Academic literature on the topic 'Marco Paolini'
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Journal articles on the topic "Marco Paolini"
Bini, Andrea. "Marco Paolini’s Theatre of Trauma: Vajont." Quaderni d'italianistica 37, no. 2 (January 27, 2018): 149–72. http://dx.doi.org/10.33137/q.i..v37i2.29233.
Full textLettieri, Carmela. "Bestiario veneto e Bestiario italiano. Poeti e animali nel teatro di narrazione di Marco Paolini." Italies, no. 12 (December 1, 2008): 153–69. http://dx.doi.org/10.4000/italies.1271.
Full textFoot, John. "Marco Paolini and Oliviero Ponte di Pino Quaderno del Vajont. Dagli Album al Teatro della Diga, Einaudi, Turin, 1999, 103 pp., ISBN 88-06-15320-X pbk, 32,000 Lire (sold with videocassette of the television performance of Vajont 9 Ottobre ’63. Orazione civile, by Marco Paolini and Gabriele Vacis, performed by Marco Paolini, 1997) - Marco Paolini and Gabriele Vacis, Il racconto del Vajont, Garzanti, Milan, 1997 (2nd edn), 142 pp., ISBN 88-11-62030-9 pbk, 18,000 Lire - Tina Merlin, Sulla pelle viva. Come si costruisce una catastrofe. Il caso del Vajont, Cierre, Verona, 1997 (3rd edn), 183 pp., pbk, 20,000 Lire." Modern Italy 5, no. 1 (May 2000): 83–84. http://dx.doi.org/10.1017/s1353294400007912.
Full textCid, M. C., S. Muralidharan, M. Corbera-Bellalta, G. Espigol-Frigole, J. Marco Hernandez, A. Denuc, R. Rios-Garces, N. Terrades-Garcia, J. F. Paolini, and A. D’andrea. "FRI0010 GM-CSFR PATHWAY IS IMPLICATED IN PATHOGENIC INFLAMMATORY MECHANISMS IN GIANT CELL ARTERITIS." Annals of the Rheumatic Diseases 79, Suppl 1 (June 2020): 576.1–576. http://dx.doi.org/10.1136/annrheumdis-2020-eular.4984.
Full textBarolsky, Paul. "Botticelli, “Venere e Marte”: Parodia di un adulterio nella Firenze di Lorenzo il Magnifico. Marco Paoli. Pisa: Edizioni ETS, 2017. 94 pp. €10." Renaissance Quarterly 71, no. 2 (2018): 679–81. http://dx.doi.org/10.1086/699047.
Full textTennen, Deborah. "Marco Paoli. La dedica: Storia di una strategia editoriale. Lucca: Pacini Fazzi, 2009. 416 pp. illus. €40. ISBN: 978–88–72–46927–9." Renaissance Quarterly 64, no. 3 (2011): 948–49. http://dx.doi.org/10.1086/662898.
Full textRazvi, Syed Ali, Rashid Al-Shidi, Najma Mahmood Al-Zadjali, and Yousuf Mohammad Al-Raeesy. "Hemipteran Hopper Species Associated with Acid Lime Plants (Citrus aurantifolia L .) in the Sultanate of Oman: Candidate Vectors of Witches’-Broom Disease of Lime." Journal of Agricultural and Marine Sciences [JAMS] 12 (January 1, 2007): 53. http://dx.doi.org/10.24200/jams.vol12iss0pp53-65.
Full textBrown, Elizabeth R., Anna Bershteyn, Helen C. Stankiewicz Karita, Christine Johnston, Lorna Thorpe, Angelica Kottkamp, Kathleen Neuzil, et al. "LB-17. Efficacy of Hydroxychloroquine (HCQ) for Post-exposure Prophylaxis to Prevent Severe Acute Respiratory Syndrome Coronavirus 2 (SARS-CoV-2) Infection: A Blinded, Randomized, Controlled Trial." Open Forum Infectious Diseases 7, Supplement_1 (October 1, 2020): S851—S852. http://dx.doi.org/10.1093/ofid/ofaa515.1914.
Full textFaedo, Lucia. "Irene Favaretto, Alessandra Menegazzi (Edd.): Un museo di antichità nella Padova del Cinquecento. La raccolta Marco Mantova Benavides all’ Università di Padova – Museo Scienze Archeologiche e d’Arte. Testi di Luisa Attardi, Monica Baggio, Maria Luisa Bianco, Giulio Bodon, Loredana Capuis, Marcella De Paoli, Irene Favaretto, Roberto Giacometti, Lorenzo Lazzarini, Alessandra Menegazzi, Giorgia Miglioranzi, Michelan-gelo Munarini, Giuseppe Salemi, Martino Serafini, Giuseppe Silvestri, Eva Soccal." Gnomon 91, no. 2 (2019): 161–68. http://dx.doi.org/10.17104/0017-1417-2019-2-161.
Full textOliveira, Edson Marques. "RESPONSABILIDADE SOCIAL EMPRESARIAL, EMPREENDEDORISMO SOCIAL E ECONOMIA SOLIDÁRIA: similitudes, ambivalências e possíveis conexões." Revista Observatório 5, no. 5 (August 1, 2019): 697–750. http://dx.doi.org/10.20873/uft.2447-4266.2019v5n5p697.
Full textDissertations / Theses on the topic "Marco Paolini"
Frezzato, Enrichetta Lucilla. "Reading the transformation : the relationship between literature and territory in contemporary Veneto." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:c51bb379-d717-4d5d-9aca-0f912609bce6.
Full textCornez, Élodie. "Les langues du théâtre italien contemporain." Thesis, Lille 3, 2015. http://www.theses.fr/2015LIL30003.
Full textThis doctoral dissertation deals with the use of dialectal languages in the contemporary Italian theater. Indeed, these languages remain an important source of inspiration in the most innovating creations of the last thirty years, in spite of the paramount place the Italian language has come to have in the whole national territory since the Italian Unification. This study deals with the values and with what is at stake in these dialectal languages in today's theater which is, most of the time, created by actors-authors: therefore, the relationship between the artist, who is both creator and performer, and dramatic language, relies on a way of tackling the linguistic element that is fundamentally precognitive and corporal as well.After having cleared up the linguistic dynamics in the Italian theater since the Unification ; the study focuses on the work of five contemporary actors-authors: Marco Paolini, Ascanio Celestini, Spiro Scimone (Compagnia Scimone Sframeli), Emma Dante (Compagnia Sud Costa Occidentale) and Enzo Moscato. Studying the work of these artists, as well as a specific play, intends to draw up a cartography of the contemporary Italian theater that is inspired by dialect languages to create its own dramatic language. The study aims to lay emphasis on the convergence lines of creations which deals with three key notions, at the core of the study: time, territory and identity. These three notions will be progressively redefined and precised by working on the idea of limit and boundary
Questo lavoro di ricerca si interroga sull’uso delle lingue dialettali nel teatro italiano contemporaneo. Infatti, esse restano un’importante fonte d’ispirazione nelle creazioni più innovative degli ultimi trent’anni, nonostante l’affermarsi dell’italiano sull’intero territorio nazionale a partire dall’Unità. Questo studio si interroga sui valori e sul peso di queste lingue dialettali nel teatro odierno che, in larga parte, viene realizzato da attori-autori: perciò, la relazione che si stabilisce tra l’artista, insieme creatore ed interprete, e la lingua teatrale è fondata su un approccio fondamentalmente pre-cognitivo, e perfino corporeo, dell’elemento linguistico.Dopo aver chiarito, in un primo momento, le dinamiche linguistiche in atto nel teatro italiano sin dall’Unità, questo studio si accentra intorno alla pratica di cinque attori-autori contemporanei: Marco Paolini, Ascanio Celestini, Spiro Scimone (Compagnia Scimone Sframeli), Emma Dante (Compagnia Sud Costa Occidentale) e Enzo Moscato. L’analisi del percorso di ognuno di questi artisti, nonché di una loro opera in particolare, mira a stabilire una cartografia del teatro italiano contemporaneo che attinge dai dialetti la materia della propria lingua teatrale. Si tratta di evidenziare le linee di fuga di creazioni che interrogano tre nozioni-chiave al cuore dell’analisi: il tempo, il territorio e l’identità, nozioni affinate e progressivamente ridefinite da una costante riflessione sul concetto di limite e di confine
Satre, Barbara. "L'Arte Povera et les arts de la scène : Les expériences théâtrales de Jannis Kounellis, Giulio Paolini, Michelangelo Pistoletto et Mario Ceroli." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3115.
Full textArte Povera's works and productions constantly challenge the traditional fundamentals of History of Art, thus leading to the exploration of new artistic fields. Some members of the Italian group, in their will to break the limits between genres in order to question these very limits, concentrate on theatre to invest collective and creative spaces. This PhD is an analysis of the theatrical works by Jannis Kounellis, Giulio Paolini, Michelangelo Pistoletto and Mario Ceroli. These four specific approaches distinguish themselves by their ambitions and their scales. This university research aims at revealing the multiple intersections within the group, by exploring the interactions between visual arts and performing arts. The issue at stake is both to shed light on artists and works from the Arte Povera and to compare their experiences to the theatre, while considering the central role of the theatrical environment in the sixties and seventies in Italy in a time of revolutionary and prolific experimental creation. The ambition is to present the details of these specific artistic practices that characterize the approaches of Arte Povera's members, and then to extend this analysis to a more global questioning of other artists' approaches sharing the same concerns
Hotz, Matthias [Verfasser], Wolfgang [Akademischer Betreuer] Utschick, Mario [Gutachter] Paolone, and Wolfgang [Gutachter] Utschick. "Optimal Power Flow in Hybrid AC/DC Power Systems : Modeling, Methods, and Design Implications / Matthias Hotz ; Gutachter: Mario Paolone, Wolfgang Utschick ; Betreuer: Wolfgang Utschick." München : Universitätsbibliothek der TU München, 2021. http://d-nb.info/123143452X/34.
Full textBooks on the topic "Marco Paolini"
Mario, Rigoni Stern, ed. Il Sergente di Marco Paolini: Epica, memoria, narrazione. Acireale: Bonanno Editore, 2011.
Find full textPaolini, Marco. Gli album di Marco Paolini: Storie di certi italiani. Torino: Einaudi, 2005.
Find full textSulla scena del racconto: A colloquio con Marco Baliani, Laura Curino, Marco Paolini, Ascanio Celestini, Davide Enia, Mario Perrotta. Civitella in Val di Chiana (AR) - Italy: Zona, 2009.
Find full textGehler, Michael, and Wilfried Loth, eds. Reshaping Europe. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748907855.
Full textBook chapters on the topic "Marco Paolini"
"From Pasquale Paoli, c. March 1769." In The Yale Editions of the Private Papers of James Boswell: Research Edition: Correspondence, Vol. 7: The General Correspondence of James Boswell, 1766–1769: Volume 2: 1768–1769, edited by Richard C. Cole, Peter S. Baker, and Rachel McClellan, 147. Edinburgh University Press, 1997. http://dx.doi.org/10.1093/oseo/instance.00183208.
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