F., G. D. A. Coppen, H. M. Dobson, A. Rakotonandrasana, and R. Scherer. "Sprayed barriers of diflubenzuron (ULV) as a control technique against marching hopper bands of migratory locust Locusta migratoria capito (Sauss.) (Orthoptera: Acrididae) in Southern Madagascar." Crop Protection 14, no. 2 (1995): 137–43. http://dx.doi.org/10.1016/0261-2194(95)92868-n.

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Johnson, Carole, Jonathan Baldwin, Jeffrey Danhauer, Brian Wolfe, Stevana Jeannont, and Katie Seever. "Effects of Including Information about Hidden Hearing Loss in an Adopt-A-Band Program on College Band Members' Attitudes toward Healthy Hearing Behaviors." Seminars in Hearing 39, no. 02 (2018): 210–20. http://dx.doi.org/10.1055/s-0038-1641744.

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AbstractYoung musicians may be at risk for developing cochlear synaptopathy (CS), or hidden hearing loss (HHL), that could lead to permanent music-induced hearing loss (MIHL). Patients with CS often complain of tinnitus and/or difficulty understanding speech in noisy situations, even though traditional audiometric testing indicates normal hearing. The aim of this article was to determine the effects of including information about HHL on an Adopt-A-Band program involving college band members' concern about and self-efficacy toward the prevention of MIHL. We conducted a single-blinded, randomize

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Nicholson, Rashna Darius. "“A Christy Minstrel, a Harlequin, or an Ancient Persian”?: Opera, Hindustani Classical Music, and the Origins of the Popular South Asian “Musical”." Theatre Survey 61, no. 3 (2020): 331–50. http://dx.doi.org/10.1017/s0040557420000265.

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The story of South Asian colonial modernity and music offers up a multidirectional and polymorphous conceptual terrain featuring, among many agents, Hindustani royalty, touring minstrel and burlesque troupes, Jesuit missionaries and orientalists, and not least, social reformists. Nevertheless, scholarship on the history of Hindustani music consistently traces its development through classicization against the rise of Hindu nationalism while overlooking other palpable clues in the colonial past. This article argues for a substantial reevaluation of colonial South Asian music by positing an alte

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Nisenbaum, A. A. "Parade-Concert: Genre Origins and Particularities." Art & Culture Studies, no. 3 (September 2023): 410–35. http://dx.doi.org/10.51678/2226-0072-2023-3-410-435.

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The evolution of Russian military music culture is marked by continuous modification, reflecting socioeconomic, social and political mainstreams of the country. Since the beginning of the 19th century, the growing level of national military music has made foreign colleagues pay special attention to it. This article describes the circumstances under which the parade-concert genre was formed at the end of the 1980s, the further development of which brought the military music art into a wide sociocultural context through inextricable bond with the mass performance genre. This is illustrated by th

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Jo, Kazuhiro. "The Way from DIY (Do It Yourself) to DIWO (Do It with Others)Thorough Chiptune Marching Band." Journal of The Institute of Image Information and Television Engineers 64, no. 10 (2010): 1465–69. http://dx.doi.org/10.3169/itej.64.1465.

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Derakhshan Nejad, Mehri, Masoud Nikbakht, Mohsen Ghanbarzadeh, and Rouhollah Ranjbar. "Effect of Concurrent Training Order With Electromyostimulation on Physical Performance in Young Elderly Women." Journal of Rehabilitation 21, no. 4 (2021): 508–25. http://dx.doi.org/10.32598/rj.21.4.3147.1.

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Objective: Aging is one of the stages of life that needs special attention due to the special conditions of this period of life. Inactivity and myasthenia due to aging are important factors in reducing the physical and functional activities in the elderly, which can affect their quality of life. On the other hand, electromyostimulation (EMS) is one of the modern training methods that can be suitable for disabilities in the elderly. Also, the training sequence in concurrent training is one of the variables of training that can affect its adaptations. This study aimed to compare the effect of ex

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Chataignier, Gilda. "Estilo: atravessando o Saara." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda 2, no. 3 (2008): 29. http://dx.doi.org/10.26563/dobras.v2i3.349.

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Minha mãe sempre contava, com certa bravata e alegria, que minhas primeiras palavras, com menos de 1 ano de idade, foram Alá, lá ô, ô, ô, ô. O refrão animado da marchinha dos anos 40 – que até hoje empolga também os blocos moderninhos e as passistas enfeitadas com cola e tapa-sexo – toca nos meus ouvidos e coração. Principalmente quando desço do metrô em direção ao Saara, como se fosse um intróito quase religioso. É uma necessidade incontrolável a de ir para aquelas bandas, uma catarse, alguma coisa meio sagrada que me faz esquecer o dia-a-dia nos trajetos cariocas que o destino me obriga a pe

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Brilianti, P. T., Haolia, M. I. Sulaiman, et al. "Initial Result of P Wave Tomography Model in Sunda-Banda Arc Transition using FMTOMO." IOP Conference Series: Earth and Environmental Science 873, no. 1 (2021): 012057. http://dx.doi.org/10.1088/1755-1315/873/1/012057.

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Abstract Our study area is located near island Sumbawa, Sumba, Flores, West Timor, Indonesia and East Timor, popularly known as Sunda-Banda arc transition zone. The tectonic setting is mainly controlled by the movement of the oceanic lithosphere Indo-Australian plate subducting the Eurasian plate and Northward migration of Australian continental lithosphere into western Banda-arc in the region of Flores, Sumba and Timor island. We tried to image velocity structure beneath these regions using regional events and tomography inversion model. We collected 5 years of regional events from the Indone

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Micheau, Julie. "Est-ce qu’on peut parler d’autre chose ?, de Roz Chast, Gallimard, Bande dessinée, 2015 pour la traduction française, 236 p. Traduit de l’anglais (États-Unis) par Alice Marchand. Titre original : Can’t We Talk about Something more Pleasant ? A memoir, Bloomsbury, 2014." Revue française des affaires sociales 1, no. 4 (2016): 381. http://dx.doi.org/10.3917/rfas.164.0381.

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Board, Editorial. "Pesquisa Regulatória em Telecomunicações." Law, State and Telecommunications Review 2, no. 1 (2010): 259–68. http://dx.doi.org/10.26512/lstr.v2i1.21691.

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 Alcance da não incidência da contribuição ao FUST, conforme prevista no parágrafo único do art. 6o da Lei 9.998, de 2000/Sara de Sousa Coutinho/VI Curso de Especialização em Regulação de Telecomunicações da Universidade de Brasília (2008). Alterações do contrato de concessão do Serviço Telefônico Fixo Comutado, na modalidade local e a defesa do interesse do usuário/consumidor, As/Regina Lúcia Alves/VI Curso de Especialização em Regulação de Telecomunicações da Universidade de Brasília (2008). Análise do cenário de competição no mercado brasileiro de capacidade espacial/Afons

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"Yes on Hearing Conservation for Marching Bands." ASHA Leader 18, no. 12 (2013): 36. http://dx.doi.org/10.1044/leader.rib1.18122013.36.

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Morton, Mary. "Everything’s Coming Up Roses for Pasadena Seismologists." Eos 101 (June 4, 2020). http://dx.doi.org/10.1029/2020eo145149.

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Gorbonos, Dan, Felix Oberhauser, Luke L. Costello, et al. "An effective hydrodynamic description of marching locusts." Physical Biology, January 24, 2024. http://dx.doi.org/10.1088/1478-3975/ad2219.

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Abstract A fundamental question in complex systems is how to relate interactions between individual components (“microscopic description”) to the global properties of the system (“macroscopic description”). Furthermore, it is unclear whether such a macroscopic description exists and if such a description can capture large-scale properties. Here, we address the validity of a macroscopic description of a complex biological system using the collective motion of desert locusts as a canonical example. One of the world’s most devastating insect plagues begins when flightless juvenile locusts form “m

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