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Journal articles on the topic 'Margarethe'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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1

Petty, Mery. "Móin-Móin, Margarethe." Móin-Móin: Revista de estudos sobre teatro de formas animadas 1, no. 3 (May 17, 2018): 229–40. http://dx.doi.org/10.5965/2595034701032007229.

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2

Slavin, Jonathan H., and Miki Rahmani. "Finding Margarethe Lutz." Psychoanalytic Perspectives 13, no. 3 (September 2016): 336–41. http://dx.doi.org/10.1080/1551806x.2016.1228919.

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3

Sannino, Margarethe. "German Law and Legal Information from a Law Firm Perspective." Legal Information Management 14, no. 2 (June 2014): 110–15. http://dx.doi.org/10.1017/s1472669614000280.

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AbstractIn this article Margarethe Sannino shares some information on how legal research works in an international law firm with several offices. The focus is on German law and legal materials. A short introduction to German law is followed by an outline of German research resources in general and then, further on, there are two parts describing specific approaches to research from Margarethe's daily work; research on company/corporate law requests as well as research on legislative acts.
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4

Herzele, Margarethe. "Two Drawings by Margarethe Herzele." Frontiers: A Journal of Women Studies 8, no. 2 (1985): 17. http://dx.doi.org/10.2307/3346047.

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5

BRUDER, H. "Margarethe Siems Strauss's Ideal Soprano?" Opera Quarterly 15, no. 3 (January 1, 1999): 391–400. http://dx.doi.org/10.1093/oq/15.3.391.

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6

Walser, Raphaela. "Die Akte Margarethe Babka Geschütztes Leben in einer „Mischehe“?" historia.scribere, no. 11 (June 17, 2019): 111. http://dx.doi.org/10.15203/historia.scribere.11.829.

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The following paper is about the Jewish woman Margarethe Babka, who lived in a so-called „protected mixed marriage“ („Mischehe“) during National Socialism in Tyrol. The status of being a protected Jew was said to be a protection from deportations, anti-Jewish laws or from detention in concentration camps. The aim of this paper is twofold. Firstly, the biographical work will provide background data to a research project at the Department of Contemporary History of the University of Innsbruck, reconstructing the life of Jewish hybrids and „mixed marriages“ in the Gau Tyrol-Vorarlberg between 1938 and 1945; secondly, it will question the aspect of protection in the life of Jews living in a „Mischehe“ during National Socialism in Tyrol by portraying the story of Margarethe Babka.
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7

Porton, RicharD. ": Rosa Luxemburg . Margarethe von Trotta, Eberhard Junkersdorf." Film Quarterly 42, no. 2 (December 1988): 39–42. http://dx.doi.org/10.1525/fq.1988.42.2.04a00060.

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8

Kaysser, Wolfgang. "Dr. Margarethe Hofmann-Amtenbrink on her 65thbirthday." International Journal of Materials Research 105, no. 4 (April 14, 2014): 423. http://dx.doi.org/10.3139/146.610018.

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9

Porton, RicharD. "Rosa Luxemburg Margarethe von Trotta Eberhard Junkersdorf." Film Quarterly 42, no. 2 (December 1988): 39–42. http://dx.doi.org/10.2307/1212621.

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10

Chapellon, Sébastien, and Florian Houssier. "Margarethe, l’adolescente qui mentit à S. Freud." Cliniques méditerranéennes 94, no. 2 (2016): 285. http://dx.doi.org/10.3917/cm.094.0285.

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11

Eifler, Margret, Renate Hehr, and Thilo Wydra. "Margarethe von Trotta as Filmmaker: Biographical Retrospectives." German Quarterly 76, no. 4 (2003): 443. http://dx.doi.org/10.2307/3252242.

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12

Sickinger, Nina. "Margarethe Max: Immer mehr auf Augenhöhe: Pflegekräfte und Ärzte." kma - Klinik Management aktuell 22, no. 10 (October 2017): 82. http://dx.doi.org/10.1055/s-0036-1594875.

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AUSLÄNDISCHE MITARBEITER BERICHTEN AUS DEUTSCHEN KLINIKEN Margarethe Max (52) stammt aus Polen und arbeitet seit 29 Jahren als examinierte Krankenschwester in Deutschland. Als sie ihre erste Stelle hierzulande antrat, war sie verblüfft, wie fantastisch die deutschen Kliniken im Gegensatz zu den polnischen ausgestattet waren.
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13

Linville, Susan E. "Retrieving History: Margarethe von Trotta's Marianne and Juliane." PMLA 106, no. 3 (May 1991): 446. http://dx.doi.org/10.2307/462778.

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14

Battenberg, J. Friedrich. "Wilhelm Baum, Margarethe Maultasch, Erbin zwischen den Mächten." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 114, no. 1 (August 1, 1997): 552–53. http://dx.doi.org/10.7767/zrgga.1997.114.1.552.

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15

Christensen, Peter G. "Margarethe von Trotta's "Sisters" and the Grimms' Fairy Tales." Rocky Mountain Review of Language and Literature 43, no. 4 (1989): 211. http://dx.doi.org/10.2307/1347009.

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16

Matt, Peter von. "Stolleis, Michael, Margarethe und der Mönch. Rechtsgeschichte in Geschichten." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 135, no. 1 (August 1, 2018): 642–43. http://dx.doi.org/10.26498/zrgga-2018-13501114.

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17

Janice Mouton. "Margarethe von Trotta's Sisters: "Brides Under a Different Law"." Women in German Yearbook: Feminist Studies in German Literature & Culture 11, no. 1 (1995): 35–47. http://dx.doi.org/10.1353/wgy.1995.0000.

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18

Anna K. Kuhn. "Margarethe von Trotta's Sisters: Interiority or Engagement?" Women in German Yearbook: Feminist Studies in German Literature & Culture 1, no. 1 (1985): 77–84. http://dx.doi.org/10.1353/wgy.2012.0021.

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19

Christensen, Peter G. "Margarethe von Trotta's Sisters and the Grimms' Fairy Tales." Rocky Mountain Review 43, no. 4 (1989): 211–22. http://dx.doi.org/10.1353/rmr.1989.0045.

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20

Loewenberg, Peter. "Freud as an Existential Humanistic Psychotherapist: The Case of Margarethe." Journal of the American Psychoanalytic Association 65, no. 4 (August 2017): 665–72. http://dx.doi.org/10.1177/0003065117728065.

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21

Kuttenberg, Eva. "Teaching Foreign Cultural Literacy with Margarethe von Trotta's "Das Versprechen"." Die Unterrichtspraxis / Teaching German 36, no. 2 (2003): 135. http://dx.doi.org/10.2307/3531087.

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22

Otten, Heide, Günther Bergmann, Doris Rolfes-Neumann, Peter Fink, Herta Wetzig-Würth, Ernst Holzbach, Norbert Günzel, Martin Steinbach, Werner und Helga König, and Ernst R. Petzold. "Balintarbeit in Deutschland – wie wir wurden, was wir sind." Balint Journal 22, no. 01 (March 2021): 3–17. http://dx.doi.org/10.1055/a-1376-5372.

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ZusammenfassungWerner Stucke (geb.am 29.07.1921, gest. am 06.05.1995) und Margarethe Stubbe (geb.am 02.03.1921, gest. am 05.04.2010) haben die Deutsche Balint Gesellschaft von ihrer Gründung 1974 an begleitet und wesentlich geprägt. Wegbegleitende Kollegen erinnern sich an diese beiden Persönlichkeiten und die Begegnungen mit Ihnen. Es wird deutlich, dass sie Spuren hinterlassen haben, die sowohl im politischen als auch im persönlichen Bereich Früchte getragen haben. In einer virtuellen Balintgruppe erinnern sich 8 KollegInnen an die beiden Jubilare.
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23

Jevtić, Iva. "Izrekanje resnice v Ogledalu preprostih izničenih duš Margarete Porete." Clotho 3, no. 1 (September 7, 2021): 77–99. http://dx.doi.org/10.4312/clotho.3.1.77-99.

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Prispevek obravnava Margareto Porete in Ogledalo preprostih duš skozi prizmo Foucaultovih predavanj o ≫veridikciji≪ oziroma štirih prevladujočih načinih izrekanja resnice: prerokbi, modrosti, poučevanju in pareziji. Tudi v svojih hibridnih oblikah so bili ti načini še vedno vezani na posebne institucije izrekanja resnice, s specifičnimi udeleženci, področji nagovarjanja in načini izrekanja. Besedilo v tem okviru analizira Margaretin proces in osrednje ideje njenega dela ter prepozna mistično misel Margarete Porete kot poskus oblikovanja novega prostora v obstoječih režimih izrekanja resnice; pri tem je njeno orodje medij knjige oziroma strateško preoblikovanje odnosa med telesom in pisanjem.
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24

Serina, Florent. "Margarethe Hilferding. Une femme chez les premiers psychanalystes par Françoise Wilder." Canadian Bulletin of Medical History 35, no. 2 (September 2018): 460–61. http://dx.doi.org/10.3138/cbmh.35.2.253-022018.

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25

MCCORMICK, RICHARD W. "Cinematic Form, History, and Gender in Margarethe von Trotta's Rosa Luxemburg." Seminar: A Journal of Germanic Studies 32, no. 1 (February 1996): 30–43. http://dx.doi.org/10.3138/sem.v32.1.30.

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26

Cormican, Muriel. "The Demands of Holocaust Representation: Formal Considerations in Margarethe von Trotta'sRosenstraße." German Quarterly 87, no. 4 (October 2014): 440–58. http://dx.doi.org/10.1111/gequ.10218.

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27

Steinberg, Michael P. "Seeing Hearing Thinking: Introducing thedifferences Dossier on Margarethe von Trotta’sHannah Arendt." differences 26, no. 2 (September 2015): 61–69. http://dx.doi.org/10.1215/10407391-3145961.

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28

Babich, Babette. "Thinking on Film: Jaspers, Scholem, and Thinking in Margarethe von Trotta’s Hannah Arendt." German Politics and Society 34, no. 1 (March 1, 2016): 77–92. http://dx.doi.org/10.3167/gps.2016.340104.

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Margarethe von Trotta’s 2013 film Hannah Arendt, starring Barbara Sukowa as Hannah Arendt raises sociopolitical and specifically philosophical questions in the contentious context of Arendt’s 1963 book Eichmann in Jerusalem.2 The film itself generated both sociopolitical and philosophical controversy. At the same time, the overwhelming majority of both popular and academic responses to the film have tended to focus on the controversy surrounding the subtitle of Arendt’s original book —A Report on the Banality of Evil.3 Even accounts inclined to praise the film emphatically criticize Arendt on the matter of Eichmann in Jersualem. I will here seek to speak about thinking.
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29

H-B. Moeller. "The Films of Margarethe von Trotta: Domination, Violence, Solidarity, and Social Criticism." Women in German Yearbook: Feminist Studies in German Literature & Culture 2, no. 1 (1986): 129–49. http://dx.doi.org/10.1353/wgy.2012.0068.

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30

Kelly, Alex. "Heritage Cinema and the Holocaust in Margarethe von Trotta’s Rosenstrasse (Rosenstraße, 2003)." Film Matters 11, no. 2 (September 1, 2020): 89–96. http://dx.doi.org/10.1386/fm_00079_7.

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31

Arendt, Christine. "Reflexionen über den Umgang mit Geschichte – der Film Hannah Arendt im DaF-Unterricht." Informationen Deutsch als Fremdsprache 47, no. 6 (November 27, 2020): 651–71. http://dx.doi.org/10.1515/infodaf-2019-0059.

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ZusammenfassungIn diesem Beitrag soll dargestellt werden, wie der Film Hannah Arendt (Regie: Margarethe von Trotta, 2012) im DaF-Unterricht an Universitäten eingesetzt werden kann. In einer Filmanalyse werden die ästhetischen Eigenschaften des Films untersucht, aber auch, inwiefern der Film die Wertung von Geschichte und den Umgang mit ihr thematisiert. In einem zweiten Schritt wird eine Unterrichtseinheit an der Università Cattolica in Mailand vorgestellt und aufgezeigt, wie der Film zur Reflexion über das Böse und die Verantwortung des Einzelnen für sein Handeln anregt und zugleich die Perspektivität von Geschichtsbetrachtung bewusst macht. Anhand von schriftlichen Texten von Studierenden wird kulturreflexives Lernen rekonstruktiv nachvollziehbar gemacht.
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32

HÖRMANN, Julia. "Curia Domine - Der Hof der Margarethe Maultasch als Beispiel weiblicher Hofhaltung im Spätmittelalter." RÖMISCHE HISTORISCHE MITTEILUNGEN 1, no. 46. BAND (2005): 77. http://dx.doi.org/10.1553/rhm46s77.

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33

Joel Rosenberg. "Into the Woods: Eichmann, Heidegger, and Margarethe von Trotta’s Hannah Arendt." Jewish Film & New Media 2, no. 2 (2014): 201. http://dx.doi.org/10.13110/jewifilmnewmedi.2.2.0201.

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34

Hedstrom, Elke O. "Margarethe Susanne von Kuntsch (1651-1717): Eine unbekannte deutsche Dichterin aus der Barockzeit." Daphnis 19, no. 2 (January 3, 1990): 223–46. http://dx.doi.org/10.1163/18796583-01902004.

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35

Whitehall, D. "People in glass houses: lessons for international law from Margarethe von Trotta's Hannah Arendt." London Review of International Law 2, no. 2 (September 1, 2014): 329–53. http://dx.doi.org/10.1093/lril/lru012.

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36

Slavin, Jonathan H., and Miki Rahmani. "Those 45 Minutes Changed My Life: The Meeting of Sigmund Freud and Margarethe Lutz." Psychoanalytic Perspectives 13, no. 3 (September 2016): 291–93. http://dx.doi.org/10.1080/1551806x.2016.1228884.

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37

Pollo, Vera. "Homossexuais, sim, mas no feminino." Revista de Psicanálise Stylus, no. 35 (February 28, 2018): 113–20. http://dx.doi.org/10.31683/stylus.v0i35.123.

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O presente artigo propõe-se discorrer sobre aquelas que se dizem “homossexuais” no feminino, tomando como eixo o caso freudiano que se tornou conhecido como “A jovem homossexual”. A autora relembra que foi justamente na escrita desse caso que Freud deixou clara a distinção entre posição sexual e escolha de objeto, e que Lacan, ao relê-lo, observou o quanto a homossexualidade feminina ensina sobre as etapas do encaminhamento da mulher. O texto percorre algumas passagens da biografia de Margarethe Csonka Trautenegg, a qual foi publicada com o título Desejos secretos: a história de Sidonie C., a paciente homossexual de Freud (2008). Em seguida, desenvolve com Lacan uma articulação do discurso sexualcom a escolha homossexual feminina para abordar aspectos do quadro lógico da sexuação, em particular o quantificador não-toda.
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38

Eva Kuttenberg. "The Hidden Face of Narcissus: Suicide as Poetic Speech in Margarethe von Trotta's Early Films." Women in German Yearbook: Feminist Studies in German Literature & Culture 20, no. 1 (2004): 122–44. http://dx.doi.org/10.1353/wgy.2004.0003.

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39

Brückner, Undine. "Verschriftlichte Laienfrömmigkeit: die Andachts- und Gebetshandschriften der Margarethe von Rodemachern und der Dorothea von Hof." Zeitschrift für Literaturwissenschaft und Linguistik 40, no. 3 (September 2010): 57–81. http://dx.doi.org/10.1007/bf03379462.

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40

Carrdus, Anna. "CONSOLATION ARGUMENTS AND MATERNAL GRIEF IN SEVENTEENTH‐CENTURY VERSE: THE EXAMPLE OF MARGARETHE SUSANNA VON KUNTSCH1." German Life and Letters 47, no. 2 (April 1994): 135–51. http://dx.doi.org/10.1111/j.1468-0483.1994.tb01526.x.

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41

Hervé, Martin. "La proie ouverte en son ombre." Études françaises 54, no. 2 (July 19, 2018): 27–44. http://dx.doi.org/10.7202/1050585ar.

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Dans Blesse, ronce noire (Paris, José Corti, 1995), Claude Louis-Combet se consacre à la vie imaginaire et érotique du poète Georg Trakl et de sa soeur Margarethe. Leur drame incestueux repose sur un fantasme d’union et de complétude qui articule tout un théâtre d’images troubles, si ce n’est doubles, du masculin et du féminin. Drame qui doit en passer par un scénario cynégétique pour que le frère et la soeur, le chasseur et sa proie, investissent la scène de la rencontre des corps. Celle-ci aura été autant désirée que retardée, mise à distance par ces images dans lesquelles les amants préfèrent se contempler et se leurrer plutôt que d’ouvrir les yeux, c’est-à-dire de faire face à l’impossible de leur rêve du comme un. Aussi l’acte sexuel sonne, non l’hallali de la jouissance, mais la curée funeste du désir. À l’impossible de la coïncidence des sexes, les amants Trakl n’opposent que le déni d’un jeu d’ombres.
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42

Robertson, Judith P. "Teaching in Your Dreams: Screen-play Pedagogy and Margarethe von Trotta’s The Second Awakening of Christa Klages." Canadian Journal of Film Studies 13, no. 2 (October 2004): 2–20. http://dx.doi.org/10.3138/cjfs.13.2.2c.

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43

Schiano, Claudio. "Stephani Byzantii Ethnica. Volumen II: Δ–Ι. Recensuerunt Germanice vertunt adnotationibus indicibusque instruxerunt Margarethe Billerbeck et Christian Zubler." Gnomon 84, no. 8 (2012): 680–87. http://dx.doi.org/10.17104/0017-1417_2012_8_680.

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44

Wisniewski, Stephanie. "The Softer Side of Leadership." Neonatal Network 20, no. 2 (March 2001): 57–58. http://dx.doi.org/10.1891/0730-0832.20.2.57.

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MARGARET HOULIHAN, HEAD NURSE on the TV sitcom M*A*S*H*, is a perfect example of how nurse leaders used to be. Margaret is a dictator. When she faces a problem, she faces it alone, never involving her staff in finding a solution. Instead, Margaret sits up nights internalizing the problem, and later, she rudely barks her orders at the nursing staff. Margaret’s communications are unilateral; she gives orders and the staff listens. The staff nurses do not feel worthy enough to make suggestions or offer help because it is not Margaret’s style to listen. Kerfoot calls this type of leadership “command and control.”1 We can all probably name at least one controlling manager we have known. Many nurses today still prefer this structured style of leadership because accountability rests completely with the manager.
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45

Schuler, Christof. "Stephani Byzantii Ethnica. Volumen IV: Π-Υ. Recensuerunt Germanice verterunt adnota-tionibus indicibusque instruxerunt Margarethe Billerbeck et Arlette Neumann-Hartmann." Gnomon 91, no. 4 (2019): 309–11. http://dx.doi.org/10.17104/0017-1417-2019-4-309.

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46

Katzel, Ute. "A Radical Women's Rights and Peace Activist: Margarethe Lenore Selenka, Initiator of the First Worldwide Women's Peace Demonstration in 1899." Journal of Women's History 13, no. 3 (2001): 46–69. http://dx.doi.org/10.1353/jowh.2001.0067.

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47

Loshitzky, Yosefa. "A Tale of Two Feminists?" Camera Obscura: Feminism, Culture, and Media Studies 34, no. 2 (September 1, 2019): 103–31. http://dx.doi.org/10.1215/02705346-7584928.

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One of the most engaging, yet controversial, public intellectuals of the twentieth century, Hannah Arendt continues to be attacked with the same venom and ferocity that followed the publication of Eichmann in Jerusalem: A Report on the Banality of Evil (1963) more than fifty years ago. This article discusses why Arendt remains such a divisive figure and why her intellectual legacy is still so unsettling, particularly for Zionists. The essay examines how these issues are represented, negotiated, and problematized in Margarethe von Trotta’s film Hannah Arendt (Germany/ Luxembourg/France, 2012). It explores how one of the most prominent contemporary feminist filmmakers, whose work celebrates the life and activism of revolutionary women from Rosa Luxemburg to Gudrun Ensslin from the Red Army Faction, transforms the “historical Arendt” into a “cinematic Arendt.” Although not a revolutionary in the tradition of Luxemburg, the German-Jewish political thinker Arendt is an interesting choice for a left-leaning, post-Holocaust German woman director. Yet Arendt presents a paradox for feminists due to the contradictions embedded in her works and public pronouncements. The article examines these contradictions and how Arendt emerges from this film, which attempts to portray a politically engaged intellectual woman, a figure that is almost entirely absent from the film screen.
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48

Smets, Peer. "Margarethe Kusenbach and Krista E. Paulsen (eds.) 2013: Home: International Perspectives on Culture, Identity, and Belonging . Frankfurt am Main: Peter Lang." International Journal of Urban and Regional Research 40, no. 5 (September 2016): 1073–74. http://dx.doi.org/10.1111/1468-2427.12411.

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49

Glesner, Julia. "Die digitale Gretchenfrage – Wie hast du’s mit Google?" Zeitschrift für Kulturmanagement 4, no. 1 (May 1, 2018): 119–32. http://dx.doi.org/10.14361/zkmm-2018-0107.

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AbstractDie Frage, mit der Goethe Margaretes Bemühen ausdrückte, Faust in Marthens Garten endlich das für sie existenzielle Bekenntnis zum Religiösen abzuringen, ist längst zum Idiom unserer Sprache geworden. Die Wortprägung steht für eine Gewissensfrage, die zu beantworten Unbehagen hervorrufen darf. Margarete stellt ihre Frage, weil sich Faust widersprüchlich verhält. Um eine Gretchenfrage zu beantworten, ist eine eindeutige Werthaltung und Positionierung erforderlich. Eine solche Positionierung müssen Führungskräfte in Kulturbetrieben entwickeln, wenn sie von Google genau das Angebot erhalten, das man nicht ablehnen kann.
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50

Schiano, Claudio. "Stephani Byzantii Ethnica. Volumen I: A-Γ. Recensuit Germanice vertit adnotationibus indicibusque instruxit Margarethe Billerbeck adiuvantibus Jan Felix Gaertner, Beatrice Wyss, Christian Zubler." Gnomon 80, no. 8 (2008): 685–90. http://dx.doi.org/10.17104/0017-1417_2008_8_685.

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