Relevant bibliographies by topics / Marechera

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Marechera'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Marechera"

1

Feiring, Caleb Kahn. "Marechera." Vanderbilt Historical Review 2016, Spring (2016): 62–67. http://dx.doi.org/10.15695/vhr.2016spring.62.

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Pattison, David. "Dambudzo Marechera." Wasafiri 16, no. 33 (2001): 18–22. http://dx.doi.org/10.1080/02690050108589724.

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Fraser, Robert. "Dambudzo Marechera, 1952 - 1987." Journal of Commonwealth Literature 23, no. 1 (1988): 4–5. http://dx.doi.org/10.1177/002198948802300103.

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Wayne, Christopher, and Bridget Grogan. "Abjection in Dambudzo Marechera's The House of Hunger." Tydskrif vir Letterkunde 55, no. 2 (2018): 104–19. http://dx.doi.org/10.17159/2309-9070/tvl.v.55i2.1884.

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In a description of nationalist poems about “a golden age of black heroes; of myths and legends and sprites” (Marechera 74), the narrator of The House of Hunger (1978) observes that these themes are the “exposed veins dripping through the body of the poems.” In this article we extend this observation to argue that, metaphorically on display in Marechera’s novella itself, are the “exposed veins dripping through the body of the [text]” (74). The novella’s themes include colonialism, social destitution, violence, state-sanctioned oppression, identity struggles, poverty, dislocation, disillusionme
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Bryce. "Reading Marechera ed. Grant Hamilton." Research in African Literatures 44, no. 4 (2013): 167. http://dx.doi.org/10.2979/reseafrilite.44.4.167.

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Bush, Glen, and Annie Gagiano. "Achebe, Head, Marechera: On Power and Change in Africa." African Studies Review 44, no. 3 (2001): 158. http://dx.doi.org/10.2307/525640.

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Shaw, Drew. "Queer Inclinations and Representations: Dambudzo Marechera and Zimbabwean Literature." Matatu 29-30, no. 1 (2005): 89–112. http://dx.doi.org/10.1163/18757421-029030007.

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Muponde, Robert. "‘Moving A Freak Spirit: Reflections on the Legacy of Dambudzo Marechera’. Review ofMoving Spirit: The Legacy of Dambudzo Marechera in the 21stCentury." English Studies in Africa 55, no. 2 (2012): 130–35. http://dx.doi.org/10.1080/00138398.2012.731317.

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Gervais-Lambony, Philippe. "Harare : je te hais, moi non plus ... Hommage à Dambudzo Marechera." Travaux de l'Institut Géographique de Reims 25, no. 99 (1998): 111–20. http://dx.doi.org/10.3406/tigr.1998.1373.

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Osakwe, Chima. "Reading Marechera By Grant Hamilton Editor James Currey 2013, 196 pp." Cambridge Journal of Postcolonial Literary Inquiry 3, no. 3 (2016): 407–9. http://dx.doi.org/10.1017/pli.2016.22.

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Dissertations / Theses on the topic "Marechera"

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Muchena, Kudakwashe Christopher. "Dambudzo Marechera: a psychobiographical study." Thesis, Nelson Mandela Metropolitan University, 2013. http://hdl.handle.net/10948/d1020777.

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Marechera the Zimbabwean writer, poet and novelist emerged in the late 1970s as a new voice in African literature, but his writing career lasted less than a decade. It was his iconoclastic, dense style that expressed the psychological disintegration prevalent in Africa during this period and challenged the central beliefs of both the nationalist and post-independence eras. Defying the limitations of nationality, race and culture, Marechera’s writing explores universal issues, particularly urban existence in the late twentieth century. Marechera’s life and work were closely linked. His outspoke
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Upton, Creon. "Beyond knowledge : A reading of Dambudzo Marechera." Thesis, University of Canterbury. English, 1996. http://hdl.handle.net/10092/7034.

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By concentrating on his prose works, this thesis explores Dambudzo Marechera's rendering of the decentred self and his examining of this in terms of both its relationship with society, and its impact on metaphysical thought, particularly anarchist idealism. Colin Style, in his essay "The White man in Black Zimbabwean Literature," claims parenthetically, in reference to Marechera's attitude towards Europeans, that "[t]o be fair, as a total iconoclast, he is rampantly anti-everything." This thesis both agrees and disagrees with Style's comment. In terms of Marechera's hostility towards even the
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Shaw, Drew Campbell. "Transgression and beyond : Dambudzo Marechera and Zimbabwean literature." Thesis, Queen Mary, University of London, 2003. http://qmro.qmul.ac.uk/xmlui/handle/123456789/28585.

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Recent criticism has claimed Marechera's unconventionality represents an anomaly in Zimbabwean literature. Problematically, this implies a fundamental separation of the author from the concerns, styles and strategies of other writers. In this thesis I argue, on the contrary, that Marechera demonstrates a propensity for dialogue with other Zimbabwean writers. Moreover, such a dialogue is crucial to the development of a critical discourse capable of addressing elements of contradiction. Returning Marechera to the heart of debate in Zimbabwean literature, the thesis focuses on the meaning of his
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Akcay, Ahmet Sait. "Mourning and melancholy: a comparative study on Christopher Okigbo and Dambudzo Marechera." Master's thesis, Faculty of Humanities, 2020. http://hdl.handle.net/11427/32430.

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This study explores the modernist subjectivity in Africa by revisiting two major poets, Christopher Okigbo and Dambudzo Marechera. It argues that the modernist self is created in the form of melancholy and mourning. The main question is to see how the African modernist subjectivity is constructed through poetry. As subjects of colonialism, both Okigbo and Marechera sought to establish new links combining them with the mainstream Euromodernist movement along with their own spiritual roots. In the sense of the construction of a modernist self, the main predicament they have to challenge is the W
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Leroux, Pierre. "Figure christique et messianisme dans les oeuvres de Dambudzo Marechera et Tchicaya U Tam'si." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA048/document.

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La Bible est un des premiers livres traduits dans la plupart des langues d'Afrique subsaharienne et l'imagerie qui lui est associée a par conséquent joué un rôle essentiel dans la constitution des imaginaires littéraires propres à chaque région. Parmi toutes les figures de l'Ancien et du Nouveau Testament, le Christ occupe une place à part, car il est la source de toute rédemption et un personnage qui vaut par son ambivalence, au croisement du religieux et du politique. Représentation en creux construite par des discours multiples, il est à la fois ou successivement un révolutionnaire qui se b
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Lilford, Charles Grant. "Allegories of drought and of gardens in the novels of J.M. Coetzee and Dambudzo Marechera." Doctoral thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/18705.

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This thesis examines the trope of Allegory in the work of two Southern African writers, JM Coetzee and Dambudzo Marechera. It discusses the trope's use in redefining the dominant theme of the dialectic between scarcity and plenty. In much of Southern African literature, this dialectic is expressed allegorically. Drought represents a physical and spiritual lack while gardens represent human attempts to respond to that lack by creating fertility and meaning. The thesis is based on the premise that Southern African literature is best understood from as wide a perspective as possible. Coetzee and
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Pattison, David. "From Rhodesia to Zimbabwe via Oxford and London : a study of the career of Dambudzo Marechera." Thesis, University of Hull, 1998. http://hydra.hull.ac.uk/resources/hull:3859.

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[From the introduction] : In my first chapter I will offer a review of Marechera's reputation and the critical reception given to his work, both during his life and since his death. In Chapter Two I Will outline the major theoretical issues raised by Marechera's work: Art versus psychological catharsis; the artist-as-communal-spokesman versus the artist-as-Romantic-individualist; nationalism versus literary universalism. Chapters Three, Four, Five and Six will then consider in sequence, the work produced in Oxford, in London and in Harare, tracing the writer's physical and psychological deteri
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Andrade, Nayara Cristina Rodrigues de. "“A casa tornou-se minha mente": a representação da realidade em The House of Hunger, de Dambudzo Marechera." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/6542.

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Submitted by JÚLIO HEBER SILVA (julioheber@yahoo.com.br) on 2016-11-23T18:26:44Z No. of bitstreams: 2 Dissertação - Nayara Cristina Rodrigues de Andrade - 2016.pdf: 1839680 bytes, checksum: 845d47c8f4cb849d7e0c7aa9c84459fd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2016-11-30T15:41:00Z (GMT) No. of bitstreams: 2 Dissertação - Nayara Cristina Rodrigues de Andrade - 2016.pdf: 1839680 bytes, checksum: 845d47c8f4cb849d7e0c7aa9c84459fd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e
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Mushakavanhu, Tinashe. "Anarchies of the mind : a contrapuntal reading of the poetry and prose of Percy Bysshe Shelley and Dambudzo Marechera." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/69686/.

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The thesis examines the historical and contemporary engagements of philosophical anarchism in the selected writings of Percy Bysshe Shelley and Dambudzo Marechera in a bid to establish an anarchic poetics that emerges between them. Both use poetry and prose to express opposition to values and relations characterising authoritarian societies while also expressing alternative social, political and personal values. The unusual pairing of two writers who wrote and lived in very different times inevitably prompts an enquiry into the various trajectories of philosophical anarchism, Romanticism and p
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Ben, Amor Anis [Verfasser], Flora [Akademischer Betreuer] Veit-Wild, and Susanne [Akademischer Betreuer] Gehrmann. "Champ de tension entre littérature africaine et surréalisme : D'Aimé Césaire à Dambudzo Marechera / Anis Ben Amor. Gutachter: Flora Veit-Wild ; Susanne Gehrmann." Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät III, 2011. http://d-nb.info/1015016553/34.

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Books on the topic "Marechera"

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Marechera, Dambudzo. An Articulate anger: Dambudzo Marechera : 1952-87. Dangaroo Press, 1988.

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Marechera, Dambudzo. Cemetery of mind: Collected poems of Dambudzo Marechera. Baobab Books, 1992.

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Gagiano, Annie. Achebe, Head, Marechera: On power and change in Africa. Lynne Rienner Publishers, 2000.

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Veit-Wild, Flora. Dambudzo Marechera: A source book on his life and work. Hans Zell, 1992.

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1977-, Pucherová Dobrota Alz̆beta, ed. Moving spirit: The legacy of Dambudzo Marechera in the 21st century. Lit, 2012.

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Marechera, Dambudzo. Dambudzo Marechera, 4 June 1952-18 August 1987: Pictures, poems, prose, tributes. Baobab Books, 1988.

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No room for cowardice: A view of the life and times of Dambudzo Marechera. Africa World Press, 2001.

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Turcotte, Paulette. The book of Marecha. Split Quotation, 1985.

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Reading Marechera. James Currey, 2013.

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J, Chennells A., and Veit-Wild Flora 1947-, eds. Emerging perspectives on Dambudzo Marechera. Africa World Press, 1999.

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Book chapters on the topic "Marechera"

1

Schulze-Engler, Frank. "Marechera, Dambudzo." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16644-1.

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Brückner, Thomas. "Marechera, Dambudzo: House of Hunger." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16645-1.

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"DAMBUDZO MARECHERA." In Postcolonial African Writers. Routledge, 2012. http://dx.doi.org/10.4324/9780203058558-35.

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"MARECHERA VINDICATED." In Under The Steel Yoke. Mwanaka Media and Publishing, 2018. http://dx.doi.org/10.2307/j.ctvh9vvj3.17.

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Hofmeyr, Isabel. "22 The House of Hunger (Dambudzo Marechera)." In B-Side Books. Columbia University Press, 2021. http://dx.doi.org/10.7312/plot20056-025.

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"Seven. Lines of Flight: Bessie Head, Arthur Nortje, Dambudzo Marechera." In Against Normalization. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822380634-009.

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Boehmer, Elleke. "The nation as metaphor: Ben Okri, Chenjerai Hove, Dambudzo Marechera." In Stories of Women. Manchester University Press, 2005. http://dx.doi.org/10.7228/manchester/9780719068782.003.0009.

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Rogers, Asha. "First Aid for Writers." In State Sponsored Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857761.003.0003.

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This chapter reflects on the aesthetic commitments of the welfare state through the lens of the Arts Council Literature Department, which emerged belatedly in the mid-1960s. Focusing on the influential scheme of literary ‘first aid’ grants introduced by the poet Cecil Day-Lewis in 1966, it discusses the relatively idealist terms in which the Arts Council envisioned the obligations of writers to a wider public. The third section centres on three emblematic beneficiaries of state funding between 1966 and 1981, the avant-gardists B.S. Johnson and Dambudzo Marechera, who both tended to strain against the ideals of invested institutions, and the Caribbean Artists Movement, which encompassed a more socially inclusive, though no less contested, idea of literature as a collective enterprise.
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"On touching and speaking in (post) (de) colonial discourse – From Lessing to Marechera and Veit-Wild." In Psychoanalysis and the Unrepresentable. Routledge, 2016. http://dx.doi.org/10.4324/9781315666655-15.

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Shchepakin, Vasyl. "KHARKIV MUSICIANS THE MARECHEKS: ANCESTRY – FINDINGS – NEW RIDDLES." In MUSICAL ART: HISTORICAL AND THEORETICAL DISCOURSE. Liha-Pres, 2020. http://dx.doi.org/10.36059/978-966-397-198-8/82-103.

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