Relevant bibliographies by topics / Margaret Atwood

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Margaret Atwood'

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Published: 4 June 2021
Last updated: 9 June 2025

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Journal articles on the topic "Margaret Atwood"

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Gadpaille, Michelle, and Jason Blake. "Introduction: Atwood at 80." ELOPE: English Language Overseas Perspectives and Enquiries 17, no. 1 (June 21, 2020): 9–11. http://dx.doi.org/10.4312/elope.17.1.9-11.

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When Margaret Atwood celebrated her 80th birthday in November 2019, there was a feeling that the occasion called for a burst of applause – figuratively speaking. Around Europe, many Canadian scholars and Canadian Studies Associations responded with a range of activities. Slovenia contributed handsomely: first, with an event at the Univerzitetna knjižnica Maribor – Fourscore and More: Margaret Atwood at Eighty – and second, with this special issue dedicated to Atwood’s recent work.
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Devi, Dr Anita. "Margaret Atwood as a Feminist." International Journal for Research in Applied Science and Engineering Technology 11, no. 10 (October 31, 2023): 1912–15. http://dx.doi.org/10.22214/ijraset.2023.56336.

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Abstract: Margaret Atwood was born in 1939 in Ottawa, Ontario. When she was seven years old, her family moved to Toronto. Her father, an entomologist and professor of zoology, studied tree-dwelling insects. Atwood's passion for Canada's wilderness is present in most of her writings. Atwood is famous for the outspoken feminism in her books. From her first novel, The Edible Woman, to the dark masterpiece, The Handmaid's Tale (1985), which cemented her international reputation, Atwood demonstrated deeply concerned with the constraints society places on women and the facades they adopt in response. . The Handmaid's Tale, which Atwood refuses to call "science fiction", depicts a society in which women are stripped of all rights except those to marry, run a household, and reproduce. After The Handmaid's Tale made Atwood an international celebrity, she wrote a series of novels dealing with relationships between women, including Cat's Eye (1988) and The Robber Bride (1993). In 1992, she published Good Bones, short, witty articles about women's body parts and the limitations that have been placed on them throughout history. Atwood explores the historical role of women in other works including her famous poetry collections, the Journals of Susanna Moodie (1970) and her novel Alias Grace (1996). Both recreate the lives of famous feminism women in Canadian history.
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Naydenova, Roksana Romanovna. "Myth as the foundation of the narrative in the works of Margaret Atwood." Litera, no. 4 (April 2025): 327–38. https://doi.org/10.25136/2409-8698.2025.4.73811.

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The subject of this research is the works of the famous contemporary Canadian writer Margaret Atwood. The object of the study is their narrative structure. The author of the article characterizes Atwood's narratives as life-descriptive narratives, in which the narrator occupies a central position. The narrator in Atwood's works is usually also the main character. Atwood's texts create a total space for her narrators. One of the foundations for creating a narrative in Atwood's work is myth. Atwood uses ancient Greek, European, and indigenous myths to construct plots. This variety reflects the young Canadian identity, which Atwood herself compares to the mentality of "settlers." In her work with mythological plots, Atwood willingly blends myths of different origins. Drawing on the contributions of both domestic and foreign researchers of Atwood's legacy, as well as Atwood's own literary works, the author of the article describes the place of myth in the structure of Atwood's retrospective, life-descriptive narratives. Narrative, cultural-historical, and cultural-social methods are utilized. The novelty of this research lies in the fact that the author conducts a sequential, in-depth analysis of Atwood's overall approach to myth, whereas most studies on this topic typically focus on how Atwood engages with a specific mythological plot. The author divides Atwood's work with myth into four levels, depending on how heavily Atwood relies on the mythological plot when constructing her own narrative. Thus, Atwood may use myth as the meaning-generating foundation for the entire plot — the first level. Alternatively, Atwood may use an ancient plot to describe national color — the second level. Sometimes myth serves Atwood to discuss the stereotypes of contemporary society — the third level; or to talk about the principles of art — the fourth level.
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Pranita Shinde. "Ecofeminism in Margaret Atwood’s Novel Surfacing." Creative Saplings 3, no. 6 (June 25, 2024): 76–85. http://dx.doi.org/10.56062/gtrs.2024.3.6.616.

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Margaret Atwood being the most significant Canadian novelist, poet and critic is chiefly popular for her writing about several social problems. This research paper chiefly analyses the depiction of ecological consciousness and its resemblance with women’s condition in Margaret Atwood’s widespread novel Surfacing. It is one of the most influential and pioneering novels of Margaret Atwood. It is observed that throughout the book, she tries to convey her concern about the planet earth. The novel primarily focuses on the negative effect of so called modern and advance technological development and human centered world on mother earth. Simultaneously, the novel also portrays the struggle of an unnamed protagonist and the narrator against the brutality of modern world. In the novel Atwood effectively tries to build the strong connection between women and nature.
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Yuan, Xia, and Yiran Wei. "Power politics in Margaret Atwood’s Lady Oracle." Chinese Semiotic Studies 18, no. 2 (May 1, 2022): 285–96. http://dx.doi.org/10.1515/css-2022-2062.

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Abstract The issue of power politics is a crucial topic in Margaret Atwood’s works. According to Atwood, power is pervasive and diffused throughout all social relations. This essay examines how power becomes a part of human life, and how different levels of power interact in Atwood’s third novel Lady Oracle (1976). I investigate Atwood’s treatment of family upbringing in reinforcing gender roles. I show how Atwood explores the protagonist’s odd behavior in relation to her family environment. I also consider Atwood’s representation of the cultural control of women with prescribed images or roles for them. The small details that form the everyday life of the protagonist are highly gendered and part of a larger picture of a patriarchal society. Based on Foucault’s notion of disciplinary society, I analyze how Atwood examines self-watching as internalized power. The protagonist and girls of her age best represent an internalization of patriarchal values of femininity. Just like the inmates of the Panopticon, they practice discipline through self-surveillance.
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RASTOGI, JUHI BIRLA AND REENA. "Science and Mythology in Margaret Atwood novel The Penelopiad." WORLD JOURNAL OF APPLIED SCIENCE AND RESEARCH 10-11, no. 01-02 (December 2021): 25. https://doi.org/10.59467/wjasr.2021.10-11.25.

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Science and mythology intersect in The Penelopiad. Margaret Atwood the Penelopiad 2005 is a retelling of Homer Odyssey from the perspective of Penelope, Odysseus wife. Atwood work seamlessly weaves together science and mythology. Atwood creates a unique and thought ? provoking narrative metanarrative that is thought to be a comprehensive explanation. The article analyzes Margaret Atwood novella. The Penelopiad, explores the postmodern conventions of historiographic metafiction and parody. Employing her tongue-in-cheek humour and featuring two centers of consciousness, Atwood subverts the Homeric omniscient narrator. Resurrecting the mysteriously veiled figure of Penelope, Odysseus wife, who is known for her nobility and constancy, Atwood gives Penelope the narrative voice, telling a widely different tale from the Homeric version. . KEYWORDS :Margaret Atwood, The Penelopiad, Science and Mythology
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RASTOGI, JUHI BIRLA AND REENA. "Science and Mythology in Margaret Atwood novel The Penelopiad." WORLD JOURNAL OF APPLIED SCIENCE AND RESEARCH 10-11, no. 01-02 (December 2021): 25. https://doi.org/10.59467/wjasr.2020-21.10-11.25.

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Science and mythology intersect in The Penelopiad. Margaret Atwood the Penelopiad 2005 is a retelling of Homer Odyssey from the perspective of Penelope, Odysseus wife. Atwood work seamlessly weaves together science and mythology. Atwood creates a unique and thought ? provoking narrative metanarrative that is thought to be a comprehensive explanation. The article analyzes Margaret Atwood novella. The Penelopiad, explores the postmodern conventions of historiographic metafiction and parody. Employing her tongue-in-cheek humour and featuring two centers of consciousness, Atwood subverts the Homeric omniscient narrator. Resurrecting the mysteriously veiled figure of Penelope, Odysseus wife, who is known for her nobility and constancy, Atwood gives Penelope the narrative voice, telling a widely different tale from the Homeric version. . KEYWORDS :Margaret Atwood, The Penelopiad, Science and Mythology
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Mohar, Tjaša, and Tomaž Onič. "Margaret Atwood’s Poetry in Slovene Translation." ELOPE: English Language Overseas Perspectives and Enquiries 18, no. 1 (June 21, 2021): 125–37. http://dx.doi.org/10.4312/elope.18.1.125-137.

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Margaret Atwood is undoubtedly the most popular Canadian author in Slovenia, with eight novels translated into Slovene. Although this prolific author also writes short fiction, poetry, children’s books, and non-fiction, these remain unknown to Slovene readers, at least in their own language. Atwood has published as many poetry collections as novels, but her poetry is inaccessible in Slovene, with the exception of some thirty poems that were translated and published in literary magazines between 1999 and 2009. The article provides an overview of Atwood’s poetry volumes and the main features of her poetry, as well as a detailed overview of Atwood’s poems that have appeared in Slovene translation, with the names of translators, titles of poetry collections, dates of publication, and names of literary magazines. This is the first such overview of Slovene translations of Atwood’s poetry. Additionally, the article offers an insight into some stylistic aspects of Atwood’s poetry that have proven to be particularly challenging for translation.
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Louët, Sabine. "Profile: Margaret Atwood." Nature Biotechnology 23, no. 2 (February 2005): 163. http://dx.doi.org/10.1038/nbt0205-163.

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Naydenova, Roksana Romanovna. "Mythological heroes, historical figures and characters of world literature in the works of Margaret Atwood." Филология: научные исследования, no. 3 (March 2024): 89–95. http://dx.doi.org/10.7256/2454-0749.2024.3.70207.

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The subject of the research in this article is Margaret Atwood's literary game, which includes work with myths, world history and literature. Margaret Atwood (b. 1939) is a well-known modern Canadian writer, poet, literary critic and critic. Her works include the novel The Handmaid's Tale (1985) and its sequel, The Testaments (2019), as well as the fantasy trilogy The Mindless Addam (2003-2013). No matter what M. Atwood writes about, her works are always a story, a complex and multilevel narrative, in the center of which stands the figure of the narrator. Having begun her literary activity in the heyday of postmodernism, M. Atwood combines many features of this trend in her work: literary play, rethinking archetypal images and traditions, deconstruction. Taking as a basis the achievements of foreign and domestic researchers of M. Atwood's work, as well as research in the field of literary studies by M. Atwood herself, we describe how M. Atwood studies, analyzes and recreates well–known patterns on a new basis – in Canadian literature. The main conclusions of the study are: 1) Being a representative of young Canadian literature without a well-formed cultural and literary layer, M. Atwood borrows from the global literary tradition, as well as mythology and folklore, heroes and images that she seeks to "instill" on new Canadian soil. 2) M. Atwood's deconstruction is not the destruction, analysis of an established tradition, but, on the contrary, an attempt to create it through appropriation and assimilation of other people's traditions. 3) M. Atwood, as a rule, takes ancient Greek and European myths and fairy tales as a basis. 4) Working with the characters of wandering plots and textbook works (Shakespeare), M. Atwood often resorts to overturning the established idea of characters, creating doppelgangers and "werewolves".
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Dissertations / Theses on the topic "Margaret Atwood"

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Montigny, Denise de. "Giving birth, Margaret Atwood traduction commentee." Thesis, University of Ottawa (Canada), 1988. http://hdl.handle.net/10393/5352.

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Evans, F. E. M. "Margaret Atwood : words and the wilderness." Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/19728.

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This thesis is a study of several texts written by Margaret Atwood, and is motivated by a desire to demonstrate the polysemous irreducibility of literary meaning and to suggest ways in which critical theory and textual practice may meaningfully interact and correspond. The first chapter examines poems in <i>The Circle Game</i> in order to observe how Atwood's persistent scrutiny of the constitution of images creates a world almost entirely detached from a consciousness of time and history, and considers how this generates a radical split between textual self-sufficiency and the psychic wilderness through which the poems move. Here we can see Atwood deploying language in a pared-down, restrictive manner that circulates through the book with particular tension. The second chapter studies her first novel <i>The Edible Woman</i>, and attempts to trace through analysis of its linguistic patterns, how Margaret Atwood controls her subject matter and deploys her chosen narrative form in a way that expreses the conflict between consumption and production which is embodied in the novel's architectonic symbol. Moving through a specific historical period, her characters struggle to achieve self-definition and linguistic mastery of their environment. The third chapter is concerned with her critical study of Canadian literature, <i>Survival</i>, and the relational framework it suggests between Canada's uneasy post-colonial status, the writer's expressive predicament, and the universal experience of victimization. Consideration is given to aspects of Atwood's political and social philosophy, and comparison made between her conclusions and those of other contemporary Canadian writers.
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Vecchione, Nina. "The end of the world as we know it curing disability and recovering from victimization in Margaret Atwood's novels /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1707435991&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Comiskey, Barbara Anne. "Margaret Atwood : fiction and feminisms in dialogue." Thesis, Lancaster University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308988.

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Desjardins, Louise. "Traduction de Power Politics de Margaret Atwood." Mémoire, Université de Sherbrooke, 1992. http://hdl.handle.net/11143/10339.

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Traduire la poésie, traduire Power Politics de l'écrivaine canadienne-anglaise Margaret Atwood, voilà une entreprise doublement hasardeuse. Comment arriver à rendre dans une autre langue ces instants de grâce liés tout entiers à une fusion de mots et de sens, à une prise en charge d'un univers gui ne pouvait s'exprimer que par cette coïncidence parfaite de la forme et du corps, du geste et de la parole. Traduire la poésie revient à traduire l'indicible de l'univers, la fluidité du temps, l'éclat de l'image, l'inachevé dans l'achèvement d'un discours. Entreprise téméraire et folle régie par la seule volonté de connaître et de faire connaître.
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Rao, Eleonora. "Strategies for identity : the fiction of Margaret Atwood." Thesis, University of Warwick, 1991. http://wrap.warwick.ac.uk/108219/.

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This study is a critical reading of the fiction of contemporary Canadian novelist and poet Margaret Atwood. My analysis focuses on problems pertaining to the questions of genre, identity and female subjectivity. The thesis is thematically structured. Chapter One, 'The Question of Genre: Creative Re- Appropriations, explores the plurality of genres and narrative styles present in the novels. The second Chapter' A Proliferation of Identities: Doubling and Intertextuality' examines constructions of the self in the light of psychoanalytic theories of language and subjectivity which conceive of the subject as heterogeneous and in constant process. Atwood's challenge to the notion of the homogeneous ego finds a gendered vision wherein woman assumes a multiplicity of roles and positions. Chapter Three 'Cognitive Questions' discusses the text's emphasis on sense receptivity and the epistemological question they pose in relation to language, reality and interpretation. Chapter Four 'Writing the Female Character' analyses Atwood's configurations of femininity, sexual politics and sexual difference.
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Ethier, Isabelle. "L'intertextualité dans La servante écarlate : la femme comme sujet en devenir /." Thèse, Trois-Rivières : Université du Québec à Trois-Rivières, 1997. http://www.uqtr.ca/biblio/notice/tablemat/03-2177901TM.htm.

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Evain, Christine Sellin Bernard. "Pluralité des voix et chant de soliste dans la poésie de Margaret Atwood." [S.l.] : [s.n.], 2007. http://castore.univ-nantes.fr/castore/GetOAIRef?idDoc=13596.

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Wang, Yiyan. "Literary responses to bewilderment in western society : a study of Margaret Atwood's novels /." Title page, contents and abstract only, 1993. http://web4.library.adelaide.edu.au/theses/09ARM/09armw246.pdf.

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Tennant, Colette. "Margaret Atwood's transformed and transforming Gothic /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487757723997751.

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Books on the topic "Margaret Atwood"

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Rigney, Barbara Hill. Margaret Atwood. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8.

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Howells, Coral Ann. Margaret Atwood. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24265-8.

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Howells, Coral Ann. Margaret Atwood. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-1-137-19041-3.

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Harold, Bloom, ed. Margaret Atwood. Philadelphia: Chelsea House, 2000.

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Harold, Bloom, ed. Margaret Atwood. New York: Bloom's Literary Criticism, 2008.

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Rigney, Barbara Hill. Margaret Atwood. Totowa, N.J: Barnes & Noble, 1987.

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Council, British, ed. Margaret Atwood. Horndon, Tavistock, Devon, UK: Northcote, British Council, 2010.

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Wells-Lassagne, Shannon, and Fiona McMahon, eds. Adapting Margaret Atwood. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73686-6.

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Atwood, Margaret Eleanor. Lekhak, Margaret Atwood. Ahamadabad [India]: Gujarat Sahitya Academi, 1991.

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Burke, Brian. Margaret Atwood island. Maxville, Ont: above/ground press, 1994.

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Book chapters on the topic "Margaret Atwood"

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Neumann, Birgit. "Atwood, Margaret." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7902-1.

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Rigney, Barbara Hill. "Atwood as Critic; Critics on Atwood." In Margaret Atwood, 122–35. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_7.

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Rigney, Barbara Hill. "Maps of the Green World." In Margaret Atwood, 1–17. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_1.

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Rigney, Barbara Hill. "Alice and the Animals: The Edible Woman and Early Poems." In Margaret Atwood, 18–37. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_2.

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Rigney, Barbara Hill. "‘Border Country’: Surfacing and The Journals of Susanna Moodie." In Margaret Atwood, 38–61. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_3.

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Rigney, Barbara Hill. "The ‘Escape Artist’: Lady Oracle." In Margaret Atwood, 62–81. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_4.

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Rigney, Barbara Hill. "‘The Roar of the Boneyard’: Life Before Man." In Margaret Atwood, 82–102. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_5.

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Rigney, Barbara Hill. "Politics and Prophecy: Bodily Harm, The Handmaid’s Tale and True Stories." In Margaret Atwood, 103–21. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_6.

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Howells, Coral Ann. "Fact File and Significant Characteristics." In Margaret Atwood, 1–19. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24265-8_1.

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Howells, Coral Ann. "Atwood’s Canadian Signature: From Surfacing and Survival to Wilderness Tips." In Margaret Atwood, 20–37. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24265-8_2.

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Conference papers on the topic "Margaret Atwood"

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Noortman, Renee, Mathias Funk, Kristina Andersen, and Berry Eggen. "What Would Margaret Atwood Do? Designing for Ustopia in HCI." In Mindtrek '21: Academic Mindtrek 2021. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3464327.3464344.

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Li, Xin. "Study on Duality Creation of Margaret Atwood 's The Blind Man." In 2016 2nd International Conference on Education, Social Science, Management and Sports (ICESSMS 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icessms-16.2017.40.

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SOUSA, LETICIA. "DIREITOS REPRODUTIVOS DA MULHER NO ROMANCE DISTÓPICO CONTO DA AIA DE MARGARET ATWOOD." In CONGRESSO BRASILEIRO CIÊNCIA E SOCIEDADE. Galoa, 2019. http://dx.doi.org/10.17648/cbcs-2019-110605.

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Dilai, Marianna, Iryna Dilai, Iryna Khomytska, and Olesya Tatarovska. "A computer-aided study of the ideational metafunction in “The Penelopiad” by Margaret Atwood." In Computational Linguistics Workshop at CoLInS 2024. CoLInS, 2024. http://dx.doi.org/10.31110/colins/2024-4/012.

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Meskova, Sandra. "SPACING MEMORY: TOPOGRAPHIES OF MEMORY NARRATIVE IN MARGARET ATWOOD�S AND ANITA LIEPA�S FICTION." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.2/s09.049.

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KORZUN, A. V. "EMOTIVITY AS AN ESSENTIAL CATEGORY OF EMOTIVE LINGUOECOLOGY." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ, 201–4. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_201.

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This work touches upon one of the fundamental categories of Emotive Linguoecology – the category of emotivity. The article gives the definition of the term “emotivity”, emphasizes its difference with the term “emotionality” and describes its correlation with pragmatics of communication. It also provides a brief description both of its structure and the implementation of this category in the process of communication. The structure of the category of emotivity distinguishes several microfields, which differ from each other depending on a prevailing element, i.e. emotional, rational or intellectual, which, in its term, affects the ways of the category’s linguistic expression. The differences of microfields are illustrated by the examples of dialogical units from English-language artistic discourse, since they are viewed upon as the most similar to some communicative situations in real life. A collection of short stories by a contemporary Canadian writer, a winner of various prizes in the field of literature, Margaret Atwood “Stone Mattress” (i.e. the story «Revenant») was selected for the analysis.
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Krivachkova, Kalina. "Comparative study of Christina Dalcher’s VOX and Margaret Atwood’s The Handmaid’s Tale." In 5th International Conference on New Findings On Humanities and Social Sciences. Acavent, 2020. http://dx.doi.org/10.33422/5th.hsconf.2020.11.100.

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ŞERBAN, ANDREEA. "CANNIBALISED BODIES AND IDENTITIES, MARGARET ATWOOD'S, THE EDIBLE WOMAN, LADΥ ORACLE, AND CAT'S EΥE". У Proceedings of the 9th International Symposium on Interdisciplinary Regional Research. WORLD SCIENTIFIC, 2008. http://dx.doi.org/10.1142/9789812834409_0036.

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Rosa, Silvia, Riyani Vadilla, Dina Fauzana, and Mahawitra Jayawardana. "When the Author Sued for Exploitation of Women and Nature in Margaret Atwood's Surfacing." In Proceedings of the First International Seminar Social Science, Humanities and Education, ISSHE 2020, 25 November 2020, Kendari, Southeast Sulawesi, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.25-11-2020.2306760.

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Bratanovic, Edita. "The Psychological State of Mind of Female Characters in Margaret Atwood’s Novel “The Edible Woman”." In International Academic Conference on Research in Social Sciences. Acavent, 2019. http://dx.doi.org/10.33422/iacrss.2019.11.630.

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